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Renée Zellweger and Logan Lerman Play Billionaire Murder Suspects in First ‘Only Murders in the Building' Season 5 Trailer

Renée Zellweger and Logan Lerman Play Billionaire Murder Suspects in First ‘Only Murders in the Building' Season 5 Trailer

Yahoo2 days ago
Season 5 of Only Murders in the Building is nearly upon us, and now there's a new poster, release date, and trailer — starring Logan Lerman and Renée Zellweger as some of the world's richest individuals — to prove it.
On Tuesday, Hulu announced that the Selena Gomez, Steve Martin and Martin Short-led comedy series will return for another Big Apple adventure on Tuesday, September 9, debuting the first three episodes and then moving to weekly release after, rolling out through late October.
'After their beloved doorman, Lester (Teddy Coluca), dies under suspicious circumstances, Charles, Oliver, and Mabel refuse to believe it was an accident. Their investigation plunges them into the shadowy corners of New York and beyond — where the trio uncovers a dangerous web of secrets connecting powerful billionaires, old-school mobsters, and the mysterious residents of the Arconia,' a description for Season 5 reads, teasing the arrival of Zellweger, Lerman, and Christoph Waltz's characters.
It continues, 'The trio discovers a deeper divide between their storied city they thought they knew and the new New York evolving around them — one where the old mob fights to hold on as newer, even more dangerous players emerge.'
Based on the newly-dropped trailer, it appears that Lerman, Zellweger, and Waltz will be playing three meddling billionaires who the trio stumble upon while investigating Lester's death, which appears to be tied in some way to old-school mobsters of NYC… or Staten Island, according to the video. It's unclear how this new cast of characters each made their money but the murder board in the trailer tells us that Lerman is playing Jay Pflug, Zellweger is playing Camila White, and Waltz is portraying Bash Steed.
After the trip to La La Land (aka Los Angeles) in Season 4 where Eva Longoria, Zach Galifianakis, and Eugene Levy all guest-starred as themselves, Season 5 is bringing in Bobby Cannavale, Keegan-Michael Key, Beanie Feldstein, Dianne Wiest, and Jermaine Fowler in secret roles. Also appearing in Season 5 is Téa Leoni, who made a surprise appearance in the final moments of the Season 4 finale, playing Sofia Caccimelio, the wife of Nicky Caccimelio — the missing 'Dry Cleaning King of Brooklyn' introduced via a news clip in the penultimate episode.
No word on who is playing Nicky — we predict it could be Cannavale, who the trailer shows interacting with Lester prior to his death — but it appears Nicky's disappearance will play a role in the fifth season, although that will just have to be revealed when the new episodes air.
Along with the release date's announcement and the trailer, the streaming service dropped the first poster for Season 5, which sees Mabel, Oliver, and Charles sitting and standing on a skyline built out of cards, with the tagline, 'The building always wins,' teasing a foray into the underbelly of New York City gangsters, something co-creator John Hoffman alluded to in a DECIDER interview last year.
'Our beloved doorman has a hold of a large amount of tenants in our buildings' secrets and many other things about his life were interesting for me to sort of explore. The very nature of a doorman in a pre-war apartment building, a New York City in 2025. [It] felt very, very interesting to look at in terms of what our show has always been about, which is classic meets newer,' Hoffman shared. We really are dipping our toe into a New York City in Season 5 that feels particularly ripped from the headlines in certain ways that we've not done before.'
The first four seasons of Only Murders In The Building are now streaming on Hulu and Disney+. Season 5 premieres on Tuesday, September 9.
How To Watch Only Murders In The Building
If you're new to Hulu, you can get started with a 30-day free trial on the streamer's basic (with ads) plan. After the trial period, you'll pay $9.99/month. If you want to upgrade to Hulu ad-free, it costs $18.99/month.
HULU DISNEY+ BUNDLES
If you want to stream even more and save a few bucks a month while you're at it, we recommend subscribing to one of the Disney+ Bundles, all of which include Hulu. These bundles start at $10.99/month for ad-supported Disney+ and Hulu and goes up to $29.99/month for Disney+, Hulu, and Max, all ad-free.
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Pigtails, pink tracksuit, 'permanent performance mode': Alyson Stoner pulls back the curtain on childhood stardom
Pigtails, pink tracksuit, 'permanent performance mode': Alyson Stoner pulls back the curtain on childhood stardom

Yahoo

time5 minutes ago

  • Yahoo

Pigtails, pink tracksuit, 'permanent performance mode': Alyson Stoner pulls back the curtain on childhood stardom

