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ALS-stricken Eric Dane reveals hopes for his TV future amid battle with terminal condition

ALS-stricken Eric Dane reveals hopes for his TV future amid battle with terminal condition

Daily Mail​21 hours ago

Eric Dane has revealed his hopeful plans to continue his acting career amid his battle with degenerative condition ALS.
The Grey's Anatomy alum, 52, announced in April that he's battling amyotrophic lateral sclerosis, a rare and incurable neurological condition that progressively weakens muscles and affects physical function.
He has vowed to carry on with his filming commitments on Euphoria in an emotional interview - and previously tearfully declared: 'This doesn't feel like the end.'
He told Variety: 'I will ride that show until the wheels fall off.
'I don't know what the fate of the show is. I do know that it takes a heroic effort to put it together. If all the elements are going to be there to keep going, I would work on it as long as they'll have me.'
He also dished on what he knows about Euphoria's new season.
'Listen, I don't know anything. I haven't seen a script. We get pages maybe a day or two before, but it's all kept on the D.L. I just have so much trust in Sam Levinson that I don't really need to know what's happening.
As Cal Jacobs, Dane's performance is full of barely repressed rage which is a problem in his parenting of Jacob Elordi's Nate Jacobs.
'I work with Jacob a lot; we have profound conversations when we're not shooting. He's a smart, bright, intuitive actor. You can apply that across the board with this cast,' Dane said.
Dane rose to fame as Dr. Mark 'McSteamy' Sloan on Grey's Anatomy when it was at the height of its popularity, much like Euphoria is now.
'It is mind-bending that I have been a part of two of the shows that have been very zeitgeisty — I guess that's a word. I love making shows that you know people are going to show up to watch. It's rare, and it's not lost on me.'
Dane can next be seen in the Amazon series Countdown in which he plays Nathan Blythe, who is part of a team trying to save Los Angeles from attack.
Dane and estranged wife Rebecca Gayheart are parents to daughters Billie Beatrice Dane, 15, and Georgia Geraldine Dane, 13. Seen here in 2017
At the time of his ALS diagnosis, Dane and his wife, actress Rebecca Gayheart, 53, were separated.
Speaking to E! News about their relationship in early April, the day before Dane revealed his diagnosis, Gayheart said, 'We are really close. We are great co-parents.'
'We really figured out the formula to staying a family and I think our kids are benefiting greatly from it, and we are as well.'
'I think it's important to not look at a relationship that ends as a failure. It's just a season. It wasn't a failure. It was a huge success,' she asserted.
Rebecca and Eric tied the knot in 2004, two years before he landed his fan favorite role as Dr. Mark Sloan aka 'McSteamy' on Grey's Anatomy.
They stayed together through the scandal that erupted five years into their marriage when a home video leaked of them frolicking naked with an ex-beauty queen.
Dane and Gayheart are parents to daughters Billie Beatrice Dane, 15, and Georgia Geraldine Dane, 13.
Six years later in 2017, Eric entered treatment for depression, resulting in a filming pause on his action drama series The Last Ship.
The following year, Rebecca filed for divorce on grounds of irreconcilable differences, and the pair agreed on joint custody of their daughters with Eric paying alimony.
However, the divorce was never finalized throughout the seven-year split.
On Thursday, Dane appeared in a teaser for an upcoming Good Morning America interview with Diane Sawyer, offering a deeply personal glimpse into how he's coping with the diagnosis.
'I wake up every day and I'm immediately reminded that this is happening,' he told Sawyer. 'It's not a dream.'
In the emotional 30-second preview, the Euphoria star is seen holding hands with Sawyer as they reflect on his journey.
At one point, Dane is seen walking alongside Sawyer, their conversation taking a deeply personal turn.
On Thursday, Dane appeared in a teaser for an upcoming Good Morning America interview with Diane Sawyer, offering a deeply personal glimpse into how he's coping with the diagnosis
The actor becomes visibly emotional, wiping away tears as he opens up, declaring, 'I don't think this is the end of my story. I don't feel like this is the end of me.'
Two months ago, Dane released a statement about his condition, expressing gratitude for the strong support system he has in place.
'I am grateful to have my loving family by my side as we navigate this next chapter,' he said.
'I feel fortunate that I am able to continue working and am looking forward to returning to set of Euphoria next week.

