Drone show added for Red, White & BOOM! for 2025
After nearly 45 years, a modern twist is coming to the Downtown Columbus celebration. BOOM! organizers have announced that, in addition to traditional fireworks, a drone show will entertain viewers as the night's 'opening act.'
At 10 p.m., on July 3, 216 drones will lift off to dazzle a crowd of more than 400,000 fans with a fascinating synchronized display. Local drone show company, Nite Brite, will handle the performance. The added element is thanks to G&J Pepsi, one of the event's presenting sponsors, in honor of the beverage bottler's 100th anniversary.
NBC4's coverage of the event begins at 4 p.m. on First at 4. Viewers can watch the entire show starting at 8 p.m. on NBC4, nbc4i.com and our new TV streaming app, NBC4 Columbus.
BOOM! is the largest single-day event in Columbus and would not be possible without all the volunteers, vendors, and sponsors, NBC4, WNCI and G&J Pepsi, which have invested in the event.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.
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CNN
an hour ago
- CNN
A UFC fight at the White House? Dana White says it's happening
Hours after Paramount and UFC announced a billion-dollar rights deal, Dana White said he had yet to hear from his friend, President Donald Trump, on his thoughts about the fight company's new streaming home. That was fine with White. The UFC CEO was set to travel to Washington on August 28 to meet with Trump and his daughter, Ivanka, to catch up and discuss logistics on the proposed Fourth of July fight card next year at the White House. Trump said last month he wanted to stage a UFC match on the White House grounds with upwards of 20,000 spectators to celebrate 250 years of American independence. 'It's absolutely going to happen,' White told The Associated Press. 'Think about that, the 250th birthday of the United States of America, the UFC will be on the White House south lawn live on CBS.' The idea of cage fights at the White House would have seemed improbable when the Fertitta brothers purchased UFC for $2 million in 2001 and put White in charge of the fledging fight promotion. White helped steer the company into a $4 billion sale in 2016 and broadcast rights deals with Fox and ESPN before landing owner TKO Group's richest one yet — a seven-year deal with Paramount starting in 2026 worth an average of $1.1 billion a year, with all cards on its streaming platform Paramount+ and select numbered events also set to simulcast on CBS. ESPN, Amazon and Netflix and other traditional sports broadcast players seemed more in play for UFC rights — White had previously hinted fights could air across different platforms — but Paramount was a serious contender from the start of the negotiating window. The Paramount and UFC deal came just days after Skydance and Paramount officially closed their $8 billion merger — kicking off the reign of a new entertainment giant after a contentious endeavor to get the transaction over the finish line. White said he was impressed with the vision Skydance CEO David Ellison had for the the global MMA leader early in contract talks and how those plans should blossom now that Ellison is chairman and CEO of Paramount. 'When you talk about Paramount, you talk about David Ellison, they're brilliant businessmen, very aggressive, risk takers,' White said. 'They're right up my alley. These are the kind of guys that I like to be in business with.' The $1.1 billion deals marks a notable jump from the roughly $550 million that ESPN paid each year for UFC coverage today. But UFC's new home on Paramount will simplify offerings for fans — with all content set to be available on Paramount+ (which currently costs between $7.99 and $12.99 a month), rather than various pay-per-view fees. Paramount also said it intends to explore UFC rights outside the US 'as they become available in the future.' UFC matchmakers were set to meet this week to shape what White said would be a loaded debut Paramount card. The UFC boss noted it was still too early to discuss a potential main event for the White House fight night. 'This is a 1-of-1 event,' White said. There are still some moving parts to UFC broadcasts and other television programming it has its hands in as the company moves into the Paramount era. White said there are still moving parts to the deal and that includes potentially finding new homes for 'The Ultimate Fighter,' 'Road To UFC,' and 'Dana White's Contender Series.' It's not necessarily a given the traditional 10 p.m. start time for what were the pay-per-view events would stand, especially on nights cards will also air on CBS. 