Saturday, June 7 Evening Cable News Ratings: George Clooney Lifts CNN Past Fox News in Primetime
CNN's special presentation George Clooney's Tony-nominated Good Night, and Good Luck reaped huge rewards for the network. The live broadcast won its two-hour timeslot in total viewers and the Adults 25-54 demo, with the network stating that it was the most-watched program on cable television in total viewers. Thanks to Clooney, Fox News had a rare second place primetime finish, with the 7 p.m. hour of The Big Weekend Show providing its biggest total viewer draw. The 7 p.m. hour of The Weekend was first for MSNBC.
25-54 Demographic (Live+SD x 1,000)
Total Day: FNC: 107 | CNN: 59 | MSNBC: 39Prime: FNC: 103 | CNN: 124 | MSNBC: 32
FNC:
CNN:
MSNBC:
4PM
Scott:116
CNN Newsroom/Dean:43
Melber*:38
5PM
Five*:132
CNN Newsroom/Dean:51
Sharpton:45
6PM
Big Weekend Show:119
CNN Newsroom/Good Night:66
Weekend:40
7PM
Big Weekend Show:122
Good Night:220
Weekend:42
8PM
Levin:77
Good Night:187
Weekend:46
9PM
Trump:96
Good Night:92
Maddow*:27
10PM
Failla:139
CNN Newsroom:94
Melber*:23
11PM
Gutfeld*:117
Maher*:64
Ruhle*:25
Total Viewers (Live+SD x 1,000)
Total Day: FNC: 908 | CNN: 492 | MSNBC: 377Prime: FNC: 1.134 | CNN: 1.164 | MSNBC: 405
FNC:
CNN:
MSNBC:
4PM
Scott:822
CNN Newsroom/Dean:331
Melber*:425
5PM
Five*:881
CNN Newsroom/Dean:423
Sharpton:464
6PM
Big Weekend Show:1.133
CNN Newsroom/Good Night:635
Weekend:477
7PM
Big Weekend Show:1.325
Good Night:1.947
Weekend:498
8PM
Levin:1.096
Good Night:1.866
Weekend:470
9PM
Trump:1.192
Good Night:993
Maddow*:386
10PM
Failla:1.113
CNN Newsroom:632
Melber*:357
11PM
Gutfeld*:707
Maher*: 395
Ruhle*:249
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The surprising scene that the ‘Andor' cinematographer loved the most
Andor Season 2 switched directors every three episodes, but the same wasn't true of its cinematographers. Christophe Nuyens photographed the first six episodes of the 12-part season, including both the action-packed opening arc and the subsequent introduction of the planet Ghorman. On Andor, director of photography is not a simple job. Nuyens had to do a lot over the course of his six episodes, from filming action scenes (like Diego Luna's titular protagonist saving his friends from stormtroopers in a stolen TIE fighter) to figuring out the visual aesthetics for new planets like Ghorman. More from GoldDerby Clancy Brown, Joel McHale, and more actors who self-submitted at this year's Emmys 'Cross' star Aldis Hodge on building an aspirational hero - who's not a superhero Get a taste of 'The Valley' (literally) with this food and beer FYC event 'The nice thing is that Episodes 1, 2, and 3 were more like a classic Star Wars arc,' Nuyens tells Gold Derby, 'while Episodes 4, 5, and 6 show the more human side of the story. On Ghorman, it feels more like a spy movie. It was really nice to work on both of those. We really tried to give each arc of three episodes a different feel. That was really important for us.' The first three episodes of Season 2 were written by Andor showrunner Tony Gilroy, who is an experienced director in his own right. That means his scripts are loaded with visual details, according to Nuyens, but Gilroy also allows his collaborators room to come up with their own ideas, too. 'Tony's pitch for Ghorman was that it should feel somewhere between Italy and France,' Nuyens says. 'So we looked for references, one of which was the Italian film The Great Beauty, just looks-wise. We thought of Ghorman like Turin, in the Italian mountains. The story had to take place in winter, so always low sun, but with all the sun behind the mountains, so there's this blue gloom that we could mix with the warm practical lights. For us, it was important that this planet feel totally different and inspired by France and Italy as much as possible.' Not all of the action on Andor is violent, and not all of the violence is visible. The emotional climax of the first three episodes, after all, is a dance scene. At her daughter's wedding, Mon Mothma (Genevieve O'Reilly) channels all of her conflicting emotions about family and politics onto the dancefloor. O'Reilly previously told Gold Derby that 'the chaos that is within her emerges through this big dance number … at different times in our lives, we've all done that dance for many different reasons.' Nuyens' job was to complement that aspect of her performance with the camerawork. 'It's a really chic wedding, but it was important for Tony that the dance sequence at the end feel like a rave,' Nuyens says. 'From the moment that she starts losing herself, we decided to use the camera that turns around her. We start with a fix on her, just fixed shots. But then she decides, 'OK, I'm going to go dance.' She takes one shot and goes on the dance floor, and from that moment the camera starts turning around her and stays with her, just zooming in on her. So we have the feeling that, together with her, we start to lose control of everything that's happening.' Part of Mon Mothma's emotional vortex in that moment is that she realizes her comrade Luthen Rael (Stellan Skarsgård) is going to kill her old friend Tay Kolma (Ben Miles) for threatening to expose him. Tay's murder is not shown on screen, but it doesn't have to be. The audience sees him get into a lift driven by diehard revolutionary Cinta Kaz (Varada Sethu) and we know he's toast. Most shows don't demonstrate that kind of restraint, but that's exactly what Nuyens loves about Andor. 