logo
Gulzar receives Jnanpith Award at his residence

Gulzar receives Jnanpith Award at his residence

Time of India22-05-2025

Gulzar, the celebrated poet-lyricist, was honored with the 58th Jnanpith Award at his Bandra residence due to health concerns preventing his attendance in New Delhi. Bharatiya Jnanpith members presented him with a citation plaque, a cash prize, and a bronze Vagdevi Saraswati replica.
Tired of too many ads?
Remove Ads
Tired of too many ads?
Remove Ads
Renowned poet-lyricist Gulzar on Thursday received the 58th Jnanpith Award , India's highest literary honour, at his residence in suburban Bandra. The 90-year-old lyricist was not able to attend the ceremony in New Delhi last week due to health-related issues.Gulzar was given a citation plaque, a cash prize of Rs. 11 lakh and a bronze replica of Vagdevi Saraswati by Bharatiya Jnanpith members including Trustee Mudit Jain, former secretary Dharmpal, and General Manager R N Tewari."We met Gulzar sahab at his residence today afternoon to honour him with the Jnanpith Award. Gulzar sahab's son-in-law Govind Sandhu, filmmaker Vishal Bhardwaj, his wife Rekha, and a few literary writers were present on this occasion," Tewari said.In the past, Gulzar has received the Sahitya Akademi Award in 2002, the Padma Bhushan in 2004, Academy Award and Grammy Award for the song "Jai Ho" in 2008 for "Slumdog Millionaire", and the Dadasaheb Phalke Award 2013 for his contribution to the Indian film industry.Sampooran Singh Kalra, popularly known as Gulzar, is celebrated for his works in Hindi cinema and considered one of the finest Urdu poets of this era. He has also helmed critically acclaimed films like "Parichay", "Koshish", "Aandhi", "Maachis", and "Hu Tu Tu", among others.Some of his most notable songs are "Maine Tere Liye" in "Anand", "Dil Dhundhta Hai" in "Mausam", "Chhaiya Chhaiya" in "Dil Se..", and "Ay Hairathe Aashiqui" in "Guru".Instituted in 1961 by Sahu Shanti Prasad Jain and Rama Jain, the Bharatiya Jnanpith award has been given to noted litterateurs of Indian languages, including Firaq Gorakhpuri, Ramdhari Singh 'Dinkar', Ashapoorna Devi, Mahadevi Varma, Girish Karnad, Nirmal Verma, and Damodar Mauzo.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Meet man who failed IIT-JEE exam, started giving tuition to children, earned Rs 5000 as first salary, now runs Rs 90000000000 company, now is India's richest…
Meet man who failed IIT-JEE exam, started giving tuition to children, earned Rs 5000 as first salary, now runs Rs 90000000000 company, now is India's richest…

India.com

time30 minutes ago

  • India.com

Meet man who failed IIT-JEE exam, started giving tuition to children, earned Rs 5000 as first salary, now runs Rs 90000000000 company, now is India's richest…

The richest teacher of India once dreamed of joining IIT, but life had other plans. Indeed true, Alakh Pandey aspired to study at IIT and become an engineer, but he couldn't crack the JEE examination. Yet, this failure didn't break him. Instead, it became a turning point in his life. He discovered his true passion for teaching, and the rest is history! This paved the creation of Physics Wallah, which is at present a multi-crore ed-tech empire. Hailing from Prayagraj, Alakh Pandey pursued his studies at Harcourt Butler Technical Institute in Kanpur. However, it is reported that he left the program during his second year. He realized that his true passion lay in teaching. With his family facing financial difficulties, Pandey chose to pursue teaching as a full-time career and returned home to start giving tuition classes. For the unversed, Pandey had initially dreamed of becoming an actor and was involved in local theatre in his younger days. He began coaching students of Class 8 because of his poor economic conditions. Pandey was also famously known as the 'Physics Guy.' If media reports are to be believed, Pandey's parents had sold their house to support his and his sister's education. Speaking of his educational qualification, Alakh scored 91% in Class 10 and 93.5% in Class 12. At the age of 22, he dropped out of his engineering college and returned to Allahabad to teach physics, earning just Rs 5,000 per month during that time. In the year 2016, Alakh Pandey started his YouTube channel named Physics Wallah. At first, there were fewer views, but he didn't lose hope. Due to his different way of teaching and genuineness, he slowly gained students' trust. With time, lakhs of students started following him. He is the one who started the Physics Wallah mobile app in 2018, where quality education reached rural and urban students. The app was a means of low-cost, high-quality learning and helped to make the company a go-to educational brand in India. Physics Wallah raised a whopping $101 million funding in 2022, giving it the elite unicorn startup tag. Its valuation jumped to almost ₹9,100 crore. This was a standout feat given that Alakh Pandey constructed this huge edifice of education without going to IIT or having a formal degree. Alakh Pandey is one of the richest teachers in India, with an estimated net worth of Rs 4,400 crore. While it's hard to say for sure who the richest teacher is, many people believe Alakh is among the top. He is well-known as both a teacher and a successful entrepreneur. 'PW(Physics Wallah) is student's lifelong learning partner that is democratizing education at scale in India, with a presence spanning online, offline, and hybrid modes, reaching 98% of India's pin codes. PW has more than 10 million paid students on the PW App. PW also provides quality education to more than 36 million students through its 80 YouTube channels in 8 vernacular languages,' reads the official website. Alakh embarked on this journey in 2020, alongside Co-Founder Prateek Maheshwari, with the goal of making high-quality education accessible to all students in Bharat.

