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Smurfs, dragons and aliens: Family movies lean into magic and wonder this summer

Smurfs, dragons and aliens: Family movies lean into magic and wonder this summer

Independent02-05-2025

'How to Train Your Dragon' filmmaker Dean DeBlois has heard the 'remake fatigue' concerns. In Hollywood's quest to get family audiences to movie theaters, the industry has often opted to re-package something familiar, lately in the form of a live-action, or hybrid remake. Sometimes it works, sometimes it doesn't.
That's part of the reason why DeBlois, who directed the animated movies, wanted to also be the person behind the live action remake, coming to theaters June 25. He knew how to do it, and how to do it well.
'We were careful,' DeBlois said. 'We wanted to make sure that if we were going to do it, we wanted to do with a lot of integrity and love and make sure there's nothing cynical about it.'
Several of this summer's family friendly options have come from a personal place including the Rihanna-produced 'Smurfs' (July 18) and the Hawaii-shot 'Lilo & Stitch' (May 23). And a lot of them are PG-rated, including 'The Bad Guys 2' (Aug. 1); 'Freakier Friday' (Aug. 8); And the new Pixar movie 'Elio' (June 20), about a space fanatic kid whose dream of being abducted by aliens comes true.
The PG rating is having a bit of a resurgence in box office cred after years of being the 'uncool' little sibling to PG-13. Last year PG movies made up 1/3 of the annual box office, led by 'Inside Out 2.'
Smurfs nostalgia and Rihanna
Rihanna and the Smurfs might seem like an odd match, but the Grammy-winning megastar is 'steeped in Smurfs knowledge,' according to director Chris Miller. She told Miller that growing up in Barbados, her family's television had one channel, and that channel played the Hanna-Barbera show constantly.
It's why she wanted to produce and star as Smurfette in 'Smurfs,' a hybrid reboot that takes the little blue creatures on a rescue mission to save Papa Smurf. There have been other attempts (including two with Neil Patrick Harris), but for this one Miller wanted to do something different that drew on the original comics by Belgian artist Peyo.
'I thought, let's make a contemporary version and a real immersive visual experience but reference those drawings,' Miller said.
They also had a sharp, witty script from Pam Brady, best known for her collaborations with Trey Parker and Matt Stone. Plus, Rihanna would contribute music too. This, Miller thought, could be really fun.
'Rihanna's performance is so great,' he said. 'She's really funny and gets to the heart and soul of everything.'
Practically everyone in the starry voice cast (which includes Kurt Russell, John Goodman, Nick Offerman, Octavia Spencer, Amy Sedaris and Dan Levy) had some nostalgia for the Hanna-Barbera show. But no one needs a degree in 'smurfology' to take a chance on the film. Offerman said it reminds him of 'The Lego Movie.'
'It has a freshness and a sass that I think makes it appealing and kind of imperative for everybody to see,' Offerman said.
Making the dragons real
The animated 'How To Train Your Dragon' films already leaned into a live-action sensibility, but DeBlois took it to the next level for the new version, creating an immersive world where the dragons felt credible, and mythology that went deeper in telling this story of the unlikely friendship between a Viking boy Hiccup (Mason Thames) and a dragon named Toothless.
'It aspires to be and does deliver on the promise of being a crowd pleaser,' DeBlois said. 'It has thrills and it has adventure and it has wonder, which I think is kind of rare and important.'
Nico Parker, who plays the aspiring dragon hunter Astrid, was in awe of the level of detail the production put into the sets and atmosphere in making the isle of Berk feel real, from actual fire to 'horrible' ambient fish smells. The dragons too all have animal kingdom counterparts to add to the authenticity — with the exception of Toothless, who they kept a little more fantastical.
'Even though Toothless' eyes are huge and there's no animal on earth, not even a blue whale that has eyes that big, we went with it because the smaller we made the eyes, the less Toothless-like he was,' DeBlois said. 'We had to make sure that we weren't just creating photoreal dragons, but we were maintaining the personalities.'
For as popular as the books and films (which have made over $1.6 billion) are, there are also plenty of people who aren't familiar with the stories. This version might be the thing that draws newcomers in (they've already announced a sequel).
'For those who do know the stories and have seen the animated films, it is a bit of nostalgia,' DeBlois said. 'It's a way of returning to that world and seeing it through a new lens and maybe sharing that experience, perhaps with their own kids now.'
Finding something for the whole family
The struggle to find something the whole family wants to watch is real.
Jamie Lee Curtis, who reunited with her on-screen daughter Lindsay Lohan for 'Freakier Friday,' wrote in an email that theirs is a 'big spectacle film' with 'all the bells and whistles that a big comedy should have' and 'deep emotional resonance.'
