
Local indie theatre The Projector to cease operations on Aug 19
In an Instagram post, it said that it "will enter voluntary liquidation after a decade of championing alternative films, local creativity, and community-led programming".
Its operations will cease on Aug 19 with immediate effect.
In a press statement, it cited rising operational costs, shifting audience habits and the global decline in cinema attendance as reasons for its closure.
These have made sustaining an independent cinema in Singapore an increasingly difficult endeavour, it said.
Alongside these pressures are the broader realities of operating in the arts and culture sector in Singapore, "where independent ventures navigate limited resources while contributing to the country's evolving cultural landscape", it added.
The Projector first opened its doors in 2014 at Golden Mile Tower, a historical building known for its Thai discos and eateries. It was started by three female co-founders: Ms Karen Tan, Ms Blaise Trigg-Smith and Ms Sharon Tan.
In the past decade, it has played host to many film festivals, and screened countless indie films from across the globe.
More than just a place to watch movies, it has also evolved into a cultural and events space where artists, filmmakers, and audiences gather to engage with diverse communities, it said in its statement.
"It breaks our hearts to make this decision," said Ms Karen Tan.
"We've fought to keep The Projector alive through every challenge - from breathing new life into a disused cinema at Golden Mile Tower, to weathering the pandemic, to expanding to new spaces."
She added that she is immensely grateful to everyone who has been part of The Projector's journey, including its team, collaborators, partners and loyal audiences.
"The Projector may be closing, but we hope its spirit will live on in the conversations, ideas, and communities we've nurtured," she said.
The Straits Times has contacted The Projector for more information.

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Business Times
6 hours ago
- Business Times
The Projector's closure: why government aid is not the answer
[SINGAPORE] The Projector's abrupt closure has shaken the arts scene, even prompting calls for a government bail-out. Yet such support would arguably dilute the cinema's raison d'etre – and may not be justified, given market trends. The indie cinema, a mainstay of the local arts scene for over a decade, announced on Tuesday (Aug 19) that it would wind up due to rising operational costs and falling attendance. The decision came just weeks after it had said it would 'return to (its) roots' at Golden Mile Tower, following the closure of its Cineleisure branch. A petition has been started to urge the government to 'rescue' the cinema. Its core argument is that The Projector is a cultural infrastructure asset worth saving. Indeed, few spaces in Singapore provide a platform for both local and global indie films, or offer a safe venue for eclectic events ranging from spoken word poetry to human rights panels. The Projector's Golden Mile Tower space has become a hive for creative subcultures and marginalised voices. Its closure leaves a void in Singapore's cultural fabric. BT in your inbox Start and end each day with the latest news stories and analyses delivered straight to your inbox. Sign Up Sign Up The instinct to save The Projector is thus understandable. But it is arguably still a business rather than an arts institution, and should have to live or die by market forces. A decade of cultural significance Founded in 2014, The Projector took over part of the disused Golden Theatre in Golden Mile Tower and transformed it into a retro-style independent cinema. From its inception, it stood out by screening arthouse films that mainstream multiplexes avoided. Its premises also doubled as an arts venue, hosting book launches, talks, and activist events. Yet, despite weathering the Covid-19 pandemic and the potential en bloc sale of Golden Mile Tower, the cinema has been unable to escape the logic of the market. The Projector owes creditors S$1.2 million , including nearly S$90,000 to about 2,300 of its members. In a statement on social media, The Projector said that the realities of the cinema industry have been 'increasingly unforgiving'. 