Welcome to Wrexham was magical TV. This spin-off sucks
Imagine taking the ingredients that made Welcome to Wrexham so magical, adding in a bucket of poo, and stirring. That's Necaxa. I'll be absolutely amazed if a more cynical piece of television emerges this year.
If Welcome to Wrexham is pure surprise and delight (and in its first two seasons especially, it was), Necaxa is the most nakedly beady-eyed attempt to capture that lightning-in-a-bottle magic, water it down, bulk it up with additives, and pawn it onto an unsuspecting market at double the price. In short, it sucks.
Writing about the first season of Welcome to Wrexham a few years back, I described it as 'a gloriously well-rounded portrait of the relationship between a team and a town', and noted that while it never would have been made without Rob McElhenney (as Rob Mac was then still known) and Ryan Reynolds, the club's celebrity owners were 'the least interesting thing' about it.
Sadly, the people behind Necaxa didn't get the memo. They think Eva Longoria – a member of a US-based investment group that bought a 50 per cent stake in the Mexican soccer club in 2021 – is the most interesting thing.
There are other issues. As a transplant from Mexico City 22 years ago, the team they have chosen to follow simply does not have the emotional connection to the city in which it plays, Aguascalientes, in the same way Wrexham does. And as a fixture in the top flight Liga MX, it's not a struggling club in any meaningful sense, no matter how much drama you might try to wring from its mid-table mediocrity.
Former Desperate Housewives star Longoria is given the nickname la Padrona (the boss) and positioned in the series as if she were the key figure in the narrative. But she's not. We're never told what stake she owns, but the consortium has many members (former Arsenal and Germany star Mesut Ozil among them), so it's likely small. Just like the stakes.
When the show opens in 2024, Longoria confesses to having almost no knowledge of the game (despite having been a part owner for three years). She grew up with an NFL-loving father. Her connection to the team, the game, and the city feels like it's being crafted on and for the camera, driven purely by the numbers (Mexican soccer has a huge TV audience in the US). It feels utterly inauthentic.
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