logo
Britannia's Siddharth Gupta on brand magnetism, uncomfortable ideas, and four Cs

Britannia's Siddharth Gupta on brand magnetism, uncomfortable ideas, and four Cs

Time of India4 days ago
It's often said that everyday moments can inspire creativity and bring peace.
Siddharth Gupta
, General Manager –
Marketing
at
Britannia
, firmly believes in this philosophy. In a conversation with ET Brand Equity, he shares the simple things that keep him going. Spending time with his kids not only brings him immense joy but also keeps him grounded, he says. After all, leading the marketing function at a legacy homegrown brand like Britannia is no piece of cake. 'I find a lot of value in visual content. It helps me stay curious and keeps the ideas flowing,' he adds.
Once he gets into work, he juggles different roles. In February this year, Gupta was given a larger portfolio of work to handle. 'The focus is more on strategic themes like premiumization, the evolution of e-commerce and quick-commerce, and ensuring Britannia stays at the forefront of innovation. These broader perspectives are increasingly important to drive long-term, sustainable growth,' he tells us.
We also asked Gupta to take us through some of Britannia's defining marketing moments this year (so far) and the creative bets he has placed for it. He also picked two game-changer campaigns for the brand in the last 12 months.
It's been a few months since you took over a larger role at Britannia. What has really changed for you at work, and what's something that's still the same?
Over time, the canvas has naturally expanded. While earlier the focus was on specific categories, I now lead the team that drives marketing initiatives across Biscuits, Crème Wafers and
Salty Snacks
, shaping priorities that cut across the portfolio. The focus is more on strategic themes like premiumisation, the evolution of e-commerce and quick-commerce, and ensuring Britannia stays at the forefront of innovation. These broader perspectives are increasingly important to drive long-term, sustainable growth. What hasn't changed is the way I work with teams. I continue to believe in empowering people and giving them the space and support they need to do their best work. That approach has remained consistent, and I see it as a key part of how we build and grow together.
Also, what's a key learning about leadership you've had in these past few months?
One of the most important leadership lessons I've had reaffirmed over the past few months is something I've been shaping in my mind for a while now, a framework I call the four Cs: Character, Consistency, Courage, and Curiosity. These are values that I believe deeply in, and they've only been reinforced through recent experiences. Character, to me, is about staying grounded in ethics and values, especially when facing tough decisions. Consistency is about being a stable force for your team in dynamic circumstances, staying true to your values regardless of external pressures. Courage is crucial, whether it's in backing your team during difficult conversations or taking risks with bold ideas. And finally, curiosity is what keeps me open to learning in an environment that's evolving faster than ever. These four elements together form the foundation of the leadership I try to practise every day.
Could you share what you consider your most defining marketing moment has been this year (so far), and tell us about the biggest marketing bets you've placed so far?
I've always been a big believer in backing bold ideas. For me, if an idea makes me slightly uncomfortable, that's usually a sign it's worth taking a risk. And when those bets pay off, they become defining moments. I've been fortunate to have a few of those this year.
One such moment was bringing National Skill Development Corporation (NSDC) on board for
Marie Gold HerStartup
5.0. It was an ambitious thought and needed to be built ground-up. Standing on stage at Kaushal Bhawan in Delhi to sign the MOU with government officials was a real milestone, for the brand and for me personally.
Another was cracking a first-of-its-kind F&B licensing deal with Warner Bros. Discovery Global Consumer Products (WBGCP), and using that to launch Britannia's first e-comm exclusive innovation: Pure Magic Choco Frames. It's created a completely new template for how we approach innovation at Britannia.
And then there was Avani's Gold, a truly special idea that required us to redesign the actual
Marie Gold
biscuit. That kind of product change usually takes 6–8 months, but we wanted to make it live for Women's Day, which gave us just two. The way teams across the company came together to make that happen was magic. Definitely another defining moment.
Beyond this, to stay ahead of the curve, we've been building out dedicated e-commerce and quick-commerce verticals with specialised teams, creating portfolios suited to digital platforms, and shaping go-to-market strategies that are channel-specific. This is helping us respond more sharply to emerging consumer behaviour, especially in high-frequency, convenience-led consumption moments. It's also allowing the brands to show up in more relevant, distinctive ways across platforms while creating a strong base for future growth in these channels.
