Stamps released to celebrate Guernsey architecture
Bridget Yabsley, head of philatelic at Guernsey Post, said: "This year's SEPAC theme creates an opportunity for us to showcase the wonderful building of St James."
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The Guardian
43 minutes ago
- The Guardian
This is how we do it: ‘I need some emotional connection before sex, but he is ready to go at any time'
There was an occasion when we had sex eight times in one day – we still call it our dirty weekend Ricky and I have been together for 12 years and married for three. I still think about the first time we had sex – it was incredible. I remember thinking: how is this our first time? Because in my experience first times had always been a bit awkward. It was so instantly fun and pleasurable, and felt very safe straight away. Ricky seemed so confident, and I thought: this guy must really know what he's doing. It was only later that I found out he hadn't slept with many people at all. I'd known him for less than a week, but it was some of the best sex I'd ever had. I don't think there is a correlation between penis size and sexual prowess, but Ricky has got a really nice penis. He went down on me that first time, which was rare for me. There was an occasion when we had sex eight times in one day – we still call it our dirty weekend. Now we sometimes have sex once in eight days – but I'm still just as happy and satisfied. When you meet someone new it's crazy and exciting, and then you just become really comfortable together. I have not once thought: I wish we were having more sex. Sometimes I have wondered: should we be having more sex? But that pressure is societal more than anything. We have realised that although we don't have sex that often now – maybe once a fortnight – when we do, we really do it. Sex will last an hour and it is very active. In that moment, neither of us is thinking about anything else. We are very connected. We have quite a set routine now, but it works for us. I need some emotional connection before having sex, even if it's just watching TV together. I like to have a shower and be prepped, whereas Ricky is ready to go at any time. We are both so busy that, despite living together, we can go a few days without even having time to chat about our day. So, for me, it is important to prioritise that kind of intimacy before sex. If you're keen to talk to us about your sex lives you can get in touch by filling in the form below. It is very important that both sexual partners are happy to participate. I was not only falling in love with Anastasia, I was falling in love with sex as well Before Anastasia, my relationship with sex was defined by its absence. I was a late bloomer and didn't have sex until I was at university, but I thought about it so much. They say that if you want something, the worst way to get it is to want it too badly, and that was me when it came to losing my virginity. Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion I was discovering so much about myself at that time, and my early sexual experiences ended up being very good. I'm pretty sure the girl who I lost my virginity to didn't know I was a virgin. And then suddenly there was this person who I was falling in love with, and it felt very mature. It was fantastic to have the person who was my first consistent sexual partner then become my permanent partner. I was not only falling in love with Anastasia, I was falling in love with sex as well. I've got so used to having sex with someone who I absolutely love. When we got together she was so complimentary about the first night we had sex because I made her come and I went down on her, and it was generally a really good time. Even after 12 years, when we have sex we never half-ass it. It always feels really good. You fall into the habit of knowing one another and knowing what the other likes and dislikes. I do feel as if I can be slightly impatient, as Anastasia really likes the scene to be set before we have sex. In fact, sometimes if we haven't laid the groundwork enough, we can start and then just fall out of sync. Though I'm very content with the amount of sex we're having, I think we would be happier having more. Often she'll suggest it to me and I'll be like: 'Yeah, OK.' Then, within two seconds, I'm like: 'This is the best. Why don't I do this every single day? How do I distract myself so successfully that I don't want to do this twice a day?'
Daily Mail
5 hours ago
- Daily Mail
My haunted Cotswolds house that proves hauntings are real. NADINE DORRIES thought she'd found her forever home. Then after family deaths and sinister encounters that terrified her children, she called a priest...
Do you believe a house can be haunted or cursed? I didn't – until I lived in one. Last month, I read about the tragic death of Beverley Allen, the first wife of former F1 boss Christian Horner and mother of his teenage daughter, who passed away at 58 after a cancer battle.
Telegraph
7 hours ago
- Telegraph
Sacred Mysteries: Out of the ashes, an artist in search of the essential
The fire that burnt down St Mel's Cathedral, Longford, in the early hours of Christmas Day 2009, was so intense that the limestone pillars each side of the nave spalled and cracked in the heat. As with Notre-Dame in Paris, the effects of the fire were unexpected. The roof was destroyed and the floor fell through into the crypt. But a 19th-century painting on canvas of the Holy Family survived unscathed. St Mel's Cathedral serves the diocese of Ardagh and Clonmacnoise. Both ancient foundations, Clonmacnoise was largely abandoned by the 13th century, and Ardagh had been ruinous since 1496, though the foundation stone for the cathedral at Longford was taken from the ruins. The dioceses were united in 1756. The neo-classical cathedral of St Mel's at Longford, begun in 1840, was large enough to seat 1,100 people. The architect was John Benjamin Keane, who had designed Gardiner Street Church in Dublin. The completion of St Mel's was delayed by the Irish Famine. After the fire in 2009, with the economy rocky and unemployment high, it could not have been rebuilt had it not been insured. It reopened for worship five years later, for Christmas 2014. The interior is white and light, with a barrel-vaulted ceiling. The most striking features are the 22 dark grey Ionic limestone columns dividing the nave from the aisles. Surviving from the old cathedral are two windows made in 1932 by the studio of Harry Clarke. A pleasant surprise to me in the new cathedral are the 14 Stations of the Cross. Because these scenes from the Passion of Christ are, in many churches, products of the 19th century, an era of uneven artistic merit, I seldom find them things of beauty. But Bishop Colm O'Reilly, who set about the reconstruction of the cathedral that he had known all his life, got Ken Thompson, born in Cork in 1946, to carve the stations that were to replace the burnt wooden paintings. Thompson had been influenced by the work of Eric Gill, and says of his own stations: 'The style of the carving is hieratic. My sympathies lie with early pre-Renaissance carving where the artist, in search of the essential, avoids over-realistic representation.' The Bath stone panels for the stations are 55in high and 46in wide. The technique is of bas relief, with the figures raised 1½in from the background. The background is painted a light blue and the lettering picked out in a terracotta colour. The dished haloes of Jesus and the saints are gilded. Each station is accompanied by a quotation from Scripture. 'The gestures of the figures in these panels are, in a sense, liturgical, acting out what has been prophesied about the Suffering Servant in the Old Testament.' A detail in several panels is of green shoots springing to life. They are visible on the hill of Calvary through the door of the tomb in the 14th station, which bears the quotation: 'Why seek you the living among the dead?' It shows Jesus being laid on a stone slab by his disciples. 'This stone slab represents the altar on which Christ's eternal sacrifice is re-enacted in every Mass.' An angel is shown coming from heaven bearing a plaque inscribed 'Gloria' – a memory of the Nativity, a record of what St John calls Jesus's glorification on the Cross, and a prophecy of the Resurrection. Above the door is carved Nika, 'Victor'. I learnt about the new cathedral from a Sister of Mercy, Angela Bracken, who lives in Longford; otherwise I wouldn't have known of it.