'It's incredible because normally in a TV show, those things are all written and we see everything,' Nuyens says. 'On some shoots, I'm trying to convince the director, 'but we don't have to see this. We need to let the viewer use a little bit of imagination, like they're reading a book.' That's something that Tony does really well in his writing. All the beats that we have to see are written, the ones we don't have to see are not written. So we can really play with keeping a little bit of mystery for the viewer, so they can fill it in with their imagination. I think it's really important for a television show to leave a little room for the viewer.' Perhaps surprisingly, Nuyens' favorite scene to shoot in Season 2 of Andor didn't involve murder or stormtroopers at all. Lucasfilm/Disney 'There are a lot of setpieces I liked filming, but actually the scene I most liked filming is a simple scene. It's the scene between Syril (Kyle Soller) and Dedra (Denise Gough), When Syril's mom (Kathryn Hunter) comes to dinner,' Nuyens says. 'It's so well-written and also so well-played. The three of them are so talented. It was so fun to film, even though visually it's quite a simple scene. We tried to accentuate the awkwardness with central shots slightly too wide, which worked quite well. Kyle and Denise added those little extra bits to their performances, which worked really well on camera. 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Jacinda Ardern Documentary ‘Prime Minister' Shows Us How the New Zealand Leader Is the Anti-Trump
On June 10 at a packed auditorium in Marina Del Rey, California, the former New Zealand prime minister Jacinda Ardern (2017-2023) comforted a room full of anxious Americans by showing them what empathetic leadership looks like. She was answering questions from Rachel Bloom at Live Talks Los Angeles about her new memoir 'A Different Kind of Power.' She is also the subject of the Sundance World Cinema audience-award-winning documentary 'Prime Minister' (CNN/HBO), which Magnolia opens in theaters June 13. 'Over the course of my time in office,' Ardern told the rapt audience, 'we had a domestic terror attack that took the lives of 51 members of our Muslim community. We had a pandemic, we had a volcanic eruption, we had a series of natural disasters. I saw and experienced a lot of difficult moments, and in all of them, I can give you examples of incredible kindness and humanity and generosity. I still fundamentally believe [that is] our natural inclination. We currently have a disconnect where that is not what is on display by political leadership. Because instead, politics has decided that blame and the weaponization of fear is a better response to the difficult period we're in, than the much more challenging response in politics, which is to actually solve the problems that people are facing.' More from IndieWire 'In Your Dreams' Teaser: The Search for the Sandman Powers Netflix's New Animated Sibling Fantasy Gold List TV Honors 'Squid Game,' 'Deli Boys,' 'The Studio,' and More Ardern's story is remarkable. She reluctantly ran for Prime Minister in 2017 after the Labour candidate dipped in the polls, and her party eventually, after intense negotiations with smaller parties, squeaked to a win. Three days before the results were announced, Ardern found out that she was pregnant. She took office in October 2017 at age 37, the youngest in New Zealand's history, the youngest country leader at that time in the world, and the third woman to serve as New Zealand Prime Minister. In due time, she gave birth to a daughter, only the second elected world leader to do so (after Pakistan's Benazir Bhutto). From the start, Ardern made it clear that her partner, Clark Gayford, would be the primary caregiver for their child. A former TV anchorman, Gayford was not only used to being in the spotlight but knew how to wield a video camera. He filmed their life behind the scenes from 2017 through her decision to step down five years later, after her popularity waned. 'The only thing that I ever found overrode self-doubt was my grinding sense of responsibility,' said Ardern. 'I knew that I had to answer the call. And so from then on, I just had to get on with it. So that was what did it.' That intimate footage was key to assembling 'Prime Minister,' which could have become a local production. But when producer Gigi Pritzker came on board, she brought in ace editor Lindsay Utz (Oscar-winner 'American Factory,' 'Billie Eilish: The World's a Little Blurry,' 'Martha') to make a film with global appeal that was bigger than a New Zealand political story. Making her feature debut, Utz co-directed with New Zealand's Michelle Walsh. The film was seven years in the making. 'Everybody that was working on it in New Zealand recognized that it was a powerful moment in time and it should be documented,' Utz told me. 'But there was never any plan until Jacinda resigned and came to the States.' When the New Zealand team came to America to finance the movie, American financier Pritzker showed Utz some video. 'I only had to look at about two minutes to know that I wanted to take on the project,' said Utz. 