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Brooklyn Mirage files for bankruptcy— Dance here instead

Brooklyn Mirage files for bankruptcy— Dance here instead

New York Post4 days ago
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It's the end of an era for New Yorkers in the electronic music scene. Avant Gardner, the company behind the Brooklyn Mirage, has filed for Chapter 11 bankruptcy.
Originally launched as a pop-up nightclub in 2015, the 18,000-square-foot outdoor stage evolved into one of the City's most popular immersive concert venues, hosting a number of world-renowned DJs and producers such as David Guetta, Fisher, and ILLENIUM.
In March, Avant Gardner's then-CEO Josh Wyatt unveiled ambitious plans for 'Mirage 4.0,' a futuristic reimagining of the venue that promised a state-of-the-art sound system and massive 270° LED wall boasting higher resolution than Sphere in Las Vegas. The project was slated to cost over $10 million, according to a report by the New York Times.
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TikTokkers weren't convinced the complex developments would get done in time. Videos chronicling the construction progress went viral, with many expressing skepticism that the stage would be ready for opening weekend. Rumors were confirmed after the Mirage posted an update hours before DJ Sara Landry's show.
When all was said and done, the venue did not meet the final inspection deadline. Landry expressed frustration with the abrupt cancellation on social media, offering refunds, as well as a surprise pop-up at the nearby Brooklyn Storehouse, and a second show moved to Queens' Knockdown Center the following night.
Despite claims that the space was 'show-ready,' the Mirage has remained closed through the entire summer season. A string of concerts were canceled, and others ended up taking place at the Great Hall, an indoor warehouse that's part of Avant Gardner's gigantic complex.
What began as bitter news for many longtime patrons of the Mirage has turned into an opportunity to venture into different venues — some fresh, others familiar, indoors and out. After a summer of trial-and-error, we spoke to ravers who shared their favorite spots to get down at now that the Mirage is no more.
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Queens' Knockdown Center began as an experiment. The three-acre property was home to a factory specializing in Knock Down Door Frames when the current owner's grandfather purchased the Maspeth space. After a generational change in ownership, there was a need to sustainably preserve the complex.
Plans to develop a venue began, and, now, nine years into their tenure, Knockdown is New York's largest independent music venue, featuring a world-class L-Acoustics sound system and sprawling space where fans move between industrial ruins, exposed brick walls, communal picnic tables, and quieter lounge areas.
'Knockdown Center is a New York City favorite…' explained Tyler Myers, the venue's managing co-founder and executive director. 'There are multiple rooms and set-ups, plenty of space, outdoor areas, and all that makes for a more relaxing way to experience the catharsis of music in a crowd.'
There's also a sense of discovery at Knockdown. Kylie Chester, a 25-year-old who lives near East Village, has been coming to the venue for almost four years, and can't recall the number of artists she's seen there. The upcoming Honey Dijon show in September is the next on her list.
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'She's a multi-layered icon,' Chester stated. 'Her style is classic, but unique. Knockdown shows always feel like a space for artists to experiment, and I can't wait to see what she does with that opportunity.'
Beyond its beloved Tiki Disco days, Knockdown brings in artists who span genres, from electro house and dub-step to grimy rock-and-roll and even some darker, deviant techno at the elusive 'Basement' club downstairs. Upcoming artists include AMÉMÉ (Aug. 9), Horse Meat Disco (Aug. 31), and Bonobo with Maribou State (Sept. 26).
'Some of my best nights consist of a seven-hour dance party at the Storehouse,' Gillian Sarrett, a 24-year-old who lives in Gramercy, shared while reminiscing about her visits. 'I never want to leave.'
A newer venture within the historic Navy Yard, the Storehouse is situated inside the industrial waterfront complex, a maze of brick-and-iron warehouses now repurposed as flexible event spaces. Some are still calling the massive room a 'best-kept secret,' but probably not for much longer.
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The flexible 105,000-square-foot warehouse opened last summer and has already secured a fleet of impressive artists such as Chris Stussy, Charlotte de Witte, and John Summit — packing the space with massive, sold-out crowds. Fortunately, there's still plenty of room to dance, according to Sarrett.
'There's always a long line, but they're fast and efficient… Once you're in, the sound system is unbeatable. The bass is in your face, and to me, there is no better feeling than strutting into the Brooklyn Storehouse to that bass,' she exclaimed.
The Storehouse is still relatively new to the scene, but Sarrett already considers a visit to be a rite of passage for any house or techno lover in New York. She admits that traveling there can be a bit of a trek from Manhattan, but that separates 'the real fans.'
