logo
New Zealand Continues to Ban a Type of Name That's Wildly Popular in the US

New Zealand Continues to Ban a Type of Name That's Wildly Popular in the US

Yahoo11-05-2025

We already knew this, but New Zealand has pretty strict naming rules. While it seems as though you can name kids anything and everything in the United States (and trust us, we've seen some rather unique names), New Zealand will downright reject names. In 2023, they primarily rejected royalty-based names like Queen, Royal, and Bishop; and now, the same thing is happening. New Zealand has primarily rejected royal-based names again in 2024, despite it growing rapidly in the United States.
According to an Official Information Act inquiry, nearly 60,000 babies were born in New Zealand last year; and dozens of names were rejected. And once again, the most rejected name was King. See the rejected requests below:
More from SheKnows
The Newest List of Most Popular Baby Names Was Just Released - See What's Topping the Charts Now
King — 11 requests
Prince — 10 requests
Princess — 4 requests
Pryncess — 2 requests
Bishop — 1 request
Crown — 1 request
Crownos — 1 request
Duke — 1 request
Emperor — 1 request
Kingi — 1 request
Kingz — 1 request
Kyng — 1 request
Lady — 1 request
Magesty — 1 request
Prinz — 1 request
Prynce — 1 request
Queen — 1 request
Roil — 1 request
Royal — 1 request
Royallty — 1 request
Now, per the New Zealand Law Society, names should be less than 70 characters long, and it won't be accepted if it 'resembles an official title or rank' or are made up of symbols that aren't international characters like macrons or umlauts.
While these may be a no-go in New Zealand, the US is very different. In fact, according to the U.S. Social Security Administration, they're rising in the ranks in the past few years!
King was ranked 266 of the most popular names in 2023, Royal was ranked 402, Prince was ranked 364, and Princess was ranked 919, to name a few. And if you look at the data, these royal baby names are all climbing the ranks year-over-year in the US.Best of SheKnows
Beyoncé, Chris Hemsworth, & More Celebs Share the Most Important Life Lessons They've Learned From Their Moms
Recent Baby & Toddler Product Recalls Every Parent and Caregiver Should Know About
Celebrity Moms Who Were Honest About Miscarriage & Pregnancy Loss — Because It Matters

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

The Grammys country category change was long overdue. It's bigger than Beyoncé.
The Grammys country category change was long overdue. It's bigger than Beyoncé.

Yahoo

time39 minutes ago

  • Yahoo

The Grammys country category change was long overdue. It's bigger than Beyoncé.

