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Freida McFadden reveals new 'unhinged' thriller: See the book cover

Freida McFadden reveals new 'unhinged' thriller: See the book cover

USA Today2 days ago
Freida McFadden already has three new releases (and one more on the way) this year, but the queen of psychological thrillers isn't slowing down any time soon.
Best known for twisty novels including 'The Housemaid,' 'The Wife Upstairs' and 'Never Lie,' McFadden has a new story up her sleeve, McFadden and publisher Poisoned Pen Press reveal to USA TODAY exclusively.
'Dear Debbie,' a 'delicious revenge story,' will publish Jan. 27, 2026. Keep reading to see the cover and what McFadden has to tease about the novel, including a few comparable thrillers to read first.
New Freida McFadden book out in January: See the cover
'Dear Debbie' promises a 'twisted tale where the bad guy gets exactly what he deserves in the end,' an ode to unhinged women reclaiming their power, McFadden tells USA TODAY.
'It's incredibly satisfying when fiction can deliver the happy ending that can elude us in our lives,' McFadden said in a statement to USA TODAY. 'Like everyone else, I have experienced frustrations in my life. The little ones like the driver who cuts me off in traffic or the people who leave their dog poop in the exact perfect place to step in it. Or the big ones that still keep me awake some nights. And what do I do when those injustices happen? Like the majority of people, I do nothing.
'That's why I created Debbie Mullen. Debbie is the cool housewife slash advice columnist who has reached the end of her rope and finally starts taking back everything that was stolen from her – piece by piece, name by name. This book is a shout out to the silence that so many women live in every day. Debbie is one of my favorite protagonists of all my thrillers, and I hope you love her as much as I do," McFadden says.
What is 'Dear Debbie' by Freida McFadden about?
The novel follows a woman experiencing 'the mother of all crash outs,' according to McFadden. Debbie is a mother of two teenage daughters, an advice columnist for New England wives, a gardener and a wife who uses her MIT-educated math skills to design apps to track her lying husband. But when she's fired from her job, Debbie is 'officially out of buttons to push.'
While you wait to unlock Debbie's story, why not check out another suspenseful tale? McFadden shared her favorite revenge stories with USA TODAY that set the tone for "Dear Debbie":
Murders, ghosts and crime, oh my!: New thrillers to read this summer
Clare Mulroy is USA TODAY's Books Reporter, where she covers buzzy releases, chats with authors and dives into the culture of reading. Find her on Instagram, subscribe to our weekly Books newsletter or tell her what you're reading at cmulroy@usatoday.com.
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At his first Comic-Con, George Lucas previews Lucas Museum of Narrative Art
At his first Comic-Con, George Lucas previews Lucas Museum of Narrative Art

USA Today

time2 hours ago

  • USA Today

At his first Comic-Con, George Lucas previews Lucas Museum of Narrative Art

SAN DIEGO – George Lucas has amassed 50 years of cool stuff, and now he's going to have a place to put it. Even better, you can see it, too. Original sketches, paintings and assorted illustrations from the 'Star Wars' creator's personal collection – plus quite a bit representing that galaxy far, far away − will be on display at the new Lucas Museum of Narrative Art. The building is under construction in Los Angeles' Exposition Park, will open in 2026, and is dedicated to 'cultural fantasy,' Lucas said. The Hollywood icon was joined on Sunday, July 27, at a Comic-Con panel about the museum by 'Star Wars' illustrator and production designer Doug Chiang, Oscar-winning filmmaker Guillermo del Toro, and moderator Queen Latifah. It was Lucas' first time at Comic-Con in his legendary career, earning a standing ovation from the 6,500 faithful in Hall H. But instead of waxing nostalgic about "Star Wars" and his movies, Lucas previewed the creation of his passion project. Join our Watch Party! Sign up to receive USA TODAY's movie and TV recommendations right in your inbox A video narrated by Samuel L. Jackson took the crowd on a tour of what will be in the space, from an exhibit on myths through the ages to displays featuring artists like Norman Rockwell, Frank Frazetta, Jack Kirby and R. Crumb. Some of the works in the museum include the first Flash Gordon character drawing from 1934 ('You can see all the smudges,' Latifah noted), original 'Peanuts' sketches from the 1950s and '60s, and an original drawing of the 'Iron Man' No. 1 cover from 1968. 'Star Wars' fans will find plenty to love, too, including actual vehicles like a Naboo starfighter from Lucas' prequel movies and speeder bikes from 'Return of the Jedi.' And here's another fun fact: The museum architecture contains no right angles, only curves. Lucas, 81, has collected 40,000 pieces of art in the past five decades. 'It occurred to me: What am I going to do with it all?' he said. 'I'm not going to sell it. I could never do that. It's not what art is.' He called the museum a "temple to the people's art" and discussed that art is "a personal thing" to us, "not how much it cost or what celebrity did it or whatever. And I don't think it's anything that anybody else can tell you, 'That's art, that's not art.' It doesn't work that way. If you have an emotional connection, then it's art. "I've discovered just from my experience of making movies and things that other people's opinions don't mean much." Del Toro, a board member for the Lucas museum, appreciates "the pieces we have that celebrate freedom from anarchy," he said. "Comics were the first one to punch Nazis before movies." And with art, "we're not eternal. But what we hold and cherish is." The recent fires made del Toro worry a little about his own large collection. "I draw the line at three houses full of stuff," he said with a laugh. "Now that this museum exists, maybe some of it goes there." And the Lucas museum very much reflects the man whose name is on it, said Chiang, whose own work will be on display. "George leads from the heart, and this museum is him. My hope is that it will inspire the next Norman Rockwell or Frank Frazetta."

