"One Of My Favorite Carpet Looks Of The Past Five Years": People Are Obsessed With Joey King's Met Gala Suit
Every May, all sorts of stars descend upon the Metropolitan Museum of Art in New York City for the Met Gala.
And this year was no different. The theme was Superfine: Tailoring Black Style. Inspired by Monica L. Miller's 2009 book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity, the theme was a celebration of Black dandyism, and the dress code was "Tailored for You."
As a result, menswear and fine tailoring were major themes across many of the looks worn on the iconic Met steps. Stars like Colman Domingo in Valentino...
Zendaya in Louis Vuitton...
...and Bad Bunny in Prada were fan favorites.
Another beloved look came courtesy of Joey King.
Making her Met Gala debut, she wore a custom Miu Miu suit adorned with numerous glass (or maybe crystal?) embellishments.
But that's not all. She paired the gorgeous suit with a checked white-and-black dress shirt juxtopsed perfectly with a deep red and mustard yellow tie.
She topped it off with an ascot and a brown belt.
The look was a huge hit online with many declaring the Joey had one of the best looks of the night:
Ok Joey King I wasn't familiar with your game #MetGala #MetGala2025 pic.twitter.com/RNzuU5BLsV
— nat 🇲🇸🇦🇬 (@laugh_track_nat) May 5, 2025
Steve Eichner/WWD via Getty Images / Via Twitter: @laugh_track_nat
joey king with the best white celeb look so far is crazy work
— folu (@notfolu) May 5, 2025
@notfolu/X / Via Twitter: @notfolu
Joey King, these embellishments are sickening! pic.twitter.com/jMdrDbvkaU
— gabriel (@binzbysolange) May 5, 2025/Steve Eichner/WWD via Getty Images / Via Twitter: @binzbysolange
was not expecting Joey King to go this hard but this look is stunning. It's fun, it's on-theme, it's colorful and stands out, and the hair is a perfect balance for the suit. I am digging it. #metgala pic.twitter.com/LTe75CresZ
— mallison ick (@allison_mick) May 5, 2025/ Via Twitter: @allison_mick
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Chicago Tribune
3 hours ago
- Chicago Tribune
Review: ‘She Who Dared' lovingly fact-checks civil rights history
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New York Post
3 hours ago
- New York Post
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New York Post
5 hours ago
- New York Post
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Getty Images for BAM Later adding keyboardist/guitarist (and Harvard grad) Jerry Harrison, the band would become 'the most original, musically ambitious, and rigorously creative rock group of their time,' writes Jonathan Gould in his riveting new biography, 'Burning Down the House: Talking Heads and the New York Scene That Transformed Rock' (out June 16). The book deftly interrelates New York City's cultural, social, and economic history (from its bankruptcy and the downtown art scene to Son of Sam and the '80s boom) as the band evolves into an expanded group of both African-American and white musicians, ambitiously exploring ever-more innovative sounds. A former professional drummer and the author of well-received biographies of the Beatles and Otis Redding, Gould says that 'having grown up in New York, a big part of my attraction to the subject involved the chance to write about the change in the city's social life and geography over the past fifty years.' 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He was crucial in helping to refine and define the band's embrace of African-American musical traditions. ©Cinecom Pictures/Courtesy Everett Collection In 'Burning Down the House,' Gould explores how Byrne's Asperger's syndrome affected his relationships, as well as how it 'exerted a strong influence on his creative sensibility, beginning with his tendency to approach most aspects of music-making without the sort of preconceptions that most of us accept as a way of trying to show other people that we know what we're doing.' Gould adds, 'David's Asperger's also contributed to his remarkable powers of concentration and observation, in part because people on the spectrum learn to pay very close attention to things as a way of navigating an unfamiliar and sometimes incomprehensible world. At the same time, I think it's important to put this in context. David's Asperger's was one of many influences on an artist who sought out and absorbed influences like a sponge. It was not the be-all-and-end-all of his personality or of his creative sensibility.' 7 'Talking Heads and the New York Scene That Transformed Rock' is written by Jonathan Gould. 7 Author Jonathan Gould finished the project even more of a fan of their music than when he began his book some five years ago. Richard Edelman In a gripping narrative, Gould traces Talking Heads' journey from their hometowns to their art schools, Chrystie Street loft, and eventual global stardom. He sharply analyzes their work and includes rich portraits of individuals, art movements, and music scenes in their orbit. While Gould interviewed the band's longtime friends and colleagues, all four declined to speak with him. 'Though I was initially disappointed that they chose not to cooperate with my research,' he says, 'I've come to regard it as a blessing in disguise. I have the feeling that not speaking with them insulated me enough from their conflicting personal narratives to enable me to gain perspective on the formation and musical evolution of the band.' Gould finished the project even more of a fan of their music than when he began his book some five years ago. 'Initially, I was drawn most strongly to the trio of albums — Fear of Music, Remain in Light, and Speaking in Tongues — that had the greatest ambition and intensity,' he relates. 'As a drummer, I have a great appreciation of Chris's playing, beginning with his steadiness and solidity. And I consider David to be a genius — a word I don't use lightly — on account of the utterly distinctive nature of his singing, guitar playing, and songwriting. Simply put, I can't think of anyone else in popular music who sounds like him or writes like him.'