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I ate at world's biggest all you can eat buffet – it cost £10 with NO time limit… but here's what it's REALLY like
I ate at world's biggest all you can eat buffet – it cost £10 with NO time limit… but here's what it's REALLY like

The Sun

timean hour ago

  • The Sun

I ate at world's biggest all you can eat buffet – it cost £10 with NO time limit… but here's what it's REALLY like

A FOODIE who filled up her plate at the world's biggest buffet for just £10 has spilled the beans on her tasty experience. Serving up giant steaks, extra thick milkshakes and Amish pie, the huge restaurant serves up enough grub for 10,000 people every single day. 9 9 9 9 Shady Maple Smorgasbord has transformed East Earl, Pennsylvania into an unlikely tourist hotspot in recent years. Hungry Americans and fascinated tourists regularly flock to the 100,000 sq ft buffet to try and take on the world's biggest buffet. In recent years it has even become famous on social media through food bloggers and popular influencers. One of these is New York-based influencer Amorray Marcano who visited Shady Maple back in April. She told The Sun: "I'm a content creator so I like to show cool things in the New York area and around it and I had no clue that the largest buffet in America was so close to me. "So I wanted to go just because of its reputation of being the largest and serving up to 10,000 people in a day." Amorray, 29, filmed her trip and posted it online to her 440,000 Instagram followers. She said one of her biggest concerns going into the buffet was the quality of the food. Most people usually head down to a buffet as a novelty dining experience where they can fill their plates high and try out as much food as their stomachs can handle. But the food is typically seen as below par due to it usually being left out under a heat lamp for some time before being eaten. Hotel guest reveals unique buffet breakfast and people have been left stunned Shady Maple is far from an average all you can eat place though as it even boasts an impressive 4.6 star rating online. Amorray said she was "pleasantly surprised" by the taste of the food on offer. She admitted: "There were hits and misses, but there were certain things that were actually really good. "The night I went they were serving catfish. And I don't really eat catfish normally, but thought I'll try it and it was so good. "It was cooked really well and just delicious. "There were some things that I didn't love. I would say some things might've been a little dry or some things maybe needed a little bit more seasoning. "But the things that were good were great, like their beef brisket, the steak and of course the cajun catfish." The whole buffet is open Monday to Saturday and welcomes in hungry guests from 7am all the way through to 7:30pm. 9 9 9 During the day, they serve up a breakfast, lunch and dinner offerings. The breakfast costs just $13.99 (£10) during the week and lunch will set you back $19.99 (£15). The price for dinner varies depending on exactly what type of food you want to treat yourself to but a standard price is $26.99 (£20). This encompasses grill items, 46 salad bar items, three soups, six homemade breads & rolls, four cheeses, eight different meats, 14 vegetables, ten cold desserts, three hot desserts, eight pies, six cakes, sundae bar and countless drinks. Special options are also available throughout the week including steak night, seafood night, wings night or even the grand menu. Amorray was amazed by the cheap price of the unlimited food. She continued: "I would see people sit down, they would eat, and then they would go back for more and you could stay for as long as you want. "So realistically, you could stay there for hours so it's a great bang for your buck. "For the night that I went, it was like $27 and the amount of food you get for that is easily worth way more than the price." One thing that did leave a sour taste in Amorray's mouth was just how busy the buffet was. Amorray and her friend queued up for 30 minutes outside at around dinner time due to the long line of excited guests. The influencer was mainly shocked by this due to its little known location. Not only is East Earl a tight knit community in Amish country but it also has a population of under 2,000 people. This means the town can sometimes be packed out with over five times the number of residents due to the popularity of the restaurant. "When I went in, I thought there's not going to be that much seating. But then once I walked in, there was loads in every, nook and cranny," Amorray added. "There must have been thousands of people in there and I was not expecting that just because we already had a 30 minute wait and there was a huge line behind us. "Honestly I was kind of overwhelmed when I went in because I was expecting the amount of food but not the amount of people." But after tucking into her first plate, Amorray said she fully understood why so many people flocked to the world famous Pennsylvania buffet. Amorray was also blown away by the number of drinks available. I tried one of the world's most expensive buffets – and made my money back in just one plate By The Sun's Assistant Travel Editor, Sophie Swietochowski AS the Sun travel desk's resident foodie, I could hardly resist trying the UK's fanciest buffet, also one of the world's most expensive. The Grove Hotel in Hertfordshire went viral earlier last year when TikTok foodies discovered its Glasshouse restaurant where everyone dines en masse, but in five-star luxury. Costing a whopping £82 per person at the weekend, there is certainly enough to choose from. After several, overly-generous spoonfuls of caviar, a few servings of beetroot-cured salmon and seven superbly crafted sushi rolls, decorated with dainty herbs, I felt I'd made a good dent in 'getting my money's worth' – a statement that had been thrown back and forth between my buffet partner, Mum, and I. I prowled the platters of sizzling Asian grub arranged temptingly in tandoor bowls and loaded into terracotta dishes, before heading straight for the crispy Thai fish cakes. The fish section was part of one of 10 dining areas at the buffet. This includes a carving station, AKA the place to pick up your classic roast dinner and trimmings with slices of rare roast beef, flakey wellington and crispy roast spuds all laid out with gravy. There was a sushi station with hand-made California rolls placed delicately alongside huge tubs of wasabi and seaweed salads. The robata grill is where everything from whole seabass to juicy steaks are scorched over an open flame and there's also fresh pasta and pizza stations. If all this isn't enough to wrap your head around, you can also order directly from the chefs, doting on each station, when there is something in particular that you fancy that isn't on display. So the real question is: would you pay that much cash for dinner? Much like the food on offer at the buffet, Shady Maple provided almost every kind of soft drink imaginable. The star of the drinks show was a huge soda fountain to the side of the room. This had all kinds of soda in it from cream soda, vanilla coke and even root beer as well as all the regular options. A coffee machine, hot chocolate station and milkshake stand meant everyone's taste was catered for. Alcohol was the only notable exception on the menu. And no tipping is expected at the restaurant. Amorarry recommended anyone in the area to head to Shady Maple if they get the chance. 9 9

