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Revellers pour into Glastonbury Festival as gates open for 2025

Revellers pour into Glastonbury Festival as gates open for 2025

The gates to Glastonbury Festival have opened for the 2025 celebration of performing arts and music.
Organiser Emily Eavis and her father, co-founder Sir Michael Eavis, could be seen counting down and cheering as the festival officially opened while a brass band played.
Campers arriving at Worthy Farm in Pilton, Somerset, can expect a mixed bag of sunshine and rain throughout the week, with 'warm and rather humid' weather for the rest of Wednesday, according to forecasters.
This year's event will see headline performances from British rock/pop band The 1975, veteran singer Neil Young and his band the Chrome Hearts, and US pop star Olivia Rodrigo.
Eavis, 45, told BBC Radio 6 Music presenter Nick Grimshaw that opening the gates is 'one of my favourite moments of the whole weekend'.
She added: 'So much goes into all those areas… all that planning, all that speculation, all the opinions, all the debate, all the outrage, all the love, all the feelings that just are generated every day, all the press, all the noise.
'To be able to actually look everyone in the eye on those gates and bring everyone in, and just think, actually, it's all really just about this. It's all about these people having the best time over the next five days.'
More than 200,000 people are expected to descend on the fields of Pilton, with ticket-holders advised to prepare for mainly warm weather.
Met Office chief meteorologist Steve Ramsdale told the PA news agency: 'Sunny spells are expected for the rest of Wednesday over Worthy Farm and it's likely to stay dry. Things will feel warm and rather humid, with a maximum temperature of 22C.'
Performing in the coveted Sunday tea-time legends slot this year is Sir Rod Stewart, who previously said he will be joined by his former Faces band member Ronnie Wood, as well as some other guests.
His performance is to come after the Maggie May singer postponed a string of concerts in the US, due to take place this month, while he recovered from flu.
Speaking to BBC News about the performance, he said: 'I just wish they wouldn't call it the tea-time slot.
'That sounds like pipe and slippers, doesn't it?'
He previously said he had persuaded organisers to give him an hour-and-a-half slot after initially being offered 75 minutes.
'Usually I do well over two hours, so there's still a load of songs we won't be able to do,' he told the BBC.
'But we've been working at it. I'm not gonna make any announcements between songs. I'll do one number, shout 'next', and go straight into the next one.
'I'm going to get in as many songs as I can.'
One of the more controversial acts performing is Irish rap trio Kneecap, who have been in the headlines recently after one of their members was charged with a terror offence.
Liam Og O hAnnaidh was charged for allegedly displaying a flag in support of proscribed terrorist organisation Hezbollah at a gig in London in November last year.
Last week, the 27-year-old, who performs under the stage name Mo Chara, was cheered by hundreds of supporters as he arrived with bandmates Naoise O Caireallain and JJ O Dochartaigh at Westminster Magistrates' Court in 'Free Mo Chara' T-shirts.
He was released on unconditional bail until his next hearing at the same court on August 20.
Prime Minister Sir Keir Starmer has said the group's performance at the festival, taking place on the West Holts Stage at 4pm on Saturday, is not 'appropriate' and Conservative Party leader Kemi Badenoch said she thought the BBC 'should not be showing' Kneecap's performance.
Earlier in the month, in an appearance on the Sidetracked podcast, Eavis outlined the changes that have been made to this year's festival and said music area Shangri-La is 'going full trees and green space' which is 'completely the opposite to anything they've done in the past'.
She also said the festival, which has capacity for 210,000 people, has sold 'a few thousand less tickets' this year in a bid to avoid overcrowding.
Among the acts expected to draw large crowds this year is alternative pop star Charli XCX, who will perform songs from her genre-defining sixth studio album Brat.
She is performing on Saturday night on the Other Stage, 15 minutes before the West Holts stage is graced by US rapper Doechii, another artist who has exploded in popularity in the last year.
