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From Broadway dancer to entrepreneur — Amanda Kloots discusses her entrepreneurship journey and the loss of her husband

From Broadway dancer to entrepreneur — Amanda Kloots discusses her entrepreneurship journey and the loss of her husband

Amanda Kloots, a fitness entrepreneur, author and television personality, has statistically beaten the odds to expand and grow her brand both on and off the camera.
A former cohost of CBS' Daytime Emmy Award-winning talk show, 'The Talk,' Kloots has partnered with brands such as American Express, Vita Coco and General Mills.
Her notoriety exploded when her husband, Nick Cordero, a well-known Broadway actor, made headlines when he contracted COVID-19 and passed away during the height of the pandemic, leaving behind his wife and newborn son.
Kloots has written a memoir, 'Live Your Life: My Story of Loving and Losing Nick Cordero.' Through her bedtime ritual with her son, she came up with the idea for her book, 'Tell Me Your Dreams,' as one of the ways to keep her late husband's spirit alive with their son.
Most recently she launched Proper Health, a line of super-food supplement powders that is available in stores across the country.
Soon, she'll be off to Africa to host a new reality show about finding the next fitness star.
And she is long-time fan of Spot Coffee.
Kloots spoke at Kaleida Health's Women's Wellness Summit on May 6. She opened her session with moderator Heather Ly Wesolek by recalling having enjoyed Spot Coffee while she was a cast member of Broadway shows that toured through Buffalo.
The seeds of entrepreneurship
It was her Broadway dancing career that prompted her to become the entrepreneur she is today. After enduring the unpredictability of that realm of entertainment for 15 years, Kloots sought work that gave her greater control.
"I decided to take a leap. I was going to start my fitness business," she said. "That was the first time I created something and it was so empowering."
It was unnerving, too.
"It can be scary sometimes, betting on yourself, especially when the rent and the family depend on it," she said. "I keep that in mind whenever I think, 'I can't do that yet because things aren't lined up.' Things will never be lined up correctly. There's never a perfect time. You have to keep believing in yourself and in what you really want to do."
She started teaching and enjoyed seeing her students evolve, especially those who started the class in the back row, unsure of themselves, and worked their way to the front row with confidence and a smile, ready to share their journey with her.
Kloots confessed to having been body-obsessed, comparing herself to other women and adopting odd eating habits that would help her achieve physical perfection. Then she got pregnant and developed a more well-grounded personal fitness philosophy.
"Fitness is not about your jeans size. It's about your mental health," she said. "Fitness has saved me in my life by giving me the ability to just move my body and remember how grateful I am that I can and how it's such a privilege to be able to go on a walk or a run or take a class, dance or jump rope. It's a privilege. We take our bodies for granted, but we only get one. This is it and you have to take care of it."
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Mark Mulville
Emerging from the COVID-19 loss of her husband
It seems especially cruel for someone so devoted to physical fitness to have had to face the heartbreak of watching her husband battle COVID-19 while she dealt with the constraints of the pandemic.
However she was comforted by coming home from the daily hospital vigils to her son and brother and sister who came to live with her.
She took solace in being with her siblings again, the nightly dinners they took turns making and the movies from their childhood they would watch together.
"Meanwhile, my husband's dying in the hospital," Kloots said. "The juxtaposition of my life at that time was insane. I felt bipolar, coming home to them and my son every night, but it was such a blessing."
Upon her husband's death, HarperCollins Publishers asked her to write a memoir about that period in her life. Never having kept a journal, she was surprised to find the writing cathartic and she encourages anyone faced with trauma or grief to write it all down to help with the healing process.
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Mark Mulville
She also recommends finding a community of people with like experiences who can offer understanding and support without judgement. Making those connections can be difficult for someone who doesn't often reach out, but accepting help is like getting an immediate hug, she said.
Death taught her how to live, do things in the moment and go after her dreams, Kloots said.
"I haven't fought with somebody since I lost my husband. There's no point to it; life is too short," she said. "Love is the most beautiful thing on the planet and it's such a gift we can give to ourselves and other people. Losing the love of my life taught me that."