'This is the kind of place where you know you're about to lose track of time and come out changed, and I know that sounds kind of dramatic,' Sarrett admitted. 'But, that's how I feel.'
Tickets for the highly anticipated Mau P set are already selling fast. Sarrett's already eyeing other upcoming shows — Pawsa in October, and the heavy-hitting Halloween extravaganza, Circoloco.
Another local favorite, Under the K Bridge, is a public park tucked beneath Greenpoint's soaring Kosciuszko Bridge. The venue affords picturesque views of the Manhattan skyline and East River, adding to what the ravers called 'a very relaxed vibe.'
In true Brooklyn fashion, there's something for everyone under the bridge. By day, the Garden Club welcomes volunteers to tend to the Native Nursery. By night, the space sweeps into a stage, hosting sets from household-name headliners like The Chainsmokers (Aug. 8) and Swedish House Mafia (Sept. 12), to rising stars like Disco Lines (Oct. 10).
'I saw a Four Tet set under the K Bridge, and it was super dope,' said Alex Rushin, a 26-year-old consultant from Williamsburg, who frequents the scene. 'The lights are really cool, and I just thought it was an awesome venue. A fun experience for a show.'
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Like many other music venues in the area, Rushin acknowledged that drug use is not uncommon. The 'K Bridge' nickname has drawn some attention with the tongue-in-cheek references to ketamine, the controversial party drug that's also been studied as a treatment for depression.
'You definitely don't need to do drugs to enjoy these shows,' Rushin clarified. 'You just have to love dancing, music, community, culture, and art…' — the kind of fusion that Under the K Bridge has cultivated with its diverse day-to-night programming.
He wouldn't go as far as to say that Under the K Bridge is much safer than enclosed warehouses like Mirage, but he does acknowledge that it's smaller and easier to navigate. 'If someone has an 'issue,' they could get to safety faster or be noticed quicker.'
Flushing Meadows Corona Park
Nestled in one of the city's most iconic parks, and the site of two twentieth-century World's Fairs, Flushing Meadows Corona Park has also become a destination for some of the biggest names in house music, as well as famous multi-day music festivals like Governor's Ball.
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'It's kind of far away from Manhattan and Brooklyn, but you can get there on the subway pretty easily,' said Marly Gallo, a 25-year-old living in Chelsea who attended the Keinemusik show last weekend. The German electronic DJ crew rarely performs together on the East Coast.
'They're kind of sacred as far as melodic house music goes, so the fanbase is huge, especially in New York City. You need a big, open venue for this kind of set, and Corona Park just makes sense,' Gallo explained. 'It felt like a music festival. Everything you need in one place.'
Gallo went to the Rüfüs Du Sol show in New Jersey the night before, and said that stadium was a 'complete mess' in comparison. Hour-long waits, understaffed bars — 'Literally, you could not get a drink that wasn't beer.' She added that Corona Park was much easier to navigate and 'better-prepared,' even with a swarming crowd.
'They had a million porta potties — in trailers — so they're not gross, free water refills, and it was super easy to walk around and get drinks and food,' she shared. 'It was definitely a big concert, but everyone could see and hear the artists, no matter whether you were GA or VIP.'
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She plans to be back for Diplo's Run Club in October, a scenic five-kilometer jog through Flushing Meadows, followed by a post-race concert by the Grammy-winning producer. 'It's the ideal location for something like that,' she added.
For two days only, John Summit will host the inaugural Experts Only Festival at NYC's spacious festival destination Randall's Island.
Notable names joining Summit on the Sept. 20-21 lineup include LP Giobbi, Kaskade performing B2B with Cassian and Green Velvet alongside Layton Giordani.
DJ Seinfeld, Pete Tong, Kasablanca, AYYBO and TEED round out the party-starting bill.
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In total, 19 artists are booked as of now with more to be announced for what they've dubbed the 'Gen Z cultural moment of the year' at a later date.
'This one's been years in the making so we knew we had to go all out for u guys,' Summit shared via Instagram.
Note:
If you click into the Brooklyn Mirage link here (which can also be found above), you'll see that events are still listed on their upcoming calendar.
We believe they're all in a state of limbo; the Mirage is simply a 'mirage' or placeholder until Avant Gardner figure out where to move the shows or cancel them. Based on what we've seen, that's been the case this summer.
