logo
Cast of beloved 70s drama claim one episode 'would not happen today'

Cast of beloved 70s drama claim one episode 'would not happen today'

Metro10-06-2025
The cast of Little House on the Prairie have unpacked a wild episode of the beloved show, insisting it wouldn't see the light of day today.
The drama ran for nine seasons between 1974 and 1983, and focused on the Ingalls family living in Walnut Grove in Minnesota at the end of the 1800s.
Michael Landon, Melissa Gilbert, Karl Swenson, Richard Bull and Karen Grassle made up the cast, while stars Alison Arngrim and Dean Butler teamed up with Pamela Bob to start a podcast looking back on their experiences ahead of the upcoming Netflix reboot.
Appearing on the latest episode of Little House 50, they reflected on season four episode Here Comes the Brides, which aired on December 5, 1977 – it followed Adam Simms (Joshua Bryant) and his 'shoeless' son Luke (Bob Marsic) moving to town and causing a stir with locals.
While Adam made a beeline for Eva Beadle (Charlotte Stewart), Luke quickly fell in love with Nellie (Alison) – with the youngsters running away to tie the knot.
Wake up to find news on your TV shows in your inbox every morning with Metro's TV Newsletter.
Sign up to our newsletter and then select your show in the link we'll send you so we can get TV news tailored to you.
Their marriage didn't last long and was very quickly annulled, but that wasn't the only ceremony to shock locals, as Eva and Adam also went on to get married.
Lifting the lid on the instalment, Alison declared: 'I love this episode so much … It's just a display of adolescent rebellion, pouting and smoking, massive hormonal love… it really is Romeo and Juliet just gone berserk.
'The hormones go wild, it's just crazy.'
'I am 15 in this episode,' she clarified, branding it 'one of her favorite' episodes. 'It aired in December so we shot it a few months before. I would have just turned 15 in January.
'So I was 15 probably in a few months when we shot this.
'I was super super super puberty, teenage insanity happening. It was hilarious. So, it was so perfect. The first time she rebels against her mom, the first time she falls in love…'
However, while the actress was 15 during filming, she shared that her character was two years younger.
'I'm sorry, I'm 15 so she's just barely 13,' she continued. 'This cat is playing, I guess, 16, 17? He's 27 years old. He was late 20s, definitely older than 25.'
Alison later corrected herself and explained that Bob was 22 at the time.
She joked of the fictional Walnut Grove natives: 'We're children, teenagers… We're not just like, 'Gee, he's cute! Hi there'. We're like, '[Forcefully] Hi, what are you doing later?'
'There young girls, these children, accosting a grown man who they have not been introduced to…'
Pamela agreed that there was no 'swag or subtlety', quipping: 'It's straight in for the kill.
'There is no swag on the prairie. No one's got game on the prairie.
'That would not happen today, right? Casting a full-grown adult to play or even kiss – and it was an innocent kiss, but it's a kiss – a minor.'
Alison added that, if those scenes were being filmed now, there would be intimacy coordinators on set to help ensure that everyone involved was safe and comfortable.
The actress recently left fans devastated when she confirmed that she would not be popping up on the Little House on the Prairie reboot currently in the works at Netflix.
Bosses teased that they would offer a 'fresh take on the iconic story', with Rebecca Sonnershine leading the was as showrunner and executive producer. More Trending
Alison, who played Nellie Oleson from 1974 to 1982, later shared that her original castmates would be taking a back seat.
'None of us, as far as I know, our gang, are in at this point,' she told ReMIND, adding: 'I have been joking for years that I'm finally old enough to play Mrs. Oleson, so call me!
View More »
'This [show] is part of the Laura Ingalls Wilder multiverse. So concerns that they're going to run amok away from the books and make it into something weird – not happening.'
Got a story?
If you've got a celebrity story, video or pictures get in touch with the Metro.co.uk entertainment team by emailing us celebtips@metro.co.uk, calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you.
MORE: Fiona Harvey says she's going blind during 'stress' of Baby Reindeer lawsuit
MORE: Netflix fans counting down for Lena Dunham's TV return with raunchy rom-com
MORE: South Korean gangster drama hailed 'best revenge series' soars up Netflix chart
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Spectator Competition: Category error
Spectator Competition: Category error

