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Streetsnaps: 綺園園長 PAY7 Ft. G-SHOCK

Streetsnaps: 綺園園長 PAY7 Ft. G-SHOCK

Hypebeast23-06-2025
—— 台灣,還有哪些有趣的品牌或單位?
今回,我們和 G-SHOCK 展開合作,以次世代錶款 GA-V01 為契機,召喚多個超新星品牌/單位輪流出鏡全新一期 Streetsnaps。
第一彈,就由 Gold Garden & Pay7 作為開場吧!
作為次世代創意人士,Pay7 於 2023 年創立 Gold Garden。其創作特色在於將「動漫元素」巧妙融入「古董飾品」,因而打造出許多視覺衝擊強烈的項鍊作品。例如 Tamagotchi 電子雞系列、EVA 系列,以及超人氣的時空美少女系列等。
藉由這次企劃,將揭示 Gold Garden 和 Pay7 的靈感來源,以及她平時如何佩戴 G-SHOCK GA-V01。
個人穿搭單品
Watch:G-SHOCK GA-V01A-8ANecklace:Gold GardenClothing:HYSTERIC GLAMOUR official.Bag:heavnShoes:GRAPE
造型概念:加入有趣的小單品
我傾向挑選有趣的設計單品來做混搭。比起追尋穿搭出一個風格,更希望是將這些我覺得好的設計,加入自己的想法,搭出適合自己的樣子!這次選用的銀色G-SHOCK GA-V01A-8A 也跟鞋子做了色彩搭配,很喜歡這種小細節的呼應~
關於 G-SHOCK GA-V01
GA-V01 為 G-SHOCK 最新推出的次世代錶款,以其突破性的原創設計和獨特的「有機外形」引人注目。它將稜角分明的組件與有機外觀結合,具備 G-SHOCK 招牌的防震、200 米防水和長達 10 年電池壽命等實用功能,重新詮釋了堅韌哲學。
平時個人喜歡的風格?
我喜歡看小眾品牌單品融合一些街頭潮流元素的風格,有一種又主流又非主流內味(???
創立 Gold Garden 的契機?
做了圖案&服裝設計多年,總是在遵守別人的規則設計,偶爾提出有趣的點子業主還以為我在開玩笑… 所以決定把過於爆棚的精力放在 Gold Garden ,成為我可以盡情創作的一部分。
設計靈感來自何處?
來自平時收集的各種古董墜飾跟小物,還有喜歡的動漫!有次我回顧了今敏的《千年女優》,我的想法就像那張經典海報,在面孔中充滿各種融合聖母、耶穌的畫像,開啟了把動漫元素融合在古董品的創作想法。
Gold Garden 想傳達什麼想法?
Gold Garden 中文 「綺園 」(起源),也是我的金色花園,創作的發源地,我希望用我的作品能讓大家看到自己閃閃發光的樣子。
聊聊品牌現在的運作模式?
目前從製作設計到圖像都是自己作業,很多的時間我都在為項鍊搜集古董小物,除了特製項鍊以外也做了品牌的IP角色,致力於發展多元的品項!
未來有哪些企劃?
未來正在準備將品牌角色 Akumagii 阿咕嘛姬做立體化在產品上,敬請期待!!
推薦台北一個好吃、好玩的有趣地方?
推推台北信義「 開囍滷肉專賣店」,他們將台式小吃做得相當高級又好吃,店內裝潢跟設計完全是一家質感小店,開幕還把廚房改成 DJ 台從下午開始放歌超級好玩!
G-SHOCK GA-V01 購買連結
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BAYREUTH, Germany (AP) — In Wagner's home theater, a twist has been added to the classic opera 'Die Meistersinger von Nürnberg.' Instead of Walther joining the guild of master singers and preparing to marry Eva after he wins the song contest, in Bayeuth's new version she grabs the medal out of the young knight's hands, returns it to her father, then leads her future husband offstage for a future forsaking the traditions of their family and city. 'No thank you. Let's go!' explained soprano Christian Nilsson, who is singing Eva in her role debut. 'She is a strong girl.' Matthias Davids' production runs through Aug. 22, emphasizing entertainment with a Hollywood Technicolor look highlighted by an upside-down inflatable cow and a tiny St. Catherine's Church atop 34 steep steps. Cow image dominates set Nilsson's Eva arrives for the Feast of St. John. encased in flowers with additional blossoms in her headdress, carried atop horizontal poles by four men. 'We were always referring to Eva as the prize cow. We said she is sold like a prize cow,' said Davids, a 63-year-old German director known for his work in theater musicals. That idea led to the huge heifer, manufactured by a company that makes inflatables and covered with flame retardant coating, according to set designer Andrew Edwards. Sixtus Beckmesser, the petulant town clerk who loses the song contest to Walther, pulls the plug on the cow, which darkens and sags, during the final oration defending the imperative of German art by the cobbler Hans Sachs. While Sachs runs to restore the connection — reinflating the bovine balloon and restoring light — the young lovers