
Aiyyo Shraddha's ‘So Mini Things' comes to hyderabad one last time
Aiyyo Shraddha's comedy set draws from the charming curiosity of a two-year-old. Titled So Mini Things for the many whimsical detours it takes — mini stories, mini perspectives, mini versions of herself — the show is a mosaic of anecdotes rooted in Indian family life. What began as her first-ever stand-up set quickly snowballed into a global sensation… a journey that has touched audiences aged 6 to 60, across cultures, languages, and generations. 'The opportunity to do this, to take these stories to so many people across the world… what an adventure it is!' exclaims Shraddha. 'The only thing I worried about was missing flights! So many flights!' the comedian quips.
The stellar show, brought to life by Livetree Entertainment, has been nurtured and produced with care from its very first outing.
Known for curating premium live experiences with legends like Sonu Nigam, Hariharan, and Jagjit Singh, the company has powered So Mini Things across the U.S., Europe, Australia, Southeast Asia, and the Middle East. 'It's always so heartwarming to see people across generations line up at the end to hug Shraddha, share stories, and often say they wish they'd brought their parents or kids.
For those 90 minutes, we just want people to unwind, laugh, and leave feeling lighter,' shares Sharath Vatsa, CEO and Founder of the company.
For the uninitiated, Shraddha, an engineer and former RJ turned content creator, has carved a niche for herself in the comedy space with her clean, observational humour and unmistakable sincerity. She was awarded in 2024 by the Honourable Prime Minister Narendra Modi with the title of 'Most Creative Creator - Female' at the National Creators Awards ceremony. It's a title Shraddha accepts with humility. 'It just means I have to put more thought, more effort into my work and do it very responsibly,' she avers.
As So Mini Things wraps up its run in India, Aiyyo Shraddha reflects, 'It's been a very satisfying tour,' she shares. 'I will retire this material extremely contented with the journey it has made.' We say, for anyone who's loved, laughed, or lived in the chaos of Indian family life, this one's truly not to be missed!
Interview excerpts
Where did the idea of 'So Mini Things' come about?
This was really like looking for and finding old photographs and letters, and putting them all together into a slam book! So one memory led to another, and then the events of my present seemed to call back to these memories.
This show ties my recent life and my past together!
How did you foray into stand-up comedy?
I started doing stand-up shows for corporates only because I was extended an opportunity to do so. My stand-up experience started from these corporate shows, and these opportunities came about as one of my videos — that was a corporate satire — went viral.
This was your stand-up debut, and the shows have all been received well, but who were the first people who heard these jokes?
I did not try these jokes with friends and family; I tested them straight at trial shows! I had about four of them in Bangalore, and then the tour was announced!
Does clean comedy come naturally to you? What have been your biggest influences?
I would say that I like to keep things simple yet insightful. I have worked in radio and television before; there are very strict guidelines on language in these media, so I think my brain continues to follow them even after I have stepped out! My primary influences are Johnny Lever, Jerry Seinfeld, and Dave Chappelle. I admire them for their versatility, observation skills, and fearlessness — in addition to their mastery of the craft.
Stand-up looks solo, but it takes a team to pull off a tour like this. What went behind making this global hit so successful?
This tour really was put together by a very small team — Livetree Entertainment and myself. A total of four or five people. It really kept things very tight-knit. No unnecessary noise. It's amazing when I look back at this massive tour and how closely all of us worked.
Being recognised by the Prime Minister as India's 'Most Creative Creator (Female)' is no small feat. How has that moment shaped your journey or approach, if at all?
This has only motivated me to improve my craft in all aspects — writing, camera work, editing, costume, make-up — in every department, I want to do better! This award is a very important recognition for me.
Being a woman in a primarily male-dominated stand-up scene and selling out shows not just in India but globally — how does it feel?
I am beyond grateful! What an adventure, what a thrill this tour has been! What a blessing it is to be able to bring joy!
Finally, what's one moment on tour — a message or a meet-cute with a fan — that you'll carry with you forever?
Oh, this girl I met in Sydney — she met me after the show. She held my hand tightly, her eyes wide open! She told me, 'I was so nervous before you started! I was praying this works! I am so proud of you!' She bought tickets to my show not to be entertained, she came to watch me win! I couldn't stop thinking about her!