Spectator

timean hour ago

  • Spectator

Spectator Competition: Category error

Comp. 3413 was prompted by J.G. Ballard's story 'The Assassination of John Fitzgerald Kennedy Considered as a Downhill Motor Race' (itself inspired by Alfred Jarry's 'The Crucifixion Considered as an Uphill Bicycle Race'). You were invited to consider some event in a category to which it did not belong. It was harder than ever to choose winners; Adrian Fry, Bill Greenwell, Paul Freeman, Martin Brown, Sue Pickard, J.S.R. Fleckney, Nicholas Stone and Sylvia Fairley are a few of the runners-up. The prizes go to those below. The Big Bang considered as a TV baking challenge The initial cosmic oven temperature was unbelievably high. Whoever was responsible for turning it on should have read the thermodynamic instructions with more care. The particle dishes eventually cooled down, while the all-seeing Judge oversaw the creative aspects of the show to ensure things were co-ordinated. The three challenges were: a signature volcanic bake to test creativity; a technical bake which took skill and talent, especially with dark matter ingredients; and finally a showstopper with fruity neutron bombes. Two would-be stars were eliminated due to a surfeit of black holes in their sponges, while another lost out during desert week. Sadly, the baked Alaska dish was not received well. In the later stages, the fundamental forces of the strong and weak came to the fore. Various quirks and quarks combined to form exciting new recipes. Uplifting, like gravity. John O'Byrne Anne Boleyn's death as an RHS seminar Tower Green today hosted an RHS seminar on the early dead-heading of tender young blooms judged to have become expendable following their excessive and unsuitable cross-pollination. The event culminated in a dramatic demonstration given by a visiting French expert who, despite an initial concern over the proper positioning of his main prop, performed his task with admirable speed and neatness which earned him a Patron's Gold Award of some £23. The said Patron, though absent due to a prior engagement, was reported to have been well satisfied with the morning's outcome and confident that it would not deter his country's most respected seedsmen from continuing to supply him with the most desirable specimens from their own exclusive stock. Indeed, an early replacement for the once-fragrant, though apparently unreliable, Rosa Boleynii may be announced very shortly. Martin Parker The first world war as a Netflix crime series The first episode of this much talked-about crime noir opened literally with a bang, the murder of a feathery-hatted aristocrat and his wife. The hit-man is swiftly arrested, but who was behind it all? Cue then a whole range of the usual stock figures, often expendable, to come and try to sort things out, including incompetent Frenchmen who need to be rescued, until things get repetitive and the plot gets bogged down near the unlikely and insignificant river Somme. In a somewhat predictable twist in episode five, the increasingly implausible action requires some entirely new characters, of course American, to tidy it up. In an overly showy final scene set – why? – in a palace full of mirrors, the principal American, apparently called Woody, apportions rewards and blame. Every-one claims it to be 'the end', but it is abundantly clear that we are being set up for a second series. Brian Murdoch The Charge of the Light Brigade as a cricket match Raglan gave the order. From the top of the pavilion he rang the starting bell. When Cardigan trotted out, it was believed he had misunderstood the instructions. He had a bad start. Dancing down the wicket to Starc he missed entirely. Next ball he repeated the madness and was caught in the deep. Raglan looked on in horror. As Australia brought out the big guns things only got worse. The 13th Light Dragoons were hit hardest at first: Duckett, Crawley and Pope all fell before lunch. Later, the 17th Lancers and the 11th Hussars took the brunt, with Brook and Smith gone by 2.30. Only Root held out till tea, when the end of the innings brought a stop to the madness. Still, the question remained. Why had England tried to play T20 cricket in a Test match? David Harris It's the Brexit round of Strictly Come Dancing, the European Union holding the floor as the UK considers a move; will she stay or withdraw? They have long been uneasy partners, out of step, missing the beat, dancing to different tempos as they struggle over who will lead. A brisk comparison of choreography; it may be a case of 'take back control' with the UK as the music starts. Leavers and Remainers begin to tango, pressed close, a passionate, heated dip and rise, a kick or two. Incredible tension. A battle for independence, a flirtation with staying in sync. This may be the last tango in Paris, or anywhere in Europe for that matter. The judges confer, and the Leavers waltz away with the crown, leaving the Remainers feeling slighted, shocked and boxed into a corner with little room to manoeuvre. It's been absolute murder on the dancefloor. Janine Beacham The Annual Budget as a Branch of Mathematics Sturtevant and Yang propose erecting a new branch of maths, to be known as Governmental, Impure or Speculative Mathematics, but there is more to the subject than the commonplace that cancellarian two and two do not usually make four. Consider Cook's Variable Constant, C, (the 'Fudge Factor') defined as modulus (Ng – Nw), where Ng = the number you have and Nw = the number you want. Particularly interesting is the finite summation of an infinite diverging series, so that government borrowing can increase forever without repayment. A further promising development is Quantum Statistics, in which figures can be right and wrong simultaneously. The novel use of infinitesimals, as applied to spending cuts, is more controversial, but a ground-breaking use of pi, as something we can have tomorrow, but never today, exemplifies the useful creativity of the new subject. Frank Upton No. 3416: Throuple You are invited to submit a passage which marries romantasy with a third genre, e.g. political thriller, comic fiction, noir (150 words max, not too rude). Please email entries to competition@ by 3 September.

