'Silent Night, Deadly Night' unleashes killer Santa: Watch the trailer
The first teaser trailer has arrived for "Silent Night, Deadly Night" (in theaters Dec. 12), an unrated reimagining of the controversial 1984 cult horror movie written and directed by Mike P. Nelson ("Wrong Turn"). And this slasher Santa Claus doesn't mess around, using an axe and a shotgun with deadly intention and also down for impaling people on deer antlers.
Rohan Campbell, whose scary-movie resume includes "Halloween Ends" and "The Monkey," stars in the film as Billy. As a child, he witnesses Santa gruesomely murder his mom and dad on Christmas Eve, and it sparks his life goal to spread holiday fear instead of cheer. So every holiday, Billy gets in the familiar red suit and embarks on a yuletide massacre.
"Silent Night" is the latest unrated movie coming to theaters from Cineverse, the company which distributes the hit "Terrifier" franchise and is also releasing the upcoming "The Toxic Avenger" remake (out Aug. 29) starring Peter Dinklage. Cineverse is "this rogue independent studio that's all about helping artists get their films in front of audiences," chairman and CEO Chris McGurk told USA TODAY in March.
Maybe audiences in 2025 will be more embracing of a murderous St. Nick than in the 1980s. When the original "Silent Night" was released in November 1984, its ad campaign caused a kerfuffle and the filmed ended up being pulled from theaters amid parental outrage,
This article originally appeared on USA TODAY: 'Silent Night, Deadly Night' 2025 trailer remakes a killer Santa
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Jeannie Seely, a country star of the '60s and '70s who had been a favorite of Grand Ole Opry audiences from her induction in 1967 up until the present day, died Friday at age 85. Seely last performed on the Opry on Feb. 22 of this year — her 5,397th Opry performances, which surpassed the number for any other performer in the history of the century-old live broadcast. Not just on the Opry, but generally speaking, Seely was considered to be the oldest regularly working female country singer. (Among all ongoing Opry stars, Bill Anderson still had a couple of years on her; he is 87.) 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'I have known Jeanie Seely since we were early on in Nashville,' Parton wrote in a message on Instagram. 'She was one of my dearest friends. I think she was one of the greater singers in Nashville and she had a wonderful sense of humor. We had many wonderful laughs together, cried over certain things together and she will be missed.' Sunny Sweeney, one of the younger-generation country traditionalists who revered Seely, spoke about learning about the death while playing the Opry Friday night. 'Tonight I played the Opry for the 77th time for the release of my new album that came out today,' Sweeney wrote on Instagram. 'I was set up in Jeannie Seely's dressing room and had a 4:40 p.m. rehearsal. My rehearsal got moved to 5:40 at the last minute so I was sitting in her room, where I've spent so many nights with her and Gene [her late husband] over the years, when she passed on across town at 5:00 pm. I can't explain what that coincidence will mean to me for the rest of my life. I will miss you forever, my friend… and I promise to carry your torch with pride forever. I loved you hard and knowing you was one of the greatest honors of my life… I cried on stage and I know she was rolling her eyes at me, telling me to not mess up my eye makeup.' In 2021, Variety profiled Seely's history with the Opry, visiting her backstage at the Opry House just prior to the show's 5,000th broadcast. 'Jeannie Seely is living proof that, in country music circles, it's possible to get hipper as you get older,' the article began. She talked then about what it was like to hang with the late Little Jimmy Dickens in the dressing room we were meeting in. 'I'd had had some vocal issues because I have some esophagus issues, and I went to him and I said, 'What do you do?' He said, 'Lower the keys and tell more bullshit.'' She told Variety that Dickens influenced the tone of her act. 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Then later, eventually, including Fred Foster at Monument, Hank was so frustrated by it. I remember he took me into Monument, into Fred's office about 5:30 one evening when everybody else was leaving the office. He handed me a guitar and said, 'Now sit there and sing until Fred signs you.' I always laughed later. I said I don't know whatever Fred finally heard something in that little session or whether he was just hungry and wanted to go to dinner and said, 'Okay, okay, whatever.' But thank goodness he did. He just said, 'Okay. I hear what you're hearing. Let's find some songs and we'll go ahead and record.'' Seely encountered no small amount of sexism along the way. There was even a level of patronizing embedded when she was complimented by no less a public figure than President Richard Nixon, who watcher her in his visit to the Opry in 1974 and said, 'Some girls have looks but can't sing. Others can sing but don't have looks. Jeannie Seely's got them both.' There was a glass ceiling at the Opry for many years of her tenure there. 'One of the things I have a lot of pride in is the fast that the doors are finally open for women to host. That was a door a lot of people don't realize in the newer generation, that those doors were not only slammed shut and locked, they were sealed against women; that was a door that I beat on constantly trying to get them to change that. I remember when Mr. Durham was the manager, I used to go to him all the time and I'd say, 'Okay, I know you've told me before why it is women can't host the Opry, but I forget,' and he'd say, 'It's tradition Jeannie,' and I said, 'Oh, that's right, it's tradition, it just smells like discrimination.' Things turned around, though, with a change of administration. 'I was very aware though that when Bob Whitaker came on as manager and he opened the doors and allowed me especially to do that, I knew that I had to do my homework, I knew I had to pay attention, I had to do it right or the door would be slammed again, not only on me but on a lot of them comin' behind me.' Seely told Variety in 2021 that she never told the Opry no when they invited her to perform. 'If the phone rings and I see it's Dan (Rogers), I never say 'Hello.' I just say, 'Yes.'' At the Opry, she said, there was little generation gap. 'I try to always impress this on young artists that didn't grow up on the Opry: It is not a normal concert venue. It's not a normal show. There's usually three generations represented on this stage, and you'll see three generations in the audience, you don't see that anywhere else. At sporting things, there might be in the crowd, but not on the field, you know? So I think that's one thing that makes the Opry so unique.' 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Wordle hints today for #1,505: Clues and answer for Saturday, August 2
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