'We haven't figured that out yet but we will,' White said. And what about the sometimes-contentious issue of fighter pay? Some established fighters have clauses in their contracts that they earn more money the higher the buyrate on their cards. Again, most of those issues are to-be-determined as UFC and Paramount settle in to the new deal — with $1.1 billion headed the fight company's way. 'It will affect fighter pay, big time,' White said. 'From deal-to-deal, fighter pay has grown, too. Every time we win, everybody wins.' Boxer Jake Paul wrote on social media the dying PPV model — which was overpriced for fights as UFC saw a decline in buys because of missing star power in many main events — should give the fighters an increased idea of their worth. 'Every fighter in the UFC now has a clear picture of what the revenue is…no more PPV excuses,' Paul wrote. 'Get your worth boys and girls.' White also scoffed at the idea that the traditional PPV model is dead. There are still UFC cards on pay-per-view the rest of the year through the end of the ESPN contract and White and Saudi Arabia have teamed to launch a new boxing venture that starts next year and could use a PPV home. White, though, is part of the promotional team for the Canelo Álvarez and Terence Crawford fight in September in Las Vegas that airs on Netflix. 'It's definitely not run it's course,' White said. 'There were guys out there who were interested in pay-per-view and there were guys out there that weren't. Wherever we ended up, that's what we're going to roll with.' White said UFC archival footage 'kills it' in repeat views and those classic bouts also needed a new home once the ESPN deal expires. Just when it seems there's little left for UFC to conquer, White says, there's always more. Why stop at becoming the biggest fight game in the world? Why not rewrite the pecking order in popularity and riches and go for No. 1 in all sports? 'You have the NFL, the NBA, the UFC, and soccer globally,' White said. 'We're coming. We're coming for all of them.'
USA Today
11 hours ago
- USA Today
Why all-Black rodeo events are 'so hot right now'
The nation's longest running Black rodeo is among a handful of events some say have seen a boost due to Beyonce's groundbreaking 2024 country album. USA TODAY This story has been updated. Call it the Beyoncé effect: One of America's biggest music superstars unleashed a stampede of excitement for Black rodeos across the country with her 2024 album "Cowboy Carter." Nowhere is that more obvious than in tiny Okmulgee, Oklahoma, home to the nation's oldest continuously operated Black rodeo. 'When Beyoncé released that country album, she told Black people it's okay to wear cowboy boots and cowboy hats,' said Danell Tipton, who now serves as arena director for multiple state rodeos, including what is now the Okmulgee Roy LeBlanc Invitational Rodeo. 'Black rodeoing is so hot right now, every event we go to," said Tipton, a former bull riding champ. "I haven't seen so many Black girls in cowboy hats and boots, ever. We've had our rodeos, but city slickers were never in tune with it. Now, it's like the floodgates opened.' On the weekend of August 9, the Okmulgee Roy LeBlanc Invitational Rodeo marked its 70 th year, the legacy of two dozen Black businessmen, farmers and ranchers frustrated with the second-class treatment accorded to Black rodeo competitors and their fans in the 1950s. Tipton has been going to the Okmulgee rodeo ever since he was a kid riding along with his family's roundup club, the Oklahoma City Paraders. The equestrian-minded community organization held weekend parades to precede Black rodeo competitions in rural outposts around the state, in places like Tatums, Clearview and Drumright. 'Okmulgee was always the last rodeo of the year,' he said. 'It was like our Super Bowl.' Situated 40 miles south of Tulsa, the Okmulgee Roy LeBlanc Invitational Rodeo is among the country's largest Black sporting events, according to event producer Kenneth LeBlanc. In 1956, LeBlanc's father Roy and grandfather Charles were among the founders of what was then called the Okmulgee County Roundup Club. 'Black people couldn't get into White rodeos,' said Marcous Friday, who has been the Okmulgee event's announcer for two decades. 