'Rising operational costs, shifting audience habits and the global decline in cinema attendance have made sustaining an independent model in Singapore especially challenging.' The Projector's struggles reflect broader industry challenges. Across the world, cinema attendance is declining as audiences turn to cheaper and more accessible streaming services. Closer to home, even established mainstream chains have been affected. Cathay Cineplexes, which owes landlords more than S$3 million, is exploring the idea of winding up. Double-edged sword The petition's core argument is that The Projector deserves state backing as a cultural institution, similar to arts organisations that already receive funding as they serve the public good. Yet government support almost always comes with strings attached. For The Projector, which has built its identity on independent and sometimes unconventional programming, such backing would be a double-edged sword. Regulatory approvals are already required for screenings and events. But under government patronage, additional key performance indicators, compliance requirements and expectations of programming balance could easily follow. The risk is that The Projector's independence and flexibility as a cultural space would be compromised, undermining what made it unique in the first place. Not worth funding But there is a more fundamental objection: That, as a cinema business, The Projector should indeed be subject to market forces. Government support for the arts is essential because many art forms would not be viable based on market demand alone. In theatre, that support rightly extends to venues, since the performance and the space are inseparable. In contrast, the artform served by cinemas is film itself. This justifies government support for film-making – which is indeed available. However, cinema halls are not an inherent part of film as an art form in the way that theatres are for plays. And even though film buffs will swear by the cinema experience, audiences themselves are increasingly turning to streaming. In addition, The Projector itself is run as a for-profit venture. This puts it in contrast to the Asian Film Archive, for instance, which also holds screenings of non-mainstream films. Founded as a non-profit in 2005, it has since become a subsidiary of the National Library Board. A different kind of rescue Government funding would not address the underlying problem: the declining viability of cinema as a business. To its credit, The Projector found inventive ways such as post-screening discussions and an in-house bar to keep the crowds coming. But innovation can only do so much in the face of a structural decline. Subsidies and bailouts can buy time, but they cannot reverse these market realities. If The Projector is to be sustained, it should be through ground-up efforts. That might mean support not from the government, but from philanthropists, foundations, or arts patrons who recognise the worth of keeping such a space alive. It might also mean the community putting its money where its heart is – through memberships, donations, or simply showing up more often to buy tickets and drinks. The Projector does not need a bailout. It needs our business.


New Paper
6 hours ago
- New Paper
Singapore indie cinema The Projector in debt to the tune of $1.2m
Ahead of a meeting with creditors set for Aug 29, the firm behind Singapore indie cinema The Projector has revealed that it owes them more than $1.2 million. In an e-mail sent out to creditors on Aug 19 and seen by The Straits Times, Pocket Cinema listed 33 different creditors comprising individuals and organisations. The highest amount - $382,888.03 - is owed to Overseas Movie (Private), while others named in the list include the firm's director Karen Tan, as well as other shareholders, including one of The Projector's founders, Ms Blaise Camille Trigg-Smith. Ms Tan, also one of The Projector's founders, is owed more than $120,000, while Ms Trigg-Smith is owed slightly above $100,000. ST has contacted Ms Tan for more information. Other creditors include those who held memberships with The Projector that have yet to expire. These comprise 2,295 people who are owed a total of more than $89,000. The majority of them, or 1,566, held memberships with The Projector Fan Club. Although membership information on the indie cinema's website has been replaced with a notice of suspension as at Aug 20, a version dated July 9 on the Internet Archive showed that it costs $85 to hold a membership through this tier. All members are entitled to four free tickets, $2 off standard ticket prices, 10 per cent off the total bill at the Intermission bar at Golden Mile Tower and No Spoilers Bar at Cineleisure, special giveaways and prizes, as well as invites to exclusive members-only events and screenings. Other membership tiers include The Projector Student Club, for those with valid student identification, and The Projector Senior Club, for those above the age of 55. Both cost $67. To one 24-year-old patron of The Projector, the $7 he is owed in membership fees is but a petty sum. The patron, who declined to give his name, said: "I'm not really bothered about them owing money to me, since it is a relatively small amount, but more so about losing a space where I can find curated films through their various film festivals and events. "It was also a space for many smaller organisations to host events and share stories." The cinephile added that he, alongside other friends who are regulars, have decided not to claim their refunds to help the now-shuttered indie cinema with their finances. Meanwhile, those with unused tickets were also included in the list of creditors, with a total of $14,302 owed to them. A 