Other performers include Irish singer CMAT, Prada singer Raye, US musician Brandi Carlile, Nile Rodgers and Chic, hip-hop star Loyle Carner, US pop star Gracie Abrams, indie outfit Wet Leg, Mercury Prize-winning jazz quintet Ezra Collective, US rapper Denzel Curry, and rising star Lola Young.
The line-up also features a number of acts listed as TBA, as well as a mysterious act called Patchwork, who will take to the Pyramid Stage on Saturday.
This year, the BBC will provide live-streams of the five main stages – Pyramid, Other, West Holts, Woodsies and The Park.
On Wednesday at 10pm the festival will open with a theatre and circus act set in the Pyramid Arena, which will showcase acrobatic and circus performances, culminating in a fireworks display.

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T uesday, June 24, 2025, 9pm. It's now 11 hours until the gates open on the 2025 Glastonbury Festival and Emily Eavis is walking across the Pyramid field. This is the week it was revealed that the festival has been officially handed over to Emily by her father, Michael — its 89-year-old founder — via a trust, and she is taking her newly-crowned status in her stride. There are rumours as to which celebrities are coming this year (Paul Mescal, Margot Robbie, Paul McCartney, Harry Styles), and we discuss the new fields the festival has purchased to make the event even bigger (the Dragon's Tail area 'has a 50ft-long illuminated stained-glass dragon — you have to check it out!') and how the Eavis family's dog, Clover, has been given her own access-all-areas festival laminate — which might be my favourite adorable story involving dogs of 2025. Suddenly, as if guided by a sixth sense, Emily's head swivels 90 degrees and she bends over. 'Well, that's a trip hazard!' she says, picking up a rock the size of a packet of Ryvita and carefully placing it behind some fencing. • Glastonbury 2025 TV Guide: How to watch the festival live from home Glastonbury throws open its gates Innate health and safety/mum instinct served, she carries on to the arena, where the rehearsals for the opening night's aerial circus spectacular are taking place. It's genuinely stunning. Two 50ft-high cranes have wheelchair dancers, with the wheelchairs garlanded with LED lights. They are suspended over a selection of fire-breathers, women in diaphanous dresses swaying on 20ft-high poles and a choir singing Hey Jude. There are jugglers, drummers and a Palestinian circus group who only had their visas approved 48 hours ago. 'We thought, well, why not?' Emily says, watching the whole thing with glee. This opening event alone is the kind of thing people would consider a cultural highlight of their month. It's an amuse-bouche-sized piece of the 2012 Olympics opening ceremony — but in a field in Somerset. The fact that it's thrown into the mix alongside Neil Young, Charli XCX, the 1975, Rod Stewart, the Prodigy, CMAT, a café in the hull of a crashed plane, fireworks, arrow-making classes, 24-hour bars, New York gay discos, libraries, a recreation of the refugee experience in the dystopian Terminal 1 and lesbian glam squads is a reminder: there is simply nothing else like Glastonbury on earth. For your £378 ticket — the cost of seeing Beyoncé in London, and in a shit seat at that — you get a lot of bang for your buck. As we stand there, marvelling at the rehearsal, helicopters circle overhead. Security guards' radios crackle by the fences. The BBC is preparing for more than 90 hours of television coverage. By the end of tomorrow 210,000 people will have come through the gates. And every paper has a story about the festival on its front page. The prime minister, Sir Keir Starmer, and Kemi Badenoch, leader of the opposition, have both voiced their disapproval at one of the festival's most controversial acts, Kneecap, who are playing on Saturday. • Glastonbury 2025: Michael and Emily Eavis open festival at Worthy Farm This year, as every year, for the last week of June Glastonbury is one of the biggest stories in the world. It has come a long way since it started in 1970, when 1,500 people attended and everyone was given a free pint of milk. And I've come a long way since I first attended the festival in 1992. Back then — as was only appropriate for an 18-year-old — I was fully intent on sex, drugs and rock'n'roll. For three days I barely slept, I wore my Sexy Boots and — the synapses which are still fried I regret to report — I consumed such a quantity of MDMA that it took me several hours to realise that the headliners, the Orb, had in fact finished their set. Glastonbury 2025 is now officially under way OLI SCARFF/GETTY IMAGES 'When are they on?' I kept asking my friend as I lay on my back, staring up at the sky. 