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Time of India
an hour ago
- Time of India
I do. Twice! Modern Draupadis and the polyandry debate
I do. Twice! Modern Draupadis and the polyandry debate Sneha Bhura TNN Jul 26, 2025, 19:47 IST IST One bride, two grooms — a viral Himachal wedding revives interest in a fading custom in high, hard places Indian weddings have a way of making the world sit up and watch. Think star-studded Bollywood nuptials in Lake Como or extravagant pre-wedding galas. But this month, another kind of wedding went viral: Sunita Chauhan, a young woman from Shillai village in Sirmaur district of Himachal Pradesh, married two brothers, Pradeep and Kapil Negi , from the Hatti tribe. Their three-day wedding—complete with folk dances, blessings from the village panchayat and shared vows — catapulted the word ' polyandry ' into our living-room discourse. But how did this practice of a woman marrying multiple men find its way into our news feed in 2025? It's not that polyandry is flourishing in the country. Researchers confirm its steep decline, driven by more educated women, men migrating for jobs, legal curbs and the rise of nuclear families. Still, polyandrous households persist in parts of Himachal and elsewhere, especially where arable land is scarce and joint families endure.


Time of India
an hour ago
- Time of India
Prada heels or Rajasthani juttis?: Netizens rage over luxury brand's latest launch
Image credits: X It seems the world's fascination with Indian history and culture is becoming more and more obvious to luxury brands, which are not only catering to the Indian audiences but also enriching Western fashion with touches of Indian ones. After the very viral and much-debated row over Kolhapuri-inspired sandals featured in Prada's Men's Spring/Summer 2026 show, luxury fashion brand Prada is under the netizens' lens once again. The brand recently released new Antiqued Leather Pumps that Indian netizens believe are strikingly similar to the traditional Rajasthani juttis. The design described as 'original and unconventional' seems similar to the traditional Indian footwear despite smart tweaks in the form of heels, pointed toes, visible stitching for the 'pre-worn' feel and leather. Similar to the previous incident, Prada has alluded to no connection or credit to the Indian craft, which it seems to have copied off. Netizens react to Prada's pre-worn heels Image credits: X People on the internet were quick to compare the Italian luxe label's design to that of the classic Rajasthani juttis. With Prada making no such clarifications, they have been blaming the brand for another row of copying. "Prada has done it again. After copying Kolhapuris, they have now taken Rajasthani leather juttis as is and added heels to them," wrote a person on X. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Find out: this is how you clean your yoga mat! Kingdom Of Men Undo "Prada releases 'antiqued leather pumps' similar to Punjabi juttis after row over Kolhapuris," added another, comparing the design to Punjabi juttis. "Not just Dior. Prada ripped both Kolhapuri Chappals and Punjabi Juttis," and "Funny how it's 'unconventional' when it's Prada, but 'ethnic' when it's us. The jutti walked so this heel could strut. Give credit, not just couture", added others. The heels resemble the Indian footwear with their leather use, visible stitching and even colour shades, thus sparking the online criticism. This instance, combined with the previous Kolhapuri sandals, has brought into the limelight the lack of accountability by luxury brands, where they avoid giving appropriate credit where it is due.


New Indian Express
2 hours ago
- New Indian Express
Thalaivan Thalaivii Movie Review: A fun-filled and flawed take on marriages, divorces, and everything in between
Divorce, just like marriage, isn't something that is just about the couple. It might seem to the world that it is a personal choice, but it is always a culmination of causations. And divorce, just like marriage, isn't something that is in the hands of the couple in question. The Indian society, and its legal framework, goes out of its way to enforce the sanctity of marriage, and paints divorce as an evil entity that is out to destroy its very fabric. But representation of the same in our movies has always been sketchy at best. In fact, there are very few movies that even talk about divorce, and to have a film like Thalaivan Thalaivii pooh-poohing it might seem detrimental and regressive. But Pandiraaj is someone who has clearly understood the possible backlash for the same. 'I don't know how people can stay away from their loved ones after getting divorced. What is the use of that freedom and respect?' asks a distraught Aagaasaveeran (Vijay Sethupathi), who quickly adds, 'But what do I know? It is their life… but I can't stay away.' Now, this might seem as a commentary against the concept of divorce, or the character's inexplicable love for his wife, which doesn't seem to understand the concept of separation. Is divorce wrong? Nope. Can a character not want to get divorced over things like ego and extended family-induced discord? Yes. Can both these concepts co-exist in the same film? Well, that is what Thalaivan Thalaivii tries to explore, albeit with mixed results.