Stunning star of 90s album cover lived very wild life after iconic snap – would you recognise her now?
THE sexy nurse trope is hardly original but this stunning porn star's take on the theme is the thing of punk rock legend.
Blink 182's 1999 hit album Enema of the State was one of the decade's most recognisable pieces of cover art.
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Blink 182's Enema of the State album cover has legendary status
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Janine Lindemulder was immortalised on the cover and in the video for What's My Age Again?
Credit: YouTube
The American punk group, renowned for their fart gags, pop parodies and
power
chords, drafted in Janine Lindemulder, 55, to take centre stage on their second LP.
The adult actress - whose work the band were not aware of at the time of her casting - wore a white hat adorned with a red cross, a white shirt left open to tease her red bra, and knowingly pulled her hand into a blue latex glove as her heavily made-up face smiled at the camera.
On the back cover, band members Tom DeLonge, Travis Barker and
Between the imagery and the album title, subtlety went out of the window.
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Originally, the album was due to be called Turn Around and Cough, which photographer David Goldman said inspired the now legendary images.
Unsurprisingly, there was controversy around picture. The Red Cross demanded the band remove the emblem from Janine's hat as it broke the Geneva Convention. It was subsequently changed to the letter B.
The album was a huge success, selling over 15 million copies worldwide and catapulting the band to the big leagues.
Singles What's My Age Again?, All The Small Things and Adam's Song received heavy
radio
play and are synonymous with the era to this day.
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After the album's release, mum-of-two Janine's life took a very different turn, temporarily at least.
She quit the porn industry the same year to become a primary school teacher.
Kourtney Kardashian pays tribute to iconic Blink 182 video as she copies it for baby announcement
Despite distancing herself from blue movies, she was inducted into the industry's hall of fame in 2022.
And two years after that, the lure of a big
money
industry return proved too and she mounted a comeback, performing with men for the first time in her porn career.
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Janine's comeback coincided with her
divorce
from West Coast Choppers star Jesse James, who would later marry A-list actress Sandra Bullock.
That short-lived
marriage
wasn't her first
celebrity
romance. She famously featured in a homemade sex tape with Motley Crue frontman Vince Neil in 1998.
James and Janine found themselves locked in a bitter custody battle in 2009 after she was released from
prison
having served six months for a $300k tax evasion.
Despite knowing she owed the huge sum, she splashed out more than $600k on a new home and two cars instead of paying back the debt.
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James was granted custody of their daughter Sunny, then five, while Janine was locked up.
Following her release, she unsuccessfully challenged the arrangement, which saw her receive weekly visitation rights.
At the time, James and Bullock argued Janine wasn't always in the right condition to look after Sunny, and they found themselves on 'high alert'.
Janine argued that her drug use was a thing of the past and told
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James divorced Bullock in 2010 and has since married twice more. The dad-of-four most recently tied the knot to porn actress and fifth wife Bonnie Rotten in 2022.
While Janine divorced her third husband, Jeremy Aikman, in 2010 after just one year together.
She became an early adopter of OnlyFans, putting out her own content in 2017. She still releases sexy online content to this day, stripping down to her underwear for a monthly subscription of $9.99.
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Janine was inducted into the AVN hall of fame in 2022
Credit: Twitter
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She's been releasing sexy pics on Only Fans
Credit: x.com
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She once dated Motley Crue singer Vince Neil
Credit: Getty
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Janine had a two year marriage to Jesse James of West Coast Choppers fame
Credit: Alamy
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Irish Examiner
35 minutes ago
- Irish Examiner
20 years of YouTube: 'We couldn't have predicted how the platform would evolve'
What toppled Egyptian president Hosni Mubarak, launched the careers of Justin Bieber and Ed Sheeran, and gave the world Gangnam Style and K-pop, sneezing pandas, and Mr Beast? Yes, YouTube. Happy 20th birthday to the video-streaming platform with three billion users in 100 countries, the world's second biggest search engine, and a billion hours of content a day. Crikey. Has it really been 20 years? Beloved of everyone from primary school kids to their grannies and everyone in between (in our house it's a verb), the existence of YouTube came about thanks to two very different events in 2004 — the Asian tsunami and Janet Jackson's nipple at the Super Bowl. Back then — for very different reasons – it was hard to find footage of these two events online. This gave three tech bros working at PayPal an idea for a video-sharing platform. Originally launched on Valentine's Day 2005 as a potential dating site — the three co-founders, Jawed Karim, Steve Chen, and Chad Hurley were self-declared geeks in need of dates — its initial slogan was 'tune in, hook up'. But the stampede of people uploading dating video profiles failed to materialise, so the three guys opened the platform to everyone — the first video, uploaded in April 2005, was a grainy 19-second clip of Karim at San Diego zoo in front of the elephants, titled 'Me At The Zoo'. Not long after, in October 2006, Google bought YouTube for $1.65bn — a year after Rupert Murdoch's NewsCorp had bought the now long-dead platform MySpace for $580m. 