
In Pune, a Stanford alumnus who challenge familiar habits of looking, offers new ways of seeing
Ashesh's works challenge the familiar habits of 'looking'. An IIT Bombay and Stanford University alumnus, the artist says that people often confuse his art with Cubism, an art movement of the early 20th-century, whose famous members were Pablo Picasso and Georges Braque.
'Yufism is a new concept in nature. In Yufism, rain can be depicted in the form of cubes, a window can take the shape of the breeze flowing outside. Yufism is about rethinking how we see and translate reality,' said Ashesh.
In his work, a window is not just a rectangle framed against a wall, but light and the plants outside. 'If light is what makes us see, why should we keep painting it like a flat background? I treat light itself as a subject of presence,' said the artist.
Ashesh described his exhibits as 'proof-of-concept' pieces, prototypes for a new way of seeing. 'I believe these are just the blueprint for something no one has done before. It's still growing, but people and spectators are getting more and more interested in Yufism. It gives them a fresh lens,' he added.
The inspiration for the paintings came from the artist's own surroundings, such as his home, the streets he walks, and, most intimately, his wife. 'I don't paint her as a figure in the usual sense. I see her through the Yufist lens on the canvases. Most of my work is from my life experiences,' he said.
Many of the canvases hold a texture of words. Unlike most artists who stop at a simple name, Ashesh added a few lines to give each painting a meaningful shape, blending into the concept. This gave it a context to what people might just see and understand.
One such piece was where rain transformed into floating cubes, their edges glowing. Another, windows twisting to form breeze, replacing the rigid pane with airy swirls, as if the glass itself dissolved into the wind outside.
For Ashesh, Yufism is not just a style but a philosophy of observation. 'I'm not offering a finished product. I'm sharing a starting point, like discovering a new place. The possibilities are endless', he said.
The artist hoped that, over time, Yufism will inspire others to explore its principles and build on them. 'It's not about me alone, It's about opening a door for others to walk through, and maybe they'll take it somewhere I can't even imagine,' he said.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


India.com
a day ago
- India.com
Terminator-like focus, nuclear-level destruction...: Top filmmaker issues chilling warning about AI, says humans will go extinct if...
Representational Image/AI-generated. AI threat: The rapid rise of artificial intelligence (AI) technology has triggered alarms among people from all walks of life, including top scientists, technologists, futurists, and even renowned AI scientists whose worked helped develop AI into what it has become today. Now, veteran filmmaker James Cameron has also flagged an extinction-level threat for humanity, stating that AI can cause 'Terminator-like' devastation, and more destruction than any nuclear weapon if human control is not ensured. What did James Cameron say? In an interview with Rolling Stone to talk about his upcoming movie 'Ghosts of Hiroshima', James Cameron, pointed out the dangers posed by use of AI in military systems, as these autonomous machines are capable of cold, calculated decisions, that go beyond human understanding. The Canadian filmmaker, who created sci-fi blockbusters like Avatar, Aliens, and the Terminator franchise, warned that the risk of lethal mistakes with AI will remain, even if a human is in control of the system, and urged world leaders and governments to implement laws which ensure that AI never gets out of human control. Why Cameron called AI one of three big threats for humanity? James Cameron called AI as one of the three major threats faced by humanity today– climate change, advanced nuclear weapons, and super-intelligent AI. The veteran film director said all three of these threats have peaked simultaneously, creating a never-before seen existential-level threat for the humankind. Cameron cited Stanford University survey, according to to which about 36% AI researchers believe that AI can trigger a 'nuclear level catastrophe', noting that AI integration into nuclear weapons is inevitable, as was revealed at an AI conference at the University of Chicago. According to Cameron, a powerful technology like AI needs to be handled with extreme caution, because a minor error could result in an extinction-level event, especially if AI is misused in nuclear weapons. 'People should take inspiration from films and understand the dangers of such a powerful technology,' he said.


Indian Express
2 days ago
- Indian Express
In Pune, a Stanford alumnus who challenge familiar habits of looking, offers new ways of seeing
In a quiet corner of the Vesavar Art Gallery, windows are 'sheets of light,' penetrated by plants, framed by breeze, and built into a world where art and aesthetics merge. This vision of artist Amitabh Ashesh, shaped by his decade-long self-developed theory, 'Yufism', forms the heart of the gallery's exhibition, Yun Bhi – So Too. The exhibition will continue till August 12. Ashesh's works challenge the familiar habits of 'looking'. An IIT Bombay and Stanford University alumnus, the artist says that people often confuse his art with Cubism, an art movement of the early 20th-century, whose famous members were Pablo Picasso and Georges Braque. 'Yufism is a new concept in nature. In Yufism, rain can be depicted in the form of cubes, a window can take the shape of the breeze flowing outside. Yufism is about rethinking how we see and translate reality,' said Ashesh. In his work, a window is not just a rectangle framed against a wall, but light and the plants outside. 'If light is what makes us see, why should we keep painting it like a flat background? I treat light itself as a subject of presence,' said the artist. Ashesh described his exhibits as 'proof-of-concept' pieces, prototypes for a new way of seeing. 'I believe these are just the blueprint for something no one has done before. It's still growing, but people and spectators are getting more and more interested in Yufism. It gives them a fresh lens,' he added. The inspiration for the paintings came from the artist's own surroundings, such as his home, the streets he walks, and, most intimately, his wife. 'I don't paint her as a figure in the usual sense. I see her through the Yufist lens on the canvases. Most of my work is from my life experiences,' he said. Many of the canvases hold a texture of words. Unlike most artists who stop at a simple name, Ashesh added a few lines to give each painting a meaningful shape, blending into the concept. This gave it a context to what people might just see and understand. One such piece was where rain transformed into floating cubes, their edges glowing. Another, windows twisting to form breeze, replacing the rigid pane with airy swirls, as if the glass itself dissolved into the wind outside. For Ashesh, Yufism is not just a style but a philosophy of observation. 'I'm not offering a finished product. I'm sharing a starting point, like discovering a new place. The possibilities are endless', he said. The artist hoped that, over time, Yufism will inspire others to explore its principles and build on them. 'It's not about me alone, It's about opening a door for others to walk through, and maybe they'll take it somewhere I can't even imagine,' he said.