Ever since Beyoncé dropped 'Texas Hold 'Em,' the first single from her 'Cowboy Carter' album in February 2024, it is nearly impossible to have a conversation about country music without forcing the superstar to the center. In many cases, this makes sense. For people who want to understand the mile-high barriers facing Black country artists — and Black women especially — Beyoncé is an ideal case study. Sometimes, however, the Beyoncé focus is misplaced, serving as little more than a distraction. And the controversy that has swelled around the Recording Academy's decision to rename the Best Country Album Grammy to Best Contemporary Country Album, while adding the new Best Traditional Country Album award, is proof. The Recording Academy's decision doesn't just account for the ways in which country music has shifted over time, it also creates one more shot for artists to claim the music industry's most coveted statue. As for those claims of racism bouncing around the internet? That was most evident in the decades of forcing Black artists to fit into outdated genre boxes and award categories. I've spoken and written many times about the myriad ways racism has shown up in country music, from the dearth of Black signings by industry labels and publishers, to the general aversion of country radio to play anyone who's not a white man. But there's also an unspoken understanding that Black folks are generally "not country enough" for country music, and that they must prove their country-ness in order to be taken seriously by the industry. (And even then, they probably still won't be). Even outsiders unaware of the peculiarities of the country music industry can immediately recognize this identity policing as obvious prejudice. Yet the influence of Nashville's unspoken rules on the artists themselves — even beyond the impact of exclusion — isn't always obvious. Few people outside Nashville and country music understand how easily and willingly Black artists internalize the notion that they aren't, and will never be, country enough. As a result of this internalized script, these Black artists work overtime to prove their country-ness, especially at the beginning of their careers. They slap on crazy-thick accents and vow to never remove their giant Stetson hats while surrounding themselves with all-White entourages. Musically, they work hard to stick to a more traditional country script, eschewing the pop, hip hop and R&B influences often adopted by their White peers. Those efforts rarely yield significant success, at least via the mainstream, and some of those artists reverse course once they realize that, for industry gatekeepers, no amount of kowtowing will do. Still, these attempts at assimilation by self-erasure prove highly effective in entrenching the genre rules to which other Black artists are expected to adhere. Then came Beyonce's 'Cowboy Carter' — with appearances by Dolly Parton and Willie Nelson as not-so-subtle nods to the country mainstream, but also a commitment to the sonics of her choosing. Opinion: Beyoncé Bowl was a success for her, though little has changed in country music There was country and bluegrass, but also trap and opera, rock & roll and gospel. From the beginning, there was speculation that 'Cowboy Carter' was Beyonce's line-in-the-sand, best-and-last appeal to the Recording Academy for Album of the Year, the Grammy that had remained elusive throughout her record-breaking career. Many experts foresaw Beyonce's eventual AOY win, yet no one expected her to also claim the Best Country Album award. When her name was called, it shocked everyone in- and outside the industry, including Beyoncé herself. It wasn't just that Beyonce hadn't even been nominated for a Country Music Association Award, or even that 'Cowboy Carter' was largely deemed 'not country enough.' For myriad reasons — including the fact that it was the only album award in the country category — Best Country Album was just flat-out hard to win. For all artists. Back in 2021, Kacey Musgraves released 'Star-Crossed,' her fifth studio album. On the heels of 2018's critically acclaimed 'Golden Hour' (which won Best Country Album and Album of the Year Grammys), 'Star-Crossed' was supposed to reinforce Musgraves as country's next big thing while also positioning her as a star who can, indeed, cross genres. Except, when it came time to review 'Star-Crossed' for Grammy contention, the album's pop influences were deemed too central. Though a single track was accepted for inclusion in the Best Country Song category, the screening committee that determined which albums would be eligible for Best Country Album disqualified Musgraves' full album. Cindy Mabe, then-head of Universal Music Group, Musgraves' label, was so upset that she penned an open letter to Recording Academy CEO Harvey Mason, Jr. 'As a prime stakeholder in country music, I would really like to frame what's happening in our genre right now and help you and the Grammy's fully understand the importance of Kacey Musgraves to country music and why this decision is so much more than an entry point for an awards show,' Mabe wrote. 'Taking her out of the country category actually does harm to a format struggling with change and inclusivity overall.' Opinion: Jelly Roll's success shows country music should embrace more unconventional artists Mabe also cited Musgraves label mate Mickey Guyton, whose career had also been obviously hamstrung by industry notions of what is country, and what isn't: 'My own artist Mickey Guyton has struggled for 10 years to be heard. It took the example of watching Kacey create her own path by living out her own truth in country music for Mickey to see what was possible and she followed suit laying out her perspective as a Black woman in America singing country music and re-writing history on your show last year.' The Musgraves drama reeked of typical industry manipulation, and while Mabe was happy to jump into the Musgraves row with both feet, she never acknowledged her own role in Guyton's 10-year struggle. But points were made. Selfishness aside, Mabe's appeal was rooted in indisputable fact. While country music was growing and changing, the means by which the industry honors it's best wasn't. Was Beyonce's win of the coveted Country Album of the Year the final straw that pushed the Recording Academy to makes changes to its country Grammys? Perhaps. But was it long overdue for the genre anyway? Absolutely. As a friend told me yesterday, Lee Ann Womack and Jelly Roll should never be in the same awards category. I don't believe that dividing the Best Country Album award in two somehow diminishes its significance. But I do know that there didn't seem to be an issue when the Academy added a traditional category to the R&B field in 1999, creating opportunities for artists who adopt a more modern sound, as well as those with a nostalgic bent. Moreover, I know it's unlikely that Black artists will lay perennial claim to the contemporary country award, even as online protestors claim that its creation was an attempt to separate the country category along racial lines. It's more likely that the award will go to artists like Jelly Roll and Morgan Wallen, with their genre blurring and mainstream success, while artists like George Strait and Cody Johnson can stay in their own, more traditional lane. But that could change. Black artists could see this shift as a license to settle into who they are and show up as their fully Black selves — who just happen to make country music. Opinion: Beyonce's use of Black writers and musicians can open the door for others in country music They could go into the studio with Black songwriters and producers, letting creativity take over and adding in notes of hip hop and R&B, but also jazz or pop or whatever else suit's their fancy. Or they could create the most country of country records, leaning into the down-home traditions perfected by their ancestors. I've always argued that the path to Black success is country music runs straight through community and authenticity, no matter what it sounds like. It's just the road few have been willing to take. But now, Black artists can trust that there's a way toward Grammy consideration in either direction. After all, the most significant impact of the Recording Academy announcement is the creation of more opportunity in country music — including for Black artists. And that's what we've been fighting for all along. Andrea Williams is an opinion columnist for The Tennessean and curator of the Black Tennessee Voices initiative. She has an extensive background covering country music, sports, race and society. Email her at adwilliams@ or follow her on X (formerly known as Twitter) at @AndreaWillWrite. This article originally appeared on Nashville Tennessean: New country category at The Grammy change was long overdue | Opinion