'Elio' filmmaker Domee Shi also promised a blend of a wacky sci-fi adventure and 'also a deep and poignant story about loneliness, looking for connection, and finding it where you least expect.'
And no matter how many options are available for kids to watch on streaming services and YouTube, out of the home options remain a compelling draw. The box office backs it up: Last year PG movies outgrossed PG-13 movies for the first time in many years.
'PG movies really punch above their weight," said Paul Dergarabedian, the senior media analyst for Comscore. "These films could represent a huge part of the summer box office,'
'Lilo & Stich' director Dean Fleischer Camp thinks the big screen experience remains important for young moviegoers.
'I fell in love with the movies, seeing them in theaters as a kid,' he said. "I don't think there's yet any substitute for it.
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From A-list scandals and red carpet mishaps to exclusive pictures and viral moments, subscribe to the Daily Mail's new showbiz newsletter to stay in the loop. She added: 'I'm so honored to be recognized alongside these exceptional warrior women in this category. I want to thank you all so much for making this little Hawaiian/ Ukrainian/ Filipino girl's dream come true. So proud to represent.' As well as Thom, Nicole also thanked her family, including her mother, stating she 'had me at 18 and gave everything up for me.' While she also paid tribute to the crew of the musical, thanking composer Andrew Lloyd Webber and gushing: 'It has been such an honor to be able to create with you the past 15 years.' And voicing her gratitude and appreciation for producer Jamie Lloyd, she added: 'Jamie, you saw in me what no one else did. You have given us all new ways to dream and you have changed my life forever.' 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Brigitte Reiffenstuel — Stranger Things: The First Shadow Best Lighting Design of a Play Natasha Chivers — The Hills Of California Jon Clark — Stranger Things: The First Shadow - WINNER Heather Gilbert and David Bengali — Good Night, And Good Luck Natasha Katz and Hannah Wasileski — John Proctor Is The Villain Nick Schlieper — The Picture Of Dorian Gray Best Sound Design of a Play Paul Arditti — Stranger Things: The First Shadow - WINNER Palmer Hefferan — John Proctor Is The Villain Daniel Kluger — Good Night, And Good Luck Nick Powell — The Hills Of California Clemence Williams — The Picture of Dorian Gray Best Choreography Joshua Bergasse — SMASH Camille A. Brown — Gypsy Christopher Gattelli — Death Becomes Her Jerry Mitchell — BOOP! The Musical Patricia Delgado and Justin Peck — Buena Vista Social Club - WINNER Best Play English — Author: Sanaz Toossi The Hills of California — Author: Jez Butterworth John Proctor Is The Villain — Author: Kimberly Belflower Oh, Mary! — Author: Cole Escola Purpose — Author: Branden Jacobs-Jenkins - WINNER Best Revival of a Musical Floyd Collins — Book/Additional Lyrics: Tina Landau; Music & Lyrics: Adam Guettel Gypsy Pirates! The Penzance Musical Sunset Blvd. - WINNER Best Performance by an Actress in a Leading Role in a Play Laura Donnelly — The Hills Of California Mia Farrow — The Roommate LaTanya Richardson Jackson — Purpose Sadie Sink — John Proctor Is The Villain Sarah Snook — The Picture Of Dorian Gray - WINNER Best Performance by an Actress in a Leading Role in a Musical Megan Hilty — Death Becomes Her Audra McDonald — Gypsy Jasmine Amy Rogers — BOOP! The Musical Nicole Scherzinger — Sunset Blvd. - WINNER Jennifer Simard — Death Becomes Her Best Performance by an Actress in a Featured Role in a Play Tala Ashe — English Jessica Hecht — Eureka Day Marjan Neshat — English Fina Strazza — John Proctor Is The Villain Kara Young — Purpose - WINNER Best Performance by an Actress in a Featured Role in a Musical Natalie Venetia Belcon — Buena Vista Social Club - WINNER Julia Knitel — Dead Outlaw Gracie Lawrence — Just In Time Justina Machado — Real Women Have Curves: The Musical Joy Woods — Gypsy Best Direction of a Musical Saheem Ali — Buena Vista Social Club Michael Arden — Maybe Happy Ending - WINNER David Cromer — Dead Outlaw Christopher Gattelli — Death Becomes Her Jamie Lloyd — Sunset Blvd. Best Original Score (Music and/or Lyrics) Written for the Theatre Dead Outlaw — Music & Lyrics: David Yazbek and Erik Della Penna Death Becomes Her — Music & Lyrics: Julia Mattison and Noel Carey Maybe Happy Ending —Music: Will Aronson; Lyrics: Will Aronson and Hue Park - WINNER Operation Mincemeat: A New Musical — Music & Lyrics: David Cumming, Felix Hagan, Natasha Hodgson and Zoë Roberts Real Women Have Curves: The Musical — Music & Lyrics: Joy Huerta and Benjamin Velez Best Orchestrations Andrew Resnick and Michael Thurber — Just in Time Will Aronson — Maybe Happy Ending Bruce Coughlin — Floyd Collins Marco Paguia — Buena Vista Social Club - WINNER David Cullen and Andrew Lloyd Webber — Sunset Blvd. Best Scenic Design of a Musical Rachel Hauck — Swept Away Dane Laffrey and George Reeve — Maybe Happy Ending - WINNER Arnulfo Maldonado — Buena Vista Social Club Derek McLane — Death Becomes Her Derek McLane — Just In Time Best Costume Design of a Musical Dede Ayite — Buena Vista Social Club Gregg Barnes — BOOP! 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