Marketing as a function is highly creative-led. What do you do to stay inspired at work?
Inspiration, for me, comes from a mix of small, everyday things. Morning workouts help clear my head and often give me space to think more freely. Time with my kids brings a kind of joy and perspective that keeps me grounded. There's something about their excitement over the simplest things that's really motivating. I also try to stay connected to what's happening creatively around the world, whether it's watching Super Bowl ads or going through the work coming out of Cannes. I may not be an avid reader, but I find a lot of value in visual content. It helps me stay curious and keeps the ideas flowing.
Britannia is an institution where many marketers have climbed the ladder and made a mark in the industry. What is your approach to building a high-performing marketing team in a fast-evolving landscape?
My approach to building a high-performing team is grounded in three core principles. The first is business centricity. Great marketing is rooted in creating meaningful business impact, and that focus helps drive sharper strategy, thinking and execution. The second principle is what I call brand magnetism. At Britannia, we are fortunate to have iconic brands in our portfolio, and it's important to keep them contemporary and culturally relevant, while also nurturing newer brands that reflect emerging consumer needs. Finally, we place a strong emphasis on bold thinking. Encouraging big, brave ideas has become part of our culture, and we see technology as an enabler to bring these ideas to life, whether it's through AI, AR, or content innovation.
In a world where many brands are trying to work with one agency for efficiency, Britannia's approach has been different. Could you walk us through how this helps your brands?
At Britannia, we've consciously chosen a different model when it comes to agency partnerships. While we do have agencies on record, we also work closely with a range of digital-first, creative and specialised partners. This diversity gives us access to distinct creative strengths, whether its strategic thinking, culture marketing or high-impact storytelling. By tapping into these varied capabilities, we're able to stay agile and keep our creative output well-rounded and future-ready. A big advantage of this model is the healthy sense of competition it encourages. Teams know they're part of a broader creative ecosystem, which often brings out their best work. Most importantly, this setup supports a culture of collaboration and idea-first thinking. A digital partner isn't hesitant to pitch a mainline idea because what matters is the strength of the idea, not where it comes from. It's created an open and inclusive environment where great work is recognised for what it is.
Can you take us through a campaign or two that you think was a game-changer for Britannia in the last 12 months, from insight to execution?
There are two campaigns that have stood out for me over the last year. The first one that I believe was truly game-changing for Britannia was Marie Gold x Avani Lekhara Special Edition pack. This campaign was a tribute to Avani Lekhara, India's first woman to win Olympic gold at both Tokyo 2020 and Paris 2024. For the first time in 18 years, the Marie Gold biscuit was redesigned to match the size and shape of Avani's target, and each biscuit was etched with her winning shots. The pack itself told her story, and the campaign was brought to life through a full-funnel mix of product innovation, design and digital storytelling. It was simple, powerful, and deeply rooted in Britannia Marie Gold's long-standing proposition of Do More. Be More
Another campaign is
Britannia A-eye
, an AI-powered retail solution designed to make the shopping experience more accessible for the visually impaired. Using Google Cloud's multimodal AI, we built a tool that lets a smartphone camera guide the user through the store, reading the aisle, identifying products and and reading out key information like price, ingredients, and expiry dates. The idea is to remove the need for external assistance and make the shopping experience more independent. After a successful pilot, we're now expanding it across more stores and product lines. Together, these two initiatives, one rooted in purpose, the other powered by technology, show how aligning brand belief with consumer need can shift both perception and experience.
Siddharth Gupta, General Manager - Marketing, Britannia, bagged the 'Marketer Of The Year' title at the ET Shark Awards 2025.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Edelweiss CEO and Shark Tank India judge Radhika Gupta calls out Dior for no credit to India for Mukaish Overcoat: Says, time to ...
Edelweiss CEO and Shark Tank India judge Radhika Gupta calls out Dior for no credit to India for Mukaish Overcoat: Says, time to ...

Time of India

time4 hours ago

  • Time of India

Edelweiss CEO and Shark Tank India judge Radhika Gupta calls out Dior for no credit to India for Mukaish Overcoat: Says, time to ...