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Loretta Swit, Emmy-winner who played Maj. Houlihan on pioneering series 'M.A.S.H.,' has died at 87
Loretta Swit, Emmy-winner who played Maj. Houlihan on pioneering series 'M.A.S.H.,' has died at 87

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Loretta Swit, Emmy-winner who played Maj. Houlihan on pioneering series 'M.A.S.H.,' has died at 87

Loretta Swit, who won two Emmy Awards playing Maj. Margaret Houlihan, the demanding head nurse of a behind-the-lines surgical unit during the Korean War on the pioneering hit TV series "M.A.S.H.," has died. She was 87. Publicist Harlan Boll says Swit died Friday at her home in New York City, likely from natural causes. Swit and Alan Alda were the longest-serving cast members on "M.A.S.H.," which was based on Robert Altman's 1970 film, which was itself based on a novel by Richard Hooker, the pseudonym of H. Richard Hornberger. The CBS show aired for 11 years from 1972 to 1983, revolving around life at the 4077th Mobile Army Surgical Hospital, which gave the show its name. The two-and-a-half-hour finale on Feb. 28, 1983, lured over 100 million viewers, the most-watched episode of any scripted series ever. Rolling Stone magazine put "M.A.S.H." at No. 25 of the best TV shows of all time, while Time Out put it at No. 34. It won the Impact Award at the 2009 TV Land annual awards. It won a Peabody Award in 1975 "for the depth of its humor and the manner in which comedy is used to lift the spirit and, as well, to offer a profound statement on the nature of war." In Altman's 1970 film, Houlihan was a one-dimensional character — a prickly, rules-bound head nurse who was regularly tormented by male colleagues, who gave her the nickname "Hot Lips." Her intimate moments were broadcast to the entire camp after somebody planted a microphone under her bed. Sally Kellerman played Houlihan in the movie version and Swit took it over for TV, eventually deepening and creating her into a much fuller character. Her sexuality was played down and she wasn't even called "Hot Lips" in the later years. The growing awareness of feminism in the '70s spurred Houlihan's transformation from caricature to real person, but a lot of the change was due to Swit's influence on the scriptwriters. "Around the second or third year I decided to try to play her as a real person, in an intelligent fashion, even if it meant hurting the jokes," Swit told Suzy Kalter, author of "The Complete Book of 'M.A.S.H.'" "To oversimplify it, I took each traumatic change that happened in her life and kept it. I didn't go into the next episode as if it were a different character in a different play. She was a character in constant flux; she never stopped developing." Alda praised Swit as a "supremely talented actor" in a post on X. "She worked hard In showing the writing staff how they could turn the character from a one joke sexist stereotype into a real person — with real feelings and ambitions. We celebrated the day the script came out listing her character not as Hot Lips, but as Margaret. Loretta made the most of her time here." "M.A.S.H." wasn't an instant hit. It finished its first season in 46th place, out of 75 network TV series, but it nabbed nine Emmy nominations. It was rewarded with a better time slot for its sophomore season, paired on Saturday nights with "All in the Family," then TV's highest-rated show. At the 1974 Emmys, it was crowned best comedy, with Alda winning as best comedy actor. The series also survived despite cast churn. In addition to Swit and Alda, the first season featured Wayne Rogers, McLean Stevenson, Larry Linville and Gary Burghoff. Harry Morgan, Mike Farrell and David Ogden Stiers would later be added, while Jamie Farr and William Christopher had expanded roles. "Loretta Swit's portrayal of Margaret 'Hot Lips' Houlihan was groundbreaking — bringing heart, humor, and strength to one of television comedy's most enduring roles. Her talent extended well beyond that iconic character, with acclaimed work on both stage and screen that showcased her intelligence, versatility, and passion," National Comedy Center Executive Director Journey Gunderson said in a statement. Swit appeared in all but 11 episodes of the series, nearly four times longer than the Korean War itself, exploring issues like PTSD, sexism and racism. Swit pushed for a better representation for women. "One of the things I liked, with Loretta's prodding, was every time I had a chance to write for her character, we'd get away from the Hot Lips angle and find out more about who Margaret was. She became more of a real person," Alda told The Hollywood Reporter in 2018. The series ended on a happy note for Houlihan, who spends much of the finale debating whether she wants to head to Tokyo or Belgium for her next overseas post. Ultimately she opts to return to America and work at a hospital, citing her father — a career Army man. Swit didn't personally agree that was the correct decision for a military-minded official: "I didn't think that was correct for my Margaret," she told Yahoo Entertainment in 2023. "I think her next move was Vietnam. So I didn't agree with that, but that's what they wanted her to do." But the actor did get to write the speech that Houlihan delivers to her fellow nurses on their final night together, in which she says: "It's been an honor and privilege to have worked with you. And I'm very, very proud to have known you." "I was consumed with writing that. And I still get letters from women all over the world who became nurses because of Margaret Houlihan. To have contributed to someone's life like that is remarkable," she told Yahoo Entertainment. During her run, Houlihan had an affair with Hawkeye's foil, the bumbling Frank Burns, played by Linville in the TV version, and in Season 5, Houlihan returns from a stay in Tokyo engaged to a handsome lieutenant colonel, a storyline that Swit says she advocated for with the writers. "I told them: 'Can you imagine what fun you're going to have with Larry when I come back to town and I tell him I'm engaged? He'll rip the doors off of the mess tent!' And that's exactly what they had him do. So we were all of the same mind." Toward the end, Swit was tempted to leave the show. She played the role of Chris Cagney in a 1981 television movie, "Cagney & Lacey," and was offered the part when it was picked up as a midseason series for the spring of 1982. But producers insisted she stay with "M.A.S.H." for its last two seasons. Swit told The Florida Times-Union in 2010 she might have stayed with "M.A.S.H." anyway. "You can't help but get better as an actor working with scripts like that," she said. "If you're in something that literate, well, we got spoiled." In 2022, James Poniewozik, The New York Times's chief television critic, looked back on the show and said it held up well: "Its blend of madcap comedy and pitch-dark drama — the laughs amplifying the serious stakes, and vice versa — is recognizable in today's dramedies, from 'Better Things' to 'Barry,' that work in the DMZ between laughter and sadness." After the TV series, Swit became a vocal animal welfare activist, selling SwitHeart perfume and her memoir through her official website, with proceeds benefiting various animal-related nonprofit groups. In 1983, she married actor Dennis Holahan, whom she'd met when he was a guest star on "M.A.S.H." They divorced in 1995. Born in Passaic, New Jersey, the daughter of Polish immigrants, Swit enrolled in the American Academy of Dramatic Arts, then paid her dues for years in touring productions. In 1969, she arrived in Hollywood and was soon seen in series such as "Gunsmoke," "Hawaii Five-O," "Mission Impossible" and "Bonanza." Then in 1972, she got her big break when she was asked to audition for the role of "Hot Lips." She would regularly return to theater, starring on Broadway in 1975 in "Same Time, Next Year" and "The Mystery of Edwin Drood" in 1986. She was in "Amorous Crossing," a romantic comedy, at Alhambra Theatre & Dining in 2010 and in North Carolina Theatre's production of "Mame" in 2003.

