Super Junior kicks off 20th anniversary year with new reality show
Super Junior is launching its highly anticipated 20th-anniversary project with a brand-new reality entertainment program, 'Super Junior's Super TV.'
The 10-episode show will premiere March 21, airing every Friday on TVing, a local streaming platform, and Mnet, a CJ ENM-owned music cable channel.
For international fans, 'Super Junior's Super TV' will be available via multiple global streaming platforms, including Kocowa+ (North America, Europe, Oceania), TrueVisions Now (Thailand), friDay Video (Taiwan), and Channel K on Prime Video India (India).
The program takes a unique 'hardcore variety' approach, tailored specifically for Super Junior. Now entering their 20th year, the members will take on the challenge of escaping a world built entirely with their own words — where every statement they make materializes into reality.
The show promises a lineup of unpredictable and dynamic content, including a parody of the popular dating show 'I Am Solo,' a game-filled sauna experience, a housewarming party at a member's home and even a travel adventure — all fueled by Super Junior's signature chemistry, honed over two decades.
Beyond variety shows, Super Junior has an extensive lineup of projects planned for their 20th anniversary celebrations, including an exhibition, new album release, pop-up stores and a concert tour.
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Korea Herald
2 days ago
- Korea Herald
Tving and Wavve merger gets green light with conditions
Amid Netflix's dominance in the local streaming market, merger of South Korea's popular streaming platforms approved on condition of fee freeze through end of 2026 Popular South Korean streaming services Tving and Wavve have been given the green light for a merger. On Tuesday, the Fair Trade Commission granted conditional approval for the merger of the two platforms, imposing a measure that requires the companies to maintain their current subscription fee levels through the end of 2026 in order to prevent potential price hikes tied to the launch of bundled products. Entertainment giant CJ ENM currently owns Tving, while Wavve operates as a joint venture between terrestrial broadcasters KBS, MBC and SBS, and telecom operator SKT. In its review of the deal, the antitrust regulator said it examined whether subscription fees for consumers could rise post-merger. According to the FTC, both Tving and Wavve command a substantial base of loyal subscribers. Due to the availability of exclusive content, these subscribers tend to exhibit relatively low price sensitivity. In particular, the FTC said subscribers who highly value exclusive content, such as Tving and Wavve's live broadcast channels and KBO League baseball coverage, would find it difficult to switch to competing services, even if prices were to increase under a bundled model. To address concerns over potential fee increases and other anticompetitive effects in the streaming market, the FTC said that it approved the merger on the condition that Tving and Wavve maintain their existing pricing plans from the date the corrective order is issued — Tuesday — through Dec. 31, 2026. Furthermore, should Tving and Wavve be integrated into a single service during this period, the FTC said the new service must introduce a new pricing plan that is comparable to their current plans in both price range and service offerings, and maintain this new structure through the same 2026 deadline. As of January 2025, Tving and Wavve rank second and fourth in the market, respectively, accounting for 16.5 percent and 9 percent of total streaming service usage time on smartphones in South Korea. According to the same data, Netflix accounts for 61.1 percent. Tving and Wavve have been pursuing a merger since late 2023 as part of efforts to expand their combined market share.
Korea Herald
01-06-2025
- Korea Herald
Is 'Devil's Plan' 2 the worst game show ever?