'At the time, I looked at the breastfeeding footage. I had just had my second baby, and I was struggling with similar issues, common issues that women struggle with. And so this film became two countries and two teams coming together.' The Rt. Honorable Dame Ardern now serves as a fellow at Harvard University. When Utz got started, Ardern had moved to the East Coast, so the director was able to meet and bond with her in Boston. She and Walsh interviewed Ardern together and also got access to New Zealand's oral history project and 40 hours of audio diaries that had been recorded when Ardern was in office. 'That's a gift right from the documentary heavens,' said Utz, whose editorial background was an asset as the film melded together archive and fresh interviews. The first rough cut assemblage ran 17 hours. The editing team took a year to wrestle the movie down to one hour and 42 minutes. The directors wanted Ardern's voice 'to be at the center of the film,' said Utz, 'almost as if you're sitting next to her and she's telling you a story. The approach was using the audio diaries as a portal into the past and then doing these incredibly intimate interviews with her. And we were lucky, because she was writing her memoir at the time, so she was in this contemplative space. And you can see that in the interviews, they're pretty raw. She's pretty raw. She's still processing what she's just been through. We wanted it to feel like reflection, and intimate, but we were always aware that we wanted the past to be propulsive and move forward in a verité way. So we had to balance the past and the present.' Front and center was Ardern's model of a different kind of governing. 'She showed up unapologetically as herself,' said Utz. 'And that's what people take note of. They feel the authenticity, and they feel the conviction. And she demonstrates that you can be both empathetic and strong, that you can be kind and have resolve. It was important to us to show the portrait of the leader that we saw.' Remarkably, Ardern gave the filmmakers leeway. 'She did not have control,' said Utz. 'She was a good subject. You can imagine it's hard for Clark, because he shot a lot of this footage, to let go. We were given space to work and figure out how to craft this movie, and she didn't see it cut until after we submitted to Sundance.' The filmmakers screened 'Prime Minister' for Ardern in New York. 'Michelle and I were sitting in the room squeezing each other, sitting a few aisles behind her,' said Utz. 'She's watching it for the first time, and that's always a nerve-wracking experience. A lot of it is hard for her to watch, but because she is such a lover of history and documentation, she understood that even the stuff that she is embarrassed by is all part of the story. And she gave us great freedom to do what we thought was right.' As you watch the documentary, it's striking how different New Zealand is from the United States, where it's hard to imagine many of the accomplishments of Ardern's administration even being possible, from shutting down the entire country during COVID, saving 20,000 people's lives, to ordering her citizens to turn in their arms. After the Christchurch mosque shootings in March 2019, the government implemented strict gun control reforms. Within weeks, Parliament passed a ban on military-style semi-automatic weapons, nearly unanimously. The months-long government buyback program, by the end of 2019, collected over 56,000 banned firearms and almost 200,000 illegal gun parts. 'It's surreal to watch this,' said Utz, 'because it feels like another planet.' The parliamentary system in New Zealand also favors the election of women in Parliament. Still, Ardern is something of a unicorn in today's tumultuous right-leaning times. 'You see the political will behind the scenes,' said Utz. 'And you see the passion, and you feel her commitment to these issues. We didn't want to make a film that was dissecting all of her policies. We wanted this to be an intimate, personal journey of a woman on the world stage, facing all sorts of things that women face: the balance of work and motherhood, what it looks like to have a supportive partner. This was a family story, too. You were invested in them as a family, because they were a unit, that's how she functioned, that's how she did her job.' Another aspect of the Ardern story: New Zealand has always been a progressive country. But that did not protect her when the wolves began to circle. Her popularity soared and then fell after months of organized protests. 'Russian cells were pumping disinformation into New Zealand,' said Utz. 'The New Zealand public was interacting with that disinformation at a much higher rate than other countries at that time. There was the anti-vaccine sentiment, of course, that we saw in lots of places in the world, that became a powerful force. And Quanon and our American politics were being looked at and studied and admired.' When the economy tanked after COVID, Ardern was under tremendous pressure, and decided to resign before the end of her term. 'A lot of people have anger towards her, still to this day, about her policies,' said Utz, '[saying] they were too draconian, too strict, put too much emphasis on life and not enough on the economy, although [Ardern's government] did do a lot to support families and people during the pandemic. You could find people on both sides of that issue.' As the movie hits theaters, Utz is 'secretly thrilled that we got a film about a progressive politician into theaters nationwide,' she said. 'It feels like something unique right now. People are desperate for some light and some inspiration. And she's good at that.' Where Ardern goes, applause follows. 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Ananda Lewis, Former MTV VJ and Talk Show Host, Dies at 52