'That's why they started the rodeo. Who would have thought that 70 years later, it's still going?' An old-school tradition Okmulgee was among a patchwork of Black rodeo circuit events that thrived in the 1950s and 1960s throughout the Texas Gulf Coast region and the area around Tulsa, according to Keith Ryan Cartwright, author of 'Black Cowboys of Rodeo: Unsung Heroes from Harlem to Hollywood and the American West.' 'A lot of Black rodeo cowboys got their start in one of those two areas,' said Cartwright, who now serves as assistant general manager of the Nashville Stampede, a pro bull riding team. 'Maybe they weren't from there, but they would migrate there in order to compete regularly.' Nearly an hour to the west, the Boley (Oklahoma) Rodeo is the oldest of all Black rodeos, dating back to 1903 – but with several interruptions along the way. Okmulgee has clung to its annual tradition like a bull rider refusing to be bucked off. 'This is the 70 th year, and there's no asterisk,' Cartwright said. 'They even found a way to have it in 2020." The 2025 event features more than 200 competitors, including dozens of calf ropers, team ropers, steer wrestlers and barrel racers. The atmosphere bears little resemblance to the big-money, corporate-sponsored spectacles broadcast on television. 'It's not some multimillion-dollar production,' Cartwright said. 'It's old-school.' 'When they come back to Black rodeo, there's a home for them' The rodeo's inaugural run was held north of town on leased land owned by the local White roundup club, Tipton said. When the club saw the event's success and significantly raised its rates the next year, the organizers of the budding Black rodeo decided it was time to find their own venue and bought 40 acres south of town, he said. That's where the Okmulgee Invitational rodeo was held until 1991, he said, when the all-Black event moved to the Bob Arrington Rodeo Arena, owned by the Muscogee (Creek) Nation. By that time Tipton was starting to compete himself, riding bulls and wrestling steers. In 1998, he was named the Professional Rodeo Cowboys Association's bull riding and overall rookie of the year. Coming up in the pro ranks, Tipton said, fellow Black cowboys were a rare sight. Even now, he said, when he goes to events on the East or West coasts, 'they're like, 'Wow. Black cowboys.' They see White cowboys competing on TV every day.' Among the barriers, Tipton said, are finances and unfamiliarity with the logistical strategies necessary to qualify for the national finals, which are based on prize money won throughout the year. Competitors must navigate a network of seasonal events held across the country to finish among the top 15 qualifiers in their respective categories. 'There's so many Black cowboys who should be making tons of money,' Tipton said. 'A lot don't know the business side. So when they come back to Black rodeo, there's a home for them.' When he found success as a rookie and hit the pro circuit, Tipton said, he didn't return to the Black rodeo circuit for several years. But he always made sure to return for Okmulgee. 'The Jackie Robinson of rodeo' He wasn't the only one. Many of the Black rodeo greats throughout the years have frequented Okmulgee, among them Myrtis Dightman, often referred to as 'the Jackie Robinson of rodeo.' Dightman was among those featured during Beyoncé's Christmas Day halftime show during the Houston Texans' game against the Baltimore Ravens in December. 'He was the first African American to qualify for the National Finals Rodeo,' said Friday, the event announcer. 'He never won a world title, but he's the one who actually opened the doors for African American cowboys in rodeo today.' Dightman grew up on a ranch in Crockett, Texas, two hours north of Houston, where his father was a ranch hand and his mother helped work the fields, Cartwright said. He went to school when ranch work allowed, never learning to read. As a young man, Dightman found work as a rodeo clown and bullfighter but knew he had the skills to be an accomplished bull rider, Cartwright said. Like other Black rodeo hopefuls, he often wouldn't be allowed to ride until events were over. 'He quickly established himself not as a great Black bull rider but as a great bull rider,' Cartwright said. Eventually, the humble and well-liked Dightman would earn his way onto the circuit with other cowboys eager to compete against him. In the 1960s, Cartwright said, standards called for only two event judges, and all it took was one to poison a competitor's chances for success. 'It wasn't so egregious as to make them finish last,' he said. 