Hostage review: Political thriller sets bonkers bar high
Hostage review: Political thriller sets bonkers bar high

The Herald Scotland

time2 hours ago

  • The Herald Scotland

Hostage review: Political thriller sets bonkers bar high

*** Channel 4 was understandably delighted this week to acquire Sherlock creator Steven Moffat's Number 10, a drama set in what its makers dub 'the only terrace house in history with mice and a nuclear deterrent'. Let the record show, however, that Suranne Jones got there first with Hostage. There have been Downing Street thrillers before Netflix's latest, and there will be more after, starting with Moffat's, but Hostage sets the bonkers bar impressively high. Jones plays British Prime Minister Abigail Dalton. The Dalton government is beset by crises, chief among them a shortage of cancer drugs. To top it all, the PM's teenage daughter has been out on the town with mates, and the French president is coming round to tell Dalton off for being soft on migrants. Madame President is played, rather magnificently, by Julie Delpy, bona fide French cinema goddess/writer/director. What a hoot it is to see her character waft into Downing Street, a right-winger ready to do battle with Dalton's seemingly soppy liberal. But what do you know: fate has brought these two alpha women together for a reason, or reasons, that will emerge over five episodes. Created and written by Matt Charman (Bridge of Spies), it is almost impossible to say more about the plot of Hostage because the series relies so heavily on killer twists and handbrake turns. I'm convinced Netflix and the other streamers have secret labs somewhere churning out plot surprises, the crazier the better, and there are some doozies here. Best to consider the title a clue and take it from there. Read more: With all this high-octane mayhem going on, Hostage needs its ballast. Lending Jones and Delpy a hand are James Cosmo as the Prime Minister's dad (complete with a north of England accent to match his screen daughter), Lucian Msamati (Conclave, Gangs of London) as her chief of staff, and Ashley Thomas as her doctor husband. Jones and Delpy do most to smooth the rough edges, and there are a few. The Downing Street in Hostage has the smallest press pack I've ever seen. They look more like a bus queue than a posse of reporters. Some of the dialogue sounds like a beginner's guide to British politics. And if you want a drinking game, take a gulp for every time Dalton kicks her heels off to signal how fed up she is with keeping up appearances when her world is crumbling. Jones is an executive producer on Hostage. What a distance she's come since playing one of Steve McDonald's many wives in Coronation Street. Doctor Foster made her a small-screen A-lister, and from then on she had her pick of parts. Not everything has gone her way - HBO fell out of love with period drama Gentleman Jack - but the successes, including the Scotland-set police thriller Vigil - have kept coming. Now she's an industry player in her own right, her name enough to carry a series, nationally and internationally. Real-life Prime Ministers should watch and learn.

