Unpacking the heartbreak of music contracts: Nomcebo Zikode's disturbing journey
In a heartfelt message, she revealed a disheartening truth: she and her record label, Emazulwini Productions, have yet to see a single cent from the global hit 'Jerusalema', a song that propelled to international fame in collaboration with Master KG .
Yesterday morning, as I scrolled through my Instagram feed, I stumbled upon a touching post from renowned South African singer Nomcebo Zikode .
This revelation is particularly tragic, given the song's monumental success since its release in 2020.
'Jerusalema' became a viral sensation, uniting people across the globe during the Covid-19 pandemic with its infectious rhythm and inspiring dance challenges on platforms like TikTok.
Yet, beneath this celebrated facade lies a disturbing tale of contractual disputes and unresolved financial obligations.
In her statement, Zikode expressed profound disappointment following a legal defeat against Open Mic Productions, revealing that she had never received any payment for her work.
She described the Gauteng High Court's judgment as 'fundamentally flawed and deeply troubling.'
This legal tussle, which has been ongoing since 2022, has shaken the foundations of trust in the music industry and left artists questioning the fairness of their representation.
As the public reacts to Zikode's woes, fans and fellow artists alike are voicing their concerns and seeking clarity on her contract agreement.
Commenters on her post posed pointed questions, asking, 'What did your contract say?' and 'What kind of deal did you sign?'
In response, Zikode clarified her situation, stating that while her obligation was to deliver two albums for the recording label, she cannot fulfill this until she receives pay for the chart-topping tracks 'Jerusalema' and 'Xola Moya Wam'.
Zikode stressed that their initial agreement stipulated payments every three months, a commitment she believes has been significantly overlooked.
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