logo
WWE Money In The Bank 2025 Results, Winners And Grades On June 7

WWE Money In The Bank 2025 Results, Winners And Grades On June 7

Forbes4 hours ago

Seth Rollins is favored to win the men's WWE Money in the Bank match.
WWE Money in the Bank 2025 advertised two title matches and two Money in the Bank matches.
Seth Rollins and Naomi were favorites in their respective Money in the Bank Matches while Lyra Valkyria and Dominik Mysterio defended their WWE Intercontinental Championships against Becky Lynch and Octagon Jr., respectively.
In the main event, R-Truth returned to help Cody Rhodes and Jey Uso defeat John Cena and Logan Paul.
Rhea Ripley got the biggest pop of all the women, by far, but everybody came off as a big star in their entrances.
Naomi wasted no time teasing that she would climb the ladder. But first, she stuck Rhea Ripley with a modified piledriver on the ladder.
Fans were into every high spot early, including a running front flip on the ladder by Alexa Bliss on Stephanie Vaquer.
Fans chanted for tables early in the the match, which will likely result in an unnecessary rant about table-thirst paying customers from that goof Dave Meltzer.
Fans really popped for a showdown between Rhea Ripley and Giulia. Ripley did away with Giulia and cleared the ring to the tune of 'Mami' chants. Roxanne then countered a Razor's Edge and hit a double-jump springboard moonsault on Ripley. 'This is awesome!'
Perez and Giulia temporarily reunited, but had trouble slamming an uncooperative ladder on Ripley. It wasn't too long until Ripley found herself buried under several ladders.
Fans booed as Naomi ascended the ladder, then cheered when Vaquer stopped her. Vaquer then climbed the ladder with Giulia draped on her back. At this point, a section of fans were chanting 'Fix the screen!' as the screen went out. WWE quickly fixed the problem, leading to chants of 'Thank you!'
Fans got behind Alexa Bliss as she climbed the ladder, only to be hindered by Roxanne Perez. Height-wise, this had to have been the shortest MITB showdown atop a ladder in history.
Perez and Giulia's reunion ended the second Giulia turned her back to Perez, at which point Roxanne struck. As Perez attempted to skin the cat, Rhea Ripley rose from the dead and tossed Perez into a pile of ladders. Ripley capped off a furious comeback with a Razor's Edge toss of Perez onto Giulia, followed by a slam onto a ladder lodged between the first and second ropes. Giulia sold it great by convulsing.
Vaquer blew the roof off the Intuit Dome with her patented scissor stomps on Rhea Ripley on a ladder. Fans cheered rabidly as it seemed like she was going to grab the briefcase, but Roxanne Perez stopped her.
Perez and Bliss hit stereo Code Reds on ladders., taking out Naomi and Vaquer. Bliss and Ripley then hit their finishers in stereo on Perez and Giulia, respectively.
When the dust cleared, Naomi climbed the ladder and successfully became the first Black woman to ever win a Money in the Bank match.
There was a huge pop for Mr. Iguana as WWE showed AAA wrestlers in the crowd.
Octagon Jr. came right out of the gate with high-flying offense. Once Dom took advantage, fans chanted for Dirty Dom.
Dom missed an awkward 619 and Octagon Jr. regained control. There were some chants for Octagon, but most of the building backed Mysterio.
After interference from Liv Morgan, Dom retained the Intercontinental Title in a quick match, just as it was getting good.
There were dueling chants for Becky Lynch and Lyra Valkyria. There were also loud 'Let's go Becky/Becky sucks!' chants. Lynch wore a white top and baggy pants similar to Sabu's.
Valkyria hit a beautiful superplex on Lynch and went for a middle-rope moonsault, but missed. Lynch then pounced on Valkyria with a Dis-arm-her.
The action spilled to the outside, where Lyra hit another great high spot, this time a flying leg drop on Lynch, who was draped over the barricade. This earned the first of many 'This is awesome' chants followed by chants of 'We want Truth!'
Lynch scored a great nearfall after hitting a second-rope Manhandle Slam.
After beating the count, New Japan-style, Lynch and Valkyria exchanged furious punches, followed by an exchange of rollups. Lynch got the better of Lyra with a rollup and a win.
After the match, Becky Lynch demanded that Lyra Valkyria raise her hand multiple times. She then demanded that Lyra strap the belt around her waist. Lyra obliged, then she attacked Lynch and laid her out with her finisher.
El Grande Americano got a very polarizing reaction for his entrance, but it might have been the loudest of the bunch. I predicted a Seth Rollins Money in the Bank victory, but I'd have no problem with El Grande Americano springing the upset.
The Money in the Bank match started with five of the six combatants ganging up on top heel Seth Rollins. After they dumped Rollins out of the ring, it was Solo Sikoa's turn to get ganged up on by the babyfaces. Fans chanted 'You F'd up!'
Fans chanted 'That's Chad Gable/no he's not!' as El Grande Americano took control of the match.
Fans once again chanted 'We want tables!' a chant which was ignored during the women's match, and to this point, the men's match, too.
LA Knight, who was nothing short of a God in Los Angeles, hit his patented elbow on Solo Sikoa while Sikoa was spread across the ladder.
El Grande Americano and Andrade were both dumped from different ladders, setting up a showdown between Rollins and Sikoa. Rollins got the better of Sikoa, but fans were loudly chanting for CM Punk.
El Grande Americano slapped on an ankle lock atop the ladder on Rollins. Andrade crashed the party with a sunset flip on a ladder. 'Holy shit" chants ensued. Andrade and Penta reached a temporary truce atop the ladder, but Andrade got the better of Penta. Penta got revenge with a Mexican Destroyer on Andrade.
El Grande Americano pulled out the enormous Fireball ladder and spun it around to take out the entire field. He must have felt like he took a couple Fireball shots after spinning around like that.
Penta went for the briefcase, but Americano ran up a ladder (leaning on a post) and used another ladder to leap unto the Fireball ladder. El Grande Americano headbutted Penta and almost retrieved the briefcase before taking a super back suplex from LA Knight. Fans exploded every time it seemed like Penta was going to win.
Bron Breakker appeared, flanked by Bronson Reed, and laid out El Grande Americano with a monster spear on the runway. The pair laid out everybody in the field, leading to 'CM Punk' chants.
Jacob Fatu and JC Mateo interrupted to confront Breakker and Reed. The four brawled in the middle of the ring. Breakker speared Mateo through a barricade, Fatu laid out Reed with a pop-up Samoan Drop followed by a Suicide Dive.
Fatu set up the ladder for Sikoa to win, but as Solo climbed, Fatu pulled him off the ladder and hit him with a superkick. Fatu followed up with a BME and slammed Solo through a table.
Fans chanted "CM Punk to no avail as Rollins disposed of LA Knight and retrieved the Money in the Bank briefcase.
Both teams got the appropriate babyface and heel reactions, but Cody did get booed a tiny bit.
The story of the match was Jey Uso being worn down by the heels, only for Cena and Paul to turn on each other, allowing a hot tag to Cody.
Another miscue between Cena and Paul almost cost them the match, but they were able to get back on the same page yet again. For now.
There was a lot of striking throughout this match, with the heels being booed when they hit their strikes and the babyfaces being cheered.
Logan Paul tried a selfie high spot, only to be intercepted by Rhodes with a superplex.
Paul hit an awesome Asai Moonsault on Jey Uso through a table, so Jey will walk into Raw's world title match against Gunther even more banged up.
After John Cena laid out Cody Rhodes with with a belt shot, R-Truth returned after reports of Truth getting released. Truth laid out Cena and Cody picked up the win.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Museum in Seymour opens new wing with annual festival
Museum in Seymour opens new wing with annual festival