'We're the stage, you're the performers,' Hurley told the public. And behold, a new internet species was spawned — the YouTuber. Nobodies in their bedrooms became somebodies earning serious cash — remember Zoella? PewDiePie? Today's top three biggest YouTubers are Mr Beast (390m subscribers), T-Series (293m subscribers), and Cocomelon (193m subscribers). You might not know who these people are if you're Gen X and use YouTube for music, film, or how-to tutorials rather than following the YouTube-famous. Yet so many YouTube cultural moments are cross-generational — a YouTube 20th video in the form of a RickRoll has had a billion plus views to date (YouTube has its own constantly evolving language — the Rick in a RickRoll is Rick Astley). In Ireland, some YouTube classics include The man who fell on the ice, Singing priest, Irish man fights with sat nav, and The Spark. Silly, fun, heart-warming, shared and shared and shared. Alison Lomax, MD of YouTube in UK & Ireland: 'We've seen a lot of growth in the Irish YouTube community and economy and want to bring it together. If you're a YouTube creator and work on your own it can be quite lonely — having that peer group [of fellow creators] means people can learn from each other". Photograph Moya Nolan. A LIGHTBULB MOMENT Alison Lomax is CEO of YouTube for Ireland and the UK. After 11 years at Google — she's been working in tech and creativity since the days of dial-up — she moved to her current role at YouTube two years ago. Based in London, she regularly pops over to Dublin — on the day I speak with her, she's here for an event celebrating Irish YouTubers. 'What's fascinating about my job is that no two days are the same,' she says. 'It's incredibly broad and varied, there's always a lot to think about — everything that's happening in the UK and Ireland is happening in my inbox. 'We've seen a lot of growth in the Irish YouTube community and economy and want to bring it together. If you're a YouTube creator and work on your own it can be quite lonely — having that peer group [of fellow creators] means people can learn from each other. "When the first video was uploaded in 2005, there was no such thing as a creator, let alone a creator economy. People have gone from vlogging in their bedrooms to building studios and having meaningful careers off the back of their YouTube business. 'Another big difference we've seen is, as well as all the genres involved, is the breadth of partners involved — now we work with news publishers, sports partners, broadcasters like RTÉ, businesses keen to partner with YouTube to reach younger audiences and also reach a more global platform.' This involvement of traditional media outlets began in 2005 when US broadcaster NBC had a lightbulb moment. Early YouTube uploaded an NBC-owned Saturday Night Live clip, Lazy Sunday, and NBC sued — before realising that an SNL clip going viral on YouTube was actually a good thing. A very good thing. 'That change in decision making was quite a pivotal moment in YouTube's history. What we see now with big partners globally is their understanding of the role YouTube plays, how it can complement what they're trying to achieve. We are a redistribution platform,' says Lomax. Creators — the people uploading self-created content — and YouTube split the revenue from the uploaded content 55%/45%. 'Over the past three years, we have paid out $70bn to creators, partners, and musical artists. YouTube is a unique revenue-sharing model that no other platforms have at this scale. It's what has allowed creators to build their businesses on YouTube. It's revenue that they get week in week out.' Being famous on YouTube can open all kinds of doors. The Sidemen, a group of eight friends who post comedy, vlogging, and gaming content, are popular with teenagers — they're worth around $50m. 'The Sidemen launched 10 years ago, and are now probably the UK's biggest creators,' says Lomax. 'They have a vodka brand, chicken shops. They had a charity football match at Wembley recently and it sold out faster than any other football match, they raised £6m. They're celebrities. 'Anyone with a phone and an idea or a passion can build a business, which means the representation is from all over, from rural as well as urban areas, all over the world,' she says. 'Global distribution means that for a local creator, the majority of their content is watched outside of their country, so they can reach a global audience. 'Allie Sherlock is a great example, from the days of busking in Grafton St, she now has a huge YouTube channel [6.28m followers] and is well known in the US. I think YouTube is super-interesting when it comes to music, you have big artists who have launched their careers on YouTube, and genres like K-Pop. It's really positive.' Well, mostly. But like every other corner of the internet, there's toxicity, particularly in the so-called manosphere. Alison Lomax, MD of YouTube in UK & Ireland: 'Our view is that generative AI is going to power human creativity, not replace it. But with AI, there are obviously areas where the platform has needed to evolve, and areas where we've needed to look at our policies to see how they've needed to change." Photograph Moya Nolan. THE DARK SIDE OF THE TUBE Recent research from Dublin City University showed how the recommender algorithms on YouTube and TikTok fed 10 sock-puppet male-identifying accounts on blank smartphones 'masculinist, anti-feminist, and other extremist content irrespective of whether they sought out general or male supremacist-related content, and that they all received this content within the first 23 minutes of the experiment'. Yikes. So what does YouTube do about harmful content — misogyny, white supremacy, far right extremism? Why is the algorithm allowed to push toxic content with the potential to reinforce and influence harmful behaviours? To spread misinformation, to amplify the deranged toxicity of fringe groups and individuals? To proliferate far right content? Is it because, as outlined in Facebook whistleblower Sarah Wynn Williams' book Careless People, spreading hate and far right extremism is extremely profitable? 