‘Wednesday' Season 2 London Premiere: See all the stars on the red carpet
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18 Jenna Ortega
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18 Catherine Zeta-Jones
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18 Steve Buscemi
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18 Billie Piper
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18 Olivia Harrison and Fred Armisen
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18 Tim Burton
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18 Luis Guzmán
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18 Oliver Watson
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18 Francesca Amewudah-Rivers
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18 Joanna Lumley
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18 Evie Templeton
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18 Moosa Mostafa
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18 Emma Myers
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18 Isaac Ordonez
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18 Gracy Goldman
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18 Georgie Farmer
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18 Joy Sunday
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Newsweek
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Sydney Sweeney's 'Great Jeans' Illuminate the Dangerous Resurgence of Eugenics
American Eagle came under fire recently for an ad campaign featuring actress Sydney Sweeney. In one ad, Sweeney fiddles with her jeans, saying, "Genes are passed down from parents to offspring, often determining traits like hair color, personality, and even eye color. My genes are blue." A male narrator finishes with, "Sydney Sweeney has great jeans." It's a play on homophones, but the wordplay reveals a more sinister element: Sweeney does not just have great American Eagle jeans, she has great American genes. Picking a blonde, blue-eyed, able-bodied all-American girl was not an accident. It was about showcasing what are "good genes," and thus what are "bad genes." It's a modern eugenics movement proudly re-emerging amid a welcoming political climate. A window display of actress Sydney Sweeney is seen on a window of an American Eagle store on Aug. 1, 2025, in New York City. A window display of actress Sydney Sweeney is seen on a window of an American Eagle store on Aug. 1, 2025, in New York City. Michael M. Santiago/Getty Images The American eugenics movement has historically promoted the superiority of Anglo-Saxon, able-bodied, wealthy people, leading to harmful policies from the Immigration Act of 1924 barring immigrants from Asia to a practice of unnecessary and undisclosed hysterectomies performed on Black women in the South so widespread it was coined the "Mississippi appendectomy." Eugenicists promoted anti-miscegenation laws and forced sterilization of those in prison and in poverty and of those with disabilities or mental illness. These practices have not died. In 2020, low-income immigrant women detained by ICE in Georgia were forcibly sterilized. As we hear rhetoric from the current administration about immigrants "poisoning the blood" of our country, it invites horrifying thoughts of what may be happening to immigrants currently being detained by ICE. Even more sinister, however, is a modern eugenics movement camouflaged by in vitro fertilization (IVF). IVF is increasingly popular, and rightfully so. Couples with fertility issues can conceive. Women can freeze eggs. Queer couples can have genetically related kids. IVF can also ostensibly prevent harm. IVF clinics might screen embryos for sickle cell disease, cystic fibrosis, BRCA1, and Down syndrome. Things get confusing and uncomfortable, however, when we try to define what harms are worth preventing. In a world where whiteness and conventional beauty are tightly coupled with success, couldn't selecting for these features be a way to minimize a child's future suffering? Most sperm donor companies have a height minimum of 5'9". Harvard graduate egg and sperm donors are highly sought after. While it's hard to fault parents for wanting the best for their children, as a geneticist, it is concerning to me how much stock people put into the inheritance of such complex and environmentally influenced traits. With biotech companies explicitly offering genetic testing, I am even more concerned. Last October, Helios Genomics offered to boost a couple's future child's IQ via genetic screening. Nucleus Genomics recently took this a shocking step further by announcing it is offering genetic testing for traits like eye color, hair color, height, BMI, and IQ. Companies perform these screens with polygenic risk scoring, which makes use of