This article was written by Miska Salemann, New York Post Commerce Writer/Reporter. As a health-forward member of Gen Z, Miska seeks out experts to weigh in on the benefits, safety and designs of both trending and tried-and-true fitness equipment, workout clothing, dietary supplements and more. Taking matters into her own hands, Miska intrepidly tests wellness products, ranging from Bryan Johnson's Blueprint Longevity Mix to home gym elliptical machines to Jennifer Aniston's favorite workout platform – often with her adorable one-year old daughter by her side. Before joining The Post, Miska covered lifestyle and consumer topics for the U.S. Sun and The Cannon Beach Gazette.
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Mark Cuban-backed 'Shark Tank' beauty brand closes, no bankruptcy
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Mark Cuban-backed 'Shark Tank' beauty brand closes, no bankruptcy

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Cash's decline gives buskers the blues, but apps keep the green flowing
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Cash's decline gives buskers the blues, but apps keep the green flowing

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Beth Stelling new comedy special and tour: Where to buy tickets
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Vivid Seats is the New York Post's official ticketing partner. We may receive revenue from this partnership for sharing this content and/or when you make a purchase. Featured pricing is subject to change. A couple years ago, Beth Stelling got off on the wrong foot with her landlady. Almost immediately after moving into her new apartment building, the celebrated Los Angeles-based stand-up — who has also written for 'Crashing,' 'The Last O.G' and 'Rick and Morty' and a number of other series — constantly clashed with the woman in charge of her rent. Yet, rather than just let their interactions bother her, she opted to turn her grievances into comedy and ended up developing her airtight, whip-smart special 'The Landlord' all about this fraught relationship [Editor's Note: Stelling has since moved out of her place]. 'I spent a lot of time wondering if they were messing with me so I would write something about them,' Stelling told The Post in an exclusive interview. '…but no. They messed with so many people. One guy told me his wife avoids her because she made her cry.' While stories like this may not sound like subject matter ripe for comedy, Stelling's laugh-out-loud 30-minute special defies all expectations, surprising at every turn. Her razor-sharp observations, trademark exasperated deadpan and exaggerated nose-rumpling impressions make for one of the year's most inspired, under-the-radar half hours. 'Every conversation is like falling in a prickle bush' she jokes a few minutes into 'The Landlord,' before effortlessly rattling off hundreds more precise punchlines like '…I have a ton of money in my checking account because I don't come from money and feel safer looking at a lump sum watching it depreciate' and 'when I was writing for a show I was going to appear on, I would have makeup put on so I didn't have to field questions about my mental health…that's just something I wanted to complain about briefly.' Now, one month after the release of 'The Landlord,' the special is now streaming on YouTube and Stelling is back on the road with a fresh hour of material. As of now, she's currently slated to bring her new bits to Brooklyn's Bell House on Friday, Nov. 21 and Saturday, Nov. 22. Ahead of those gigs, we chatted with her about her hilarious 'Landlady'-centric half hour, favorite lines she's written for sitcoms and movies she's worked on and the upcoming tour. Enjoy. Just make sure you don't read this story with your landlord in the vicinity. Beth Stelling tour schedule 2025 A complete calendar including all tour dates, venues and links to buy tickets for all upcoming Beth Stelling stand-up shows can be found below. Beth Stelling stand-up specials Want to dig into the archives and catch all of Beth's primo material ASAP? Below, you'll find where you can stream all four of her excellent specials. 'Simply The Beth' (2015) is streaming on Spotify 'Girl Daddy' (2020) is streaming on HBO Max 'If You Didn't Want Me Then' (2023) is streaming on Netflix 'The Landlord' (2025) is streaming on YouTube Beth Stelling interview How did 'The Landlord' special come to be? The story came to fruition after so many years of frustration with my landlady. It's based in deep feelings of anger, helplessness and shock. In some cases, I'd go 'it's not that bad' because the truth is I wasn't living with drips in the roof and a lot of my basic needs were met but it was an insane experience every time I came across that woman. In fact, it got to the point where sometimes it would take me hours to come down from our interaction because it was so charged. She screamed in my face and I would hear every argument she'd have with her daughter. There really were so many stories that I had to pick and choose which ones I'd tell onstage. At the beginning of the special you tease the audience with material about skydiving at the mall instead of jumping into the landlady story. Was that intentional from the outset of your writing process? Yes. Plenty of people asked 'why did you start with that' but I lived differently when I was renting. Back then, I would spend $180 on an 'I Fly' because rent was so much cheaper. It was a different mindset. So, the first few minutes of the special are a commentary on how you can spend all your money doing ridiculous things when you don't own property. I finally saved up and bought a house before I finished this special and realized 'those were my renting days