Who are the DAZN Club World Cup presenters and pundits as Gary Lineker joins channel
Who are the DAZN Club World Cup presenters and pundits as Gary Lineker joins channel

The Sun

timean hour ago

  • The Sun

Who are the DAZN Club World Cup presenters and pundits as Gary Lineker joins channel

THE Club World Cup is finally here with DAZN hosting every match of the tournament in the US. There have been a load of changes to the Club World Cup format this year, in what will be the biggest tournament ever. 2 2 It is no longer that short competition in the middle of the season where the best team in Europe takes on the best Asian and South American teams. It has been expanded from just eight teams into the new 32-team pre-season tournament that arrives this week. Who are the Club World Cup presenters and pundits for DAZN? DAZN have the main broadcast rights to the tournament and will host every match live across the tournament. Channel 5 also have rights to air 23 matches free-to-air in the UK. For DAZN, play-by-play voices will include Luke Wileman, Tony Husband, Andres Cantor and Kevin Egan. Gary Lineker has now agreed a deal with DAZN after stepping down as presenter from BBC's Match of the Day that will see his The Rest Is Football Podcast broadcast highlights of the Club World Cup. The show, which features Alan Shearer and Micah Richards as co-hosts, will show the best bits from matches in the video version of the podcast. When is the Club World Cup, who is competing and how can I watch it? The Club World Cup starts on June 14 with the final taking place on July 13. It is being held in 12 cities across the USA. The likes of Chelsea, Real Madrid, Paris Saint-Germain and Man City are all in the tournament. TV coverage in the UK comes from DAZN, who will broadcast every match, and free-to-air Channel 5, who will house 23 matches. Alternatively, SunSport will live blog select matches - including all Chelsea and Man City games and the latter stages. Here's everything you need to know about the Club World Cup.

UK broadcasters hail rare win over Netflix in battle for streaming ads
UK broadcasters hail rare win over Netflix in battle for streaming ads

