A Very Unexpected Update About ‘Adolescence' Season 2 On Netflix
Adolescence
Netflix
You know what they say, a limited series is only a limited series until a lot of people watch it. That's what's happening with Adolescence on Netflix, which has rocketed up to become the fourth most-watched English-language series on the service as of this week. It's about to be third, its 114 million views right behind Dahmer's 115 million. And so, now, somehow, the conclusively-ended story may in fact get a season 2.
Deadline is reporting that Brad Pitt's Plan B production company is in talks with director Philip Barantini about the prospect of a season 2, called the 'next iteration' of the show. Plan B co-president says they want to 'widen the aperture, stay true to its DNA [and]
What we should take away from this is not that the show will return to once again focus on Jamie and his trial or prison time or anything like that. A 'next iteration' definitely sounds like it would follow another teen (I mean, if they're going to keep the show name) with some sort of inherent crime or trauma. Adolescence…but starring a girl! Something like that.
It's important to remember how the stars aligned for the first season of this show. It was carried by powerhouse performances including one from co-creator Stephen Graham (who would obviously not return for a new story) and first-time actor Owen Cooper as Jamie, a miracle that would be hard to replicate.
Adolescence
Netflix
And of course there's how it was shot. It's extremely obvious a second season would have to also use the signature one-take-episode concept, one that spanned four hour-long installments and used every trick in the book, with no cheating, to make that happen. An enormous amount of staging, writing and acting all had to come together to make that work. Trying to force a second iteration could be like demanding lightning strike twice.
I mean it's not the worst push for a limited series into more seasons. I can see how you could follow a new teen/crime story with the same concept, even if sure, I think we could all live with this being a one-season production without a demand for more. But Plan B and Netflix? They're going to pull out all the stops to make this happen as you don't produce the third most-viewed series in streaming history and not attempt to squeeze more out of it, for better or worse.
Follow me on Twitter, YouTube, and Bluesky
Pick up my sci-fi novels the Herokiller series and The Earthborn Trilogy.
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
24 minutes ago
- Yahoo
BBC Studios Producer Reveals Why ‘Ghosts' Is 'Indebted' To ‘Friends'
Ghosts might be one of the most popular comedies of modern times, but it owes a large debt to the biggest sitcom of them all, Friends. That was the assertion of Charles Harrison, BBC Studios International Scripted Formats Producer, at Seriencamp today during a session about the international expansion of Ghosts. The series, originally from Monumental Television for the BBC in the UK, follows a young couple inherit a huge castle, only to find one of them can communicate with the various apparitions from history who already live there. More from Deadline Euro Networks Talk Streamer Levies & "Talk Of The Town" Scripted Co-Productions - Seriencamp Screenwriter Discusses Rush To Bring Prime Video's The Elevator Boys Movie to Life - Seriencamp Indie Boss & 'How to Sell Drugs Online (Fast)' Co-Creator Philipp Käßbohrer To Receive The Deadline German TV Disruptor Award At Seriencamp 'What the castle is about is something very deep in the English psyche,' he said. 'For the last 20 years in the UK all of our television has been about aspiring to own a home, to own a home in the country, or to do up a home, so the idea of winning a castle is the dream for English people. In this case, it means you're never alone – and you end up with a flat-share comedy. The greatest flat-share comedy is Friends and this show is indebted to Friends.' BBC Studios has been rolling the British comedy series out around the world, with CBS running its strong-rating version to four seasons, with two more to come. There have also been versions in Germany, where TV industry confab Seriencamp is being held this week, and France. Upcoming shows are being readied in Australia and Greece, and several others are understood to be in development. Few comedies have multiple international remakes, and Harrison outlined his theory on why Ghosts has been a format success. 'They key to it is a very simple idea,' he said. 'It's a flat share at the most basic level – a classic premise for a sitcom. Nobody really changes, nobody really learns anything and at the start of every episode the characters pretty much exactly the same.' Friends isn't the only classic sitcom that has helped Ghosts on its path, however. When French commercial broadcaster TF1 ordered Ghosts: Fantômes en Héritage, its writers took a page out of The Office's book. They noted they would follow the scripts of Ghosts' first season before branching off into their own direction, just like Greg Daniels did at NBC with Ricky Gervais' seminal British comedy The Office. Harrison complemented the German version of Ghosts, which is for public broadcaster WDR and streaming service ARD Mediathek, for following the initial recipe and then making new scripting choices. 'When you pick up a format, there is so much good stuff in it that you'd be crazy to get rid of,' he said. 'The structure of the first two episodes leads you in incredibly well, as it's incredibly clear – but there is no need to do it. You won't have the big, bad BBC staring over your shoulder, and we all work very hard to be able to say, 'It's great, but you don't have to do it.' 'I always look on it as a treat the moment where the writers, producers and broadcasters we're working with make the leap and do something different. I cheer when it happens.' Harrison also revealed that a Korean version of Ghosts had been developed. However, he said 'the idea of a young couple trying to find a home together wasn't actually reflective of young Koreans' experience. What they wanted was three sisters as the central characters – one who could see the ghosts, one who never could and one is in the middle, so there are different perspectives.' He added that the Korean 'understanding of spirituality' was 'completely different to the Western view,' which had made the adaptation process 'fascinating.' The Korean version, whose production team was not named, did not get picked up to series. Best of Deadline 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More Everything We Know About 'Nobody Wants This' Season 2 So Far List Of Hollywood & Media Layoffs From Paramount To Warner Bros Discovery To CNN & More
