‘Six hours': Truth about exclusive Cannes event
IN CANNES
When you think of Cannes, the iconic red-carpeted staircase of the Grand Théâtre Lumière, awash with stars at a gala premiere, is likely to be the first image that comes to mind.
It's the jewel in the crown of the annual film festival, and the site of some of Hollywood's most famous film debuts.
So it's hardly surprising that tickets to the gala premieres, held each evening, are the hottest ones in town.
This year, it's Mission: Impossible – The Final Reckoning, Eddington, The Phoenician Scheme and Die, My Love among the big titles being unveiled at Cannes.
Accredited festival-goers – which include those working in the film industry, press and a handful of lucky cinephiles – are given the opportunity to secure free tickets when they're released on the official website four days in advance.
But access is staggered, and if all else fails, those keen to attend are left with trying their luck in the last-minute queue.
Some find success, with people dropping out at the last minute, but either way, it's a gamble that can see them loitering in the queue outside the theatre for up to six hours – dressed in black tie, adhering to the strict dress code on the off-chance they actually score access.
For film students Mya, 23, and Maria, 20, who travelled from Czechia to be at the festival and found themselves at the front of the line for the gala premiere Bono: Stories of Surrender, they told news.com.au they were willing to do whatever it takes to get inside.
'It's the exclusivity, and also a reason to get dressed up … even though you're going to just sit on the ground for hours [beforehand],' Maria said.
'Our accreditation priority is super low so we get all the screenings much later, and there's usually barely anything left. So we're always fighting to get in.'
Meanwhile, 20-year-old Sofia, who travelled from Florida with a cinephile accreditation, told me the next day that she'd had mixed luck with the last-minute queue.
'I tried Eddington, but it didn't work … we were here from 1pm until 7pm, and didn't get in,' she said.
'But I did manage to get into Bono.'
With a handful of days still to go of the festival, several films have emerged as contenders to win the prestigious Palme d'Or award, which is the highest prize given to the director of the Best Feature Film of the Official Competition.
Sound of Falling, Two Prosecutors, Sirat, The Secret Agent and Nouvelle Vague have earned rave reviews, while there was a warm response to Eddington, starring Joaquin Phoenix and Pedro Pascal, and the Jennifer Lawrence and Robert Pattinson-led Die, My Love.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

News.com.au
8 hours ago
- News.com.au
Tom Cruise earns Guinness World Record for most burning parachute jumps
Guinness World Records announced on Thursday that Cruise had pulled off the feat 16 times while filming Mission: Impossible - The Final Reckoning. "Tom doesn't just play action heroes - he is an action hero!" said Craig Glenday, the organisation's editor-in-chief. "A large part of his success can be chalked up to his absolute focus on authenticity and pushing the boundaries of what a leading man can do. It's an honour to be able to recognise his utter fearlessness with this new Guinness World Records title."

The Age
12 hours ago
- The Age
The secret plan to bring a dissident Iranian filmmaker to Australia
Only two weeks ago, dissident Iranian director Jafar Panahi was being feted at the Cannes Film Festival when his revenge thriller It Was Just An Accident won the Palme d'Or, confirming him as a great of world cinema. But such has been the backlash against the film in Iran that Panahi did not know whether he would be allowed to leave the country again – until his flight to Australia took off this week. 'Any minute, this was a possibility,' he said through a translator in Sydney on Friday. 'When I get on a plane, I have to wait to see whether the plane is going to move or whether they are going to stop me.' Sydney Film Festival, which is screening It Was Just An Accident in competition alongside a 10-film retrospective of his work, kept his visit secret until he appeared on opening night on Wednesday. Panahi said that shortly after arriving back in Tehran after Cannes, 'the media that are working for the government hadn't watched the movie but they said it didn't have any value. That the only reason that it won the prize was that I'd been in jail.' Loading In 2010, the director of a series of acclaimed films that criticise the lack of freedoms under the Islamic Republic was sentenced to six years in jail and banned for years from making films and travelling abroad for 'creating propaganda against the system' and supporting anti-government protesters. After serving his jail time, Panahi shot It Was Just An Accident in secret to avoid submitting a script inspired by his imprisonment to government censorship. Despite the Cannes acclaim, the 64-year-old filmmaker accepted that he might be jailed again.

Sydney Morning Herald
12 hours ago
- Sydney Morning Herald
The secret plan to bring a dissident Iranian filmmaker to Australia
Only two weeks ago, dissident Iranian director Jafar Panahi was being feted at the Cannes Film Festival when his revenge thriller It Was Just An Accident won the Palme d'Or, confirming him as a great of world cinema. But such has been the backlash against the film in Iran that Panahi did not know whether he would be allowed to leave the country again – until his flight to Australia took off this week. 'Any minute, this was a possibility,' he said through a translator in Sydney on Friday. 'When I get on a plane, I have to wait to see whether the plane is going to move or whether they are going to stop me.' Sydney Film Festival, which is screening It Was Just An Accident in competition alongside a 10-film retrospective of his work, kept his visit secret until he appeared on opening night on Wednesday. Panahi said that shortly after arriving back in Tehran after Cannes, 'the media that are working for the government hadn't watched the movie but they said it didn't have any value. That the only reason that it won the prize was that I'd been in jail.' Loading In 2010, the director of a series of acclaimed films that criticise the lack of freedoms under the Islamic Republic was sentenced to six years in jail and banned for years from making films and travelling abroad for 'creating propaganda against the system' and supporting anti-government protesters. After serving his jail time, Panahi shot It Was Just An Accident in secret to avoid submitting a script inspired by his imprisonment to government censorship. Despite the Cannes acclaim, the 64-year-old filmmaker accepted that he might be jailed again.