logo
Dua Lipa Nails Easy-Breezy Parisian Dressing

Dua Lipa Nails Easy-Breezy Parisian Dressing

Vogue7 hours ago
This coming week, the couture shows in Paris will be filled with delightful, hand-crafted fashions on the runway—and the front rows will be filled with A-listers, too. Ahead of all the stylish action kicking off in the City of Light, one such star—Dua Lipa—has already been spotted checking in to and enjoying the opulence of the Ritz hotel. (Where all the fashion VIPs are known to stay during Fashion Month). And naturally, Lipa nailed a perfectly effortless Parisian look.
The pop star—who has been busy touring this summer—found an ideal day-off look that struck the right balance of chic, yet easy-breezy. It's the French girl way! She paired summery staples like straight-leg blue wash jeans and a striped button-up dress shirt (styled completely open, safe for one button) with more fashion-minded accessories, like a golden quilted Chanel 25 bag and stiletto sandals.
Photo: Backgrid
Now, will Ms. Dua Lipa dial up the fashion ante for sitting front row at the shows this week? You can count it. She was already photographed making a store visit to Schiaparelli, which means we can likely count on seeing her at that star-studded affair. But even before all of the couture chaos begins, the star clearly knows a thing or two about dressing like a local—and eating and drinking like one. Her last trip—avec partner and husband-to-be Callum Turner—saw the pair head to buzzy bistro Chez Janou, the opulent Costes hotel, and for an intimate late-night dinner at Bistrot des Tournelles.
With this elevated casual look, Lipa looked like a true Parisian heading to the café for a croissant. It's what Emily In Paris fashion only aspires to be.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Patou Spring 2026: Joy Through the Day
Patou Spring 2026: Joy Through the Day

Yahoo

time3 hours ago

  • Yahoo

Patou Spring 2026: Joy Through the Day

'Joy always has a plan B,' said Patou's artistic director Guillaume Henry, describing his fictional character of the season as an 'outdoor woman' who is equally comfortable indoors. That was a good thing given that the rain clouds looming over a post-heat wave Paris prompted a move of the show from the gardens of the Maison de la Chimie to the house's oh-so-Parisian interiors, geometric parquet flooring, plaster mouldings and all. More from WWD Rene Caovilla Introduces Opulent Couture Capsule Collection The Parisian Ball of 2025 Reveals Its Honorary Committee Pasquale Bruni Channels Renewal and Mindfulness in New 'Luce' Collection As front row guest Susan Sarandon put it in a skit dropped on Instagram earlier in the day, 'who the h–l is Joy?' Despite sharing a name with the house's historic bestselling scent, his fictional muse of the season doesn't herald its imminent return, Henry said. If the wardrobe the designer imagined is anything to go by, she's a busy bee who doesn't have time for outfit changes, expecting her sporty chic looks to work overtime from dawn to dusk. The opening look, a straight black pinafore minidress with a pair of roomy patch pockets on the front, certainly fit the bill. In pursuit of 'fresh air, breathing room and lightness,' the designer imagined an encounter with house founder Jean Patou and his love of Art Deco lines and Christian Lacroix, who filled the house with feminine shapes and polka dots during his six-year tenure that began in 1981. Cue a fusion with his proclivity for sporty knits, cropped proportions and utilitarian jackets that yielded long collarless styles with a gentle hourglass outline and versions with plunging trapeze necklines; shift dresses that could be dressed up or down with a canny change in accessories, and puffy skirts that came in anything from fine gray suiting to layered lace and exuberant peony prints — with pockets, of course. A final trio gave a then-and-now vision of evening glamour, between floor-length bustier dresses and a lace bodysuit nodding to Sabrina Carpenter's custom Patou look during her 'Short n' Sweet Tour.' While continuing to build on the unfussy chic direction of the Henry era, the collection was in step with the dressier direction that emerged from June's coed runways. Launch Gallery: Patou Fall 2025 Couture Collection Best of WWD Windowsen RTW Spring 2022 Louis Shengtao Chen RTW Spring 2022 Vegan Fashion Week Returns to L.A. With Nous Etudions, Vegan Tiger on the Runway

