
The Scott hotel, Edinburgh: a tranquil, trendy escape from the city
I'm sipping fizz in a grand baronial drawing room with original 1750s ruby-red velvet walls, gilded cornicing and a vast marble fireplace. I'm not sure what I was expecting from a hotel owned by Edinburgh University — let's not forget, it also owns some decidedly unplush student halls — but this elegant, low-lit, seductively grown-up spot sure ain't it.
I have come to the Scott, a handsome, turreted 18th-century mansion less than 30 yards from Pollock Halls student accommodation — but a lifetime from the spartan vibe of undergrad living. Reopened in 2022 after a boutique makeover by its owner, the University of Edinburgh Hospitality Collection, the Scott is a just-right marriage of the traditional and the contemporary: think original oak-panelled halls with striking modern artworks from Glasgow's Artpistol gallery; lipstick-pink chaises longues in high lounges with corniced ceilings.
The bedrooms feel more modern. There are 36 in all, each with a distinct design, though marble bathrooms, tall windows and the semi-obligatory 'boutique hotel' teals, greys and greens are a common theme, with colourful paintings, bright cushions and throws adding pleasing pops of colour. The bathtub in my room was enormous, coupled with a curiously low toilet seat. Cards with messages to be mindful, left on your pillow, were an unusual — and actually quite welcome — touch; the whiskies and complimentary salted caramel chocolates were a winner.
• The 15 best restaurants in Edinburgh — our critic's guide
Crucially, given its proximity to Pollock Halls, the hotel is wonderfully quiet. Despite staying on a Saturday night, we heard not a peep from our neighbours. No student raves, no loud teenagers fumbling in the dark for keys as they returned from Sneaky Pete's in the wee hours.
• These are my favourite almost-secret beauty spots in Scotland
The real star at the Scott is the dining room, Bonnar's. Dominated by a magnificent fresco by the 19th-century interior designer and architect Thomas Bonnar, the restaurant oozes an elegant, rococo vibe. Headed by Pier Berretta — the Italian chef has worked at Noma in Copenhagen as well as a galaxy of Michelin-starred restaurants in Paris — the restaurant's focus is local, seasonal and delicious, with seafood from Peterhead and many ingredients harvested from the hotel's kitchen garden.
With mains starting at £20 and a five-course tasting menu for £65, Bonnar's feels like a pretty good deal considering the pedigree of its chef and the quality of its food. Spacing between tables and soft background jazz cultivates an intimate atmosphere too — though I could have done without the clank of cutlery towards the end of our meal as staff set up for breakfast.
Still, it did mean we went through to the Velvet Lounge for a nightcap a bit earlier than we might otherwise have done, and for that I will be for ever grateful — not least because it was about to close for the evening. It was a shame, because this is a wonderfully moody speakeasy for a whisky cocktail or two — with original velvet walls, soft, seductive lighting and blue crushed-velvet armchairs that wouldn't look out of place in Soho House. Some music would have helped too, but that may just be me; guests coming for peace and calm away from Auld Reekie will feel considerably less aggrieved.
Back in my room, a French 75 in one hand and an espresso martini in the other (when in doubt, double slainte), I found myself reflecting on what makes this place special. It's not the view — mine was of a driveway, not Arthur's Seat or Holyrood Park — nor do you get a sense that trendy interiors are king. It's the quiet, the attention to detail, the sense that every little thing has been considered to make you feel, if not at home, then at least somewhere maybe even better than your home. As I drained the last of the prosecco and sank into the oversized bed, I realised the Scott isn't trying to dazzle you. It's trying to soothe you. And in a city as lively as Edinburgh that's no small feat — even if the toilet was ridiculously low.Ed Halford was a guest of the Scott (B&B doubles from £195, uoecollection.com)
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


BBC News
20 minutes ago
- BBC News
Glastonbury festival: 'My stoma won't stop me enjoying myself'
Outfits picked, backpack packed, tickets at the ready - like anyone else heading for Glastonbury this week, Lucy Smith-Butler is gearing up for one of the biggest events in the festival she has one other consideration - packing the essentials for her stoma 26-year-old had surgery to get the stoma bag fitted when she was 19, two years after being diagnosed with a bowel disease called ulcerative colitis, a long-term condition which causes inflammation of parts of the digestive stoma, a small hole in her abdomen, removes the waste from her body into the fitted bag, which Lucy has to regularly empty. Over the past few days, she has been sharing her festival prep with her 21,000 TikTok followers."I'm just excited to see it," she says, referencing what will be her first Glastonbury experience."I love festivals because you just disappear from reality for a while." This may be Lucy's first experience of Glastonbury, but she has been a festival enthusiast since she was 13 years she says attending events before she had her surgery was difficult."I just didn't know what the facilities would be like," she says."But then as soon as I had my stoma bag, I was like, 'Oh, right well, let's make this work again.'"Lucy's condition means she has additional access needs and requires a clean space to change her stoma bag, as well as access to disabled toilets. She says it's not always been a pleasant experience, recalling one instance where she says she had to physically show a steward her stoma bag before she was allowed to use an accessible of the biggest problems Lucy says she faces is dirty festival toilets - even the accessible ones which are used less."I just changed my stoma bag in my tent most