genetic mutations identified from large scale population studies to be associated with a complex trait like intelligence. But these findings are just that: associations. We barely understand the true, context-dependent function of all the genes and mutations associated with complex traits. The idea that a company could confidently boast a six-point increase in a trait as socially and environmentally modified as intelligence is naïve at best and deceptive at worst. It also plays directly into the ideals of eugenics: that all social disparities and ailments are genetically determined, and that there is one correct way to be. Amid devastating cuts to everything from Medicaid to education, it is curious that one of the few spaces the Trump administration has pledged to increase federal funding is in vitro fertilization. Is this a random act of kindness amid an onslaught of cruelties? Or is it one of several strategies for breeding a homogenous generation of nationalistic Americans—ones with "good genes" and predetermined allegiances to the regime (thanks to $1,000 savings accounts established in their name from birth)? In this modern era of eugenics, as immigrants are expelled while neo-Nazis spew hateful theories of "great replacement," it is no wonder American Eagle felt bold enough to declare that Sydney Sweeney has great genes. America must reject this renewed, government-endorsed eugenics. Scientists must think deeply about ramifications: Just because we can, or think we can, does not mean we should. IVF companies should be barred from making false promises about the heritability of traits like intelligence, BMI, and hair color. While fatal diseases like breast cancer are fair to select against, prospective parents should think twice about what is lost when selecting for subjective social norms. We all have great genes and we all deserve a society that embraces us, that makes us feel whole, and bold, and beautiful—like a pair of great jeans. Tania Fabo, MSc is an MD-PhD candidate in genetics at Stanford University, a Rhodes scholar, a Knight-Hennessy scholar, a Paul and Daisy Soros fellow, and a Public Voices fellow of The OpEd Project. Her PhD research focuses on the interaction between genetics and diet in colorectal cancer risk. The views expressed in this article are the writer's own.
Cosmopolitan
44 minutes ago
- Cosmopolitan
Wednesday Season 2 Schedule: When Do New Episodes Come Out?
Woe is me as we celebrate a brand new season of Wednesday! After an almost three year wait, the show is finally back to give us some more of that Tim Burton creepiness that we've all been longing for. And who can forget Jenna Ortega's iconic withering stare that is so iconic to the character. No back for another incredible year at Nevermore, the stakes have never been higher as she uncovers more of her psychic powers and the secrets that her school has been keeping. So, obviously, you're going to want to see it all unfold for yourself. Here's everything you need to know about Wednesday season 2's release schedule. Surprise! The show premiered on August 6, 2025, which was, of course, a Wednesday! While Netflix shows typically are a drop-all-at-once situation, several of their biggest shows have now been split into parts to keep us waiting a little bit longer to find out how it all ends. In the case of Wednesday, the show's second season was split into two parts and luckily it's not too much apart with the second half premiering a month later on September 3, 2025. Wednesday season 2 will have 8 episodes that will air on Netflix. The season was split into two parts with the first half premiering on August 6, 2025 and the final episodes dropping on September 3, 2025. As usual, Netflix post new episodes at 3 AM ET / 12 AM PT.
New York Post
an hour ago
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How Seth Rogen pulled double duty with ‘The Studio' and ‘Platonic': ‘Hard work pays off'
Seth Rogen doesn't take his job lightly. The star, 43, was so invested in both of his Apple TV+ shows that he pulled double duty while filming. Rogen currently stars as Matt Remick in the Emmy-nominated dark comedy, 'The Studio,' and also portrays Will on the dramedy series, 'Platonic.' 11 Luke Macfarlane attends the season two premiere of 'Platonic.' Apple TV+ via Getty Images His 'Platonic' co-star, Luke Macfarlane, revealed how the actor was able to pull it off. 'Going into season two, you know, Seth had just finished filming 'The Studio,'' he exclusively told The Post. 'So we were very curious what 'The Studio' was going to turn into. And now, of course, we know what 'The Studio' turned into.' Macfarlane, 45, added, 'It is this incredible, brilliant, beautiful show. That he was, by the way, working on while he was filming Season 1 of 'Platonic.' Which is also, just as an actor, an incredible sort of reminder that hard work can pay off.' 11 Luke Macfarlane talks to Alexandra Bellusci of the Post. 11 Seth Rogen in 'The Studio.' The Hallmark star reminisced about how Rogen would juggle both roles at the same time. 