logo
Colin Cowherd Says Jalen Hurts Is More Like The Spice Girls Than Taylor Swift

Colin Cowherd Says Jalen Hurts Is More Like The Spice Girls Than Taylor Swift

Fox Sports11 hours ago
National Football League Colin Cowherd Says Jalen Hurts Is More Like The Spice Girls Than Taylor Swift
Published
Aug. 11, 2025 7:55 p.m. ET
share
facebook
x
reddit
link
Colin Cowherd believes there are two types of quarterbacks in the NFL — the leaders and the ensemble. So where does he think Jalen Hurts falls?
"Some quarterbacks in this league are Taylor Swift," Cowherd, the host of FOX Sports' "The Herd," said. "They're leading the entire tour. Most quarterbacks in this league are the Spice Girls. They're part of an ensemble. Jalen Hurts is part of an ensemble."
Essentially, Cowherd is claiming that Hurts is a cog that helps the Philadelphia Eagles win, rather than the head of the snake, carrying them to victory. It's not necessarily a knock on Hurts, who was good enough to help the Eagles win Super Bowl LIX, but more of a criticism of the way fans perceive his greatness.
"Fans view quarterbacks based on winning," Cowherd said.
Hurts has done that at the highest level. But, he doesn't have the individual talent that positional counterparts such as Patrick Mahomes, Joe Burrow, Josh Allen, and Lamar Jackson possess.
ADVERTISEMENT
In fact, the Eagles went on a nine-game winning streak during the regular-season, and a Super-Bowl-winning postseason run because they took the ball out of Hurts' hand.
"Last year, in the bye week, the people who know him best said, 'You know, we'd be better off throwing less,'" Cowherd said. "That's a tell.'"
That resulted in the Eagles having the lowest pass-rate in the NFL (43.7%). They ended the 2024 season with 448 pass attempts to 621 rush attempts.
Cowherd is basically stating that the fans' perception of Hurts is inconsistent with his actual individual talent. And that notion was backed up in a recent survey that The Athletic conducted of NFL executives. After questioning 50 front-office members, Hurts was placed in the second-tier of quarterbacks, tied for ninth with Houston Texans' starter C.J. Stroud. In fact, only three of the 50 executives had him ranked in Tier 1.
"This is not a knock on Jalen Hurts," Cowherd said.
He stars in his role, but, "he was much closer to Brock Purdy than Mahomes, Burrow, Jackson, and Lamar," Cowherd added. "And that's exactly right."
Want great stories delivered right to your inbox? Create or log in to your FOX Sports account and follow leagues, teams and players to receive a personalized newsletter daily!
share
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Eagles guard Kenyon Green likely out for rest of preseason with shoulder injury
Eagles guard Kenyon Green likely out for rest of preseason with shoulder injury

Yahoo

time20 minutes ago

  • Yahoo

Eagles guard Kenyon Green likely out for rest of preseason with shoulder injury

The injuries to the Eagles' guards are adding up. Philadelphia guard Kenyon Green has a shoulder injury that is likely to end his preseason, according to Adam Schefter of ESPN. Green is viewed as week to week. The Eagles are also currently without guard Landon Dickerson, who had surgery to repair a torn meniscus and also is out for the preseason and week to week. A first-round draft pick of the Texans in 2022, Green has not lived up to his pre-draft expectations but was hoping to get a fresh start with the Eagles, who acquired him in the trade that sent C.J. Gardner-Johnson to Houston. Now the Eagles will hope Green can get healthy and return to the field for the regular season.

Panthers release new footage of Cam Newton-Josh Norman fight from 2015 training camp
Panthers release new footage of Cam Newton-Josh Norman fight from 2015 training camp

Yahoo

time20 minutes ago

  • Yahoo

Panthers release new footage of Cam Newton-Josh Norman fight from 2015 training camp

For 10 years, a photo capturing Cam Newton's sadistic smile stood as the best visual representation of his infamous training camp fight with teammate Josh Norman. But that might've just changed. On Monday, the Carolina Panthers released the first episode of 2015 Stories, a new four-part docuseries about the organization's magical 2015 run. The 10-minute episode takes a look back on that summer's training camp, and includes some fresh footage of the legendary skirmish between Newton and Norman . . . Little did many folks know, that scuffle would only be the beginning of a wild and wildly successful season for all who were involved. Newton went on to become the first and only Most Valuable Player and Offensive Player of the Year in franchise history. Norman also had a career year, earning his first and only first-team All-Pro and Pro Bowl selections. The Panthers, as a whole, experienced the best campaign of their existence. They went 15-1 in the regular season, captured a then-NFC South record three straight division titles and reached their second-ever Super article originally appeared on Panthers Wire: Panthers release new footage of Cam Newton-Josh Norman fight from 2015

How an Oakland songwriter transformed her own burnout into a creative app for other artists
How an Oakland songwriter transformed her own burnout into a creative app for other artists

San Francisco Chronicle​

time21 minutes ago

  • San Francisco Chronicle​

How an Oakland songwriter transformed her own burnout into a creative app for other artists

