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Yakshagana artiste passes away

Yakshagana artiste passes away

Time of India4 days ago

Mangaluru: Mundaje Sadashiva Shetty, a Yakshagana performer from the Thenku Thittu tradition, passed away late on Saturday due to a heart attack. He was 67. Shetty was a performer with the Kateel Sri Durgaparameshwari Prasadita Yakshagana Mandali (Kateel Mela) for the past 20 years and served as the manager of one of its troupes.
After receiving training at the Dharmasthala Yakshagana Centre, he spent the first ten years performing with the Dharmasthala troupe. Later, he performed with the Kadri, Kumble, Bappanadu, Madhur, and Sasihithlu troupes. For the last twenty years, he was with the Kateel troupe, dedicating a total of five and a half decades to the art. He served as a director for two decades at the Kateel Mela. He skillfully portrayed all kinds of mythological roles, earning the love of art enthusiasts.
His body was kept for public view at Mallikatte ground, and the last rites were performed at Kadri Rudrabhumi. He left behind a wife, two sons, and a daughter.

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I'm coming to realise what Appa wanted me to learn: Raghu Karnad, son of Girish Karnad, remembering the latter

The only book he had ever insisted that we read – putting copies in our hands – was the Mahabharata.' – Raghu and Radha Karnad, Afterword, This Life At Play. In 1959, when Girish Karnad was about to leave for Oxford as a Rhodes Scholar, he felt compelled to read the epics and the Puranas before his departure. He had grown up watching these stories performed by lamplight, by Yakshagana and Company Natak troupes. Now he reached for C Rajagopalachari's concise but complete versions of the Ramayana and the Mahabharata. This is the decision that would eventually lead him to write his first play, Yayati. Every aspect of this play took him by surprise, as Aparna Dharwadker notes, 'That it was a play and not a cluster of angst-ridden poems, that it was written in Kannada instead of English, and that it used an episode from the Mahabharata as its narrative basis.' This choice 'nailed me to my past,' Karnad said. It set him on a path of drawing narratives from myth, history and folklore, which dominated his playwriting for the next four decades. In the myth of Yayati, a king is cursed with decrepit old age, and Puru, his youngest son, agrees to bear the curse on his behalf. In This Life At Play, Karnad recalls, 'I was excited by the story of Yayati, where a son exchanges his youth with his father's old age. The situation was both dramatic and tragic. But the question that bothered me even as I was finishing the story was: If the son had been married, what would the wife do? Would she have accepted this unnatural arrangement?' This imaginary character's response became the seed of his first play, written at the age of 22: 'This was the first scene that formed in front of my eyes: the confrontation between Yayati and Chitralekha. ... As I thought about it, the rest of the play began to take shape around this climax. I did not feel as if I was writing a play… It was as if a spirit had entered me.' At the time, Karnad was a young man facing his own burdensome questions: Would he return to India when he was done at Oxford? What were his responsibilities, as a young man, to his own father, his family, or his country? When Karnad wrote the play, he could relate to the son, Puru, and the weight of obligation he feels in the story. When he read the play again, much later in his own life, he found himself identifying with the desperation of the father.

Yakshagana artiste passes away
Yakshagana artiste passes away

Time of India

time4 days ago

  • Time of India

Yakshagana artiste passes away

Mangaluru: Mundaje Sadashiva Shetty, a Yakshagana performer from the Thenku Thittu tradition, passed away late on Saturday due to a heart attack. He was 67. Shetty was a performer with the Kateel Sri Durgaparameshwari Prasadita Yakshagana Mandali (Kateel Mela) for the past 20 years and served as the manager of one of its troupes. After receiving training at the Dharmasthala Yakshagana Centre, he spent the first ten years performing with the Dharmasthala troupe. Later, he performed with the Kadri, Kumble, Bappanadu, Madhur, and Sasihithlu troupes. For the last twenty years, he was with the Kateel troupe, dedicating a total of five and a half decades to the art. He served as a director for two decades at the Kateel Mela. He skillfully portrayed all kinds of mythological roles, earning the love of art enthusiasts. His body was kept for public view at Mallikatte ground, and the last rites were performed at Kadri Rudrabhumi. He left behind a wife, two sons, and a daughter.

Yakshagana artiste Sadashiva Shetty Mundaje passed away
Yakshagana artiste Sadashiva Shetty Mundaje passed away

The Hindu

time4 days ago

  • The Hindu

Yakshagana artiste Sadashiva Shetty Mundaje passed away

, Senior Yakshangana artiste Sadashiva Shetty Mundaje, 67, passed away in his house following cardiac arrest on Saturday, June 7, night. A versatile artiste, Mr. Mundaje played variety of roles in Kannada and Tulu Yakshaganas of Dharmastala, Karnataka and Sasihitlu Yakshagana Melas (troupes). He played roles in 'Raja' ,'Pundu', and 'Natakiya' 'veshas'. He was part of the Kateel Mela for the last two decades wherein he also discharged the role of manager of the third Mela of the Kateel Mela. Mr. Mundaje recently discharged to his house after angioplasty. Many people visited Kadri Mallikatte ground on Sunday to pay homage to his body. Last rites was performed at the burial ground in Kadri on Sunday, June 8.

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