Come for the juicy child star gossip, stay to dismantle the system. Alyson Stoner's life radically and irreversibly changed in the aisle of a grocery store in 2002. A week after the MTV premiere of Missy Elliott's 'Work It' music video, which featured a 9-year-old Stoner dancing for a few brief seconds in pigtails and a pink tracksuit, a stranger approached the child with a request. 'Are you the little white girl in the Missy video?' the man asked, before adding, 'Can you do the dance?' The young dancer obliged, soon surrounded by customers watching the spectacle. This was the beginning of what Stoner, who uses they/them pronouns, calls 'permanent performance mode.' Stoner's career as a child star took off from there, and they became a mainstay on the Disney Channel for many years, appearing in Camp Rock and Mike's Super Short Show but never fully breaking out with their own series or movie like fellow Mouse House stars Miley Cyrus or Demi Lovato. It's an unusual trajectory, and Stoner's new book, Semi-Well-Adjusted Despite Literally Everything, is not the typical kid performer memoir. It's OK if you think so at first, though. It's all part of the plan. 'Copy-and-paste downward spirals' Stoner says they noticed a series of recent memoirs and documentaries highlighting a 'repeated pattern of former child performers … experiencing copy-and-paste downward spirals,' but no one had yet unpacked the ecosystem that creates that kind of pattern, nor tried to intervene and prevent it from continuing to harm children. 'I thought, 'I want to not only share my lived experiences — yes, all of the juicy details from the sets growing up — but also connect new dots for people across media, culture, child development and the industry,' Stoner, now 32, tells Yahoo over Zoom. 'Folks might show up to read about the childhood chaos of it all, but I hope they stay for the cultural critique.' Stoner is still an entertainer, and they recognize that their work onscreen is probably what you know them from. But they're also a mental health practitioner. For every reveal of childhood trauma or candid tale about a familiar name in their book, there's a revelation about something broken in the entertainment industry and a proposal to fix it. Knowing that fame and trauma would be the draw for a lot of readers, Stoner worked with a writing supervisor to strategize about what exactly to include. It's written chronologically and guided by Stoner's inner monologue over time, pulling directly from journal entries. With that in mind, the vulnerability on display is impressive. Stoner details heart-wrenching stories from their life: public and private scrutiny that contributed to an eating disorder that they sought treatment for in rehab, a tumultuous home life with an abusive stepfather and alcoholic mother, run-ins with stalkers and extortionists, rape and suicidal ideation. There are even stories about the inner workings of Hollywood and its stars that became tabloid fodder the same day the book was released. But that's just Stoner's real life. They're working with what they've got. 'There are ways you can speak about your direct, personal experience and still honor the humanity of everyone involved while calling for some accountability, while accepting that there are consequences beyond my control, no matter what I do or don't say,' Stoner says. 'So I wanted to make sure that even though the truth is not always polite, I could still deliver it with integrity … if I'm going to write a memoir, now is the time to get it [all] off my chest.' 'We're speaking about children as commodified products' Though the Disney Channel stars of today have a new playbook, Stoner says their learnings from childhood fame are more relevant than ever. 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Stoner brought humanity to a hot-button issue often discussed by the people revolving around and profiting from famous children. They had made their point — kids aren't products, nor do they know what might affect them later on in life. I asked them about it a month later on our call. 'I think any string of experiences that is too overwhelming for any young person will take its toll in one shape or form. You may not always be able to recognize it right away, because young people oftentimes want to please the adults around them.' Stoner explains. 'They also don't have any alternative map of reality to compare their experience against. So whatever we normalize for them is what becomes the patterns that dictate their trajectory.' I thought of the early chapters of Stoner's book, in which they describe the constant pain and rejection of the audition process as a child actor. 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Drawing on her mental health expertise, Stoner tells Yahoo that young people are losing the opportunity to have a 'play-based childhood,' where they're allowed to fail and experiment in private, giving them time and space to process what they're going through and better 'find equilibrium after intense experiences.' 'It's when it becomes a chronic and incessant experience with no respite that we start to see young people developing their own coping strategies,' Stoner says. That can lead to eating disorders and harmful obsessions. For child social media stars, it might even be worse. 'They're not portraying a character … this is actually the literal commodification of their humanity. And that's worth spending some time reflecting on,' they say. The plan to stop the spiral The more I talked to Stoner and read about their traumatic experiences as a child star, the more I was surprised that they were still in show business. I would have run for the hills to never think about this again. I was a big fan of Stoner when we were both kids, and I never considered why their disappearance from Disney might have been strategic, until they went viral in a 2021 YouTube post about the 'toddler to train wreck industrial complex' that they 'narrowly survived.' The reason Stoner isn't running away from the entertainment industry entirely is fairly simple, but perplexing — and it speaks volumes about their strength. Their 'unique and unexpected upbringing' gave them an understanding of both children and Hollywood, they tell me. 'I'm hoping that I can hold the middle in a way that allows people on all sides to be able to hear each other … so we can think about these things holistically and always … center the fact that children are not just mini adults,' Stoner says. 'Their brains and bodies are at literal different developmental stages and phases.' The child star industrial complex desperately needs to be rebooted. 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Chrissy Teigen Explains Why She Needs 2 Days to Successfully Give 2-Year-Old Son Wren a Haircut
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Yahoo

time5 minutes ago

  • Yahoo

Chrissy Teigen Explains Why She Needs 2 Days to Successfully Give 2-Year-Old Son Wren a Haircut

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