Celine Spring 2026: Scarves, and Other Keepsakes
Celine Spring 2026: Scarves, and Other Keepsakes

Yahoo

time4 hours ago

  • Yahoo

Celine Spring 2026: Scarves, and Other Keepsakes

The ivory-and-black silk scarves artfully wrapped around Celine's runway invitations were out in force on Sunday, guests winding them around their necks, threading them through belt loops, or dangling them from handbags — buh-bye Labubu. The choice of this keepsake was very considered and intentional, like everything about Michael Rider's strong debut at the French house. More from WWD Rene Caovilla Introduces Opulent Couture Capsule Collection Celine North America Has a New President Celine Has Your Ticket for the Wolfgang Tillmans Exhibition 'Scarves are something I wear and everyone wears differently,' he told a clutch of reporters after the show. 'It's also something you tend to keep and something maybe you give to your children, or a friend. But I liked the idea, particularly at Celine, where scarves mattered so much at the very beginning.' Rider kept the best bits of the Hedi Slimane era, and the Phoebe Philo one — of which he was an integral part — and threw in some of his own recent past as creative director of Polo Ralph Lauren, tossing sweaters over a few shoulders, preppy-style. He left some things behind, notably the recent rash of Rue Cambon references, but it was fun to spot such Easter eggs as a Luggage bag elongated into a weekender with a zippered pocket now curved like a smile, or a logo T-shirt and skinny jeans on a gangly, long-haired guy, also shown in a looser version. Like many of the designers making debuts at houses this season, Rider has a lot of stakeholders to please, and billions of business at stake at a moment of luxury doldrums. So this was a crowd-pleaser of a collection that balanced heritage and novelties in the right measure. The show was staged on a rainy afternoon at Celine headquarters on Rue Vivienne, models whisking in two directions across the limestone floors to propulsive hits by The Cure. The tailoring was distinctive: strong-shouldered jackets with a high-button stance, giving them a pinched and pleasing Empire line — and narrow, buttonless coats with elegant, cutaway openings. The pants were cool, cut slim as leggings or loose as culottes, some with cuffs and satin stripes like tuxedo pants. Pleated carrot shapes and harem pants tucked into glove-soft wrestling boots fed a vague '80s mood. This coed show also covered all the categories, from day to evening, Rider's LBDs trimmed with garlands of jet beading; his ivory infanta gown as simple as a T-shirt and unadorned but for the cutest little chest pocket. Some of the bags and costume jewelry dangled too many charms and gewgaws, but you could discern new shapes and colors in Triomphe canvas, and raffia totes in all sizes, too. His design successor at Polo, Karen Brown, and a small crew from Lauren headquarters came to cheer him on, as did designers Lucie and Luke Meier, Jonathan Anderson and Raf Simons, adding to the electric atmosphere at the show. While unaccustomed to the spotlight, having worked behind the scenes his entire career, Rider seemed at ease talking to reporters backstage, while not giving too much away. He spoke about the values of Celine — quality, timelessness and style — aligning with his. 'I was thinking a lot about something very real,' he said. 'Also, there's a foundation here that we're building on… We were as much about the beginning of the company as the nine wonderful years I was here, as well as the last six years.' Founded in 1945 by Céline Vipiana and based initially on shoes, Celine has been part of the LVMH Moët Hennessy Louis Vuitton stable since 1996 — and has seen its ups and downs. While American Michael Kors revved up the house when he was at the design helm from 1997 to 2004, it struggled to reclaim that buzz under former Burberry designer Roberto Menichetti and Prada alum Ivana Omazic. Philo and Slimane ultimately propelled Celine into fashion's big leagues, and Rider seems keen to make it a byword for classics with plenty of panache, and the right degree of zing. It's becoming nearly customary for designers to write a letter after the show, rather than typical show notes, and Rider's tells you where his head is at. 'I've always loved the idea of clothing that lives on, that becomes a part of the wearer's life, that may capture a moment in time but also speaks to years and years of gestures and occasions and change, of the past, the present and the future, of memories, of usefulness and of fantasy — of life really.' Launch Gallery: Celine Spring 2026 Ready-to-Wear Collection Best of WWD Windowsen RTW Spring 2022 Louis Shengtao Chen RTW Spring 2022 Vegan Fashion Week Returns to L.A. With Nous Etudions, Vegan Tiger on the Runway

