logo
Capes, tailcoats and cravats: Dior gets its teeth into Dracula chic

Capes, tailcoats and cravats: Dior gets its teeth into Dracula chic

Yahoo20 hours ago

For the last few days Dior's new creative director Jonathan Anderson has been dropping clues on social media about the contents of his first collection for the fabled French house.
And the most eagerly awaited show of Paris Men's Fashion Week Friday certainly didn't disappoint, with a galaxy of stars descending on Les Invalides including "Bond" star Daniel Craig, Robert Pattinson, singer Sabrina Carpenter, tennis legend Roger Federer and K pop stars Mingyu and Beomgyu.
A heavily pregnant Rihanna -- for whom Anderson has made several stage costumes -- also arrived fashionably late with her husband ASAP Rocky.
Anderson had led fashion fans on a virtual version of Hansel and Gretel in the run up to the show, expertly teasing them with little peeks of what was in store for them when he finally lifted the curtain.
They included a Dior Book Tote emblazoned with "Dracula" in blood-red letters in a nod to Dublin writer Bram Stoker.
The gothic 19th-century inspiration was clear in the show, with capes, tailcoats and tweeds, waistcoats and Victorian high collars and cravats.
- 'Obsessed' -
"I've always been obsessed by Dracula," the designer told reporters. "I never realised when I was young that Bram Stoker was Irish and I used to walk past his house without knowing."
The show opened with a male take on one of Christian Dior's most iconic dresses, La Cigale from 1952, which was in turn inspired by the decadence of the 18th-century French royal court at the Palace of Versailles.
Anderson kept the aristocratic dandy theme going throughout the show, taking in Irish rakes and dashing English dukes, their dickie bows slightly askew after a long night on the tiles.
He had posted two rather endearing videos of French football star Killian Mbappe before the show putting on a tie and trying -- and laughingly failing -- to knot a dickie bow.
The designer said he saw some of the spirit of Christian Dior in the striker.
- Mbappe's 'amazing smile' -
"Mbappe has this amazing smile and a kindness to him," Anderson said. "Coming out of the war, the greatest attribute Dior had was empathy. That is quite rare in a couturier... (and yet) after the war he changed everything for everyone and for France."
Anderson told reporters before the show that he did not want to throw out the baby with the bathwater after being given unprecedented free rein over the brand.
"Some of my heroes, the greatest designers in history, have done Dior, and I don't want to be chopping it all down," he said.
Rather he wanted to "decode and recode Dior without discarding all the great designers" who had worked for the label.
Indeed, his "Dracula" and "Les Liaisons Dangereuses" Book Totes were a continuation of the "amazing bag" his predecessor Italian Maria Grazia Chiuri had done, he said.
The mixing up of clothing codes also had something of the Haitian-American artist Jean-Michel Basquiat, whom the designer had called an "epitome of style" in an Instagram post in the run-up to the show.
Anderson's arrival at Dior had been flagged for months after he turned around the rather fusty Spanish label Loewe, which is also owned by the French luxury giant LVMH.
Just weeks after he was named to head Dior Homme, he was also appointed creative director of the Dior's women's collections and its haute couture.
- Changing of the guard -
With the luxury sector's once bumper profits plummeting, Anderson's appointment is an attempt to renew the fashion house after nine years under Chiuri.
It also comes amid a major changing of the guard, with Belgian Matthieu Blazy, 41, taking over French rivals Chanel and iconic fashion editor Anna Wintour saying Thursday that she was stepping away from American Vogue to move upstairs in its parent group Conde Nast.
Anderson, the son of former Irish rugby captain Willie Anderson, said that change was maybe no bad thing.
"The fashion industry is like a bonsai that might have gotten too big. We need to purify, to go back to what we like about it, which is making clothes," he told the French daily Le Figaro.
Trained at the London School of Fashion, his first big break was landing a job in Prada's marketing department before launching his own brand, JW Anderson, in 2008.
"I think he is one of the most gifted talents of his generation," said Alice Feillard, men's buyer at Galeries Lafayette, Europe's biggest department store group.
"We saw what he achieved at Loewe -- a really remarkable and brilliant body of work."
"There is something childlike yet very intellectual" about his collections, Adrien Communier, fashion editor for GQ France, told AFP. They are "very cheeky, very bold... and really intriguing", he added.
mdv-fg/phz

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Rei Kawakubo redefines men's suits with radical designs at Paris Fashion Week
Rei Kawakubo redefines men's suits with radical designs at Paris Fashion Week

