logo
Knighton performance for the Sonic Spider instrument

Knighton performance for the Sonic Spider instrument

THE world's first eight-legged musical instrument can be experienced in Powys next week – as the Sonic Spider comes to Knighton.
The Sonic Spider is an instrument designed to be played by multiple musicians; four metres in diameter, with piano wires strung on spindly, steel legs.
It aims to recreate the experience of an orb web spider, which cannot see and relies on vibrations in its web for sensory information, with performances intended to convey the drama of the orb web spider's world.
There will be an outdoor presentation of the Sonic Spider in Knighton on Sunday, August 17, outside in Pinners Hole, Knighton (LD7 1EN), located behind the Offa's Dyke Centre, at 2.30pm.
The Sonic Spider is the brainchild of Camilla Saunders, a musician and composer, whose work attempts to build bridges between species on this planet through the medium of sound.
It was designed by biologist and science writer Alun Anderson and musician/designer Charlie Beresford, who built the spider.
'They (an orb web spider) know the world around them only through the vibrations that reach them through the silk lines of their web,' reads a statement on the Sonic Spider website.
'It is this world of vibration that the Sonic Spider recreates with sound, the closest we can come to entering the spider's sensory experience.
'At performances, we ask the audience to imagine the whole event space is filled by a giant web, with the Sonic Spider sitting in its centre.
'Several musicians play the eight strings on the spider, while others, playing a variety of instruments, perform out in the 'web'.
'A fly may crash into the web, sending the spider into a frenzy of activity as it tries to capture it and wrap it in silk. Or a male may appear, cautiously signalling that it is not a fly, and hoping to mate and flee, without being eaten.
'Dangerous predators may appear, and the wind will set the web vibrating too.'
The website adds: 'The goal is to encourage the audience to perceive how the world of every creature is unique, and to let their imaginations go and begin to imagine the multitude of worlds in this space right here, right now, of creatures large and small around them, that often pass through our lives unnoticed, or even despised as pests.'
August is appropriately the eighth month of the year and the international month of the orb web spider.
The Powys performance will last about 40 minutes, with attendees encouraged to bring their own seating and umbrellas if rain threatens.
The event is free and family-friendly, and there are no real live spiders involved.
The Sonic Spider has appeared at several science festivals, including the British Science Festival and Oxford IF, and toured Wales last year courtesy of a grant from Arts Council Wales.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Knighton performance for the Sonic Spider instrument
Knighton performance for the Sonic Spider instrument

Powys County Times

time11-08-2025

  • Powys County Times

Knighton performance for the Sonic Spider instrument

THE world's first eight-legged musical instrument can be experienced in Powys next week – as the Sonic Spider comes to Knighton. The Sonic Spider is an instrument designed to be played by multiple musicians; four metres in diameter, with piano wires strung on spindly, steel legs. It aims to recreate the experience of an orb web spider, which cannot see and relies on vibrations in its web for sensory information, with performances intended to convey the drama of the orb web spider's world. There will be an outdoor presentation of the Sonic Spider in Knighton on Sunday, August 17, outside in Pinners Hole, Knighton (LD7 1EN), located behind the Offa's Dyke Centre, at 2.30pm. The Sonic Spider is the brainchild of Camilla Saunders, a musician and composer, whose work attempts to build bridges between species on this planet through the medium of sound. It was designed by biologist and science writer Alun Anderson and musician/designer Charlie Beresford, who built the spider. 'They (an orb web spider) know the world around them only through the vibrations that reach them through the silk lines of their web,' reads a statement on the Sonic Spider website. 'It is this world of vibration that the Sonic Spider recreates with sound, the closest we can come to entering the spider's sensory experience. 'At performances, we ask the audience to imagine the whole event space is filled by a giant web, with the Sonic Spider sitting in its centre. 'Several musicians play the eight strings on the spider, while others, playing a variety of instruments, perform out in the 'web'. 'A fly may crash into the web, sending the spider into a frenzy of activity as it tries to capture it and wrap it in silk. Or a male may appear, cautiously signalling that it is not a fly, and hoping to mate and flee, without being eaten. 'Dangerous predators may appear, and the wind will set the web vibrating too.' The website adds: 'The goal is to encourage the audience to perceive how the world of every creature is unique, and to let their imaginations go and begin to imagine the multitude of worlds in this space right here, right now, of creatures large and small around them, that often pass through our lives unnoticed, or even despised as pests.' August is appropriately the eighth month of the year and the international month of the orb web spider. The Powys performance will last about 40 minutes, with attendees encouraged to bring their own seating and umbrellas if rain threatens. The event is free and family-friendly, and there are no real live spiders involved. The Sonic Spider has appeared at several science festivals, including the British Science Festival and Oxford IF, and toured Wales last year courtesy of a grant from Arts Council Wales.