of the time, just because I know who's been in there, and it feels like the cleanest place," she says."There should be places for us that are clean and are up to these standards."Lucy is hoping that will be the case this week, and has so far been impressed with her experience of arranging her accessibility needs at Glastonbury. She says she booked her tickets as normal and then contacted the festival to arrange access to the areas says there are no separate weekend tickets for festival-goers with access requirements, but they are committed to being an event which is accessible to all. Anyone needing to use any of the access facilities must complete the festival's online access application form, and have either a valid access card or the digital Glastonbury access access card translates a person's disability or impairment into symbols, to communicate their access needs to the venues and service providers."The process for Glastonbury was a lot more thorough than any other festival that I've ever been to," Lucy of the festival, she was sent a wristband with a code number on to be able to get into the accessible toilets - something she says she has never seen at a festival her large social media following, Lucy says she is determined to raise awareness of what it's like to go to festivals and other big events with a stoma bag, or other accessibility needs. Her followers often reach out to her for advice, she says, adding that her top tips are to:Contact the festival as soon as you have booked your tickets"Prepare, prepare, prepare" – prepare for everything that might happenCarry all your supplies with you all the timeGo with friends who are supportive and understand your needsAnd most importantly: don't forget to enjoy yourself As well as being able to share her experiences and advice online, Lucy says her social media presence has helped her to make friends at festivals too."I was literally bawling my eyes out," she says as she remembers a chance meeting with someone who had decided to attend their very first festival after finding Lucy's social media page."When you know you've helped someone, it just feels really nice."Ultimately, Lucy says the best thing to do as someone feeling nervous about going to a festival, but wanting to see what it's like, is just to give it a the difficulties she has experienced both before and after her surgery, Lucy says she now "can't imagine a world where I wouldn't go"."The worst that can happen is that I might have a leak, and then I'll just sort it out," she says."You've just got to try it."


The Sun
22 minutes ago
- The Sun
Roger Federer vs Rafael Nadal debate solved with half grass, half clay match showing which Wimbledon legend was better
IT was a question that defined a tennis generation - who is better, Roger or Rafa? Way back in 2007, Roger Federer and Rafael Nadal went to extreme lengths to find out. 3 3 3 The pair engaged in a bizarre experiment, pitting themselves against each other on a half-grass, half-clay court. Federer, then 26, entered the contest after winning five consecutive Wimbledon titles. He was undefeated on a grass court in FIVE years and had also won seven other Slams at the US and Australian Opens. Nadal was at that time the new kid on the block - but already the undoubted King of Clay. The Spaniard hadn't lost a match on the surface in two years as the pair agreed to a mad-cap exhibition on two surfaces. Argentine Pablo del Campo was the man to come up with the concept. He had been inspired by baseball, where dirt and turf mix seamlessly into the game. Del Campo told the BBC's Sporting Witness podcast: "When the outfield meets the infield, the grass meets the dirt. "Seeing that from above, I saw a hybrid tennis court. He added: "I think that the idea was irresistible for both Federer and Nadal." A venue was decided at the Palma Arena on Nadal's home island of Mallorca. Construction of the court took 19 days, with organisers racking up a total cost north of £1.3m. They also had to battle a worm infestation on the grass side of the court, resulting in it being relaid with turf from a GOLF green. Del Campo added: "We understood that was a mess, a big mess. "It was very, very stressful." The match was played over three sets infront of a sellout 7,000 crowd - and didn't disappoint. Wimbledon Ticket Options There are a range of ways to get into Wimbledon as one of the only major sporting events in the world that offer sought-after tickets on the day of the event... The Queue As one of the only major sporting events that allows guests to purchase tickets on the day of the event, demand is high. Each day a large queue forms of people wanting either a Grounds or Show Court ticket - with many even arriving the night before and camping to guarantee a place. Upon arrival, visitors are issued a Queue Card, which is numbered and dated and should be kept until a ticket has been purchased. While there is a limited number of entries, it is possible to remain in the queue and wait for people already inside to leave, with those tickets then becoming available. It is also possible to check the status of the queue on the Wimbledon website. This year, organisers are asking potential queuers to download the Wimbledon app and create a myWimbledon account. Show Tickets If you get to the front of the queue, then there are a limited number of tickets available for purchase for Centre Court and Courts 1, 2 and 3. Note that Centre Court tickets are available for the first 10 days of the tournament, the final four days were already pre-sold. Prices vary depending on the Court, seat and day of the event and will increase the further into the tournament you visit. For example, Centre Court rows A-T cost £105 on Day 1 and £315 on Day 14 (men's final). Grounds Pass A Grounds Pass costs £30 and allows visitors to watch matches on Courts 3-18 on unreserved seats, though there will also be a queue to get into Court 3. Ticket Resale From 3pm each day, tickets may become available from people who have left Wimbledon and made their seat available. A Grounds Pass is needed to join the virtual queue on the Wimbledon App. Tickets cost £15 for Centre Court or £10 for Courts 1/2. Hospitality There are a range of hospitality packages still available on the Wimbledon website. Hospitality packages offer guaranteed premium seating to major matches as well as fine dining experiences, complimentary drinks, a shuttle and concierge service. Hospitality packages can also be purchased via Seat Unique. Secondary Markets Sites such as StubHub offer tickets for the main courts for specific days and times. *Please note that StubHub and similar secondary ticket resale sites may list tickets above face value.