'He was literally finishing scenes on 'Platonic' and going in his trailer and typing away,' continued Macfarlane. 'So it's delightful to come back and do a second season of the show. I think we all had a tremendous amount of time. It also feels like a lot of people that enjoy working together, and getting to work together again.' Looking back at filming the second season, one memory in particular has stuck with the 'Bros' vet. 11 Seth Rogen as Matt Remick in 'The Studio.' Apple+ 'Seth really respects what everyone does,' Macfarlane said. 'You know, Seth did an amazing thing once, actually. Somebody on set who kind of shouldn't have said this told me to do something.' He explained, 'I was wearing a lav, a microphone, and I brought my hand to my lav, and I covered the lav in the scene. And somebody said something to me like, 'Oh, don't do that with your hand, you'll cover your lav.'' Rogen made sure that was the end of stepping in where you shouldn't. 11 Luke Macfarlane in 'Platonic.' 'And Seth actually said to that person, 'Don't tell an actor what to do. That's not your job,'' Macfarlane shared. 'Just watching somebody look out for his fellow actors – that's what he does.' 'He's got integrity,' Macfarlane gushed. 'He knows how to look out for his actors. He really cares about an actor feeling comfortable.' Rogen also made sure to keep the laughs coming. 11 Seth Rogen and Rose Byrne in 'Platonic.' 'Seth is very famous for a lot of things. I think he's really famous for that laugh, you know?' Macfarlane mused. 'And I will say, working with Seth, you always want to get him to do that laugh. It makes you very happy when you make Seth laugh. So I will say the most Seth Rogen thing you can get him to do is laugh.' Rogen wasn't the only one who hit Macfarlane's funny bone. 'Rose makes me laugh a lot,' he dished about his on-screen wife. 'I think we're filming a scene where I was, like, popping in and out of a doorway, and of course, the timing was hilarious. So we were just making each other laugh because I felt like I kept on missing the entrance.' 11 Luke Macfarlane, Rose Byrne, and Seth Rogen speak at Apple's 'Platonic' Los Angeles event. Getty Images for Today at Apple 'It's something early in the season where I'm sort of like, you know, doing the sticking my head [in], and I just kept on sticking my head in at the wrong time. So that made us both laugh quite a bit.' These days, the Canadian hunk is focused on bringing Season 2 to the masses. 'Platonic' follows former best friends, Sylvia (Byrne) and Will (Rogen), who reconnect after a years-long rift. The second season drops on Wednesday, August 6, with Macfarlane describing what fans are in store for. 11 Carla Gallo, Luke Macfarlane, Rose Byrne and Seth Rogen. Getty Images 'Friendship, chaos, and comedy,' he stated. Macfarlane's Charlie, meanwhile, is trying to navigate his partner's reignited friendship. 'This second season is different for my character, because in the first season, my character is the rock,' he detailed. 'This season, he's definitely the character that is, oof, a little bit sort of lost. Lost in the weeds. So it was fun to kind of explore this other side of him where he's a little bit more sort of floundering in the universe.' 11 Seth Rogan in a scene from 'The Studio.' Apple+ But Macfarlane is happy to step back into Charlie's shoes for such a hilarious and sweet series. After all, he is 'most comfortable [in] comedy.' 'I get to wear sort of the most normal clothes,' elaborated Macfarlane. 'I like doing comedy. That's what I feel the most comfortable in.' 11 Seth Rogan looks upset in a scene from 'The Studio.' Apple+ Rogen is serving all sorts of comedy playing Remick – the newly appointed head of Continental Studios. He is juggling corporate demands, talent, and his own ambitions, all while trying to keep movies relevant. In June, Rogen opened up about what he wanted to portray with the show, which many people in the industry have related to in a very real way. 'I mean, I don't know if our specific goal was to trigger a trauma in people,' he told The Playlist, 'but it was meant to capture our own experiences with it as viscerally as possible. And that was a word we used a lot.' 11 A still from the 2025 drama 'The Studio.' 'So yeah,' he went on. 'I think the idea that people who have experienced similar things have a visceral reaction to it, I think it does mean that it is a good expression of our experience and what we were trying to put out there.' Rogen noted: 'But yeah, it's based on a lot of traumatic things I've experienced, so…'
