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At least three die, including two children, in Libya-Italy crossing, NGO says

At least three die, including two children, in Libya-Italy crossing, NGO says

Straits Times11-05-2025

At least three die, including two children, in Libya-Italy crossing, NGO says
ROME - At least three people have died, including two children aged 3 and 4, in a Mediterranean sea crossing from Libya to Italy, a German sea rescue charity said on Sunday, adding that it had rescued 59 survivors.
The migrants were intercepted on Saturday on a rubber boat floating adrift south of the Italian island of Lampedusa that had been spotted by a surveillance aircraft of the EU border agency Frontex.
"By the time (we) reached the rubber boat at around 4.30pm (1430 GMT), it was too late to help some of the people," the RESQSHIP charity said in a statement.
"Two bodies of infants aged 3 and 4 were handed over to us," the charity quoted one of its paramedics identified only as Rania as saying. "They had died the day before, probably of thirst."
A man was found unconscious and declared dead after attempts to resuscitate him were unsuccessful, RESQSHIP said, adding that it was told by survivors that another migrant had drowned on Friday after going overboard.
Many of the survivors, who were taken to Lampedusa, suffered chemical burns from salt water and fuel, the group said. Two children and four adults in critical condition were handed over to the Italian coast guard to be brought ashore more quickly.
The rubber boat had set off from the port of Zawiya in western Libya on Wednesday, but its engine failed after one day of navigation, leaving the migrants on board exposed to wind and weather, the NGO said.
Lampedusa lies between Tunisia, Malta and the larger Italian island of Sicily and is the first port of call for many migrants seeking to reach the EU from North Africa, in what has become one of the world's deadliest sea crossings.
Almost 25,000 migrants have died or gone missing on this central Mediterranean route since 2014, according to the International Organization for Migration, including around 1,700 last year and 378 so far this year. REUTERS
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Arnaldo Pomodoro, sculptor of monumental fractured spheres, dies at 98
Arnaldo Pomodoro, sculptor of monumental fractured spheres, dies at 98