'All they had to do was rob them of a point here or there.' But spread over the course of a season, Cartwright said, these sprinklings of bias had their effect, depriving certain competitors of prize money and dropping them several places in the standings. He believes that happened to Dightman and others. Dightman realized that despite whatever slights he might face, he could still claw his way to the finals if he competed in enough events to earn sufficient prize money. He avoided Southern rodeos and instead hit events in Texas, Oklahoma, on the West Coast and throughout the Midwest and Rust Belt. 'He thought, there's always going to be a judge that isn't going to let me win an event, but if over the course of a season I go to more events than anyone else, all my 2 nd places and 4 th places will get me there,' Cartwright said. 'He hustled and was very methodical.' In 1967 and 1968, Dightman finished among the three or four top-ranked bull riders in the world. While he never won the sport's gold buckle, Dightman knew he had accomplished something special, Cartwright said. 'I can't stress enough how good he had to be to finish third at a time when our country was facing the racial animus it did,' he said. 'He said to me, 'I wanted to be a world champion but I never were a world champion, but I was a world champion as a man.' He wasn't bragging on himself. What he was saying was that he saw something that hadn't been done and he wanted to do it and did everything he could to do it. I just find him to be heroic.' Legends of the sport In February, Tipton and Friday teamed up to produce their second annual National Black Cowboy Rodeo Awards and Gala in Oklahoma City. 'We've honored all the old cowboys the last two years,' Tipton said. Dightman, now 90, was among them; so was Charles Sampson, the former kid from Watts, California, who with Dightman's mentorship became the first Black bull rider to win a rodeo world title, in 1982. Both have been among the luminaries who polished their craft at Okmulgee. 'Myrtis and Charlie are legends,' Cartwright said. 'Not just among Black cowboys. They're legendary rodeo cowboys, period.' Before a bull rider's bucking chute opens, there is someone there to tighten the rope he'll use to hold on to for the duration of the ride, and riders are notoriously picky about who gets to do it, Cartwright said. 'When Charlie won the world title in the 10 th round, Myrtis was there and Charlie had him pull his bull rope for him,' he said. 'For him to wave off the guy who would normally pull his rope and let Myrtis do it goes to show that Charlie understood the significance of his moment and that the road to that moment was paved by Myrtis.' It's on that foundation that today's young Black cowboys will build on when they compete this weekend in Okmulgee. 'Okmulgee originated at a time when it was needed,' Cartwright said. 'There was nowhere else for them to go. It's a historic event.'
Yahoo
15 hours ago
- Yahoo
People Seriously Doubted Wife After She 'Bathed' Husband's Office In Red Paint but the End Results Speak For Themselves
People Seriously Doubted Wife After She 'Bathed' Husband's Office In Red Paint but the End Results Speak For Themselves originally appeared on Parade Home & Garden. There are some colors people naturally recoil from. Whether that is pastel or neon, it comes down to the person. But let it be known that a true interior designer can take anything and run with it. And that is just what DIYer Asley Tate @smashingdiy did when her husband challenged her to make over his office in her least favorite color, red. At first, people were horrified when she started painting every all, including the ceiling, a crimson, blood red. They began changing their tune however once they saw the many paint and design elements she used to tie the room together. By the end of the video, they were slack-jawed at her accomplishment."I'm so sorry for doubting you it came together out of nowhere," noted one follower. "I hope you do this for a living because that was phenomenal," raved another. The transformation serves as a lesson in coordination. While red is a gorgeously vibrant color, it can be overpowering on its own. It needs to be paired with strong design elements, smart details and curated accents to make the color look more intentional and less Seriously Doubted Wife After She 'Bathed' Husband's Office In Red Paint but the End Results Speak For Themselves first appeared on Parade Home & Garden on Aug 12, 2025 This story was originally reported by Parade Home & Garden on Aug 12, 2025, where it first appeared. Solve the daily Crossword