Washington Post

time33 minutes ago

  • Washington Post

Rei Kawakubo redefines men's suits with radical designs at Paris Fashion Week

PARIS — Rei Kawakubo , the ever-restless force behind Comme des Garçons , delivered a characteristically unpredictable twist on men's tailoring, dismantling the traditional suit and remaking it in her own radical image. Titled 'Not Suits, But Suits,' the Paris Fashion Week show had models striding through a packed, overheated concrete venue Friday evening in looks that both nodded to and defied the idea of formalwear. Classic suit elements, jackets, lapels, pressed trousers, were reimagined with sharp, architectural interventions: bulging hips, layered or panniered silhouettes, and unexpected splashes of color. Some jackets appeared as if spliced apart and reassembled, while skinny pants revealed hidden panels and bursts of pattern through carefully placed zippers. Layering abounded, with cropped jackets stacked over pleated shirting, kilts and shorts. Knitwear was shredded and reconstructed, echoing a sense of disorder within the tailored frame. Accessories pushed the eccentricity further — models wore oversized, multi-brimmed caps crafted from suiting fabrics, paired with long braided wigs and formal shoes. The collection evoked the need for something transformative in unsettled times. Its atmosphere only heightened the collection's message: in Kawakubo's world, the suit is not a uniform of conformity but a canvas for disruption. As guests spilled out into the night, applause rang out for a designer who continues to turn fashion's certainties inside out.

BBC: Kneecap's Glastonbury set will not be live streamed but could go on-demand
BBC: Kneecap's Glastonbury set will not be live streamed but could go on-demand

Yahoo

time36 minutes ago

  • Yahoo

BBC: Kneecap's Glastonbury set will not be live streamed but could go on-demand

Kneecap's performance at Glastonbury Festival will not be live-streamed but is likely to be made available on-demand, the BBC has said. A number of politicians have called for the Irish rap trio to be removed from the line-up and Prime Minister Sir Keir Starmer said their performance would not be 'appropriate' after one of the members was charged with a terror offence. A BBC spokesperson said: 'As the broadcast partner, the BBC is bringing audiences extensive music coverage from Glastonbury, with artists booked by the festival organisers. 'While the BBC doesn't ban artists, our plans ensure that our programming meets our editorial guidelines. 'We don't always live-stream every act from the main stages and look to make an on-demand version of Kneecap's performance available on our digital platforms, alongside more than 90 other sets.' It is understood the BBC needs to consider the performance before making a final decision. The band said on Instagram: 'The propaganda wing of the regime has just contacted us…. 'They WILL put our set from Glastonbury today on the iPlayer later this evening for your viewing pleasure.' Liam Og O hAnnaidh, 27, was charged with allegedly displaying a flag in support of proscribed terrorist organisation Hezbollah, while saying 'up Hamas, up Hezbollah' at a gig in November last year. On June 18 the rapper, who performs under the stage name Mo Chara, was cheered by hundreds of supporters as he arrived with bandmates Naoise O Caireallain and JJ O Dochartaigh at Westminster Magistrates' Court in Free Mo Chara T-shirts. He was released on unconditional bail until the next hearing at the same court on August 20. Conservative Party leader Kemi Badenoch said she thinks the BBC 'should not be showing' the group's set. In an X post from last Saturday, she said: 'The BBC should not be showing Kneecap propaganda. 'One Kneecap band member is currently on bail, charged under the Terrorism Act. 'As a publicly funded platform, the BBC should not be rewarding extremism.' Ahead of the performance, Gemma Gibson, 41, from Newcastle told the PA news agency that she was 'really excited' to see Kneecap perform. Asked if their set should have been cancelled amid the ongoing controversy, she said: 'Well, that would be completely against everything that Glastonbury stands for … This is where they should be.' An Avon and Somerset Police spokesperson told PA: 'Ticket-holders can once again expect to see uniformed officers on site at Glastonbury Festival 24/7 throughout the festival as part of our extensive policing operation ensuring it is safe for everyone attending, as well as those who live nearby.' Saturday has seen performances from the likes of rock band Kaiser Chiefs and US star Brandi Carlile, who released an album with Sir Elton John earlier in the year. Elsewhere, Irish singer CMAT, who played the Pyramid Stage on Friday, performed a secret set at the BBC Introducing stage. Neil Young, best known for songs such as Rockin' In The Free World, Like A Hurricane and Cinnamon Girl, will headline the festival's Pyramid Stage on Saturday night with his band the Chrome Hearts. The corporation will broadcast Young's set after previously saying it would not be shown 'at the artist's request'. On Saturday a BBC spokesperson said: 'We are delighted to confirm that Neil Young's headline set from Glastonbury on Saturday will be broadcast live to audiences across the UK on the BBC.' The set will be shown on the BBC iPlayer Pyramid Stage stream from 10pm, as well as broadcast on BBC Two and BBC Radio 2. Another act expected to draw a big crowd is Brat star Charli XCX, who will headline the Other Stage around the same time Young and Grammy Award-winning rapper Doechii will also perform. The 1975 headlined the festival's Pyramid Stage on Friday night, with the performance seeing singer Matty Healy joke he was his generation's 'best songwriter'. Friday also saw a performance from Scottish music star Lewis Capaldi who told the Glastonbury crowds 'I'm back baby' as he played a surprise set, two years after a performance at the festival during which he struggled to manage his Tourette syndrome symptoms. Celebrities who have been spotted at the festival include singer Harry Styles, Oscar-winning actor Eddie Redmayne, The Crown actor Emma Corrin, and Stranger Things star Joseph Quinn. Saturday could see highs of 26C, 'with high levels of humidity', according to the Met Office. Spokesman Grahame Madge said: 'There is always the chance of a light shower, but there is nothing in the forecast that suggests anything heavier for Saturday for Somerset.' Avon and Somerset Police have said there have been 75 reports of crimes at the festival with 20 arrests made. Performing in the coveted Sunday legends slot this year is Sir Rod Stewart, who previously said he will be joined by his former Faces band member Ronnie Wood, as well as other guests. The BBC is providing livestreams of the five main stages: Pyramid, Other, West Holts, Woodsies and The Park.