Welsh folk music could die within a generation, report warns
Welsh folk music could die within a generation, report warns

BBC News

time24-06-2025

  • BBC News

Welsh folk music could die within a generation, report warns

Wales' "fragile" folk music tradition could "die within a generation" without urgent action, a new report has commissioned by Arts Council Wales found fewer young people were learning or growing up with traditional music Iwan, who has brought Welsh folk music to millions through the success of his song Yma o Hyd, described the situation as "very worrying". Arts Council Wales said folk music had not "been supported as it should have been", but it had now tripled its investment in the art form. The review into the traditional music scene in Wales found traditional music sectors in England, Scotland and Ireland benefited from a "wide range of music industry support structures" that were "largely absent in Wales".It noted that Scotland's traditional folk scene received 4.8% of its arts council's overall pot of money, compared with the Welsh folk scene which - at the time of the review - received 0.66%. "People told us quite clearly, if we don't do something now, it's going to die within a generation," said the report author Angharad Wynne."There won't be any young people coming through the tradition. Things have been as serious as that."She said the traditional way in which folk music was handed down from generation to generation had changed."Certainly there are some amazing people all over Wales who give their time free of charge... but increasingly the ecosystem has changed," she said."Everybody's got a second job because not many people can make a full-time living from being musicians."She added: "That kind of handing down of traditional tunes and traditional style of playing just isn't happening anymore. "And so what we saw was interventions are really needed, some funding is really needed, to shore up and enable some of those really great practices." Iwan, whose 1983 song Yma o Hyd has been streamed more than three million times and has become a Wales football anthem, said the digital revolution had helped to take Welsh music "to all corners of the earth".But he said young people did not usually stay in the industry beyond a few years because there was not enough support to help them build a career. "At the moment, we're lagging well behind, and it's very worrying," he added."We must have government support to make sure that the young, especially the young people, have the backing to make the best of their talents and to make sure that their music is heard all over the world." One of Taylor Swift's best-selling and most critically acclaimed albums is her 2020 folk offering, Folklore. Mari Mathias, a songwriter from Preseli in west Wales, said there was an appetite for folk music from young people, adding: "We need to give them what they want."She said Welsh folk artists rarely took to big stages."There's a lot of bands that have started playing and performing in bigger shows, and traditional folk musicians... like Lankum and The Mary Wallopers [an Irish folk band]. They're performing on big stages like Glastonbury, and people really want to hear it."Does she think the folk scene gets enough attention in Wales? "I don't think so, no. If you look at Ireland, they've got so much support for young musicians, they've got schools and programmes with folk music. I don't think there's anything in Wales. "We want community, we want to come together with folk music so there should be lots more support in my opinion." David Grubb is a fiddle player with an emerging folk band from Cardiff called Taff Rapids. They fuse traditional Welsh folk music with the faster pace of American bluegrass. He said he initially struggled to find the folk scene when he moved to Wales' capital. "It's taken many years for me to find people," he said. He said it was evident Wales' folk scene had received less funding than Scotland, where he grew up. "Having come from Scotland and growing up in that scene, it was much more obvious where that funding was going. There were folk groups, there was a folk course in the Royal College in Glasgow and whatnot," he said."The money that's been put into the folk scene is much more visible up there. When I came down to Cardiff, from the outside looking in at it, it didn't feel like there was much." Dafydd Rhys, chief executive of Arts Council Wales, said the review's findings were "significant"."I think it's true to say that in the past this art form hasn't been supported as it should have been," he said."But what I'm delighted to see now having considered the review's findings and having discussed it in the council, we are now actually almost trebling our investment as core funding, and on top of that there are additional opportunities for musicians and organisations to get more support as well."We've done the review, we've looked at the implications, we've considered it and - in a period where everybody is under financial strains - we've managed to come out and trebled the investment in this art form."The Welsh government said supporting traditional music was one of its "ambitions"."We note the Arts Council of Wales' response and will consider the report in its entirety," a spokesperson added.

Newport play written and performed by homeless people
Newport play written and performed by homeless people

South Wales Argus

time21-06-2025

  • South Wales Argus

Newport play written and performed by homeless people

'The Visitor' was developed over 10 weeks as part of The Story Project, a two-year storytelling project funded by Arts Council Wales. This has developed as a collaborative effort between Welsh homelessness charity The Wallich, Owen Thomas, the Riverfront Theatre, Sherman Theatre, Grand Ambition in Swansea, Carmarthenshire Theatres, Theatr Clwyd, Aberystwyth Arts Centre, Awen Cultural Trust, and National Theatre Wales. The performance aimed to challenge stereotypes by showcasing talent and creativity, offering new perspectives on homelessness. The heart of the story lies in the journey of the Visitor, portrayed by Osian Lloyd, an emerging actor who is also a participant in the Story Project. The Visitor's adventure in Newport begins after his bus breaks down. Initially, he holds certain prejudices against the city, known for violence and antisocial behaviour. But The Professor, a character in the play, guides him on a time-travelling adventure, revealing vital moments of Newport's history. These included the 1830s uprising led by John Frost and the Chartists, the symbolism of the transporter bridge in the 1900s, the lively music scene of the 1980s, and finally, a glimpse into modern-day Newport. The narrative then becomes a moving testament to shared experiences and creativity. The play was presented as a script-in-hand performance by a group supported by The Wallich through the Gwent BOOST Project, with the assistance of other project participants. Despite a tight six-week schedule, the cast, under the guidance of Newport practitioner Naomi Norman and Owen Thomas, managed to integrate their personal experiences and connections to Newport into an engaging story. The performance concluded on a hopeful note, with the Visitor deciding to extend his stay in Newport, changing his previously negative impression of the town. The Story Project has been transformative, paving the way for new partnerships, friendships, talents, and even careers. People homeless from Cardiff, Swansea, Aberystwyth, Wrexham, Ammanford, and Llanelli have all participated in the initiative. The project aims to introduce or reintroduce the enchantment of theatre and the arts, encouraging people homeless to share their stories and develop new creative and technical skills.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store