American musical satirist Tom Lehrer dies at 97, US media report
American musical satirist Tom Lehrer dies at 97, US media report

Yahoo

time2 hours ago

  • Yahoo

American musical satirist Tom Lehrer dies at 97, US media report

American musician and satirist Tom Lehrer has died at the age of 97, according to US media reports. Lehrer, a Harvard-trained mathematician, wrote darkly humorous songs, often with political connotations, that became popular in the 1950s and 1960s. Modern comedians such as Weird Al Yankovich said they have been influenced by Lehrer's work. His death was confirmed to the New York Times by David Herder, a friend. Born in Manhattan in 1928, Lehrer was a classically trained pianist. But despite his musical success, he spent most of his life pursuing academia. His teaching posts included spells at Harvard University, the Massachusetts Institute of Technology (MIT), and the University of California. 'I remember Ozzy missing a gig and it caused a riot' Brian Wilson obituary: Troubled genius who wrote most of The Beach Boys' hits He graduated early from the Loomis Chaffee School in Connecticut, according to the New York Times, and then went to Harvard, where he majored in mathematics and received his bachelor's degree in 1946 aged 18. He completed a masters there and also pursued a PHd at Columbia University, which he never completed. He began writing lyrics while at Harvard to entertain friends. Lehrer's most enduring songs include The Elements, a list of the chemical elements set to the tune of I Am the Very Model of a Modern Major-General from The Pirates of Penzance, Gilbert and Sullivan's comic opera. Other fan favourites include The Masochism Tango, in which singer extols his beloved's violent passions with the lyrics, "I ache for the touch of your lips, dear / But much more for the touch of your whips, dear..." He was renowned for his darkly comic ballads, including the necrophiliac epic I Hold Your Hand in Mine, I Got It From Agnes - where he sang about the transmission of a venereal disease - and Poisoning Pigeons in the Park, which detailed the birds' apparent appetite for "peanuts coated with cyanide". In 1953 he released Songs by Tom Lehrer, a record that was sold through the post. It became a word of mouth success and sold an estimated half a million copies. The BBC banned most of Songs from the airwaves the following year. Following the success of the album, Lehrer began playing in nightclubs in New York, Los Angeles and San Francisco, and at events for anti-war and left-wing groups. He wrote songs for the US edition of the satirical British show That Was the Week That Was, which were were made into an album in 1965. The highly controversial Vatican Rag, a Catholic hymn set in ragtime that mocked the Church, was featured among other songs that condemned nuclear weapons. He wrote for the 1970s educational children's show, The Electric Company, and in 1980 his songs enjoyed a revival when theatre producer Cameron Mackintosh staged the musical revue "Tomfoolery" featuring his work. He also taught maths and musical theatre courses at the University of California from 1972 to 2001, according to the New York Times. In 2020, Lehrer placed his song writing copyrights in the public domain, allowing anyone to perform, record or interpret his work for free. He also relinquished all rights to his recordings. In a statement on his website at the time, he wrote: "In short, I no longer retain any rights to any of my songs. So help yourselves, and don't send me any money." He also warned the website would be "shut down at some date in the not too distant future". The website was still live at the time of writing.

Tom Lehrer, Musical Satirist With a Dark Streak, Dies at 97
Tom Lehrer, Musical Satirist With a Dark Streak, Dies at 97

New York Times

time7 hours ago

  • New York Times

Tom Lehrer, Musical Satirist With a Dark Streak, Dies at 97

Tom Lehrer, the Harvard-trained mathematician whose wickedly iconoclastic songs made him a favorite satirist in the 1950s and '60s on college campuses and in all the Greenwich Villages of the country, died on Saturday at his home in Cambridge, Mass. He was 97. His death was confirmed by David Herder, a friend. Mr. Lehrer's lyrics were nimble, sometimes salacious and almost always sardonic, sung to music that tended to be maddeningly cheerful. Accompanying himself on piano, he performed in nightclubs, in concert and on records that his admirers purchased, originally by mail order only, in the hundreds of thousands. But his entertainment career ultimately took a back seat to academia. In his heart he never quit his day job; he just took a few sabbaticals. He stopped performing in 1960 after only a few years, resumed briefly in 1965 and then stopped for good in 1967. His music was ultimately just a momentary detour in an academic career that included teaching posts at Harvard, the Massachusetts Institute of Technology and the University of California, and even a stint with the Atomic Energy Commission. As popular as his songs were, Mr. Lehrer never felt entirely comfortable performing them. 'I don't feel the need for anonymous affection,' he told The New York Times in 2000. 'If they buy my records, I love that. But I don't think I need people in the dark applauding.' Mr. Lehrer's songwriting output was modest, but it was darkly memorable. In the tasteless world he evoked, a seemingly harmless geezer turned out to be 'The Old Dope Peddler' and spring was the time for 'Poisoning Pigeons in the Park.' Want all of The Times? Subscribe.

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