At Dior Jonathan Anderson Proved Why He's The Man For The Job
At Dior Jonathan Anderson Proved Why He's The Man For The Job

Forbes

timean hour ago

  • Forbes

At Dior Jonathan Anderson Proved Why He's The Man For The Job

Dior, Jonathan Anderson, Summer 2026 New Dior creative director Jonathan Anderson is not only a fashion designer, he's a genius marketeer who can take an abstract concept and distill it down into simple ideas that instantly communicate the essence of a hundred social whispering campaigns before you can say artificial intelligence. Let's take holy grail, 'contemporary heritage or, 'reconstructed formality' and 'a play on history and affluence, decoding the language of the House in order to recode it' as it was described in the show notes. But while you've got couture silhouettes reimagined as cargo shorts and, on the flip side, the Dior Bar Jacket given the tuxedo treatment, it was his treatment of the tie that summed everything up. Dior, Jonathan Anderson, Summer 2026 The tie is the foundation of Jonathan Anderson's Dior It started even in the run-up to the Paris Fashion Week show with both said tie and the new more relaxed gesture of knotting it being teased via video by French soccer champion and house ambassador Kylian Mbappé. On the runway itself, it segued from turtleneck-collar-hybrid (evoking that archetypal creative industry titan look favored by Steve Jobs to Anderson's new boss Bernard Arnault), through trompe l'oeil tone-on-tone atop-popped collar to inside out so the interior Dior logo label became a feature in its own right. Jonathan Anderson has claimed a basic menswear staple and made it so emblematic of his new Dior that whenever it features within the output of any other brand from luxury to high street (for the next season at least and maybe longer), it will be measured against 'the original' as a Dior dupe, homage or a reference. Dior, Jonathan Anderson, Summer 2026 Jonathan Anderson's Dior was 'surreal-lite' While Dior is not a house where Loewe level surrealism would necessarily sit comfortably, Anderson still found ways to inject some 'surreal-lite' touches (surrealism for the age of Ozempic) via literal interpretations of Maria Grazia Chiuri's successful Dior Book Totes where the bags were decked out in the covers of titles like Françoise Sagan's Bonjour Tristesse and Baudelaire's Les Fleurs Du Mal. Bonjour Tristress Dior Book Tote on the runway. Elsewhere bags came dressed in multiple tassels resembling skeins of wool echoing the Dior collection's peppy collegiate style knits and the Dior house's roots in craftsmanship. Tassels ressembling skeins of wool bedecked bags on the Dior runway. World building at Dior Ceramic plates were sent out with the show invitations. However, these weren't just a nice touch playing to Anderson's love of ceramics evinced both by his personal collection (Lucie Rie, Lynda Benglis, Hans Coper and John War) and ready-to-wear collaborations and capsules throughout his decade odd tenure at Loewe. It was, arguably, a considered step towards building out awareness of DiorMaison, Dior's homeware collection, and elevating the desirability of the category among its 'fashion' audience. Lest there be any doubt, refer to Instagram for further details where said plate (a reissue of an archival object form 1975) appeared as part of an aspirational breakfast set-up in a joint Dior / DiorMaison post. Launched in 2016, and given it's own Instagram handle in 2020, homeware is evidently a space that has been identified as a growth opportunity for Dior. Dior, Jonathan Anderson, Summer 2026

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store