28-year-old moviegoer who had bought two tickets to the Aug 20 screening of Punch Drunk Love, a 2002 romantic comedy starring Adam Sandler, told ST that he too was on the list of creditors. He said: "Fortunately for me, the refundable amount of $23 was relatively low. I'm just surprised at the speed at which operations were shut down." One person has 16 unused tickets - the most, compared with others on the list. The meeting for creditors is set for 2.30pm on Aug 29 via video conference, according to the e-mail. The Projector's sudden closure on Aug 19 after more than a decade of operations took many by surprise, with its screenings and events scheduled after the date cancelled. It cited rising operational costs, shifting audience habits and the global decline in cinema attendance as reasons for its closure. Ms Diane Chan, the management consultant of KillerMud Films, said The Projector's announcement had taken the company by surprise. The boutique film distribution company, which focuses on Asian, genre and independent films, is owed more than $1,800, according to the list of creditors. Ms Chan said: "The Projector has built up such a loyal audience for art-house and alternative content over the years. We sincerely hope that they can reinvent themselves and surface again. "We need an independent exhibitor like The Projector for our local cinema industry and arts scene to progress." Incorporated on Sept 16, 2014, Pocket Cinema's records with the Accounting and Corporate Regulatory Authority (Acra) showed that it started out as a loss-making venture. In the financial year ending on Dec 31, 2014, it reported a loss of slightly more than $45,000 after taxes. The company's fortunes turned in the financial year ending on Dec 31, 2016, when it made a profit of almost $166,000 after taxes, with its revenue reported to be about $1.16 million. But its profits shrank the following year by more than 2½ times to $64,122 after taxes, despite a revenue of about $1.3 million. Based on Acra records, the latest financial statement was filed in December 2017. Separately, a listing on CommercialGuru showed that The Projector's 10,000 sq ft space at Golden Mile Tower was listed for rent at $33,000 a month from July 28. While the listing was removed as at 11am on Aug 20, it was put up again about four hours later.


International Business Times
7 hours ago
- International Business Times
Diddy's Twin Daughters Get in Trouble Moments Before Rollercoaster Ride
Sean 'Diddy' Combs' twin daughters, Jessie James and D'Lila Star, got themselves into a little trouble, reportedly moments before they were getting ready for a rollercoaster ride. The twins, 18, were reportedly kicked off the ride by a worker at the Orange County Fair in Southern California on Saturday (August 18) due to their rude behaviour. Footage of the incident showed the twins sitting on the ride and waiting for it to take off when a fair worker approached them. Jessie James and D'Lila Star were with their friends when the work spoke to them. Shortly, the twins get off the ride, and the rollercoaster takes off. The twins were at the park at around 9:00 pm on Saturday night. A source told TMZ that the twins were asked to put their phones away before the ride. The staff told them to put their phones away three times, but they did not listen. However, another source said the conductor was being rude when the twins were asked to put their phones away. Meanwhile, sources with direct knowledge about the incident said Jessie and D'Lila were not kicked out of the fair. They were given tickets for another ride at a later time, reported TMZ. Diddy's daughters graduated from high school in May and shared photos of their diplomas on Instagram. Two months later, they launched their new clothing line, 12TWINTY1. They announced the launch in an Instagram post, sharing that it is not a fashion brand, it is their story, their bond, and their roots. Here is their complete statement about the new launch: 12TWINTY1 IS FINALLY HERE!!! We've been waiting our entire lives for this moment, and it's surreal to finally share it with you. This isn't just a brand. It's our story. Our bond. Our roots. @12twinty1 was created with purpose, built from who we are, not just what we wear. The name reflects our birthday, December 21st, but it means so much more: 1 is bold, fearless, and marks the beginning of something powerful. 2 speaks to love, connection, and harmony, the essence of our twinhood. We've spent so much time pouring our hearts into creating a brand that speaks to everyone. It's more than fashion, it's about identity, confidence, and being seen. This is just the beginning. Stay tuned. We cannot wait to grow this with you. Diddy is currently in prison waiting for his sentencing after he was found guilty of two counts of transportation for engaging in prostitution during a nine-week trial in New York. He faces up to 20 years behind bars, but prosecutors say he could be released sooner since he did not have any previous criminal record.