FIFA Club World Cup on Hulu + Live TV: How to Watch Paris Saint-Germain F.C. vs. Atlético Madrid Online
FIFA Club World Cup on Hulu + Live TV: How to Watch Paris Saint-Germain F.C. vs. Atlético Madrid Online

Yahoo

time3 hours ago

  • Yahoo

FIFA Club World Cup on Hulu + Live TV: How to Watch Paris Saint-Germain F.C. vs. Atlético Madrid Online

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes. In the lead up to the World Cup in 2026, the United States is hosting an expanded tournament called the FIFA Club World Cup with 32 clubs competition for prize money and to hoist the FIFA World of Club Football Trophy on the pitch. On Sunday (June 15), PSG vs. Atlético takes place at Rose Bowl Stadium in Pasadena, California. Advertisement More from Billboard Want to watch the FIFA match online? Keep reading for the best way to livestream. watch PSG vs. Atlético on Hulu + Live TV PSG vs. Atlético broadcasts live, with a start time of 3 p.m. ET/12 p.m. PT. The match airs on TNT. It will be available to livestream on Hulu + Live TV. Prices for the cable alternative start at $82.99 per month, while each plan comes with Hulu, Disney+ and ESPN+ at no additional cost. Sign up for a 3-day free trial to try out the streaming service for yourself. Hulu + Live TV might be best for those who want all of these streaming services together in one bundle. It also features many other networks, including ESPN, ESPN2, MLB Network, FS1, FS2, CBS, CBS Sports Network, ABC, Hallmark Channel, BET, CMT, Disney Channel, NBC, TBS, truTV and many other channels. Advertisement Starting at 3 p.m. ET/12 p.m. PT, the PSG vs. Atlético airs on TNT on Sunday (June 15). The match is available to livestream with Hulu + Live TV. watch PSG vs. Atlético on Hulu + Live TV Which Celebrities Are Making Appearances During FIFA Club World Cup? It's likely there may be a number of celebrities and famous recording artists in attendance during the FIFA match, such as PSG fans Beyoncé, Leonardo DiCaprio, Pharrell Williams, Tom Brady, Giannis Antetokounmpo and others, or Atlético fans Will Smith, Harrison Ford, Halle Berry, Tom Cruise, Charlize Theron and more. Tune in to the match to find out who's in the stadium. Advertisement Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories. Sign up for Billboard's Newsletter. For the latest news, follow us on Facebook, Twitter, and Instagram.

Beyoncé made country music history. The Grammys just redefined what counts.
Beyoncé made country music history. The Grammys just redefined what counts.

Yahoo

time3 hours ago

  • Yahoo

Beyoncé made country music history. The Grammys just redefined what counts.