Straits Times

time3 days ago

  • Straits Times

Arnaldo Pomodoro, sculptor of monumental fractured spheres, dies at 98

ROME - Arnaldo Pomodoro, a postwar Italian artist whose monumental spheres – highly polished but jarringly fractured – populate public squares around the world, died on June 22 at his home in Milan. He was 98. His death, coming the day before his 99th birthday, was announced by his niece Carlotta Montebello, who is director-general of Pomodoro's foundation in Milan. A self-taught artist who trained as an engineer and goldsmith, Pomodoro was best known for his imposing bronze spherical sculptures, which stand outside the United Nations headquarters in New York; inside Vatican City; on the campus of Trinity College Dublin; at the Hirshhorn Museum and Sculpture Garden in Washington, DC; and at many other locations. His other major public works include Entrance to the Labyrinth, an enormous maze adorned with cuneiform sculptural formations in Milan; a controversial fiberglass crucifix that hangs in the Cathedral of St John the Evangelist in Milwaukee; and Disco, a giant bronze disk, also in Milan, where he spent much of his life. 'Pomodoro was one of a number of important European artists to emerge from the aftermath of World War II whose work dealt with the effects of a world destabilised by nuclear arms, economic hardships and the trauma of the Holocaust,' Dr Glenn Lowry, director of the Museum of Modern Art (MoMA) in New York, said in an email in 2021. Pomodoro's spheres, he added, 'were widely admired at the time for their resonance with other postwar expressionist movements'. Pomodoro's spheres began to gain worldwide attention in the 1960s. He won the International Prize for Sculpture at the Sao Paulo Biennale in 1963 and the National Prize for Sculpture at the Venice Biennale the subsequent year. The Marlborough Gallery hosted two major solo exhibitions at its venues in Rome and New York in 1965, and he was featured in Time magazine. The Museum of Modern Art was one of the first museums to recognise the significance of his work. In 1964, MoMA acquired Sphere 1, a year after it was made. Pomodoro won the International Prize for Sculpture from the Carnegie Institute in Pittsburgh in 1967, and he was invited to teach at Stanford University and the University of California, Berkeley, institutions where he maintained a teaching relationship throughout the years. By the early 1970s, American art critic Sam Hunter wrote that Pomodoro had become, 'in the world's eyes, Italy's leading artistic figure', producing sculptures that were both 'marketable as well as being serious aesthetic objects'. 'His most persistent metaphor has been to cut away the facade, or skin of things, to get at the vulnerable and fragile inner core,' Mr Hunter added. Arnaldo Armando Pomodoro was born on June 23, 1926, in Morciano di Romagna, a small town near Rimini, on Italy's eastern coast. He was the eldest of three children of Antonio and Beatrice (Luzzi) Pomodoro. His mother was a talented dressmaker, and his father was a sometime poet. When Arnaldo was just a few months old, the family moved to nearby Orciano di Pesaro, in the Marche region, where his brother, Gio, was born in 1930, and his sister, Teresa, in 1941. After high school, Pomodoro earned a diploma as a surveyor, graduating at the end of World War II, when there was a great demand for engineers. His first job was as a consultant in the Pesaro civil engineering department, advising on the reconstruction of buildings damaged in the war. At the same time, he developed his artistic side, attending the local Mengaroni Art Institute, where he focused on stage design. He also worked as a goldsmith. In 1953, at age 27, Pomodoro travelled to Milan to see a Pablo Picasso exhibition at the Royal Palace. Picasso's monumental canvas Guernica, which depicts the horrors of war, was on display in the palace's Sala delle Cariatidi, which had yet to be restored after it was bombed in 1943. Profoundly moved by the experience, Pomodoro decided to move to Milan, where he encountered some of the emerging masters of the postwar Italian art scene, including Enrico Baj, Sergio Dangelo and Lucio Fontana. These artists were pushing the boundaries of art into more expressionistic realms, and he followed their lead. He began creating high-relief works and exhibiting them; by 1956, he had work in the Venice Biennale. Pomodoro became increasingly curious about American abstract expressionists, whose work he had seen at art collector Peggy Guggenheim's home in Venice and at the Paris Biennale. He applied for and received a study grant from the Italian Foreign Ministry, and in 1959, he traveled to California and New York to exhibit the work of Italian contemporary artists and to meet American artists. It proved to be a life-altering trip. In California, he met Mark Rothko; and in New York, Barnett Newman, Franz Kline, Jasper Johns and Robert Rauschenberg. He got to know sculptors Louise Nevelson, David Smith and Mark di Suvero, who were creating outsize outdoor artworks using heavy materials, such as castoff wood scraps and steel beams. He also visited the Museum of Modern Art, where he saw for the first time sculptures by Constantin Brancusi, a Romanian modernist artist. Later, in an interview with Italian art historian Arturo Carlo Quintavalle, Pomodoro said, 'I was born as a sculptor in the Brancusi room at MoMA.' Working from sleek, polished forms like Brancusi's, he sliced through them – just as Lucio Fontana had slashed through canvases – to reveal a complex inner core. At first, these interiors appear chaotic, but they suggest some kind of indecipherable organisational system, like the innards of a machine. Most of Pomodoro's work continued in this vein: He started with a glossy geometric form, such as a column, block or disk, then cut away at its perfection, adding erosions, tears and fissures. He explained that when faced by the 'perfect purity of Brancusi's works', he began to consider the 'outdatedness of that perfection'. 'This was the early '60s,' he said in an interview for his 90th birthday with Italian journalist Ada Masoera. 'We were living in tense and changing times, seeking out new values.' He felt the impulse, he said, to 'dig into the geometric shapes to discover the internal ferment, the mystery that had been enclosed, the vitality within'. Pomodoro's works have been collected by many museums around the world. In the United States, they include the de Young Museum in San Francisco, the Guggenheim Museum in New York and the Art Institute of Chicago. He established the Arnaldo Pomodoro Foundation in Milan in 1995, originally intending it to document and archive his work. Four years later, he added an exhibition space, which briefly presented art by other 20th century artists. It closed in 2012. The foundation continued to operate out of his home and studio in Milan, where he established project rooms, where young artists were given space to work and exhibit. Complete information about his survivors was not immediately available. His brother, Gio Pomodoro, also became a sculptor; he died in 2002. Gio's son, Bruto Pomodoro, is also an artist. Arnaldo Pomodoro's artistic vision allowed for the world to have both its clean, glossy exterior and a complicated interior. As art critic Achille Bonito Oliva, a longtime friend of his, put it, 'Pomodoro's vision has always been cosmic, aimed at wholeness'. Mr Hunter wrote in 1972 that Pomodoro's work remained 'a powerful metaphor of violence and revelation in art, and keeps the dialectic between inward and outer man ongoing and open-ended, and always surprising.' NYTIMES Join ST's Telegram channel and get the latest breaking news delivered to you.