Kid's Moana Performance On Delayed Flight Goes Viral
Kid's Moana Performance On Delayed Flight Goes Viral

Buzz Feed

time27 minutes ago

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Kid's Moana Performance On Delayed Flight Goes Viral

A sweet moment on a plane turned into a "nightmare" for some passengers, and it was all caught on camera. A video that has now generated nearly 30 million views, captured by TikTok user @druziroaming, shows a young girl providing some in-flight entertainment as she sang the Oscar-nominated/Grammy Award-winning song "How Far I'll Go" from Disney's Moana. The girl is seen passionately giving the performance of her life for nearly two minutes. She sang into the aircraft's phone as it played over the intercom for everyone to hear. A flight attendant stood close by to ensure it went smoothly. "When your Delta flight is delayed 2 hours and you circle Orlando for another 2," @druziroaming captioned his video. "Butt then a little girl sings Moana on the crew mic and suddenly everything feels okay." You can hear some people humming and singing along, while others turn around to smile at the young karaoke star. Now, when it comes to flight delays, it's normal for passengers to get annoyed and disgruntled, especially if it lasts for two or more hours. So, I think it's adorable that she wanted to help ease the tension by providing some joy through music. I also love seeing kids show so much confidence at such a young age. But not everyone shared my view. The video received over 120K comments, and lets just say the responses varied: How do you think you would've responded? Also, do you think you would have been able to perform in front of a packed plane? Let me know in the comments!

His starry Broadway shows have become pop culture events
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