Baby Reindeer actor Richard Gadd undergoes beefed up transformation for new role - see the Netflix star now
Baby Reindeer actor Richard Gadd undergoes beefed up transformation for new role - see the Netflix star now

Daily Mail​

time2 hours ago

  • Daily Mail​

Baby Reindeer actor Richard Gadd undergoes beefed up transformation for new role - see the Netflix star now

Richard Gadd has seriously bulked up after the smashing success of his Netflix series Baby Reindeer. The 36-year-old Scottish multihyphenate showed off his very impressive bulkier and more muscular figure in new promotional images released from his latest project Half Man. Richard has cultivated some serious mass as his arms and torso were noticeably bigger in the upcoming HBO-BBC drama. The Primetime Emmy winner was joined by costar Jamie Bell in one of the images as they created the series together. Richard revealed earlier this year that he wants the new series to be a departure from the intensely personal and autobiographical Baby Reindeer. After first joking that his next project would be a 'musical,' Richard called Half Man a 'departure from the kind of autobiographical, semi-biographical stuff that I've done before, but it's still dark. 'It still explores the contradictions of the human condition, but it feels nice not to be turning in it all the time while I'm doing it,' he explained. 'So this one I wouldn't say is a full departure. However, he suggested it was 'still probably totally what you'd expect from me,' though its 'subject matter' might surprise Baby Reindeer fans. He added that he hoped that working on something that wasn't based on his own life would 'be a healthy thing to do.' His upcoming series charts 40 tumultuous years in the lives of brothers who are now estranged. The action begins in the present, when Gadd's character Ruben crashes Bell's character Niall's wedding, setting of an exploration of their traumatic relationship from decades earlier. Speaking of a beefed up transformation, earlier this year Richard talked about the surprising actor he would like to team up with. Speaking with Daily Mail at the SAG Awards back in January, he sounded excited about the possibility of teaming up with a major wrestler-turned-film star: Dwayne 'The Rock' Johnson. 'I love The Rock. I'm waiting for his call currently,' Gadd joked when asked if he'd consider working with the Jumanji star. 'No, he hasn't been in touch,' Gadd clarified, but he wouldn't mind a call, as he is a 'big wrestling fan.' Even though that fact seems to surprise people, he admitted that one of his dreams would be a 'road trip with me, The Rock, John Cena, and let's just say Bret Hart.' 'I don't know what we'll talk about, but we'll do it,' he continued. 'They'll be talking and I'll just be there... ' Richard created, wrote and plays the lead role in Baby Reindeer, his hit dark dramedy thriller that was adapted from his autobiographical one-man show. In the series, he plays a version of himself named Donny Dunn who works as a bartender and moonlights as an aspiring comedian. One of his pub customer's, Martha (fellow Indie Spirit winner Jessica Gunning), develops an unhealthy obsession with him that escalates to stalking. The series also delves into his conflicted feelings about his relationship with his girlfriend Teri, a transgender American therapist (played by Nava Mau, who won the best supporting performance honor at the Independent Spirit Awards), and an abusive collaboration with a TV writer who takes him under his wing. The series, which was released on Netflix, has been a hit with critics and fans alike. Richard went on to share his advice to other stars who may be dealing with stalkers, including Piers Morgan, who recently revealed he was dealing with a situation that seemed to be straight out of the hit series. He urged anyone tormented by similar circumstances to 'keep going' and to not let it get in their way. 'I think there's times in my life where I felt like the pressure was so intolerable,' he admitted. 'I almost didn't think there would be any sort of way out, but I think it's almost cliché, the sort of time-is-the-greatest-healer type of thing, but it really is. 'Every now and again in the darkness, there will be a crack of light, and then as the days go by, those cracks get bigger and ultimately suddenly you're standing in sunlight,' Richard continued. 'It is strange, but I never thought it would end, but I think just the belief that one day it will was enough for me,' he said on a hopeful note. 'I think, no, nothing bad sustains forever. I do believe that, and I think that the simple two words would be, "Keep going..."'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store