
For the Third Consecutive Day… Aqaba Continues Celebrating Jordan's 79th Independence Day - Jordan News
In the midst of the joyful celebration, guests expressed admiration for Ayla's creative and heartfelt tribute to Jordan's independence, highlighting the beautiful blend of tradition and modernity.
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Jordan News
16 hours ago
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Ajloun Cable Car Summer Festival (SUMMERIC) 2025 Launches with a Fresh Spirit on Friday - Jordan News
Ajloun – The second edition of the Ajloun Cable Car Summer Festival will kick off on Friday, August 15, 2025, in the heart of the enchanting Ajloun Governorate, one of Jordan's most beautiful natural tourism destinations. The festival aims to showcase the splendor of Jordanian nature and promote sustainable tourism, offering a comprehensive cultural and entertainment experience. اضافة اعلان To allow as many visitors as possible to enjoy the event, the festival will offer a 25% discount on cable car tickets for both Jordanians and foreigners throughout its duration, along with special offers at restaurants and cafés within the project. The Ajloun Cable Car Summer Festival invites everyone to discover the beauty of Jordanian nature and immerse themselves in its rich heritage in a vibrant and inspiring atmosphere. The Director General of the Development Zones emphasized that visitors' experience will not be limited to the enjoyable cable car ride, but will also include musical and cultural events reflecting the vision of the Jordanian Group for Free and Development Zones to transform the Ajloun Cable Car into a tourist and cultural hub blending entertainment and heritage amidst breathtaking nature. He noted that the festival, running until August 23, 2025, will feature a program of exceptional artistic performances by singers Hossam and Wissam Al-Louzi, as well as the Al-Hussein and Kafr Anja troupes. It will also include a bazaar with over 80 exhibitors showcasing local products and handicrafts, along with entertainment and cultural activities suitable for all ages, making it an ideal family destination.


Al Bawaba
a day ago
- Al Bawaba
Bessan Ismail talks breakup, first solo concert in Beirut and her stage incident
ALBAWABA - Bessan Ismail opens up about love, music, and career changes. In the last few hours, Syrian artist and YouTuber Bessan Ismail has been talking about her upcoming wedding. This is because she broke up with her fiancé, Mahmoud Maher. Bessan Ismail, an artist, talked about how happy she was to have performed her first solo show in Beirut. She also said that she was nervous because it was her "first step" on stage by herself. Bessan Ismail Instagram profile Bessan discussed the pros and cons of social media in her artistic life, stressing how important it is for her to stay in touch with her friends "because they know my story." When asked if she was going to get engaged, she said she would share the news on social media and smiled, "I don't know what to hide." Recent Google searches have been all about Syrian singer and YouTuber Bessan Ismail since she played her first public show in Lebanon, which had a giant turnout and a lot of fan interaction. Bessan Ismail performed in Lebanon. In the past five years, Bessan Ismail has put out several songs, such as "Alash," "Al-Khabariya Sah," "Aalami Inta," "Ya Khali," "Malo," "Al-Ashr Kafouf," "Ma'shouqi," and others. Bessan Ismail had already talked about how she felt before her first show in Lebanon, which happened yesterday, Saturday. 'I will be singing my songs on stage for the first time, and I'm very excited about it,' she told ET Bil Arabi. There is a lot of excitement and good feelings, but there is also some worry. It's certain that the nerves will go away as soon as I walk on stage and sing the first two words. Assala and Bessan Ismail meet. Bessan Ismail said this about her meeting with Assala: "I love her very much. I've said for a long time that she was my life model, and I still love her." It made me love her even more when I met her. She's a wonderful person, and I love her. I wish I could be like her." Bessan just put out the trio album "Alash" with singers Fouad Junaid and Amjad Jumaa. It's their first time working together. The song got many good responses and participation from people all over the world. Fouad Junaid wrote the song "Alash" and put it together with words by Amjad Jumaa. It has a strong Eastern musical character and a mix of Moroccan and Levantine dialects. In a poetic way, "Alash" lyrics talk about sadness and emotion. For example, "Let's mourn my condition, my beautiful one, the fears and the night's whispers." The words also ask a profound question: "Why did you leave me instead of the poisonous blood that runs through me?" A big studio in Lebanon was used to film the video clip for "Alash" with director Abdel Wahab Khatib in charge. The visuals of the work were also made to match the sad and emotional mood of the song, which gave the release a unique artistic value. This song is Bisan Ismail and Fouad Junaid's second work together after the huge success of their first song, "Khattiya," which went viral on social media and was at the top of the popular lists.