Radhika Gupta (ANI) Edelweiss CEO and Shark Tank India judge Radhika Gupta has once again called a luxury brand. After Prada, Gupta has now critised luxury fashion brand Dior for allegedly failing to give credit to India for its traditional 'Mukaish' embroidery. In a post shared on social media platform X (formerly known as Twitter) Gupta has publicly criticised Dior for selling Rs 1.7 crore ($200,000) overcoat with Lucknowi Mukaish embroidery without acknowledging the Indian artisans . Gupta's public statement on social media highlights a growing demand for global brands to acknowledge the origins and artisans behind traditional crafts. Read Radhika Gupta's social media post here In the post Gupta expressed her frustration over what she called 'blatant cultural appropriation ,' revealing that the intricate embroidery was crafted by 12 Indian artisans over 34 days, yet the brand gave no credit, no context, and no mention of India 'One more handloom, one more headline. Dior sells a $200K coat using Lucknowi mukaish embroidery. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Villa Prices in Dubai Might Be Lower Than You Think! Villa for sale in Dubai | Search Ads Learn More Undo 12 Indian artisans. 34 days of work. No credit. No context. No mention of India. The world loves Indian craftsmanship — But rarely credits the craftspeople. And almost never shares the value. Because the branding, storytelling, and pricing power stay elsewhere. The hand that creates remains invisible. Culture is soft power. Japan did it with design. Korea did it with pop culture. India must do it with craft. From sourcing destination to storytelling nation. A home of global brands. The lion has to come out. And roar,' wrote Gupta. Edelweiss Mutual Fund CEO Radhika Gupta on Prada Kolahpuris controversy This is not the first time that Radhika Gupta has called out a luxury fashion brand. Recently, the Edelweiss CEO criticised Prada for showcasing scandals that resemble closely to India's traditional Kolhapuri chappals. Gupta has criticised Prada for not giving the due credit to the original artisans. Her remarks soon went viral on social media calling for the recognition and preservation of India's textile heritage . Gupta shared a post on social media platform X (formerly known as Twitter) in which she criticised Prada. '500 rupee chappal sold for 1 lakh, without any credit! This is why I am obsessed with wearing and talking about handlooms. Every child knows who Prada and Gucci are, but very few in a room know a Himroo, Sambalpuri or Narayanpet. Our textile heritage and craftsmanship is for us to preserve, brand and benefit from. As for Prada... Remember that till the lion learns to write, all stories will always glorify the hunter.' wrote Gupta. AI Masterclass for Students. Upskill Young Ones Today!– Join Now

Edelweiss MF CEO Radhika Gupta slams fashion brand for selling Lucknowi mukaish overcoat for Rs 1.7 cr: ‘World loves Indian craftsmanship but..'
Edelweiss MF CEO Radhika Gupta slams fashion brand for selling Lucknowi mukaish overcoat for Rs 1.7 cr: ‘World loves Indian craftsmanship but..'

Time of India

time18 hours ago

  • Time of India

Edelweiss MF CEO Radhika Gupta slams fashion brand for selling Lucknowi mukaish overcoat for Rs 1.7 cr: ‘World loves Indian craftsmanship but..'

