
‘Avengers: Doomsday' Set Pictures May Tease a Huge X-Men Threat
David Dastmalchian wants in on Clayface. Margaret Qualley has had to drop out of Victorian Psycho. Plus, get new looks at Bring Her Back and the return of Rick & Morty. To me, my spoilers!
Night After Night
Deadline reports Josh Lobo (I Trapped the Devil) is attached to direct Night After Night, a 'sci-fi thriller' starring Johnny Sibilly, Alexis Louder, Trace Lysette, AJ Bowen, Scott Poythress, Horace Gold, Melissa Macedo, Michelle Macedo, and Jennifer Blair. The story concerns 'two overnight security guards at a private university whose grip on reality begins to unravel after the appearance of a mute figure who returns each night without explanation.'
Species
Meanwhile, Screen Daily reports Karin Viard, Mara Taquin, Kim Higelin, Sami Outalbali, Stefan Crepon and Sonia Faidi are attached to star in Species a French body horror film baring no relation to the 1995 film of the same title. Directed by Marion Le Corroller and eaturing special effects from Pierre-Olivier Persin (The Substance), the story concerns 'a young medical student working at an ER [who] witnesses a new virus spreading among young patients, a mysterious mutation among the new generation that starts affecting her.'
Victorian Psycho
According to Deadline, Maika Monroe has replaced Margaret Qualley in the lead role of Victorian Psycho.
Clayface
David Dastmalchian revealed to /Film he's actively campaigning to play Clayface in the new DCU project.
The thing that made me want to add it to my roster was honestly, first and foremost, the people involved. That's the most important thing to me. You're going to spend precious hours of your life, which is so short, with people making something? It's the people. And Paul and Chris [Weitz] are very special human beings. I am always looking for something that scares me, looking for something that's outside of the realm of what I've normally gotten the opportunity to do. Something that's going to take me to a new place where I can push myself.
I grew up obsessed with the work of artists like Lon Chaney, who transformed in both visual and energetic ways. And I love the idea of running into somebody and them saying, 'You remind me of the guy that kind of was like the person in The Thing, but that couldn't be you.' I dream of that. I dream of being truly transformative, and I'll just keep working at it for the rest of my life so I can be like Clayface. I want to be Clayface.
Superman
A new set of tie-in action figures available at Target (via Comic Book) reveals Metamorpho's infant son, Joey, appears in Superman. Per the 'Luthorcorp Lab' sets official copy:
Dive into an epic Super Heroes adventure with the Luthorcorp Lab! This action-packed set includes 6 figures, featuring bold designs and exclusive details like battle damage armor. The lineup includes Superman, Mr. Terrific, Metamorpho, and Lex at 6-inch scale, plus exclusive 3-inch figures of Superman's loyal sidekick Krypto and the mischievous Baby Joey. Join Superman as he takes on Lex Luthor in a daring slime-filled rescue mission! Use your Super Heroes skills to find the weak spot, break open the slime-filled cell, and set Krypto and Baby Joey free.
Avengers: Doomsday
Elsewhere, new photos from the set of Avengers: Doomsday appear to depict the ruins of a Sentinel lying in repose. See pictures and video here.
The Toxic Avenger
Toxie made the cover of the subscriber variant of this month's issue of Fangoria, giving us another new look at him in action.
Lost in Starlight
Netflix has released another trailer for Lost in Starlight, the upcoming Korean animated movie about an astronaut headed for Mars leaving behind her musician boyfriend.
Bring Her Back
A24 has also released a new trailer for Bring Her Back, Danny & Michael Philippou's follow-up to Talk to Me.
Rick and Morty
Finally, Adult Swim has released another trailer for the eighth season of Rick and Morty premiering May 25.
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New York Times
42 minutes ago
- New York Times
Can Jeremie Frimpong boost Liverpool's 2025/26 Champions League winner odds?