* Nadal broke Federer's serve on both grass and clay to take the first set. But the Swiss superstar - a winner of 20 career Grand Slams - broke back to force a decider. Nadal would eventually take the third and deciding set following an epic 12-10 tie break. The Spanish superstar - who retired earlier last October with 14 French Open clay titles - admitted he thought the idea could be a "disaster". He said following the match: "It has been a nice experience. "Although before the match I thought it would be a disaster because I felt it would be very difficult for me to adapt to the court. "I have had a good time and that is important. "Both of us would like to repeat this experience because, although the match was not a real one, it allowed us to play for points without much tension and to play more relaxed." Despite never playing again on the bizarre surface, it would be Nadal who would triumph in the pair's head-to-head battles. The pair met 40 times over the years, with Nadal winning 26, and Federer 14. Federer added: "I found the court to be excellent, especially the clay part. "The challenge was difficult, because you have many things in your head. "You have problems to work out about how you are going to play on either side of the court. "On the grass, I felt at the start that I was moving very well, although it took me a while longer to adapt to the clay."


Times
27 minutes ago
- Times
Airline left my family stranded after losing the baby's car seat
On our return to Birmingham airport after a package holiday we found that our baby's car seat hadn't arrived. By the time the staff had searched the plane and airport baggage area it was almost 11pm on a Sunday night. We were offered two car seats left behind by other passengers as an alternative (neither was suitable for our ten-month-old son) and that was all. There were no trains by this time so we had to pay for a hotel for my wife and baby to sleep in for the night, because we couldn't legally drive him home in our car (which I drove home with our three-year old daughter). The travel company refused to pay for the hotel and expenses, which left us out of pocket. The car seat was returned eight days later so fortunately we didn't have to buy a new one. Is the travel company liable to pay our additional expenses? I have complained twice but both complaints have fallen on deaf Nottingham Losing luggage can really spoil a trip, or cause great inconvenience if you are on your homeward journey, especially if the missing items are essential, such as a baby's car seat or a wheelchair. You can seek compensation for this, but the key questions are: to what extent is the trip marred and is this all the fault of the travel company? When a flight is cancelled or a hotel is overbooked, it is considered a 'direct loss' and you can expect full compensation for the money you have already paid, along with additional reasonable costs that you may have incurred. If you are unable to do something as a result of an error by a business, or have to pay out additional money due to this error, then things become more complicated. Situations like this are generally referred to as a 'consequential loss', although it's not a popular term with the legal profession. That's because there are a whole range of scenarios that can arise as a consequence of an error caused by a business. The problem with claims of this nature is establishing whether the actions of the business were entirely responsible for your losses, or if there was a suitable alternative that you could have taken. • Going on holiday? Here's how to sort your money out In your case, the safety of your child is paramount. If no suitable alternative could be found to allow you to travel with your family safely and within the law, then the holiday company should certainly consider paying you for the money you were forced to spend on accommodation. However, you'll need to put a strong case to the travel firm as to why this is the case. I'd recommend making a formal complaint, setting out: • The age and requirements of your child.• Why your car seat was suitable for your child.• Why the two alternative seats offered were not suitable.• Your understanding of the law around safe driving (you don't need to be an expert here — not feeling safe is enough. Make sure you explain why). • That the accommodation you chose was reasonable and not overpriced.• Why you didn't claim on your travel insurance and any policy limitations. Having to provide all of this information may feel dreadfully unfair, but it's worth doing. That's because holiday firms have a tendency to compensate only for things that they feel they may be directly liable for. If the business turns you down, check to see if they are members of a scheme that can mediate in a dispute. The Air Travel Organisers' Licensing scheme gives you financial protection when you book a flight as part of a package deal. And the Association of British Travel Agents has a dispute resolution scheme for customers of their members if things go wrong, as well as other consumer protections. If you're complaining about an airline, ask them about their Alternative Dispute Resolution scheme. Failing that, don't be afraid to threaten them with the small claims court. Martyn James is a consumer rights campaigner covering everything from energy bills to cancelled flights and pothole claims