Beyoncé's 'Cowboy Carter' marked a historic moment in country music. Following its release in March 2024, Beyoncé became the first Black woman to lead Billboard's Top Country Album chart since it started in 1964. Her Grammy win this year for Best Country Album was another first for Black artists. 'Cowboy Carter' asked mainstream listeners to consider how Black artists helped create and shape country music. It also sparked questions about its authenticity as real country. Many Beyoncé and Black country music fans alike hoped the attention would open doors to more diversity in the White-dominated commercial country music industry. The reality is more complicated. On Thursday, Billboard reported that the 2026 Grammy Awards will include a new category: Best Traditional Country Album. Best Country Album is being renamed Best Contemporary Country Album. The Recording Academy, which presents the awards, celebrated the decision as an opportunity to create more space for different types of musical styles to be honored. According to the a description of the category provided to Billboard, 'traditional country includes country recordings that adhere to the more traditional sound structures of the country genre, including rhythm and singing style, lyrical content, as well as traditional country instrumentation such as acoustic guitar, steel guitar, fiddle, banjo, mandolin, piano, electric guitar and live drums.' The news quickly drew criticism, with some Beyoncé fans on social media accusing the academy of gatekeeping in response to her barrier-breaking achievement. In an interview with reporter Phil Lewis, author of the 'What I'm Reading' newsletter, an anonymous music executive said that the Recording Academy's decision appears to be a clear reaction to 'Cowboy Carter.' The road to 'Cowboy Carter' began with the 2016 release of her country song, 'Daddy Lessons,' which despite its traditional arrangement and instrumentation, was immediately put to the 'country enough' test. 'All of the sudden, everyone's acting like she's moved to Nashville and announced that she's country now. Just because of this song 'Daddy Lessons,'' Alison Bonaguro, a critic for Country Music Television, wrote in a 2016 column headlined 'What's so country about Beyoncé?' Later that year, Beyoncé's viral performance of the song alongside The Chicks at the Country Music Awards led to more online debate unpacking what and whose music counts as 'real country.' Those conversations are a throughline to 'Cowboy Carter,' with some country fans disqualifying the album from their own definition of country because of its fusion with hip hop, blues and other genres. Despite the album topping country charts, the Country Music Association did not nominate the album for a single award at the 2024 Country Music Awards. But the Grammy victory — which came the same year that Beyoncé won Album of the Year for the first time — cemented the legacy of 'Cowboy Carter.' Some researchers and country music fans say it also points to the particular novelty of Beyoncé's success compared to that of other Black artists pursuing a place in the country music industry, which has taken deliberate steps to shut out artists of color for more than 100 years. 'Beyoncé is in her own category of artists. She's such a big star, she didn't have to show deference to the gatekeepers of Nashville, the traditional gatekeepers of commercial country music,' said Amanda Martínez, a historian and assistant professor of American Studies at the University of North Carolina at Chapel Hill. This is not the reality for most Black artists looking to break into country music, she added. 'There have been a lot of conversations about creating more opportunities for Black artists, and I think that what we're seeing is that chapter has passed. I think that we're seeing a general moving away from pretending to be invested in creating opportunities for artists of color or addressing issues of diversity,' Martínez added. 'Cowboy Carter' included features from newer Black country artists like Shaboozey, Tanner Adell, Brittney Spencer, Tiera Kennedy and Reyna Roberts, who have leveraged that spotlight to reach broader audiences. Shaboozey, in particular, managed to have a breakout year as an independent artist in 2024, dominating the Billboard Hot 100 chart for a record-tying 19 weeks with his single, 'Bar Song.' But these singers represent a small fraction of country radio airplay, which remains a powerful platform for the genre. In February, Ottawa University researcher Jada Watson posted updated data on social media finding that in 2024, women artists received 8.39 percent of country radio airplay — a decline from 11 percent in 2022 — and Black artists received 2.8 percent of airplay. White artists represented 94 percent and White men were 81 percent. 'Despite our urging for radio to build pathways for Black female country artists alongside [Beyoncé's] 'Texas Hold 'Em,' the format failed to platform Black women. Again,' Watson wrote on Bluesky earlier this year. 'Radio played 'Texas Hold 'Em' just as much as they needed… until they didn't anymore.' Throughout country music's history, artists of color have been largely segregated and forced to challenge claims that their sound does not represent authentic country music. Black country artists and fans are doing what they can to create their own avenues. Record labels like Rosedale Collective and Origins Records were created to support Black country artists and other artists of color. The Black Opry is a community for Black artists and fans that produces country and Americana shows around the United States. It's unclear at this point whether the new change in Grammys categories will be used as another tool to police or undermine the artistry of musicians of color. Martínez said we will have to 'wait and see' which artists are celebrated moving forward. When it comes to broader systemic changes, she said: 'it's hard to be hopeful about the prospects of whatever consideration Black artists will receive from the Grammys or the CMAs.' The post Beyoncé made country music history. The Grammys just redefined what counts. appeared first on The 19th. News that represents you, in your inbox every weekday. Subscribe to our free, daily newsletter.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store