‘God's Influencer' to become first millennial saint in September
‘God's Influencer' to become first millennial saint in September

Straits Times

time16-06-2025

  • Straits Times

‘God's Influencer' to become first millennial saint in September

Souvenirs of Carlo Acutis, who died of leukemia in 2006 aged 15, are displayed in a shop in Assisi, Italy. PHOTO: REUTERS 'God's Influencer' to become first millennial saint in September VATICAN CITY – Italian millennial Carlo Acutis, dubbed 'God's Influencer', will be elevated to sainthood in September after the original ceremony was delayed by Pope Francis' death in April, the Vatican said June 13. Pope Leo XIV rescheduled to Sept 7 the canonisation of Acutis, who died of leukaemia in 2006 at the age of 15. He had been set to be made a saint on April 27. Nicknamed the 'Cyber Apostle', the teenager had an ardent faith from a young age and used his computer skills to spread the Catholic faith online, notably creating a digital exhibition on miracles. Italian student Pier Giorgio Frassati (1901-1925), renowned for his social commitment and passion for mountain climbing, will be canonised on the same day. Pope Leo will raise seven others to sainthood on Oct 19. They include Papua New Guinea's first saint Pierre To Rot, a lay catechist executed by Japan in 1945; archbishop Ignace Shoukrallah Maloyan, who died in 1915; and the Venezuelan 'doctor of the poor' Jose Gregorio Hernandez Cisneros, who died in 1919. AFP Join ST's Telegram channel and get the latest breaking news delivered to you.

Air India plane with 242 on board crashes at India's Ahmedabad airport
Air India plane with 242 on board crashes at India's Ahmedabad airport

Business Times

time12-06-2025

  • Business Times

Air India plane with 242 on board crashes at India's Ahmedabad airport

[NEW DELHI] An Air India plane headed to London with 242 people on board crashed minutes after taking off from India's western city of Ahmedabad on Thursday (Jun 12), the airline and police said, without specifying whether there were any fatalities. The plane was headed to Gatwick airport in the UK, Air India said, while police officers said it crashed in a civilian area near the airport. Aviation tracking site Flightradar24 said the plane was a Boeing 787-8 Dreamliner, one of the most modern passenger aircraft in service. 'At this moment, we are ascertaining the details and will share further updates,' Air India said on X. The crash occurred when the aircraft was taking off, television channels reported. One channel showed the plane taking off over a residential area and then disappearing from the screen before a huge cloud of fire rising into the sky from beyond the houses. Visuals also showed debris on fire, with thick black smoke rising up into the sky near the airport. BT in your inbox Start and end each day with the latest news stories and analyses delivered straight to your inbox. Sign Up Sign Up They also showed visuals of people being moved in stretchers and being taken away in ambulances. According to air traffic control at Ahmedabad airport, the aircraft departed at 1.39 pm (0809 GMT) from runway 23. It gave a 'Mayday' call, signalling an emergency, but thereafter no there was no response from the aircraft. Flightradar24 also said that it received the last signal from the aircraft seconds after it took off. 'The aircraft involved is a Boeing 787-8 Dreamliner with registration VT-ANB,' it said. Boeing did not immediately respond to a request for comment. The last fatal plane crash in India involved Air India Express, the airline's low-cost arm. The airline's Boeing-737 overshot a 'table-top' runway at Kozhikode International Airport in southern India in 2020. The plane skidded off the runway, plunging into a valley and crashing nose-first into the ground. Twenty-one people were killed in that crash. REUTERS

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