Yahoo

time31 minutes ago

  • Yahoo

Museum in Seymour opens new wing with annual festival

SEYMOUR (KFDX/KJTL)— The Whiteside Museum of Natural History is celebrating the opening of a new museum expansion through their annual Permian Fest. This year's Permian Fest kicked off with the grand opening of the museum's new wing, which doubles the size of the original building. So, while families and prehistory enthusiasts could come and check out guest lectures and shop outside the museum, the views inside the building's new wing were another sight to behold. While Permian Fest is usually a big driver for fundraising on its own, the new wing is generating a lot of enthusiasm for the museum's future from the guests and museum staff, like assistant director Holly Simon. 'Locals here don't get to experience going to big museums, and our museum was definitely very popular with the local community,' Simon said. 'But now that we have a giant Ceratosaurus skeleton and a big mammoth skeleton, it's really cool that we get to bring that big city museum experience to the locals.' The expansion adds a total of 9,000 square feet to the museum's footprint, and the new space allows for reorganizations of old exhibits and the expansion of others. The new Bakker Dinosaur Hall and the Sundell Mammal Hall are two such examples. The fossil preparation lab also got a major expansion. Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

From Rascal Flatts to Megan Moroney, CMA Fest Night 3 was genius blend of new, nostalgic
From Rascal Flatts to Megan Moroney, CMA Fest Night 3 was genius blend of new, nostalgic

Yahoo

time31 minutes ago

  • Yahoo

From Rascal Flatts to Megan Moroney, CMA Fest Night 3 was genius blend of new, nostalgic