'When does it start?' At 50, my Glastonbury experience is very different. Having learnt the hard way not to wear Sexy Boots at a festival — on the Sunday night of my first Glastonbury I peeled from my feet layers of flayed skin that looked like thinly sliced ham — I am in the world's most sensible orthotic trainers. My drugs stash consists of HRT, electrolytes, beta blockers and a nightly pill to mitigate hormonal hair loss. And as for sex, well, having learnt the hard way, Old Betsy is closed for business a full week before the festival even starts. If an army marches on its stomach, a female festivalgoer marches on the health of her urinary tract. If that goes down, it's game over. You cannot spend the greatest festival in the world sitting on the toilet, crying. I learnt this lesson in 1995. And 1998. And 2005. Having sex at a festival is an act of extreme foolishness. The only 'exciting powder' I have is 300g of D-Mannose — the effervescent cystitis preventative — in a Ziploc bag. If you went by the photos and footage of Glastonbury alone, you would presume it is a festival full of young sexy people doing young sexy things. And indeed, all the young sexy people are here. At 2am on Tuesday, six hours before the festival opens, I wander around, eating local chips 'that were potatoes in the ground last Friday', and it seems that most of the site's 23,000 staff — security, litter-pickers, stall-holders — are queueing up for the crew-only after-hours clubs, which are pumping. There are old people here, of course. Most of them are asleep — it's 2am! — but by tomorrow they will be out in force. By 6am there are dad joggers in Lycra doing a circuit of the site, and mums doing yoga — some at the Power Ballad Yoga event, where you can perform your downward dog to Total Eclipse of the Heart. There are nans in electric wheelchairs, heroically holding pints of cider as they weave their way up the hill to the Stone Circle. And if you've ever fancied Gandalf, Glastonbury is the place to bag a hot wizard — there are throngs of super-fit bearded OAPs, some actually holding staffs, tending the permaculture fields and/or dancing on top of an upturned bin. Revellers on Glastonbury 2025's opening day WILLIAM DAX/SWNS Every time I come here, I try to figure out exactly why I love Glastonbury so much. After years of therapy I only have one recurrent dream and it's that I'm at Glastonbury on a Sunday, hours before the event is due to finish, and I have a sudden, panicked revelation. 'I haven't done the best bit,' I'm saying desperately to friends. 'I got distracted — I was talking to someone I don't really like; I was having an argument — and I forgot to go to the best bit.' The best bit is always different — a certain field; a certain band — but the emotion is always the same: somehow I've wasted Glastonbury. In the last hours I must run, run, and find it, like in Gone with the Wind when Scarlett O'Hara dreams of running through the fog to try to find Rhett Butler. I have this dream almost every week. A lot of it is, obviously and simply, that Glastonbury is emblematic of fun. Where else would Louis Tomlinson from One Direction discover that nowhere is showing the Euro 2024 England v Slovakia match, then bring a 42in flatscreen TV, a generator and a wi-fi dongle to his campsite and broadcast the match to anyone who wanted to watch it, as he did last year? • Glastonbury? I'd pay good money not to go — even for Rod Stewart Where else would the super-WAG Nancy Dell'Olio turn up in a mud storm, wearing knee-high suede boots, ask hopefully if there were 'any taxis' on site to take her to her Winnebago, then be portered through the backstage area in a wheelbarrow, like a piece of luggage, by a resourceful steward? If you've ever wished for a reality TV show based on what celebrities would do on a camping trip, Glastonbury fulfils your every whimsy. But of course, although the celebrities take up a lot of the Glastonbury coverage, it's only because they are the most visible conduit for trying to convey what the experience is like for the other 210,000 people. There is no single, definitive Glastonbury experience. Unlike any other festival — Reading, Latitude, Coachella — you cannot 'play' Glastonbury like a computer game, Pokémon Go, say, collecting all its 'classic' experiences, because the festival is deliberately designed to make that impossible. 