Star PD Jung Jong-yeon addresses controversy surrounding 'Devil's Plan' season 2 as final winner issues apology Season 2 of Netflix's survival game show "Devil's Plan" generated intense buzz — though not for the reasons the creators might have hoped. While season 1 earned praise for its intense mind games and unpredictable strategy, the second season has received heavy criticism for the behavior of its participants and a controversial outcome that left viewers divided. Continuing with a new lineup of contestants from diverse professions — including legendary Go player Lee Se-dol, Super Junior's Kyuhyun, and professional poker player Seven High — season 2 ended with Hyun-kyu, a reality star from dating show "EXchange 2" (2022), becoming the final winner and taking home the 380 million won ($275,000) prize. But instead of celebrating the win, viewers quickly accused Hyun-kyu, Kyuhyun and actor Yoon So-hee of forming an alliance that supposedly worked to support Hyun-kyu's victory. The alleged collusion was met with public backlash, with some fans labeling "Devil's Plan" season 2 as 'the worst survival game show ever.' Hyun-kyu's behavior also became a major flashpoint, with critics calling him disrespectful and rude toward other participants. Some fans claimed he didn't deserve the win at all. Facing growing criticism, Hyun-kyu appeared before reporters Tuesday in Samcheong-dong, Seoul, wearing a solemn expression and keeping his head down for most of the event. 'Many people have judged my character, so I reflected on myself. ... I sincerely committed to the program, and during that process, I think I said things that hurt others and showed an aggressive attitude. I feel sorry for making many people uncomfortable and causing trouble for the program, the production team, and the cast,' he said during the group interview. 'I regret that I should have played a bit more gently,' he continued. 'After the program ended, I received the prize money, and since I feel I had a negative influence while winning, I plan to donate a certain amount. I will also enjoy some good food with the other contestants.' Much of the frustration also stemmed from participants forming alliances, which allegedly disrupted the intended flow of gameplay. Producer Jung Jong-yeon, the star producer behind multiple game shows such as "The Genius" and "Great Escape" as well as the producer of the "Devil's Plan" series, acknolwedged the issue, saying, 'It's an unavoidable problem in competitive programs that involve social elements.' 'This genre isn't a brain game where everyone starts from the same line, like a race. If viewers continue to feel frustrated watching that aspect, then it's something we need to reflect on," said Jung, during a group interview session held with Hyun-kyu on the same day. When asked whether he's planning a third season, Jung remained open to the idea, even in the face of ongoing criticism. 'There have been a lot of responses saying, 'I'm not looking forward to season 3,'' he said. '(But) if even one person is looking forward to it, I'd like to do season 3,' Jung said. 'Honestly, even if 'Devil's Plan 3' gets greenlit, I've been thinking about completely changing the structure. While maintaining the core concept of a brain-based social survival game, I wanted to keep introducing new formats. If given the chance, I'll try that again — or we might even release it under a completely different title.'
Korea Herald
30-05-2025
- Korea Herald
CGV AI film contest showcases amateur filmmakers breaking ground
Theater chain's inaugural contest demonstrates how artificial intelligence tools lower creative barriers for newcomers Mutiplex chain CGV's AI-generated film contest concluded Friday with an awards ceremony at CGV Yongsan in Seoul, showcasing how AI tools can enable creators to create sophisticated cinematic works previously beyond their reach. The theater chain's inaugural event drew submissions from amateur and first-time filmmakers who leveraged generative AI to produce short films that would have previously required massive budgets. "The Wrong Visitor" by Hyun Hae-ri claimed the grand prize among five winners selected from 15 finalists. "I think AI filmmaking isn't 'film by AI' but 'film with AI,'" Hyun said in her acceptance speech. Her 11-minute short film centers on a character with a wolf's head and the body of a human who guides fellow animals through death. The contest particularly highlighted AI's democratizing potential through entries like "Galaxy Cat Express," which earned third place alongside a college student's production, "Pinocchio: Begins." Kim Young-hyun, creator of "Galaxy Cat Express," quit his previous job to pursue filmmaking after AI tools became available. "I used to dream about making those imaginative stories I loved watching as a kid with my parents — 'Terminator' and 'Predator,'" Kim said during his acceptance speech. "When AI tech started developing, I thought 'I can actually do this now' and quit my job to give it a shot." College students from Sogang and Yonsei universities created "Pinocchio: Begins," a cyberpunk reimagining featuring an android programmed to eliminate liars. Screenwriter Kang Da-bin, in accepting the award on behalf of director Ahn Ye-eun, highlighted their amateur status: "We weren't film experts or AI specialists, but we pulled all-nighters and made this movie with just 200,000 won ($145) in our hands. We hope this shows other young people that you can make it happen." The panel of judges included "Concrete Utopia" director Um Tae-hwa, author Kim Jung-hyuk, science YouTuber Kim Jae-hyeok and CJ ENM's AI production director Jung Chang-ik. Evaluation criteria weighted storytelling at 40 percent, creativity at 30 percent and technical execution at 30 percent. The screened works proved AI excels at generating convincing imagery for wild concepts — from the half-human, half-animal characters with intricate fur textures in "The Wrong Visitor" and the dark cyberpunk cityscapes of second-place winner "0KB," to the sweeping galactic vistas with floating spaceships in "Galaxy Cat Express." These sequences would typically require expensive video effects teams to create, but AI has enabled solo creators to achieve comparable results on minimal budgets. It may be one thing to create high-concept short videos resembling on-demand commercials, but it is quite another to craft coherent narrative films, however short. The technology's limitations showed clearly in the editing, where constant hard cuts between scenes prevented narratives from gaining momentum. Visual consistency also proved problematic, with characters' facial features and physical detail shifting between shots, resulting in jarring discontinuities. Notably, most entries relied heavily on English dialogue, suggesting AI's translation capabilities may help creators overcome language barriers. For now, the technology appears positioned to complement rather than replace human creativity — potentially threatening video effects roles while helping screenwriters and directors expand their creative possibilities.