One of the things CMA Fest does best is effortlessly bring together generations of country music. But the festival outdid itself June 7. From Deana Carter's set full of songs exclusively from her debut album, to a pair of duets from Blake Shelton and Trace Adkins, to the Red Clay Stays in the midst of their breakout moment, the night's headliners proved again how timeless country music can feel. Megan Moroney — bearing the influence of a summer on the road with Kenny Chesney — stood out. As did Dasha and Ashley Cooke who took over bars downtown during the day with early-2000s flavor. The genre may be over a century old, but it's not worn out. Here are the best moments from Saturday at CMA Fest. Plan your day: 4 Sunday CMA Fest performances not to miss Rascal Flatts' return to country music's ultimate stage kicked into high gear when Gary LeVox approached the front of the stage to receive the outstretched hands of fans wanting to revel in his stunning lead vocal performance on their 20-year-old hit single "Fast Cars and Freedom." The day's overarching theme of artists being as much friends as they are collaborators and fans of each others' success was apparent when Carly Pearce appeared as a guest for "My Wish." The pair also perform the song on Rascal Flatts' new album, "Life Is A Highway: Refueled Duets." And yes, Rascal Flatts performed their multi-platinum-selling classics "What Hurts The Most" and their cover of Tom Cochrane's "Life Is A Highway." "What Hurts the Most" received the most robust sing-along yet of CMA Fest's Nissan Stadium shows. That was almost immediately eclipsed by how gleeful the crowd was in response to hearing the opening bassline and thumping drums of "Life Is A Highway." The trio's performance, especially Joe Don Rooney and Jay DeMarcus going back to back on the song's bridge, put Nissan Stadium into a state of energetic euphoria. Like a supermodel owning a catwalk, Megan Moroney strutted onto the stage in her white cowboy boots. The 27-year-old's confidence shined brighter than her sparkly silver dress refracting the stage lights. As Moroney twirled, the silver fringes hanging from her dress danced. 'I think it's time we put another man on the moon,' she sang and waved to the crowd before grabbing her blue electric guitar for her punchy, angsty anthem 'Indifferent.' Moroney has played CMA Fest four times. In 2022, she headlined the Spotlight Stage at Fan Fair X. 'I'm pretty sure the only reason people came to see me was because of the A/C,' she quipped. That was back before she could afford a band. Her brother Brian Moroney played guitar. 'He's here tonight. … He's a really cool attorney in real life, but tonight he's a rock star.' Brian played an acoustic guitar while she sang the breakout hit that put her on the map, 'Tennessee Orange.' 'We are celebrating tonight,' Moroney said telling the crowd that her final song, 'Am I Okay?' is her second No. 1 single on country radio. Blake Shelton sauntered onstage at Nissan Stadium for his 2025 CMA Fest performance like country music's veteran quarterback looking to achieve a touchdown of a live set. He did just that in under three songs with material from his latest album "For Recreational Use Only." One month ago, Shelton landed his 30th country radio chart-topper, the R&B-leaning rocker "Texas." "Stay Country or Die Tryin'," which hearkens back to fan favorite "God's Country," feels like it will achieve the same fate. Nearly 25 years have elapsed since he was, as he described himself, a skinny aspiring Nashville performer with a mullet whose debut hit "Austin" landed him a spot at CMA Fest. After Shelton performed that classic, he was joined by Trace Adkins. The Louisiana native performed his Western dance floor favorite "Honkytonk Badonkadonk." Up next was Shelton and Adkins' six-year-old duet "Hell Right." The duo, clearly entertained by how well their vocal collaboration was received, then broke into their 15-year-old duet "Hillbilly Bone." The creators of over two dozen No. 1 hits left the stage together to a rousing roar from the 50,000 in attendance. Red Clay Strays lead singer Brandon Coleman evokes comparisons to Johnny Cash and Elvis Presley. Onstage at Nissan Stadium on Saturday evening, those vibes were combined with a band that calls to mind the bluesy, soulful rock of the Allman Brothers and Lynyrd Skynyrd. In a 30-minute set, the lead singer and his band continued to raise their profile. The words of their opening song, the lovestruck "Wondering Why," lingered over a crowd being introduced to the critically hyped Alabama band. Though they have less than a decade of experience, they play with confidence beyond their years. In a live festival set, unrepentantly sad Red Clay Strays songs like "I'm Still Fine" with lyrics like, "I'm as bruised as a used up canvas / I'm awfully nice but I'm cold as ice / I've been through hell but I'll be alright," might seem out of place. However, the warmth of the Hammond organs, the skill of Coleman's crooning and the taut delivery of soulful grooves allowed the artistry to overwhelm the message. By time the band's settled into jam-band stylings, it felt like an ideal counterbalance in a night filled with generations of pop bangers. Though it was drizzling outside at CMA Fest, inside Lower Broadway's Whiskey Bent Saloon, Dasha took over the venue for a "Dashville" pop-up. She joined performers in a flash-mob-style line dance outside and then danced on top of the bar inside to Big & Rich's "Save A Horse, Ride A Cowboy," much like Piper Perabo in the 2000 film "Coyote Ugly." The moments highlighted a certain pop timelessness that, now more than ever, is invading the space that streaming success has opened in country music's growth. Couple that with her latest hit, "Here For This Party," being remixed by EDM kingpin David Guetta, and her recent public statements about collaborating with another 2010s pop-dance legend, Pitbull, Dasha could be onto something greater than her own artistry. "It's special to be having a star-making moment when this cultural shift is happening," she said. "I'm obsessed with trusting the divine timing of this perfect moment. When these things are supposed to happen, they happen." The divinity of the moment spread even further to Spotify House at Ole Red, where no fewer than 15 minutes after Dasha rekindled 2000s vibes on the bar at Whiskey Bent, 2024 country chart-topper Ashley Cooke welcomed a recent Music City transplant, multi-platinum singer-songwriter Ne-Yo, to perform his 2006 hit "So Sick." This article originally appeared on Nashville Tennessean: From Megan Moroney to Rascal Flatts, CMA Fest captures new, nostalgic

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store