The Guardian

timean hour ago

  • The Guardian

UK broadcasters hail rare win over Netflix in battle for streaming ads

Shows such as Netflix's TV history-making Adolescence and Disney's romp Rivals are among the latest hits to continue the subscriber juggernaut, as the US streamers continue to mount pressure on UK TV broadcasters. However, research reveals that a new breed of viewers being banked on to drive their next era of growth are watching up to 40% less content on some services, giving traditional broadcasters hope that their own streaming services will not ultimately be outmuscled in the battle over the rapidly growing £1bn-plus streaming ad market. It has been two and a half years since Netflix reversed its resistance to advertising, leading the charge to tap a new market as subscriber growth petered out and the cost of living crisis made consumers more open to paying less in return for seeing ads. The strategy has helped breathe life into stalling subscription growth. Netflix added the most customers in a quarter in its history in the final three months of 2024, with 55% choosing its ad-supported package. About a third of its 300 million-strong global subscriber base are now watching with ads. Disney+ followed suit in late 2022 and has since amassed 157 million ad-tier subscribers, including its US-only ESPN and Hulu services. And in February last year, Amazon started automatically introducing ads to the 200 million potential monthly viewers of Prime Video, requiring customers to pay if they wanted an ad-free experience. However, research into streaming households shows that homes that watch with ads are 'lighter' viewers, in the words of one media agency executive, compared with those who pay for higher-priced, ad-free packages. A snapshot of UK streaming in the fourth quarter of 2024 showed that Netflix households with advertising-supported subscriptions watched an average of 22 minutes less content a day than those with an ad-free subscription, a difference of almost 22%. Netflix is estimated to have about 17.6 million subscribers in total in the UK, of whom just over 4 million are on an ad-supported package, according to Ampere Analysis. At Amazon's Prime Video, which is estimated to have about 12 million UK users, the same trend has emerged. Viewers who accepted ads watched an average of 23 minutes less content a day than those who had opted to pay for an ad-free experience – a difference of 44%. While viewing minutes were not available for Disney+ UK subscribers, the research showed it had the narrowest gap, with those on ad-supported accounts watching just five fewer minutes of content a day on average than those paying for an ad-free subscription. Matt Ross, the chief analytics officer at the streaming research firm Digital i, says two distinct types of viewer have emerged, but adds that lower levels of viewing in ad-supported households is partly because those subscriptions also typically offer access on fewer devices. 'We've seen that more engaged viewers typically opt for ad-free tiers, valuing the uninterrupted experience they provide,' Ross says. 'More premium plans offer multiple simultaneous streams, which appeals especially to larger households and families. This combination of premium features and flexibility often results in higher daily activity for ad-free plans.' Nevertheless, the phenomenon of 'light viewers' will be grasped by UK broadcasters trying to stop the deep-pocketed US giants conquering the streaming advertising market in the same way as they have the world of paid subscriptions. 'The appeal of the global streamers' ad tiers to advertisers doesn't stack up against the streaming services offered by British broadcasters,' says one senior TV industry executive. Certainly in the UK, at least, the drive into advertising by the big US streamers has had a mixed reception from the media agencies that buy commercial space for brands. Netflix started with a gung-ho attitude, buoyed up by the success it had had building a huge paid subscriber base and the belief advertisers would leap at the chance to be able to place commercials in its mega-hits for the first time. However, it demanded almost 50% more than ITV or Channel 4's services charge for advertising, alongside a hefty commitment to a minimum spend, despite initially only having a small audience and extremely limited ability to target ads. 'The rollout was a disaster,' says the chief executive of one media agency. 'Take-up was underwhelming, to say the least. They had to try again six months later and lost their lead over rivals and are now behind the curve in terms of pricing, data and reach versus, say, Amazon.' Amazon charges about the same as the public service broadcasters' streaming services, while Disney+ charges more, despite having the smallest base of the big three US streamers, a situation the media executive describes as a 'mad outlier, given their volume'. Sign up to Business Today Get set for the working day – we'll point you to all the business news and analysis you need every morning after newsletter promotion Last month Netflix rung the changes, announcing that Warren Dias, the head of UK's ad sales, was to leave after two years in the post. The world's biggest and most profitable streaming service has acknowledged it is still a newbie when it comes to the ad market. 'I think you can say that 2025 is the year that we transition from crawl to walk,' Greg Peters, the co-chief executive of Netflix, said in a recent call with analysts. Peters said overall viewing hours per subscriber on its ads plans internationally was similar to those on its standard non-ad plans, and that it expected to double advertising income this year as it focuses on improving ad targeting for brands. The company launched its in-house ad-tech platform in the US in April and intends to start rolling it out to other markets in the coming months. While UK broadcasters feel the tentative start by the US giants has given them the upper hand in the British streaming advertising, which is putting further pressure on the shrinking £3.58bn traditional TV ad market, there is a sense of foreboding that history may ultimately repeat itself. 'We were successful and revolutionised TV viewing,' says Damien Bernet, the vice-president of ad sales for the EMEA region at Netflix. 'We believe we are going to be able to do the same for ads.' More people visit and watch Netflix than any other streaming service in the UK, and in March it made TV history with Adolescence becoming the first programme on a streaming platform to top the weekly audience charts of all shows aired in Britain. In February, 65% of 18- to 64-year-old internet users accessed Netflix, compared with 59% for the BBC's iPlayer, 48% for Prime Video, 46% for ITVX and 34% for Channel 4's streaming service, according to survey data from Ampere Analysis. The US streamers' ad tier strategies have reignited overall growth, are rapidly increasing the scale and attractiveness of the offering for advertisers, and the cheaper pricing has made users more 'sticky' and less likely to think about cancelling. 'Fundamentally, advertising is a scale game, and in that regard many of the streamers are only just getting started,' says Richard Broughton, a director at Ampere. 'UK and European broadcasters will be far from complacent, given the competition they have faced for viewers over the past decade, but they have only a narrow window to batten down the hatches before they start to feel more pressure across their advertiser base too.'

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