when I would spend $180 to get shot into a tube with a friend.' Now, I'm frugal. I get when people say you're 'house poor.' I don't know what's better. I never thought when I moved to Los Angeles 14 years ago in my mom's '02 Mercury Sable with $1,200, which was every ounce of money I'd saved from babysitting and waitressing at cafes, that I'd own a home. Did the landlord material start out as a bit or a chunk and develop into a full special? I was at Sarah Silverman's house and we were swimming and I told her a joke about my landlady that made her laugh. Then, when I was on vacation with my mom and sister, I was venting about the situation and they were cracking up. So, I built the story up over a long period of time onstage, which was tough because if audiences aren't on board, it can be a slog. It takes a long time to hone a story to get people with you the whole time. I funded the special myself. My boyfriend, Adam Newacheck, was the director and we only had two other crew members (Lincoln Rzonca and Maya Ortega) manning cameras. We shot it at Denver's Comedy Works and had one of the best colorists in town, Jay Cody Baker, work on the special, as well as Joanna Katcher who did the sound mixing. You have 25 shows over these next few months. Will the landlady story be built into your upcoming tour? Will you be revisiting material from past specials or are you going to be doing all new stuff on the road? Last May, I'd amassed an hour that was made up of my landlady material, another chunk that ended up on Don't Tell Comedy's YouTube and some other stuff. I tried to shop all that as a special but everybody said it was too soon since I'd just put out 'If You Didn't Want Me Then' on HBO in 2023. Hulu told me 'we already have our slot for this year…maybe in 2026?' which left me sitting on all this material. So, I put 'The Landlord' online, my 'starting my own religion' story on Don't Tell and still have 55 minutes of material left. I've been honing and touring that since last May. None of those jokes are available unless you've seen me on the road recently. Is there any particular subject matter you're covering onstage these days? The theme to my current show is aging. I turned 40 this year and I'm aging naturally, which I proclaimed in my 2023 special. So I'm expanding on that concept with material that wasn't ready for that special. There's stuff about having my eggs frozen and meeting a guy that has kids and stepping into the step-parent role. I come from a divorced family and had step-parents that were pretty bad blueprints, so it's tapping back into what I had as a stepdaughter. That's in development. I recorded a version of that material in June as a proof of concept. I would love to be able to have someone produce my special when I'm at the Wilbur in Boston this October. How has your stand up evolved over the past few years? I have become a little sillier and started deploying more voices and facial movements. Mo Welch is one of my best friends (as well as Stelling's 'Sweethearts Podcast' co-host), and she told me she loved when I do act outs. So I've listened to her and I am more physical than I have been in the past. I've gotten a little bit bigger because my default is a very calm, deadpan. What would you say to someone that's never seen you live to get them to come to your shows? Please! Please come. I have to pay my mortgage. The feedback I've liked lately is when dudes come up to me after a show and tell me how much they loved my set and wish they had brought a woman in their lives that could relate. A lot of women in their early forties say similar things. A few have told me 'I feel very seen.' It's going to be a fun night, I promise. I won't bother you either. I won't ask you what you do for a living. I would never make fun of you or how you look. I'm there to entertain and make you feel less alone. What line are you most proud of to have gotten on the air from all the shows you've worked on over the years? There are two. In an episode of 'Crashing,' there's a scene where Pete's getting a massage and when he moves his face, the masseuse goes 'there you are Peter.' I like that because I loved 'Hook' growing up. Then, there was a line I wrote for the movie 'Good Boys,' where the boys are talking about girls at the pool and one of them says 'she's a total nympho' and one of the others says 'what does that mean?' and he says 'she has sex on land and sea.' You are at the Bell House in November for two nights. That's true. What do you love about that space? It's a great New York venue, and I am always glad people come out and see me. I normally do one night, so hopefully it creates opportunities for more people to come. Who are your favorite working comics right now? Maria Bamford always makes me laugh. Sarah Silverman. I liked doing road dates with her while she was working on 'Postpartum.' She's one of the greats. Zainab Johnson. We did a fun festival together in Seattle. She's just so smooth, funny and smart. Marc Maron. I like watching him. Although sometimes when I'm on a show with him, he'll blow the light. Mo Welch. of course. This interview has been edited and condensed for length and clarity. This article was written by Matt Levy, New York Post live events reporter. Levy stays up-to-date on all the latest tour announcements from your favorite musical artists and comedians, as well as Broadway openings, sporting events and more live shows – and finds great ticket prices online. Since he started his tenure at the Post in 2022, Levy has reviewed a Bruce Springsteen concert and interviewed Melissa Villaseñor of SNL fame, to name a few. Please note that deals can expire, and all prices are subject to change

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