For more stories like this, click here to follow The Athletic's sports betting section and have them added to your feed. In the 2011 movie 'Moneyball,' Brad Pitt, portraying Oakland Athletics general manager Billy Beane, sits in the middle of a conference room table surrounded by scouts during an off-season meeting. As the discussion of the team's direction unfolds, Beane is abruptly cut-off by a scout concerned about their ability to replace a crucial player: Jason Giambi. Advertisement 'Billy,' the scout says, 'we got 38 home runs and 120 RBIs to make up.' 'Guys listen,' Beane interrupts, 'We're still trying to replace Giambi. I told you we can't do it. Now what we might be able to do is recreate him — recreate him in the aggregate.' Losing a generational player like Trent Alexander-Arnold is not something even a club like Liverpool can shrug off. Despite his departure, the Reds still have the best odds to win both the Premier League (11/5) and Champions League (11/2). But should they? With Jeremie Frimpong already in the fold and the potential acquisitions of Florian Wirtz and Milos Kerkez on the horizon, Liverpool's plan to replace their homegrown star is coming into view. Let's explore if it'll be enough to find value in their current odds. It sounds silly, but Alexander-Arnold is truly a footballing unicorn. A right-back who could hold his own defensively but also doubled as one of the world's best ball-progressors and chance-creators is a rarity. To come in with expectations that Frimpong is Alexander-Arnold's successor would be quite unfair — they're not remotely the same player. Alexander-Arnold ranked 17th in Europe's big five leagues with 65 passes into the penalty area this season. Despite playing as a wing-back in the Bundesliga, Frimpong had just 29 this year. To put that into context, the player in 16th was in the running for the Ballon d'Or — Raphinha — most of this past season. Alexander-Arnold was essentially an attacking midfielder hiding as a right-back whereas Frimpong is, well, not. When it comes to progressive passes (passes that move the ball at least 10 yards closer to the opponent's goal), Alexander-Arnold ranked 19th and was once again surrounded by a bevy of talented midfielders like Nicolò Barella and Youri Tielemans. Frimpong ranked 10th…on his team. Even Leverkusen's defensive midfielder Robert Andrich had more progressive passes than Frimpong this season. Advertisement It's at about this point where you're probably asking, 'So what does Frimpong do exactly?' The answer to this is simple: He runs, quite often and quite fast. According to PFF FC's physical metrics provided to The Athletic, Frimpong sprinted more than any other player in Germany last season. In total, the new Liverpool signee had 800 sprints (classified as runs that exceed 25 KM/hr), 15 more than the next closest player. That willingness to run is far more reminiscent of Andy Robertson than Alexander-Arnold, except that Frimpong is an absolute speed merchant. The 24-year-old was clocked with the second-highest max speed in the Bundesliga last year — 35.33 km/h — only bested by FC Heidenheim's Sirlord Conteh. Alexander-Arnold's on-ball orchestrating is gone, but Liverpool still need someone to play right-back. If you can't replace Alexander-Arnold, you might as well find a player with an elite trait at a cheap price. That's what Liverpool have done. But it's clear with the interest in Wirtz and Kerkez, the Reds know they will need more help to fill the Alexander-Arnold-sized hole. Heading into the 2025-26 campaign without Alexander-Arnold puts a lot more on Mohamed Salah's shoulders. Salah's scoring streaks get plenty of acclaim, but his shot-creation for teammates is underappreciated. The Egyptian led Europe's big five leagues in expected assists while also leading Liverpool in passes played into the penalty area. A large part of Liverpool's success stemmed from Salah's ability to work in concert with Alexander-Arnold. Salah's 488 progressive passes received topped Europe's big five leagues and were fueled by his former right-back's ball-progressing prowess. For anyone who watched the team, the formula was obvious: Alexander-Arnold moved the ball up the pitch to Salah, and then the two of them combined to terrorize opponents in the final third. In order to find value in their title-winning odds, Liverpool need to recreate this dynamic. With Alexander-Arnold headed off to Spain and Frimpong not the creative type, Salah needs a new partner-in-crime. Enter, stage-right: Wirtz. While the odds suggest this transfer is far from sealed, the reason for Liverpool's aggressive pursuit of the 21-year-old is obvious. The Reds' recruitment team likely put far more thought into this, but if Alexander-Arnold was the 17th-best player in the world at playing the ball into the opponent's box, it makes sense to go after the player who finished one spot behind him — Wirtz. Advertisement The problem for Liverpool is that Wirtz alone can't replicate all of Alexander-Arnold. The German midfielder is more of a threat in the attacking third — he led Leverkusen in shot-creating actions with 5.66 — than he is a contributor to a team's build-up play. Wirtz just ranked eighth for Leverkusen when it came to passing the ball into the opponent's final third, miles behind Granit Xhaka, who led the team in progressive passes. To fill that final hole in the build-up play, Liverpool are turning to Kerkez. At first glance, it's hard to see how Kerkez could come close to matching Alexander-Arnold's ability. The 20-year-old did lead Bournemouth in progressive passes with 159, but that number falls well short of Alexander-Arnold's 232 from last season. However, passing isn't the only way to move the ball forward — players can dribble, too. If you combine progressive passes and carries, Kerkez is much closer to Alexander-Arnold's tier of ball progression. Alexander-Arnold authored 283 progressive movements last season. Thanks to 106 progressive carries to go along with those 159 progressive passes, Kerkez was responsible for 265. If Frimpong fills his actual position and Wirtz takes over some of the playmaking in the final third, it's Kerkez's distribution from deep that replicates the last part of Alexander-Arnold's production. On the surface, fading Liverpool and looking for value in clubs like Arsenal (5/2) or Manchester City (13/5) to win the title next season would seem to be the right move. In this transfer window, other title-contending clubs have been acquiring exciting talent, rather than watching helplessly as a prime-age, generational superstar leaves town. But like Beane did with the A's two decades ago, Michael Edwards and Liverpool's front office were tasked with replacing an irreplaceable player. The transfer window isn't close to finished yet, but if Wirtz and Kerkez join Frimpong, there's a chance Liverpool will have accomplished that seemingly impossible feat. They just needed to do it in the aggregate. Betting/odds links in this article are provided by partners of The Athletic. Restrictions may apply. The Athletic maintains full editorial independence. Partners have no control over or input into the reporting or editing process and do not review stories before publication. (Photo of Jeremy Frimpong: Daniel Kopatsch / Getty Images)


