Ai Everything GLOBAL 2025 Opens in UAE, Uniting Global AI Leaders - TECHx Media Ai Everything GLOBAL 2025 Opens in UAE, Uniting Global AI Leaders
Ai Everything GLOBAL 2025 Opens in UAE, Uniting Global AI Leaders
The highly anticipated Ai Everything GLOBAL 2025 has officially begun in the UAE, bringing together top AI innovators, policymakers, and industry leaders. Organized by Dubai World Trade Centre (DWTC) and KAOUN International in affiliation with GITEX GLOBAL, the event runs from February 4-6 across Abu Dhabi and Dubai, focusing on AI's global impact, emerging trends, and industry applications.
Kicking off at St. Regis Saadiyat Island Resort in Abu Dhabi, the Ai Everything Summit opened with a packed audience and high-profile discussions. H.E. Faisal Al Bannai, Adviser to the UAE President & Secretary General of the Advanced Technology Research Council (ATRC), highlighted AI's transformative potential, emphasizing open-source innovation and global collaboration. H.E. Omar Sultan Al Olama, UAE Minister of State for Artificial Intelligence, Digital Economy & Remote Work Applications, underscored AI's role in enhancing quality of life and driving economic growth.
AI's impact across industries was a major focus, with thought leaders discussing governance, commercialization, and innovation. Jonathan Bronfman, Co-Founder of MARZ (Monsters Aliens Robots Zombies), showcased how Vanity AI is revolutionizing Hollywood productions like Spider-Man: No Way Home and Stranger Things , making film production more efficient while preserving creativity. MIT Media Lab's Kate Darling explored human-robot collaboration, while Stuart Russell, AI expert from UC Berkeley, called for urgent AI regulations to mitigate risks.
The event also examined global AI power shifts following major developments like the $500 billion Stargate announcement and DeepSeek's rise. Stephen Burt, Chief Data Officer of the Government of Canada, discussed AI democratization, while Ott Velsberg, Estonia's Chief Data Officer, highlighted AI-driven economic growth, revealing data-driven companies experienced a 60% revenue increase in just two years.
As Ai Everything GLOBAL 2025 transitions to Dubai Exhibition Centre (DEC) at Expo City on February 5-6, the spotlight shifts to AI-driven innovation across industries. Featuring 500+ AI companies from 70+ countries, the exhibition showcases cutting-edge solutions from ASUS, Alibaba Cloud, AWS, Dell, e&, Fortinet, G42, HP, IBM, Intel, Lenovo, Nokia, Oracle, Palo Alto Networks, Red Hat, TII, and Zoom. With groundbreaking insights, pioneering research, and global networking, Ai Everything GLOBAL 2025 is shaping the future of AI.
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Khaleej Times
2 hours ago
- Khaleej Times
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The National
4 hours ago
- The National
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Rows of engraved rock structures line a factory floor in Yerevan, bound for the Armenia Pavilion at the Venice Architecture Biennale. They look ancient, though they are still damp and fresh from the cutter. As the team prepares the shipment, a factory worker stops in front of one of the arches. 'That's from the church in my grandmother's village,' he says. 'The church by the forest. This was over the entrance.' He is certain. The arch is not from that church, but that moment of recognition, however misplaced, is proof the project had worked. It made memory, with all its flaws and reconstructions, tangible. The slippage between memory and material is at the core of Microarchitecture Through AI: Making New Memories with Ancient Monuments, the Armenian Pavilion's presentation at this year's biennale. The pavilion is being led by Armenia 's Ministry of Education, Science, Culture and Sports, in collaboration with the Tumo Centre for Creative Technologies and Electric Architects. It was developed with the support of CALFA, MoNumEd, and US artist Ari Melenciano. 'We wanted to see whether we can use technology to emulate the act of remembering,' says Marianna Karapetyan, the pavilion's curator and co-founder of Electric Architects. 'If there was an option of downloading the distorted image of a memory, and printing it, then maybe it will look something like this. Because you won't be able to remember it in detail.' The exhibition takes over a sprawling warehouse space with a series of small-scale structures: arches, columns, capitals (the top section of columns) and fragments. Each is carved from tuff, the volcanic rock central to Armenian heritage and used in its ancient monuments and modern architecture. At first glance, they could be mistaken for genuine artefacts. But a closer look reveals the uncanny: engravings are ill-defined, crosses twist out of form, the Armenian etchings are incomprehensible, and there are plenty of motifs and designs where they shouldn't be. The forms were generated using AI, trained on real data and 3D scans of historical Armenian sites. That data set is part of Tumo's continuing initiative to digitally preserve the country's cultural heritage. In recent years, the centre has undertaken the scanning and archiving of endangered architectural sites across Armenia – monasteries, churches, khachkars (carved stones bearing crosses) and vernacular structures – many of which are threatened by conflict or environmental degradation. That growing digital archive became the foundation for the pavilion's presentation this year. 'From the beginning, we knew we wanted to present a project based on the Tumo heritage scanning initiative,' Karapetyan says. 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The platform will feature immersive virtual tours and scholarly resources, aiming to make Armenia's centuries-long cultural legacy accessible to academics and the public alike. While Tumo's platform focuses on preservation, the pavilion took a different path. The 'artefacts' on display do not reproduce any specific monument. They are not reconstructions, but reimaginings – sculptures that speak to the erasure of history, the instability of memory and the possibility of new forms of preservation. The designs were machine-engraved, without human adjustment. 'We wanted to avoid human interference altogether. We didn't meddle with the designs, and there were no prototypes,' Karapetyan says. 'The sculptures are presented as the AI designed them and as the machine engraved them. We identified a handful of typologies of ancient Armenian architecture, their essence or DNA, so to speak, and let the AI come up with new designs.' The idea was to explore how scans of endangered heritage – whether threatened by conflict, neglect or climate change – could be used in a new way – 'to give new life to that information,' she says. The geopolitical stakes the exhibition alludes to are urgent and thought-provoking, but the pavilion does not pretend to offer solutions. Instead, it asks how cultural memory may persist when the physical world is no longer accessible. Can heritage survive as suggestion rather than structure? In a biennale dedicated to architecture, the Armenia Pavilion stands out not for what it builds, but how it remembers what was lost and how it reimagines the space left behind. The result isn't mournful or didactic but reflective. The proposal it offers is even uplifting: memory, like architecture, doesn't have to remain fixed to be real.