'Why would they put Neil Young on at the same time as Charli XCX, Scissor Sisters and Doechii?' Glastonbury chat boards moan. 'That's a terrible clash! Idiots!' Of course, these clashes are purposely crafted to stop crushes and bottlenecks. In 2023, when Elton John performed to the biggest modern crowd at the festival — an estimated 120,000 in the field, plus 7.3 million on TV — I was well versed enough in Glastonbury logic to not even attempt this 'must-see moment'. We went to see Queens of the Stone Age on the Other Stage instead, whom we instantly became massive converts to, then watched Elton on telly when we got home. Glastonbury makes you go and discover new favourite things. That's the point of its ludicrous abundance. The computer game analogy is, I think, best for understanding why people get addicted to Glastonbury, why 'the Glastonbury spirit' is talked about as a definite and palpable thing. Glastonbury isn't linear. You can't complete it. Instead it's like the gaming phenomenon Roblox — a 'sandbox' world in which users make their own games, worlds and apps. Almost every field, stage, piece of art or 'happening' on site is made by someone who initially came here as a punter and then approached the festival with an idea they wanted to contribute to the next event. The gigantic helicopter, retooled with the face of a bug, hovering over Arcadia, shooting lasers out of its eyes and playing drum'n'bass? The trance disco in Shangri-La that takes place surrounded by carefully tended raised vegetable beds? The secret Underground Piano Bar? This year's new Azaadi space, where a southeast Asian team play hip-hop, bhangra, garage and Bollywood classics? All of them are created by people who walked around Glastonbury at 3am and thought, 'I want to join in. I want to make something.' This is why, unlike any other festival, Glastonbury takes up more and more news space every year: it constantly converts its punters into creatives. You don't just do Glastonbury, you can be Glastonbury if you have the right idea. Of course, because there is no lens wide enough, or storytelling format big enough, to cover the simply mind-boggling scale of a 50-year-old festival the size of a city, most Glastonburys are reduced down to a single issue — mud, Elton, Prince Harry in the secret club the Rabbit Hole. This year's issue is Kneecap. More than 3,000 acts are playing but it's the Northern Irish band who have dominated the headlines. The band's Liam Óg Ó hAnnaidh is on bail, having been charged with waving a flag in support of the proscribed organisation Hezbollah at a London gig, and the prime minister took time out of his schedule to condemn Glastonbury for letting Kneecap's Saturday slot go ahead, saying he didn't think it was 'appropriate'. • BBC will not ban Kneecap from its Glastonbury coverage Consequently, Kneecap have become a must-see moment — what will they say on stage? What will they do? And why did Glastonbury not boot them off the bill? Right now it seems a burning topic but, of course, Glastonbury has hosted a million 'controversial' acts before. Whatever Kneecap eventually do, however outrageous they might be, Glastonbury is simply too huge, too varied and too old for the future to hold anything more than Kneecap being a very small footnote in the Wikipedia entry for Glastonbury 2025. Young men in bands habitually say and do attention-seeking things. And then, 40 years later, they're either obsolete — or legends. As a sensible-shoed, middle-aged Glastonbury-goer, it's this decades-long perspective that I think explains my recurrent dream about the place on Sunday night, running, full of regret, to find something I'd foolishly forgotten. It's clearly a metaphor for life: don't waste time on conversations with people you don't care about. Don't get caught up in stupid arguments. Get out there. Go. Revel in it while you still have time. When the potential for joy is all around you — and wherever you are, it always is, just a short walk away — go find the best bit. It's midsummer and you are getting older. You must always remember: go and look for the magic.

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