Ananda Lewis has died at the age of 52. The former MTV VJ's sister Lakshmi announced news of her death in a Facebook post shared on Wednesday, June 11. "She's free, and in His heavenly arms," she wrote, alongside a series of broken heart emojis and a black and white portrait of Lewis. "Lord, rest her soul 🙏🏽" Lewis became well known in 1997 when she was hired to be one of MTV's VJs, hosting shows like Total Request Live and Hot Zone. In 1999, The New York Times dubbed her 'the hip-hop generation's reigning It Girl.' She left MTV in 2001 to host her own talk show, The Ananda Lewis Show. Lewis revealed in a 2020 Instagram post that she had been diagnosed with stage III breast cancer. She said that she had not been getting regular mammograms because of her fear of radiation. In October 2024, Lewis took part in a roundtable discussion with CNN's Stephanie Elam (her friend from college) and CNN anchor Sara Sidner in which she revealed that she went against medical advice and did not have a double mastectomy after she was diagnosed. Her tumor had metastasized, and her cancer had progressed to stage IV, she shared. 'My plan at first was to get out excessive toxins in my body. I felt like my body is intelligent, I know that to be true. Our bodies are brilliantly made,' Lewis said. 'I decided to keep my tumor and try to work it out of my body a different way. . . . I wish I could go back. It's important for me to admit where I went wrong with this.' Lewis was born in Los Angeles in 1973. Her parents divorced when she was 2, and she and her sister, Lakshmi, moved with her mother to live with their grandmother in San Diego. In 1999, Lewis opened up to Teen People about her difficult relationship with her mother as a child and teenager. 'Mom was overwhelmed from the get-go, devastated by the divorce and working hard to support two kids,' she said. But Lewis felt neglected and 'built up a lot of resentment toward her.' 'By the time I was 10, I'd become a belligerent, rebellious kid, and my mother and I were fighting about everything,' she explained. She attended an arts high school and spent her time in school plays and volunteering. After graduating from Howard University in 1995, she landed a job as the host of BET's Teen Summit, which filmed in D.C. In one episode, she interviewed then First Lady Hillary Clinton. 'That experience got me noticed at MTV and in August of 1997, I moved to New York and started working there,' she told Teen People. Months earlier, in December 1996, she had reconciled with her mother after a period of estrangement. 'I decided to close the chapter on being hateful and resentful toward my mom and open a new one that focused on love, forgiveness and appreciation for her,' she explained. Lewis became one of MTV's most popular hosts. ''In the past, our talent was sometimes just pretty people who could read cue cards,'' Bob Kusbit, then MTV's senior vice president for production told The New York Times in 1999 about her talents. ''But when we brought Ananda to MTV, we decided we were going to do a lot more live television, and I was first and foremost interested in her ability to do live TV.'' Lewis interviewed celebrities including Destiny's Child, Brandy, NSYNC, Britney Spears and many more. She also ended up covering heavier topics for the network, including violence in schools and the 2001 death of Aaliyah, who was her close friend. In 2000, PEOPLE named Lewis one of the 50 Most Beautiful People in the World. She also made frequent appearances at celebrity events. Even Prince was a vocal fan; he told The New York Times, 'Ananda is Cleopatra. You know she's a queen.' Lewis left her MTV role in 2001 and began hosting her eponymous talk show. "I wanted a change," she told Teen People at the time. "It was a matter of proving to myself that I can do [this]." The series — which premiered Sept. 10, 2001 — lasted one season. Reflecting on the series to Shondaland, Lewis said, 'I wish I had stopped the people that wanted me to do the [talk] show and said, 'Not yet, it's a little too early to do this.' It was overkill for me.' She said she wasn't happy with the show, explaining, 'It wasn't what I felt like I signed up for.' Lewis took a break from television and later appeared as a host on The Insider, a spin-off of Entertainment Tonight. She also appeared on the reality series Celebrity Mole: Yucatán and hosted A&E's America's Top Dog and TLC's While You Were Out. Lewis also became a contractor and carpenter. MTV News shut down in 2023. Lewis reflected in a statement to PEOPLE at the time, "A pillar of creative and diverse speech is crumbling. MTV News covered things no one else could. We could get inside the trailer with DMX and Korn as they were taking historic concert stages. Artists trusted MTV News to tell their stories." She added: "Even though I was technically a VJ, I did many specials with MTV News and know firsthand what a huge loss this is for the culture of music and all who love it." In 2011, Lewis welcomed son Langston with Harry Smith, brother of Will Smith. Lewis is survived by her son. Read the original article on People