Yahoo
24 minutes ago
- Yahoo
Screenwriter Discusses Rush To Bring Prime Video's The Elevator Boys Movie to Life — Seriencamp
Going up… ideas for the upcoming movie with The Elevator Boys for Prime Video needed to come together fast. The film with the German social media stars turned boy band is now in production. Juliana Lima Dehne, who wrote the screenplay, told a Seriencamp crowd she had only days to turn around the original ideas for the story. Lima Dehne was speaking at a session about European writers' rooms at the Seriencamp confab in Cologne, Germany, and gave the backstory. More from Deadline Jacob Elordi On Playing A Haunted POW In 'The Narrow Road To The Deep North' And His Growing Zeal For Acting As He Tees Up 'Frankenstein' & 'Wuthering Heights' 'Carrie' Series Officially Sets Summer Howell As Lead; Samantha Sloyan, Josie Totah & Amber Midthunder Among Cast Amazon MGM Studios In Talks To Acquire Hot Video Game Package 'Split Fiction' Teaming Jon M. Chu & Sydney Sweeney 'When Amazon [and the producers] asked me to work on this and come up with ideas to pitch, because they had a deal with The Elevator Boys, I said okay, that's great. They said: We want at least five ideas, completely separate from each other, and because of the time, and because they are travelling the world, we need to present them next week.' Lima Dehne, whose credits include hit German series Maxton Hall, said that given the tight turnaround, she quickly put together a mini writers' room to brainstorm ideas. The as-yet-untitled movie will follow a fictional group played by the real-life German boy band, whose members are: Bene Schulz, Jacob Rott, Julien Brown, Luis Freitag, and Tim Schaecker. 'I brought in two writers whom I adore and I work really well with, and we were just viewing ideas for these five pitches so that The Elevator Boys, ultimately, could pick one to develop into a movie,' Lima Dehne explained. The elevator pitch evidently worked. Cameras rolled on the pic in March with filming in Malta and elsewhere in Europe. W&B Television, the prolific German producer that is part of Leonine Studios is making the film, in association with Amazon MGM Studios Germany for Prime Video. Prime Video is on a tear with younger-skewing drama. Add in the huge following The Elevator Boys have on social and hopes are high for their movie. Best of Deadline 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More Everything We Know About 'Nobody Wants This' Season 2 So Far List Of Hollywood & Media Layoffs From Paramount To Warner Bros Discovery To CNN & More
Yahoo
25 minutes ago
- Yahoo
Spain's The Frank Barton Company Unveils Plans To Expand Animated Preschool YouTube Hit ‘Pim Pam Pino'
EXCLUSIVE: Madrid-based The Frank Barton Company has revealed it is working on a second season of preschool animated series Pim Pam Pino, which has proven a hit on YouTube, and is looking for further distribution partners. Since its launch on YouTube in Spanish and English at the end of 2024, the show has drawn 70,000 subscribers worldwide, and generated 55 million views. More from Deadline DeAPlaneta Teams With China's Alpha Group To Relaunch Animated Polar Bear Character 'Bernard' Andy Serkis & T'Nia Miller Leading Voice Cast Of Joeri Christiaen Animated Special 'A Lamb's Stew' 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More The Frank Barton Company's commitment to further developing the in-house original series marks a turning point for the animation and special effects boutique, known for its high-end campaigns for global brands. Founded in 2008 as a collective, the company has built its reputation in the animated advertising, working with agencies and advertisers across Europe and further afield, but Pim Pam Pino is born out of the team's desire to create something more lasting. 'For every ad campaign, we had to build a brand-new universe from scratch—only to see it disappear once the job was done. We wanted to create something that could last, something of our own,' says Ursula García, Executive Producer and Co-Director at The Frank Barton Company. 'That's how Pim Pam Pino was born: as a space where we could tell our own stories, at our own pace.' The 3D animation series, which was conceived and produced without external funding, takes inspiration from wooden toys and manipulative materials, creates an immersive world designed for children aged from zero to five-years-old. Rather than focusing on lead characters, the show is built around a collection of wooden pieces— such as cats on vacuum cleaners, flying piglets, geometric shape – which are used to tell new stories each time, much like a child reaching into a toy box. Each episode introduces learning moments, giving lessons around subjects such as counting, exploring emotions, or discovering animals, which are animated to original songs or traditional melodies reimagined using mostly wooden instruments.. 'Our goal with Pim Pam Pino is to offer a respectful, screen-based learning experience that echoes the tactile richness of real-world play,' said Walter Belenky, Creative Director of the show. 'The slow pacing, warm tones, and thoughtful music are all designed to support healthy cognitive and emotional development in young children.' Members of the The Frank Barton Company team will be at Annecy International Animation Film Festival next week for meeting its plans for the 52-episode Season Two and distribution possibilities. Best of Deadline 'Knives Out 3': Everything We Know About The Second Rian Johnson Sequel Everything We Know About 'Stranger Things' Season 5 So Far 2025 TV Series Renewals: Photo Gallery