This Paris Nightclub Has a No Men Policy – and Dinner and Drinks Are Included
This Paris Nightclub Has a No Men Policy – and Dinner and Drinks Are Included

Yahoo

time4 hours ago

  • Yahoo

This Paris Nightclub Has a No Men Policy – and Dinner and Drinks Are Included

I wasn't even the first in line when I arrived as the doors opened at Diva Paris, a pop-up dance club exclusively for women. Showing up on time is typically a very pas Parisien thing to do in the city of fashion(ably late) — as I'm often reminded by my Paris neighbors — and yet the entire line was filled with chic Parisiennes who had shown up exactly at 7 p.m. for the same reason I did: We needed this. We needed a night to ourselves, a break from the grind of work and parenting. We needed to dance without the pressures of coupling or impressing anyone, and we needed to get home by a reasonable hour (re: said grind). Diva promised all of that, and even served us dinner. 'For 45€ [about $53] you get food and an open bar with cocktails like Aperol Spritz or St-Germain, wine, nonalcoholic drinks, and softs,' explains Constance d'Amécourt, the 39-year-old mother of three and co-founder of Diva Paris along with friends Lucie de Gourcuff and Constance Fabry-Damour. 'The purpose of this concept is to leave your mental load in the locker room and spend three hours on the dance floor.' Most women had arrived straight from work, and one mom had even taken a train that day from London to make sure she could be part of what she had heard was the 'best dance party in Paris.' There were women in designer labels and others in Mickey Mouse t-shirts, and in the end, we all hovered together over ornate displays of mini sandwiches, fruit platters, and trays of French desserts. The language barrier disappeared for me as we all swayed around the hazy dance floor and mouthed the words to Celine Dion's 'Pour Que Tu M'aimes Encore' — them in French, me in English — while devouring delicate bites of tiny foie gras sandwiches with walnuts and onion chutney or truffle-topped turkey rolls oozing with fresh mayonnaise. The bar was open and the food was courtesy of one of the top caterers in the city. The only men in sight were refilling glasses with white wine and rosé or onstage spinning records (DJ Thierry Khayat). I dabbled in an alcohol-free sparkling wine from French Bloom before moving to a pale pink rosé, letting the bartender drop a few cubes of ice into my glass to turn it into a refreshing, and trés French, Piscine. The bartenders were still whipping out Aperol spritzes made-to-order when Shakira came on and half-full glasses were left on tables unattended as the real dancing started. Diva Paris isn't the first women's-only dance club (the first of its type likely started in London in 2019), and it won't be the last. This highly successful model is working its way through Europe with events throughout Germany, Switzerland, and Austria through Mama Geht Tanzen, and is already spreading to the U.K. and America with clubs like Mums That Rave (from international DJ, producer, and creative Nikki Beatnik) in London and Earlybirds Club in the U.S. There's even a non-publicized members-only women's speakeasy inside Houston's C. Baldwin Hotel and an annual Mom Prom in Portland, Oregon. There's no age range or offspring requirement to attend these pop-up dance parties — despite having been inaccurately referred to as 'mum's clubs' in the past — where the open invitation to dance in a non-threatening environment is enough to attract a very loyal, and very niche, clientele. 'Women are showing up ready to dance but end up leaving with new friends and stronger work connections,' adds d'Amécourt, who also owns the popular children's swimwear brand, Happy Duck. 'The first edition of Diva sold out in five days, with 280 women attending that February, and the edition in March was the same plus 140 women on the waiting list. We had to go to another venue with a bigger space because we had so much interest.' It's through these events that women who haven't seen each other since college can finally reconnect. It's on a man-free dance floor that women who work in different industries can dance side-by-side and network openly between songs. And, maybe, just maybe, it's at 10 p.m. in a nightclub filled with likeminded women where a very non-Parisienne writer can leave feeling fully satisfied and fully refreshed to start a new day in the city she now calls home. Read the original article on Food & Wine

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store