Jordan News
05-08-2025
- Jordan News
Psychological Safety in Wartime: A Journalist's Reckoning - Jordan News
It might seem nearly impossible to lie down and close your eyes in hopes of escaping the brutal psychological impact of war—a war that crushes lives through starvation and relentless dehumanization. اضافة اعلان I teach journalism students in both Amman and Gaza, guiding them on how to protect their mental well‑being while covering conflict. I share a personal story with them, hoping to spare them a similar emotional descent. One day in 2005, my father and I arrived at the ticket window of a cinema in the Al-Seef complex in Bahrain. We quickly scanned the movie posters, and he pointed to Munich, saying, 'That German city is charming—let's watch that.' A handful of viewers gathered in the theater, including a few Arabs who left as soon as they realized the film's theme. In the opening minutes, Palestinian characters in Munich infiltrated the dormitory of the Israeli Olympic team, demanding the release of Palestinian prisoners. In retaliation, Israeli forces hunted and assassinated members of the Palestine Liberation Organization across various capitals—accusing them of planning the Munich attack, a claim never substantiated, even by Israeli admissions. After watching Munich, my entire focus changed. I met relatives of those Palestinian figures who had been assassinated, documenting their stories as much as I could. I dove into research on key figures in the Palestinian resistance, aided by the late, great Therese Helse. I compiled numerous reports on the Nakba and the Naksa, conducting interviews with Palestinian politicians, artists, and intellectuals. In that immersion, no one told me about "psychological safety for journalists"—the idea that a reporter must create an invisible barrier to prevent the tragedy they cover from seeping into their heart. Techniques include training yourself to avoid emotional contagion, preserving distance between you and your subjects, refraining from building personal relationships with them after reporting, not exchanging personal contact information, and avoiding any promises of help. In essence, you do your work like a surgeon performing an operation: you care for the patient without diving into their personal grief, and you don't promise to fix every problem from their heart condition to their daughter's failed marriage. These guidelines may sound rigid, but they're crucial for a journalist's longevity and emotional survival. I often tell students about the first time I realized I had crossed an emotional boundary—around 2008. That was three years after watching Munich, and after diving deeply into reporting about the Palestinian cause. I was then a journalist at Al-Ghad newspaper, preparing a series of reports on the 60th anniversary of the Nakba that spanned two months. The most harrowing episode was interviewing survivors of the Deir Yassin massacre, published on May 15, Nakba Day. Every day for two months, I received the survivors' testimonies from various Palestinian villages. I interviewed leaders from the Holy Jihad movement, including the late Bahjat Abu Ghraibeh, spending long hours in their presence. Yet somehow, I didn't realize the emotional toll—until the day Deir Yassin's episode published. I broke into sobbing, as though Palestine had just fallen again. I'm not sure how much psychological safety one can truly build—particularly for an Arab, in Palestine or beyond—amid a tragedy that seems endless. Sometimes instructors give guidance they themselves struggle to follow. And yet a maternal instinct compels me to protect younger students from the emotional pitfalls I experienced. My students are perceptive—I saw it in their eyes the morning I eulogized journalist Shireen Abu Akleh, soon after her assassination. I cried while speaking about her. In their silence, I sensed their unasked question: 'What about the journalist's psychological safety?' But my dear students, I still don't know how to adequately answer that.