Lulu Guinness re-launches bestselling striped bag 'worth every penny' and shoppers love it
Retailing at £30, this fresh design has customers scrambling to secure one before it inevitably flies off the shelves. Renowned for its eccentric British style and iconic motifs, Lulu Guinness excels in transforming everyday accessories into standout pieces, and this tote is no exception.
Ideal for sunny day trips, extended weekend jaunts, or simply injecting a bit of character into your daily routine, it marries practicality with that unique Lulu flair.
Given its affordable price point, it's no wonder fans are already snapping up more than one. For money-saving tips,
Made from 100% recycled PET (essentially, plastic bottles repurposed into something chic), this tote is spacious enough to accommodate everything from a beach towel to a 16-inch laptop, according to the Mirror.
The black-and-white stripes are a classic Lulu Guinness design, and the bag is completed with the brand's signature red lip motif and logo straps, along with a matching lip charm for a playful final touch, reports the Liverpool Echo.
Designed for everyday use, it features both an extended shoulder strap and a compact handle, allowing you to carry it in whichever way suits you best. Inside, there's a convenient zipped compartment plus two open pockets to help keep your belongings organised.
One delighted customer gushed: "This bag is beautiful. It has replaced my work bag for the summer! Worth every penny - was looking at the Waitrose one but this is much better. Thank you Lulu for brining this back at much a great price - I bought two!".
Tote bags have grown enormously popular over the past year, largely thanks to Lulu Guinness's supermarket partnerships and American retailers like Trader Joe's achieving viral status with their carrier bags.
If you're keen to replace your regular handbag with a tote, we're also fond of the Stripe Canvas Tote Bag from Damson Madder, costing £38.
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Wales Online
22 minutes ago
- Wales Online
Welsh lighthouse horror as keeper forced to live with corpse as he went slowly mad
Welsh lighthouse horror as keeper forced to live with corpse as he went slowly mad The Lighthouse, directed by Robert Eggers, is a psychological horror film that was partly inspired by a real-life tragedy that took place more than 200 years ago on the far coast of Wales The original Smalls building has been replaced with a new structure since the automation of lighthouses Robert Eggers' 2019 psychological horror, The Lighthouse, garnered praise and even an Oscar nomination for its striking monochrome cinematography, surreal ambience, and stellar performances from Willem Dafoe and Robert Pattinson. The film narrates the tale of two 19th-century lighthouse keepers marooned at a remote New England outpost during a violent tempest, with isolation, suspicion, and bizarre visions taking their toll. While audiences and critics have debated the film's symbolism and genre – part horror, part myth, part drama – what many viewers may not know is that it was partly inspired by a real-life tragedy that occurred over 200 years ago on the distant coast of Wales. The true story, now referred to as the Smalls Lighthouse Tragedy, is one of the most distressing chapters in British maritime history and led to a lasting change in lighthouse policy. The Smalls Lighthouse is perched on a rocky islet about 20 miles west of the St David's Peninsula in Pembrokeshire, exposed to the full force of the Irish Sea - designed and constructed in 1775, reports the Mirror. The Smalls Lighthouse Article continues below Life at The Smalls was solitary and confined. At the time, lighthouse crews typically consisted of just two men, who would spend extended periods in complete isolation. Their sole duties were to keep the lamp lit at night and maintain the structure by day, regardless of the weather. In 1801, the lighthouse was staffed by Thomas Howell and Thomas Griffith, two men reputed to be at odds. One day, Griffith fell gravely ill following what was reported as a bizarre mishap. Howell attempted to look after his workmate and set up a distress signal, hoping a passing ship would communicate their need for assistance. However, this was a time before radio, and simple flag signalling proved ineffective in such an isolated location. The lighthouse was battered by storms for weeks on end, making it impossible for any vessel to pass. Griffith's health deteriorated, and eventually, after enduring a lengthy period of suffering, he passed away. Suddenly alone, Howell faced a daunting predicament. Given the strained relationship between the two men, he worried that if he disposed of the body at sea, any subsequent investigation might suspect him of murder. He decided his only choice was to keep the body until help arrived. The lighthouse is situated about 20 miles west of St David's Peninsula in Pembrokeshire Initially, Howell kept Griffith's body inside the living quarters, a hut barely five metres across. However, the smell of decomposition soon became intolerable. A former barrel-maker, Howell took apart part of the interior to construct a makeshift coffin from wooden planks. He placed Griffith inside, secured the lid, and hoisted the coffin onto a ledge on the exterior of the lighthouse, tying it securely in place. The weather showed no signs of easing, and weeks later, the violent winds ripped the coffin apart, casting the boards into the sea and leaving the corpse tied to the railing, exposed to the elements. This is when the incident took on its most enduring – and macabre – image. One of Griffith's arms had come loose, and whenever the wind caught it just right, it seemed to wave or beckon. Howell could see it from inside the hut, a constant and chilling reminder of his dire situation. As days turned into weeks, several ships sailed within sight of the lighthouse, but the conditions were too treacherous to attempt a landing. Crews could see the light still burning at night – a testament to Howell's commitment to his duty – and during the day, they occasionally spotted a figure on the gallery. Willem Dafoe and Robert Pattinson in a scene from The Lighthouse (2019) (Image: Dumfries and Galloway Standard) From afar, they couldn't discern what had transpired, and with no apparent urgency in the signalling, they continued their journey. It's believed that Howell lived alongside his deceased colleague for approximately four months before a vessel from Milford Haven was finally able to land on The Smalls. When rescuers arrived, they discovered Griffith's body still bound to the railings and Howell physically and mentally altered. Friends back on shore later claimed they didn't recognise him – his hair had prematurely turned grey, his face was gaunt, and he appeared shattered by the ordeal. The Smalls Lighthouse Tragedy sent shockwaves through the maritime community, highlighting the perils of having only two keepers at such a remote station. As a result, the governing body changed its policy to mandate that all lighthouses be manned by at least three people at a time. This rule stayed in place for nearly two centuries, until the automation of British lighthouses in the late 20th century. The events of 1801 have inspired numerous works over the past two centuries. In 2011, the BBC aired The Lighthouse, a radio play by Alan Harris based on the tragedy. Article continues below In 2016, Welsh director Chris Crow released a feature film of the same name, also loosely adapted from the events on The Smalls, before Robert Eggers' The Lighthouse brought the tale to international audiences.
