75 Times Complete Strangers On The Internet Came Totally Out Of NOWHERE With The Funniest Comment You Could Imagine
2.On photographers:
3.On baking:
4.On betrayal:
5.On forgiveness:
6.On new words:
7.On grandpas:
8.On illegal activites:
9.On optical illusions:
10.On jobs:
Related:
11.On Australia:
12.On the countries of the world:
13.On the vastness of space:
14.On engagements:
15.On car sales:
16.On showering:
17.On parachutes:
18.On good eats:
19.On beautiful nature:
20.On the first cooks:
21.On palindromes:
22.On traveling:
23.On holy water:
24.On TV shows:
25.On uranium:
26.On drawing:
Related:
27.On driving:
28.On what rock bottom looks like:
29.On metal marriages:
30.On wearing glasses:
31.On long nights:
32.On blankets:
33.On proof:
34.On British delicacies:
35.On the journey to a cleaner world:
36.On grades:
Makes sense.
37.On hair dye:
38.On rappers:
Related:
39.On fine eats:
40.On bus drivers:
41.On Finland:
42.On the Codys of the world:
43.On good meals:
44.On language:
45.On Bee Movie:
46.On goodbyes:
47.On spherical objects:
48.On fortunes:
49.On popped corn:
50.On rain:
51.On bones:
52.On problem solving:
53.On true anger:
54.On the Earth:
Somethin' to think about.
55.On the UK:
56.On Mount Vesuvius:
57.On birds:
Related:
58.On clothing:
59.On opinions:
60.On third monitors:
61.On absolutely devestating comebacks:
62.On uranium:
63.On bugs:
64.On comforting dreams:
65.On opportunity:
66.On engingeers:
67.On pets:
68.On making beats:
69.On sport mode:
70.On Valentine's Day:
71.On Frasier:
72.On Saturdays:
73.On childhood daydreams:
74.On snuggness:
75.And on usernames:
Incredible stuff.
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The collection is equal parts ironic (a Maasai tribesman posing beside a picnic blanket for an 'Out of Africa' champagne brunch in Kenya) and dystopian (a child perched on a fiberglass rock at a beach in the world's largest indoor rainforest, the canvas of the sky slightly ripped behind him). 'That's very sort of Truman Show-esque. He's gone to the very edge of that artificial world,' said Nelson of the photo. More than anything, though, there's a feeling of sadness that permeates the collection: taxidermied museum dioramas of endangered species; vibrant fish shoals swimming in dark aquariums with plastic pipes, captive elephants paraded to a bathing spot for the benefit of flocks of Instagram influencers; a caged polar bear crouched beside a mural depicting an Arctic landscape it will never know. 'What we replaced real nature with becomes an unwitting monument, really, for what we've lost,' Nelson observed. The term 'Anthropocene' refers to the age of humans. It's not an official epoch — yet. But Nelson believes firmly that, in years to come, today's society will mark the beginning of this new era, evident in elevated carbon dioxide levels from fossil fuels, an abundance of microplastics, and layers of concrete. 'The usefulness of renaming an epoch, in this instance, would be to focus people's attention on our impact on the planet,' said Nelson. As he sees it, 'the language of (environmental action) has become sort of tired or stale; you become kind of immune to it.' He wanted to counter this collective numbness with visuals that 'make you think or feel differently.' Bleak but beautiful, his photos reveal a paradox. Less than 3% of the world's land remains ecologically intact, according to a 2021 study, yet nature-based tourism and biophilic architecture, a design philosophy that mimics nature, are surging in popularity. Global wildlife populations have dropped by an average of 73% in the last 50 years; meanwhile, there are more tigers in captivity than in the wild, globally. Arctic ice sheets are on course for catastrophic 'runaway melting' that would see rising sea levels devastate coastal communities. But at the same time, cocktail bars in Dubai are importing ancient glacier ice from Greenland to provide the wealthy with pollution-free drinks. 'We're engaged in creating an illusion for ourselves; either to hide what we're doing, or as something that we can retreat into for reassurance, because we crave the very thing that we've lost,' said Nelson. There's a spectrum to the illusion, ranging from managed outdoor landscapes to contrived scenes that simply evoke the idea of nature. Nelson likens it to fast food: 'We don't want to grow it and prepare it; we just want it delivered to us with no thorns, no danger, with a nice walkway in a car park. We want to consume it and then come home. We are complicit in it.' Despite his criticisms of the 'consumerist' qualities of today's manufactured natural experiences, Nelson emphasizes that he's not necessarily against any of these things: people should enjoy safaris, be awe-inspired at aquariums, relish their time in a local park, and not 'destroy ourselves with guilt.' 'We have this enduring craving for nature, for a connection to the natural world. That's real,' he observed. There's a limit to what the individual can do, too: the kind of sweeping change required to protect the environment needs to come from major corporations and political leaders, which, in Nelson's view, is sorely lacking. 'It's important to remind ourselves, it's not that we don't have ideas for things that can be done,' he said, reeling off a long list of environmental policies that could change the course of climate change. 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