For most of Rachel Efron's musical life composing was an intensely isolating experience. 'I'd lock myself away to write a song like I had the flu,' the Oakland singer and songwriter told the Chronicle. 'Each song was like a fever dream and it was about getting something really right that was inside me. Collaborating couldn't exist in the same universe.' Then in March 2020, as the COVID-19 outbreak prompted a global shutdown, Efron's world opened up. She received an out-of-the-blue phone call from Grammy Award-winning producer and composer Narada Michael Walden that set her on a collaborative path that continues to this day. Now, in much the same way Walden expanded her compositional horizons, she's created an app intended to amplify artistic endeavors. Efron launched the interactive app Muzi Creativity in January with a goal to buoy musicians, artists and others in creative fields. Designed to counteract burnout and help people navigate around mental blocks, Muzi engages with participants via an introductory quiz followed by weekly prompts, mission suggestions, reflections and tailored meditations. With more than six months of data and feedback from hundreds of subscribers around the world, Efron recently released an updated version of Muzi that leans into subscribers' fascination with the music-making process. 'Interviews with our first users taught me what I often learn when I'm creating things: Be simple! Be direct!' she said. 'In the first iteration of the app I was over-explaining everything. Now the UI is more self-explanatory. And since I'm not saying, 'First do this, now go here and do this,' I get to center the content that actually matters.' Efron was already an award-winning singer-songwriter who'd spent the past few years focusing on producing other artists when Walden reached out to her. The collaboration surfaced publicly in 2022 with 'Together We Run,' the opening track on ' Freedom,' Journey's first new studio album in more than a decade. 'He opened this whole door inside of me, writing for other artists,' Efron said of Walden. 'All of this was alchemizing in me, and it's come out in believing I have something to offer other artists.' Though Walden toured with Journey for a few years, taking over the drum chair from Steve Smith in 2020, he is usually the man behind the curtain, ensconced in his recording studio. Over the decades he's written and produced tracks on albums by several dozen era-defining artists, including Aretha Franklin, Regina Belle, Patti LaBelle, Mariah Carey, Diana Ross and Lisa Fischer, turning his Tarpan Studios in San Rafael into a magnet for a glittering constellation of pop, soul, R&B, rock and jazz stars. Songs he wrote or produced have been featured in more than a dozen films, from 'Bright Lights, Big City' (1988) and 'License to Kill' (1989) to 'Free Willy' (1993) and the massive hit soundtrack for 'The Bodyguard,' the 1992 blockbuster starring Whitney Houston. Even over the phone Waldon radiates live-wire energy, and it's easy to see how colliding with Efron's yoga-instructor calm could generate a yin/yang creative frisson. Walden reached out to Efron after seeing a video about her songwriting process, and they almost instantly got into a groove, bouncing ideas back and forth. For 'Together We Run' he gave her a melody and chord structure, and he remembers 'she came back with something that was a very Bruce Springsteen vibe.' 'I was looking for a story,' he said, adding that he knew 'we had to get the right chorus.' When he played it for Journey guitarist Neil Schon, 'he liked it, so we got into it, and had Randy Jackson add his thing.' The prolific collaboration seems to proceed in fits and starts as they exchange phrases, rhythms, choruses and bridges, often devising songs with particular artists in mind. 'I'll call her and text her and we send things back and forth, back and forth, back and forth. I'm really relentless,' Walden admitted. 'The good thing about Rachel is she's fast. She can keep up with my pace, and she's willing to try things. The spirit can be finicky and wants what it wants. You have to be willing to go with the spirit, not just the mind.' What's revelatory for Efron is that her new-found flexibility blossomed under Walden's insistent beat, enabling her to get out of her own head. Rather than grappling with her own perfectionism, the process of writing songs became 'this living, changing charisma between the two of us,' she said. 'I remember him telling me early on, 'You're great, you just need a boatload of confidence.' He meant it supportively, but also like, 'Fix this so it doesn't interfere with our work,'' she went on. 'I didn't realize how protected I felt in my identity as a 'struggling singer/songwriter' until he asked me to believe my work could reach more people.' Efron, 46, grew up outside Portland, Maine, and moved to San Francisco in 2001 after realizing, during her last semester at Harvard University, that she wanted to become a singer-songwriter. After performing around the region she released her debut album ' Say Goodbye ' in 2005, establishing her reputation as a quietly captivating performer with a gift for sensuous phrasing and emotionally insightful lyrics. Several albums followed, though her recorded output has slowed in recent years to occasional singles, like 2020's ' Your Money Costs Too Much.' The fact that she surrounded herself with top-shelf musicians — drummer Scott Amendola; bassist and producer Jon Evans; trumpeter Erik Jekabson and vocalist and producer Julie Wolf — imbued each of her recordings with an inviting sheen of intelligent professionalism that enhanced her laid-back lyricism. Without planning she seems to have been preparing herself to collaborate with Walden for years. Efron started thinking systematically about the nuts and bolts of songcraft in 2010 when Rob Ewing, the director of education at the Jazzschool in Berkeley, asked her to come up with a curriculum for a songwriting class. 'I went to a café and sat down and this 10-week course poured out of me,' she said. She taught the class for a decade, a period in which her focus shifted from performing and recording to coaching emerging songwriters. She had no interest in producing other artists, but when one of former Jazzschool students Alison Gant, persuaded her to produce and arrange her debut album (2020's ' Calling All Good Wishes Home '), Efron found she loved midwifing other artists' recordings. She's produced about a dozen albums since, including the acclaimed 2024 debut by David Hobbs, ' Searching for A Home,' as well as upcoming projects by Sierra Alyse and Norzin Chomphel — both of whom took the online Young Adult Songwriters Workshop she launched during the first year of the pandemic. (Efron also runs an online Songwriting Salon for tunesmiths of all ages.) Chomphel was a 17-year-old El Cerrito High student when she took the workshop, and before the course was done she hired Efron to help develop some of her songs. A suggestion that Chomphel might want to extend the bridge of one piece, which would allow her to add a lyric, exemplifies Efron's approach in preproduction. 'She gives you guidance, and does teach you, but gives you complete responsibility over your own song,' Chomphel said. 'It makes a songwriter so much more confident.' With Muzi, Efron is reaching a whole new constituency, inspired by confidence unleashed by Walden, a creative dervish presiding over a musical empire in Marin.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store