Artists tell us why bugs matter
Artists tell us why bugs matter

Indian Express

time34 minutes ago

  • Indian Express

Artists tell us why bugs matter

The last time anyone was thankful for a bug in their backyard was probably when a radioactive spider bit Peter Parker, giving us the fabled Spiderman. Except that the creepy crawlies have much more than just the heebie-jeebies to offer. Among the first bioindicators of climate change, insects are able to detect changes in the environment, allowing rapid response to protect the planet: mayflies and stoneflies are a sign of clean water and migration of butterflies are sensitive to temperature fluctuations. As if in an act vindicating their role in nature, several contemporary Indian artists have made these bugs into their muses to foster discourse on one of the most pressing issues of the 21st century: the environment. In a rather literal ode, artists Nibha Sikander and Namita Vishwakarma recreate images of different insects they spot in their environment, creating a sort of an archive. Sikander, who lives in Murud-Janjira on the outskirts of Mumbai and next to the Phansad sanctuary, makes life-like paper relief sculptures of moths. The recreations are anatomically accurate enough to trigger entomophobia (fear of insects). Most of her works are presented in a set of the whole insect and its dissected body comprising wings, abdomen, head and antennae. Having lived in the area since 2017, the 41-year-old artist has observed a noticeable dip in the population of once-frequent species of moths. 'I always felt that people always focused on butterflies and not moths because they are nocturnal, and are likely associated with things that are dull. But the more I documented them, the more I realised the crazy colours and patterns they come in,' says the artist whose go-to glossary for identifying the species is Dr V Shubhalaxmi's Field Guide to Indian Moths. 'I understand that some things — development due to tourism — are inevitable. And I don't see certain species of moths as frequently as I did about eight years ago. So when I am documenting the moths through my work, I feel like I am forming an archive because I don't know if they are going to exist in the area in the future. I want to impact the way someone looks at nature, even if it is in a small way,' says Sikander. Namita Vishwakarma from Bastar, too, has a practice to a similar end. However, unlike Sikander's scientific recreations, she paints the insect in its natural habitat. This entry point into her work brings the dialogue between an organism and its environment under the spotlight. 'When we look at the ground, it appears to be of the same colour throughout, but if you observe closely, you will notice that it is made of different particles of different colours. And as I looked at the ground, I started seeing the different bugs that we usually don't notice. But it is important to understand that their existence is as integral to the planet as human life. That is something that I wanted to draw people's attention to,' she says, talking about the seemingly lenticular backgrounds of her portraits of a caterpillar, a mantis, a butterfly and a velvet mite. Vishwakarma, 29, comes from the celebrated lineage of Gond artist Shanti Bai, although she doesn't identify as one. Like her grandmother, she, too, uses the traditional style of tattoo making in the region. Her subjects are from her immediate surroundings, the conversation on environment she wishes to initiate through her work, is as contemporary as it gets. Sachin George Sebastian, 40, uses the motif of insects in a rather layered way to fit his nearly two decade-long practice that reflects upon the ecological ramifications of urbanisation. Like Sikander, he too creates realistic paper relief sculptures inspired by taxidermy practices in his series 'All things we know, we connect'. The dissection, however, reveals more than just insect anatomy. The different parts of the bug are superimposed with images of ongoing construction in cities. In the image of a longhorn beetle, the head, thorax and the abdomen become an under-construction building with the all too familiar green net hanging over it, and the antennae are replaced by the cellphone towers that behind being an eyesore, are known to have adverse environmental impact, including soil erosion and habitat disruption, primarily of birds. 'The idea that something so negligible in our daily life is such an important part of our ecosystem and survival made me look into the insect world. I was also fascinated by how we preserve their bodies, many of the species are probably extinct, thanks to the so called development by us humans,' says Bengaluru-based Sebastian, adding, 'I found it interesting that each area has its own kind of insects and found it very similar to how each area has its own type of architecture happening. With all these similarities I ended up with this series of work.' Mumbai-based Tanujaa Rane too has been familiar with the discomfort that accompanies the sight of bugs. It was an exercise in observation and cognisant self-learning that drew her to the fascinating life cycle of insects, eventually making it one of the primary subjects of her practice. 'I have always drawn creatures from the environment unknowingly… dogs, cats etc. But as I spent more time studying about them, I became cognisant of their existence, especially the smaller creatures such as moths and butterflies, beetles. I realised how they often go unnoticed, yet without them, the ecosystem would not be able to function the way we know it to. I remember how icky we would feel about worms, but recently as a session I learned how critical they are for maintaining a healthy soil ecosystem or how they are an important source of protein,' says Rane. It is this transition — from disgust to appreciation — that the 49-year-old printmaker addresses in her 'Metamorphosis' series. The works consist of large-scale images of different insects — dragonfly, moth, beetle — put together as tiles of a puzzle, hinting at the constant process of evolution. 'This enlightenment about the self and the environment, in a way, mirrors the emergence of an insect from its cocoon,' she says. If Rane talks about better understanding of the environment on part of humankind, Anindita Bhattacharya wonders about nature in a post-human world. In The Bloom of Broken Wings, which was part of her solo at the India Art Fair 2025, she creates a pantheon of fictional gods and goddesses created by mutating known species of insects. 'These insects are hybrids that are born in a time after nature has been destroyed by us. I wanted to show that without human intervention nature is capable of rejuvenating and creating life, even in the face of destruction,' says the artist whose work looks at the human as the parasite that plagues the environment.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store