The Hindu
29-07-2025
- The Hindu
Meet Mahi G, an Adivasi rapper from Maharashtra, who uses the mic as a weapon to fight social injustice
Born in the Bronx as a voice of rebellion, hip-hop is more than just music. It's a culture, a language of the oppressed, a sonic space where the truth cuts sharper than a melody. In India, where mainstream rap is often hijacked by commercialism and mimicry, conscious rap remains a lesser-traveled path; one that dares to dig deeper, confront capitalists, question patriarchy and government and echo resistance. Conscious rap isn't about flexing riches or fast cars, but is about awareness,using the mic as a weapon. Emerging from this powerful lineage of genre is Madhura Ghane, aka Mahi G, a 28-year-old Adivasi rapper from Maharashtra, whose music is reshaping the meaning of Indian hip-hop. Inspired by poetry Mahi's journey into rap didn't begin in a studio, but her village in Ahmednagar during the first phase of the lockdown. As the world paused, she found time to 'reflect, reconnect and write'. Her verses found rhythm in rage. An IT engineer-turned-rapper from the Mahadev Koli tribe, Mahi turned to hip-hop as a means of storytelling, inspired by poetry she once penned in solitude. She acknowledges her parents' role in nurturing her social consciousness. 'They listen with enthusiasm, every single time,' she shares. Her debut track, 'Jungle cha raja', captures the struggle of Mahadev Koli Adivasi community, and is against the systemic neglect in the name of development. During her stay in the village, amid the pandemic, she noticed how 'the government tried to strip people's independence, offering rationed supplies while quietly building dams and disturbing ecological balance and agriculture'. It 'infuriated' her and was the genesis of her first rap — one that changed the trajectory of her life. It was only when she decided to pursue rap seriously that she met rapper-producer, Ajith Shelake, also known as Rapboss. Mahi says it is with his support 'Jungle cha raja' came to life. In a few years, Mahi traversed the home ground to perform at India's most prestigious academic and cultural spaces, including Jawaharlal Nehru University, IIT Bombay, Kalina University and TISS. She received the 18th Vidrohi Marathi Sahitya Sammelan Puraskar and in 2025 was honoured with the Fatimabi Savitri Puraskar (for fearlessly speaking out on social injustice). Dedicated to transgender community Mahi uses her poetry to highlight the erasure of tribal identity, caste inequality, the rights of the transgender community and ecological destruction. Her track 'Haq se hijra hun' is dedicated to the transgender community. It was a result of a question that haunted her during her college days — why did transgenders have to beg for money, while cisgender folks accessed jobs and opportunities? While working on the track, she reached out to the Pune-based Humsafar Trust to ensure the song's accuracy. Once they greenlit it, the song was made. Her desire to cast trans-women in the video, was squashed by budgeting issue. So, she asked a male friend to perform instead, which he did for free. Every track is self-funded, making her journey financially-challenging. Yet, it did not dilute the impact of her work. Environmental issues Her music video, on deforestation in Hasdeo for coal mining, went viral. 'Every voice counts in stopping destruction. It's home for animals and tribes. Why should they leave?' she asks. Her recent single 'Heatwave', in collaboration with Greenpeace, highlights the soaring temperatures, burning forests and the reality of millions, who work under the scorching sun unnoticed and unprotected. Mahi's greatest inspiration 'is Nature'. As a tribal woman, she feels connected to it and finds serenity and strength in it. When injustice stings, she turns to her notebook, knowing she has to speak up. s She's often asked, 'Aren't you afraid to call out those in power?' And, she responds: 'I'll stop talking when these issues are solved. Till then, I will rap about them.' She also hopes that her songs initiate conversations. 'I want my music to plant a seed of thought,' says the rapper, who doesn't call herself a 'rapper, but a storyteller — one who is still learning, growing and refining' her craft. Mahi dreams of adding melodic hooks to her songs to make them more memorable. She has an upcoming collaboration with the Swadeshi movement and urges artistes to stand their ground. 'Believe in yourself. No matter what.'