'It's a societal challenge,' says Lomax. 'We have guidelines and policies about hate speech, and policies which prohibit content that has hatred towards any individuals or groups based on certain attributes, and we enforce this really rigorously. We have a 20,000-strong trust and safety team, and we work around the clock to make sure that any content which violates our policies is removed from the platform.' Andrew Tate, the online face of toxic masculinity, was permanently banned from YouTube in 2022 (unlike on Elon Musk's X, where he currently has 10.7m followers). 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But with AI, there are obviously areas where the platform has needed to evolve, and areas where we've needed to look at our policies to see how they've needed to change. "Last year, we launched creative disclosure labelling, which means there's a label required if someone has altered the content. It's now required that this is disclosed, and in some cases a watermark is shown on the content itself. So this means creators are transparent about which content is AI and which isn't.' Another innovation is content ID — if you own content, and someone else uploads it in a user-generated content way, you can claim it and monetise it. 'It's protected under your copyright. Which is a good source of monetisation for creators and partners. It's a way of expanding systems we've built over the years to protect creators, because ultimately our business is only successful if it works for creators. It's an ecosystem based on trust. We want users to know what is real and what has been created by AI. And deepfakes are subject to our community guidelines the same as any other content.' As tech and our human responses to it continue to develop at warp speed, it's impossible to predict what YouTube, and the digital ecosystem in which it exists, will look like in the future. Or does Lomax have a crystal ball? She laughs. 'Looking back over the past 20 years, we couldn't have predicted all of the different changes and how much the platform has evolved. 'We're constantly responding to user behaviour changes and also to changes within the media landscape as well. We've made so many big pivots over the years that it's really difficult to predict the next 20 years.' She'd like to see more acknowledgement for the role of YouTube creator as a legitimate career path. 'How do we and businesses and the government support this creator economy and recognise its growth potential within the creative industries? It's a real incubation for talent. 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RTÉ News
9 hours ago
- RTÉ News
Ex-assistant to Sean 'Diddy' Combs says job included buying drugs, setting up sex parties
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The Irish Sun
10 hours ago
- The Irish Sun
Terence Crawford reveals why Canelo Alvarez fight is biggest in 20 YEARS… and lifts lid on sharing dinner with rival
TERENCE CRAWFORD says he is on the verge of boxing's greatest fight in 20 YEARS with Canelo Alvarez - after they broke bread over dinner. The unbeaten American steps up to super-middleweight to challenge Mexico's undisputed champion 3 Terence Crawford shares dinner with Turki Alalshikh and Canelo Alvarez Crawford compared the bout to one of boxing's biggest and said: "Over the last 20 years I can definitely say it's up there." UFC boss Dana White enters the boxing space to promote the fight and Netflix will broadcast. They debuted in boxing in November when over 100 MILLION But Crawford - a three-weight world champ with 41 straight wins - says he and 67-fight icon Canelo are the real stars of the show. READ MORE IN boxing He said: "Me and Canelo is the talent without me and Canelo this wouldn't be happening. "So me and Canelo are definitely making this event as massive as possible given the work and body of work that he's put in the sport the body of work that I've put in the sport. "The accomplishments that he has, the accomplishments that I have in the sport. "So when you look at it, we did this together with the work that he did and the work that I did." Most read in Boxing 3 CASINO SPECIAL - BEST CASINO BONUSES FROM £10 DEPOSITS The mutual respect extended to a dinner together with Saudi boxing supremo Turki Alalshikh - a day before their Riyadh launch press conference. But Crawford promised to leave a bad taste in the ring as he said: "I don't need no dislike to fight Canelo. "I don't need to hate him, I don't need to dislike him. But come fight night, the dislike and the hatred will be there." Canelo has won titles in four divisions and remains the sport's biggest draw after 20 years as a professional when he started aged 15. Crawford meanwhile defends his prized undefeated record at the Las Vegas Raiders' £1BILLION, 65,000-seat stadium. And he dubbed it the most important fight of his life as he looks to replicate the same success he achieved at 140lb and 147lb. He said: "Everything is up for grabs. Three-time undisputed, three different weight classes, going up two weight divisions. "Undefeated in the 168 division in Canelo Alvarez. Another all-time great, Hall of Famer in Canelo Alvarez. Everything is on the line in this fight." Canelo won back his undisputed throne at 168lb in May with a laboured win over Cuban William Scull, 32, in Saudi. He faced off afterwards with Crawford, 37, who is yet to return since winning the 154 WBA belt last August against Israil Madrimov, 30. And the Omaha hero - who has a street named after him in Nebraska - warned the pressure is shared between the superstar pair. He said: "We both wanna win. I don't see why it's less pressure on me. I wanna win, I don't wanna lose! I'm not gonna lose. "I want to become undisputed in three weight classes." 3 Crawford facing off with Canelo Credit: Getty
