
Smriti Irani, Ektaa Kapoor to visit Nathdwara temple ahead of Kyunki reboot
Speaking exclusively to India Today's sister channel Aaj Tak, Smriti Irani reflected on the legacy of 'Kyunki Saas Bhi Kabhi Bahu Thi' and how it reshaped the landscape of Indian television. She said the show not only became a prime-time hit but also gave jobs and opportunities to many people, including herself.First aired in 2000, 'Kyunki Saas Bhi Kabhi Bahu Thi' became a cult favourite and left a strong impact on generations of viewers. Now, as the show returns, the makers promise a fresh story while keeping the original emotion and charm alive.- EndsMust Watch
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Time of India
19 minutes ago
- Time of India
Urvashi Rautela turns trolling into triumph in her new KFC Ad
Urvashi Rautela has flipped internet trolling into her biggest triumph yet—with the help of KFC's latest ad campaign. In a now‑viral Instagram reel, she plays a mock financial guru and cheekily declares: 'After Shri Pythagoras ji, I'm the first Indian to contribute to maths.' By leaning into trolling about her intelligence, Urvashi transforms it into self‑parody and endearing the ad, she pitch‑forks the KFC Epic Savers meal deal—nine pieces of chicken for ₹299—as her ultimate financial wisdom: 'Money saved is money earned.' Her assistant sheepishly presents the food, prompting her to float the idea of launching 'UFC—Urvashi Fried Chicken.' Rather than shying away from mockery, Urvashi embraces it head-on—becoming the maths icon' the internet joked she wasn't—and turning skeptics into fans. A masterclass in owning the narrative with humour and style. Read More


The Hindu
19 minutes ago
- The Hindu
The book,The Man Who Became Cinema, deconstructs Dilip Kumar's acting method
Legends are not born, but made, is an adage that seems apt for Dilip Kumar. He was an icon, who evolved as an institution. Vyayanthimala, his co-star in seven hugely successful films, once remarked: 'The icon's influence on each generation has been such that there is a Dilip Kumar in every successful actor in Indian cinema'. Dilip Kumar is also credited to being the one who introduced method acting to Indian cinema — a foundation for which was first laid by Konstantin Stanislavski (Russian theatre practitioner) and popularised later by American acting coach and actor Lee Strasberg. Dilip Kumar's method acting brought about a revolutionary change in the portrayal of characters on screen, and with it the very art of film acting. The unforgettable classics such as Devdas (1955), Gunga Jamuna (1961) and Mughal-e-Azam (1960) depict the layers of emotions he continues to evoke in the viewers. Even in the provocative Jab pyar kiya to darna kya number one learns that there could be immense power in silence as conveyed by the character of Prince Salim. Dilip Kumar's magic on screen remains undeniable — a legacy that continues to enchant countless fans. He developed his method of acting as an antithesis to the widely followed classical acting technique. Dilip Kumar's method as well as the characters he portrayed carried a strong social bearing. His method was rooted in a kind of cultural re-discovery that helped the character acquire the ability to observe the peculiarities and happenings in society. Famously known as 'tragedy king' on screen, Dilip Kumar's commitment to his roles and his deep involvement with the characters he portrayed, believed to have led to serious psychological issues for which he had to consult a psychiatrist in England. The advice given to him was to switch to comic roles, which he did with aplomb and poise. In Ram aur Shyam (1967) and Gopi (1970) to name only a few,he displayed his sense and timing for comedy as well. All these facts and more are captured in the book, The Man Who Became Cinema , written by 'film buff' Ashok Chopra. Published by Penguin Random House, the book deconstructs Dilip Kumar's cinematic reach and unparalleled timelessness through the prism of 57 films. It explores each of his cinematic characters intricately grouped under six categories — film-by-film, frame-by-frame. The author develops an understanding of how Dilip Kumar exhibited his formidable capacity to innovate and improvise. Ashok also speaks about the actor's 'visual verbal personality composite', a complex mechanism by which his film dialogues were delivered. Dilip Kumar is said to be the only actor to have integrated audio and visual into a scene, as in, what finally gets conveyed to the viewer are not the words, but a strange modulation of the sound of these words with emotions. This was employed by the actor, particularly in romantic scenes. His films are considered masterpieces — to be seen and studied. According to Ashok, before director Ramesh Sippy started work on his film Saagar (1985), he asked Kamal Haasan to watch Dilip Kumar's Ganga Jamuna. 'There are several nuances that every actor should compulsorily watch — to understand the meaning of subtlety,' said Kamal. . It comes as no surprise that Dilip is not an actor who is imitated much, but his acting method is examined and studied. And The Man Who Became Cinema helps with that.


India.com
19 minutes ago
- India.com
Vijay Deverakonda's Kingdom Ignites Nationwide Craze, Sells 33,000 Tickets In Just 24 Hours
New Delhi: Vijay Deverakonda has once again proved his massive box office pull, as his upcoming film Kingdom witnesses a phenomenal response in advance bookings. In just 24 hours since ticket sales opened, the film has sold over 33,000 tickets, creating a significant buzz across major ticketing platforms and trending nationwide. This record-breaking demand highlights not only the film's rising anticipation but also reaffirms Deverakonda's status as one of Indian cinema's most magnetic stars. The excitement surrounding Kingdom has been building steadily ever since the launch of its high-octane trailer, which gave audiences a glimpse into the intense gangster drama centred on the emotional bond between two brothers. The gripping visuals, powerful dialogues, and Vijay Deverakonda's commanding screen presence have all contributed to skyrocketing expectations. Adding to the momentum, Kingdom is also witnessing impressive traction in overseas markets, with strong pre-sale numbers prompting the makers to plan grand premiere shows on July 30th. The team behind the film, including director Gowtam Tinnanuri and the production house Sithara Entertainments, are said to be extremely confident about the film's performance and is gearing up for an extensive release strategy both in India and abroad. With over 33,000 tickets already sold and buzz continuing to grow, Kingdom is poised to make a thunderous entry into cinemas. All eyes are now on its release, as fans await another powerful performance from Vijay Deverakonda and what could be one of the biggest hits of the year. Kingdom is set to release in cinemas on July 31, 2025.