New York Times
an hour ago
- New York Times
French Open accused of declining TV request to play Lois Boisson quarterfinal in night session
ROLAND GARROS, PARIS — The French Open has been accused of turning down a request from Amazon Prime to broadcast Loïs Boisson's fourth-round match against Jessica Pegula Monday in the primetime night session slot on Court Philippe-Chatrier, the biggest court at Roland Garros. The broadcaster has exclusive rights to the evening session of the tournament, and multiple people briefed on discussions between Amazon and the French Open have told The Athletic that the tournament declined to schedule Boisson's match against Pegula, which was played June 2, to start from 8:15 p.m. CEST. They spoke on condition of anonymity, to protect relationships in sports media and tennis. Advertisement The match was instead scheduled in the second daytime slot. It was played in front of swathes of empty seats in the early stages, despite Boisson winning and becoming the first home women's quarterfinalist here for eight years. The French Tennis Federation (FFT) declined to comment on the scheduling of the match. The scheduling of women's matches has been an ongoing debate at the tournament. For the second year in a row, there have been no women's matches in the coveted slot, which is billed as 'one great match' on the tournament's website. Women's matches have also opened play on Chatrier every day of the tournament, at a time when the stadium is at its most empty. The Roland Garros tournament director, Amélie Mauresmo, was asked about the night session during a heated press conference Saturday May 31. She said that the absence of women's matches was down to men's matches being five sets, and therefore offering evening spectators better value for money. 'It has never been that the girls are not worthy to play at night,' Mauresmo said. 'It's never been this, and I will not accept that you carry this message.' Earlier in the week, FFT president Gilles Moretton had said that scheduling decisions were based on 'what is better for spectators.' Mauresmo also denied that scheduling women's matches at a time when crowds are sparse sends a negative message to WTA players. But in the days following her news conference, a number of leading women's players, including Aryna Sabalenka, Iga Swiatek, Coco Gauff, Madison Keys and Jessica Pegula criticised the disparity, which has led to there being four women's matches in 55 night sessions since their introduction in 2021. Lindsay Davenport, a former world No. 1 and two-time Grand Slam singles champion, added her voice to the criticisms Wednesday. Davenport, who is covering the tournament for TNT Sports, told a few reporters that she 'would ask' Mauresmo about 'putting the women in the more high-profile slots.' Advertisement 'I've read her press conference, but I can't imagine that a former world No. 1 women's tennis player is doing that on her own. There has to be some kind of outside influence there, but hopefully as the years go hopefully we can start to work towards a solution,' Davenport said, adding that she has found the scheduling of women's matches in the morning most disappointed this year. The FFT did not respond to a request for comment on Davenport's statements. Patrick Mouratoglou, the former coach of Serena Williams who now works with Naomi Osaka, defended the disparity in a post on Instagram Monday, and said that day matches get more exposure than night matches because they are on national television. All television networks with rights to the event can make requests for the next day's schedule. They are taken into account by the tournament, but with no guarantee that they will be granted. TNT Sports which holds the U.S. rights, requested that Wednesday's match between Coco Gauff and Madison Keys not be scheduled in the first slot of the day, which is at 11 a.m. CEST French time (5 a.m. ET / 2 a.m. PT). The tournament ultimately scheduled Boisson's quarterfinal against Mirra Andreeva instead. The men's quarterfinals had to take the third daytime slot and the night session Wednesday, because the women's semifinals are on Thursday. The men's are not until Friday. Boisson is still in the tournament, after defeating Andreeva to reach the semifinals. Ranked No. 361, she is only the third player since 1980 to reach the semifinals in their first appearance at a Grand Slam, and the first Frenchwoman to get to the last four at the French Open since Marion Bartoli in 2011. She faces the American No. 2 seed Gauff Thursday for a place in the final. When they will be scheduled remains to be seen.


CNN
2 hours ago
- CNN
James Blunt celebrates the 20th anniversary of his biggest hit that he calls ‘a bit creepy'
James Blunt's song 'You're Beautiful' is beloved, even though it's not about what some people imagine. The British singer recently shared a video and post on social media in which reflected on his hit earworm. '20 years ago today, I released a song that bought me this house,' Blunt said. 'Whoever thought a song about being high as a kite on drugs, stalking someone else's girlfriend would resonate quite so much? Thank you. You guys are beautiful.' The song off his 2004 debut album, 'Back to Bedlam,' became a worldwide hit in 2005. In 2020, the former British army captain wrote an essay for the Guardian about 'You're Beautiful' and talked about the inspiration for the tune. 'One day I was on the underground in London and saw an ex-girlfriend with her new boyfriend,' he wrote. 'Our eyes met, but we just walked past each other, and I went home and wrote the words to 'You're Beautiful' in two minutes.' He also addressed the disconnect between how the song came to be and how fans viewed it. 'It's always been portrayed as romantic, but it's actually a bit creepy,' he wrote. 'It's about a guy (me) who's high and stalking someone else's girlfriend on the subway. But everyone has those moments where you wonder: 'What if I'd said something?'' How beautiful is that?