reject him and what he stands for. Townspeople, many wearing conical red caps that give them elf-like looks, shrug their shoulders at the final notes as Sachs and Beckmesser argue upstage. Wagner's happy ending not always kept When 'Meistersinger' premiered in 1868, Wagner presented a happy ending in which Walther and Eva joined together and he is admitted to guild. Davids' ending is less jarring than Kasper Holten's 2017 Covent Garden staging, set in a men's club where Eva is horrified Walther would want to join the misogynistic Meistersingers and runs away in tears. 'I saw some productions and I always found them kind of heavy and meaningful,' Davids said. He read Wagner's letters about his desire to produce a comedy to earn money and decided to search for lightness and humor while realizing comedy can't constantly sustain over four hours. Details were worked out during rehearsals, with Davids inspired by the chemistry of Nilsson and tenor Michael Spyres, who also was making his debut as Walther. Nilsson maintains a beatific beam during Walther's prize song. 'I really felt like in this production Eva and Walther truly had a fun connection — fun, young, loving connection — and I just leaned into that and listened to Spyres' beautiful tenor,' Nilsson said. Bringing levity, and an Angela Merkel look-alike, to the stage Davids' contrast was sharp from Barrie Kosky's 2017 production, set partly in Wagner's home of Wahnfried and the Nuremberg trials courtroom, with Walther and Sachs portrayed as Wagner of various ages. This time Georg Zeppenfeld was a grandfatherly Sachs in an argyle button through sweater vest. Beckmesser, played fussily but without histrionics by Michael Nagy, had a shimmering silver sweater below a cream Trachten jacket, mirror sunglasses and lute transformed to resemble a heart-shaped electric guitar outlined by pink light that gave him an Elvis Presley look. Jongmin Park, an imposing Pogner as Eva's father, was attired in a more flowing robe. Eva wore a traditional dirndl and Walther, an upstart, a punkish T-shirt. Susanne Hubrich costumed various townspeople to resemble German entertainer Thomas Gottschalk, comedian Loriot, fans of the soccer club Kickers Offenbach and former German Chancellor Angela Merkel. 'Ms. Merkel is a Wagner fan and attends the Bayreuth Festival almost every year,' Hubrich said. 'I spoke with her after opening night. She was amused.' Edwards, the set designer, had orange and yellow spears of light that resemble fairgrounds and included architectural details from the Bayreuth auditorium such as circular lamps in sets of three in the church and seats like the ones the audience was viewing from. Conductor Daniele Gatti, returning to Bayreuth for the first time since 2011, and the cast were rewarded with a positive reception from a spectators known to make displeasure known after more provocative performances. 'Just looking around the audience, there was a lot more smiles on people's faces at the end than normally you see at the end of Wagner productions,' Nilsson said.

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