Indian craftsmanship , long admired on the global stage, serves as a rich source of inspiration for numerous international fashion and lifestyle labels. However, the true creators behind these intricate works—skilled artisans—are often overlooked, living in the shadows without recognition or reward. Despite the international reverence for their art, the artisans themselves remain nameless, and their contributions are unacknowledged. Recently, Radhika Gupta, CEO of Edelweiss Mutual Fund and a known advocate for creative integrity, publicly criticized a well-known luxury fashion brand for exploiting India's iconic Lucknowi mukaish embroidery. This traditional technique, rooted in cultural heritage and meticulous craftsmanship, was allegedly used in one of the brand's high-end coats—priced at an exorbitant $200,000 (approximately Rs 1.7 crore)—without any credit to the original artists or reference to its Indian origins. Explore courses from Top Institutes in Please select course: Select a Course Category PGDM Public Policy Leadership Project Management Degree Product Management CXO Technology Others healthcare Data Science Finance Data Analytics Digital Marketing Cybersecurity Data Science Design Thinking Operations Management others MBA MCA Management Artificial Intelligence Healthcare Skills you'll gain: Financial Analysis & Decision Making Quantitative & Analytical Skills Organizational Management & Leadership Innovation & Entrepreneurship Duration: 24 Months IMI Delhi Post Graduate Diploma in Management (Online) Starts on Sep 1, 2024 Get Details — iRadhikaGupta (@iRadhikaGupta) Taking to the social media platform X (formerly Twitter), Gupta voiced her disappointment over what she termed as blatant cultural appropriation. According to her, the elaborate coat was the result of the efforts of 12 Indian artisans who spent 34 days crafting the embroidery. Despite the time, skill, and heritage invested in the piece, the brand failed to acknowledge the origin of the art form or the artists who made it possible. Gupta highlighted how this is a recurring issue in global fashion—Indian crafts are often celebrated visually but stripped of their backstory and the rightful credit to the creators. "12 Indian artisans. 34 days of work. No credit. No context. No mention of India. The world loves Indian craftsmanship—but rarely credits the craftspeople. And almost never shares the value," she lamented. She stressed that while the world continues to benefit from Indian aesthetics, the power to shape narratives, pricing, and branding remains with those outside the country. This imbalance means that while the finished product dazzles on global runways, the hands that built it remain invisible. Mukaish embroidery, deeply embedded in the history of Lucknow, involves weaving metallic threads into fabric to form delicate, web-like designs. Known locally as fardi ka kaam , this embroidery creates striking geometric textures. Traditionally combined with chikankari, another Lucknow-based hand embroidery, mukaish is considered a vanishing art. Few artisans continue to pursue it today, and even fewer receive the credit they deserve. Gupta called upon India to transform from merely a supplier of materials to a powerful storyteller of its heritage. Just as Japan and Korea leveraged design and pop culture to build global influence, India, she argued, should assert its cultural authority through its rich and unparalleled crafts. Ask ChatGPT

Vehicle emission, not age, must determine curbs: Delhi CM
Vehicle emission, not age, must determine curbs: Delhi CM

Hindustan Times

timea day ago

  • Hindustan Times

Vehicle emission, not age, must determine curbs: Delhi CM

Non-polluting vehicles which meet fitness norms should be allowed to ply irrespective of their age, chief minister Rekha Gupta said on Saturday even as she urged the Supreme Court to reconsider a ban on end-of-life vehicles (ELVs) in the Capital. Delhi CM Rekha Gupta (ANI) The remarks come a day after her government filed an application in the apex court, challenging the ban on diesel vehicles older than 10 years and petrol vehicles older than 15 years, arguing the restrictions lack scientific backing. Gupta said a more practical, emissions-based approach is required to tackle air pollution caused by vehicular emissions. Her government has also underlined the hardships caused to the general public due to the ban. 'It is our duty to represent the voices of the same laws (regarding vehicles) that are applicable throughout the country should be applicable in Delhi as well. If a vehicle is polluting, it should be off-roaded even within five years. But if a vehicle is not polluting and is fit, there should be no restrictions on it. The government has presented its stand before the court. I believe the court will take note of this and grant the people of Delhi their rightful entitlements,' she said during a public event on Saturday morning. In its application, the government has sought that a comprehensive policy be evolved which grades a vehicle's fitness based on its emission level. Earlier this month, the Bharatiya Janata Party-led Delhi government faced widespread criticism for implementing a Commission for Air Quality Management (CAQM) directive denying fuel to ELVs. The controversial measure was subsequently put on hold following public backlash. In its application filed on Friday, the government cited the rollout of BS-VI engines, stricter PUC compliance, and expanded emissions testing as grounds for re-examining the court's October 2018 order. 'To tackle the issue of pollution in the NCR region, a comprehensive policy is required which gives vehicle fitness based on the actual emission levels of an individual vehicle as per scientific methods rather than implementing a blanket ban based solely on the age of the vehicle.' The application is likely to be heard by a three-judge bench headed by Chief Justice of India (CJI) Bhushan R Gavai on Monday.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store