Daily Record
22 minutes ago
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Lighthouse keeper forced to live with corpse for 4 months unrecognisable when rescued
Robert Eggers' 2019 psychological horror The Lighthouse, featuring powerhouse performances from Willem Dafoe and Robert Pattinson, won acclaim for its striking black-and-white cinematography and surreal atmosphere, even earning an Oscar nomination. The film spins a tale of two nineteenth-century lighthouse keepers stranded at a remote New England outpost during a violent storm, with isolation, mistrust, and strange visions taking their toll. While the movie's symbolism and genre – part horror, part myth, part drama – have sparked debates among audiences and critics, many viewers may not realise that it was partly inspired by a real-life tragedy that occurred more than 200 years ago on the far coast of Wales. This true story, now known as the Smalls Lighthouse Tragedy, is one of the most harrowing episodes in British maritime history and led to a permanent change in lighthouse policy. The Smalls Lighthouse, designed and constructed in 1775, stands on a rocky islet about 20 miles west of the St David's Peninsula in Pembrokeshire, exposed to the full force of the Irish Sea, reports the Mirror. Life at The Smalls was lonely and cramped. At the time, lighthouse crews typically consisted of just two men, who would spend long stretches in complete isolation. Their only duties were to keep the lamp lit at night and maintain the structure by day, regardless of the weather. In 1801, the lighthouse was staffed by Thomas Howell and Thomas Griffith, two men who were known to have a contentious relationship. One day, Griffith fell seriously ill following an unusual accident. Howell attempted to look after his colleague and set up a distress signal, hoping that a passing ship would notice their plight. However, this was a time before radio, and simple flag signalling was of little use in such a remote location. The lighthouse was battered by storms for weeks on end, making it impossible for any ship to pass by. Griffith's condition deteriorated, and eventually, after enduring a long period of suffering, he passed away. Suddenly alone, Howell faced a chilling predicament. Given the strained relationship between the two men, he feared that if he disposed of the body at sea, any future investigation might suspect him of murder. He decided his only option was to keep the body until help arrived. Initially, Howell kept Griffith's body inside the living quarters, a small hut barely five metres across. But the smell of decomposition soon became unbearable. Having previously worked as a cooper, Howell dismantled part of the interior to construct a makeshift coffin from timber boards. He placed Griffith inside, secured the lid, and hoisted the coffin out to a ledge on the exterior of the lighthouse, tying it securely in place. The weather showed no signs of easing up and, weeks later, the violent winds ripped the coffin apart, casting the boards into the sea and leaving the corpse tied to the railing, exposed to the harsh elements. It was then that the incident took on its most enduring – and gruesome – image. One of Griffith's arms had come loose, and whenever the wind caught it just right, it seemed to wave or beckon. Howell could see it from inside the hut, a constant and chilling reminder of his dire situation. As the days went by, several ships sailed within sight of the lighthouse, but the conditions were too treacherous to attempt a landing. Crews could see the light still burning at night – a testament to Howell's commitment to his duty – and during the day, they occasionally spotted a figure on the gallery. From afar, they couldn't discern what had transpired, and with no apparent urgency in the signalling, they continued their journey. It is thought Howell lived alongside his deceased colleague for about four months before a vessel from Milford Haven finally managed to land on The Smalls. When the rescuers arrived, they found Griffith's body still fastened to the railings and Howell physically and mentally altered. Friends back on shore later claimed they didn't recognise him – his hair had turned prematurely grey, his face was gaunt, and he appeared shattered by the ordeal. The Smalls Lighthouse Tragedy sent shockwaves through the maritime community, highlighting the perils of having only two keepers at such a remote station. As a result, the governing body changed its policy to mandate that all lighthouses be manned by at least three people at a time. This rule was upheld for nearly two centuries, until British lighthouses were automated in the late 20th century. The events of 1801 have sparked numerous creative works over the past two centuries. In 2011, the BBC aired The Lighthouse, a radio play by Alan Harris inspired by the tragedy. In 2016, Welsh director Chris Crow released a feature film with the same title, also loosely based on the events at The Smalls, before Robert Eggers' The Lighthouse brought the story to international audiences.
Scotsman
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