
Netflix's 'greatest' gangster film streaming now and fans all want same thing
The 2018 action thriller, The Night Comes for Us, has earned a stunning 92 per cent score on Rotten Tomatoes, showcasing it as an unbridled triumph of raw, gripping storytelling and sheer visceral intensity.
Conceived initially as a script by writer-director Timo Tjahjanto, The Night Comes for Us then journeyed through adaptation as a graphic novel before finally manifesting as the edge-of-your-seat film experience that audiences can't get enough of.
The movie reunites the iconic duo Joe Taslim and Iko Uwais of The Raid: Redemption fame, with The Night Comes for Us also featuring the talents of Julie Estelle, Sunny Pang, Zack Lee, and Shareefa Daanish.
At its core, The Night Comes for Us thrusts viewers into a world of brutal combat, with gruesomely intense fight scenes that are bound to leave an impact thanks to the unparalleled gore. The storyline tracks the tormented life of a former triad enforcer named Ito, played by Joe Taslim, who puts everything on the line to save a child from his own gang, only to become the prime target of not just the crime syndicate, but also a multitude of lethal assassins, including his once close friend Arain, brought to life by Pencak Silat's revered action star - Iko Uwais.
In a chat with Film School Rejects, Joe Taslim accredited the seamless fight choreography to Iko Uwais and his team: "All the credits for choreography, I think, goes to Iko Uwais and his team. They design all the fights, the structures. He would jump in to give his ideas to shape the fights, to freshen up the tone of the movie and stuff. This movie was supposed to happen actually in 2014 and something happened so it has to be in a coma.", reports the Express.
(Image: (Image: Eriekn Juragan/Netflix))
"So we trained actually three, four years ago for the movie. We refreshed the training but we changed a little bit of the choreography."
In 2022, director Timo Tjahjanto expressed that while a sequel to the film "is still not official", he remains optimistic. Tjahjanto had previously confirmed publicly that he had crafted a storyline for the sequel centred on Julie Estelle's character, The Operator.
Robert Liefeld, co-creator of Deadpool and Cable, lavished praise on the film and its director as he took to X (formerly Twitter) to applaud the movie.
He said: "Give Timo Tjahjanto ALL the money for Deadpool 3!!!!Holee mother of God, I have seen the future of action films and it is TIMO TJAHJANTO!! The Indonesian cinema is exerting a significant influence on action films globally. Give these filmmakers major comic book IP's to experiment with. Heck, even a stand alone Cable film under the direction of @Timobros would be groundbreaking."
Despite criticism for the violence and gore depicted on screen, the action-packed film stunned critics universally, with one saying: "This is incredibly violent to the point of disturbing. Nonetheless, the fight scenes are some of the best I've ever seen. But this is a very dark and depressing story."
Another critic's review of the film added: "The Night Comes For Us is a dynamite two hours and for those of us missing the action films of old, it's a breath of fresh air."
(Image: (Image: Eriekn Juragan/Netflix))
Speculation is rife about the film's potential to spawn a franchise, with a critic saying: "Action fans could hardly wish for anything more than what's served up in The Night Comes for Us. The film's hardcore constituency will be wanting more of this from [Timo] Tjahjanto, and a sequel, prequel, or even franchise would not surprise from here."
Praise was also heaped upon the movie by another review, which acclaimed: "An utterly thrilling ride from the first second to the last, The Night Comes For Us is one of the best action movies of recent years."
The film has left audiences on an adrenaline high, with a viewer sharing their excitement: "As a die-hard action fan, I went into this movie with high expectations-and it still managed to blow me away. The action sequences are intense, brutal, and beautifully choreographed. It's a full-on adrenaline rush from start to finish. This one's a must-watch for any action junkie."
Regular re-watches are in order for some, as one audience member admiringly remarked: "I still come back and watch this film from time to time. I love the fight choreography. Even after watching it a few times, I still cringe on a few moments when I see blades go in places they shouldn't. This is right up there with The Raid films for me."
One particular viewer suggested that Western cinema could take note from Indonesia, as they expressed: "Quick, gruesome, stylish which personifies Indonesian movies. Iko Uwais and Joe Taslim were awesome as usual and Hollywood should learn from them."
One viewer was left utterly impressed by the film's spectacular display, exclaiming: "Absolutely fantastic movie. Some of the best action directing and some of the best action choreography I've ever seen. The relationship between Iko and Arian is incredibly tragic and compelling. Exceeded my expectations in every way."
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Sky News
25 minutes ago
- Sky News
Actor Dhanush criticises AI-altered ending for re-release of hit film Raanjhanaa
Indian actor Dhanush says he has been left "completely disturbed" by the re-release of one of his hit films with an alternative ending assisted by AI - but the production company behind it has rejected criticism of the move. Hindi-language romantic drama Raanjhanaa, called Ambikapathy in its Tamil-language title, has made headlines over its re-release 12 years after first hitting cinemas in 2013. Eros Media World says the new version, which sees the film's original ending switched to a happier one, is a "lawful and creative reinterpretation, not a replacement", and that the change and use of artificial intelligence has been made clear to viewers. The company says the alternate ending was "crafted under the direction of a human creative team using AI only as an assistive tool - not as an autonomous content generator". In a statement sent to Sky News, group chief executive Pradeep Dwivedi said the studio wanted to offer "fresh dimensions for audiences" and never intended "to undermine the original essence" of the film. However, the AI-assisted re-release has already drawn criticism from the film's director Aanand L Rai, and now its star Dhanush has released a statement to say the "AI-altered climax" had left him "completely disturbed". "This alternate ending has stripped the film of its very soul, and the concerned parties went ahead with it despite my clear objection," Dhanush said in a message posted on X. "This is not the film I committed to 12 years ago." Dhanush said the use of AI to alter films or other content "is a deeply concerning precedent for both art and artists" that "threatens the integrity of storytelling and the legacy of cinema". He added: "I sincerely hope that stricter regulations are put in place to prevent such practices in the future." Eros said Dhanush's "wonderful performance" in the role of Kundan had brought the character to life "in an unforgettable way". However, the studio said the actor's team had been aware of the plans before the re-release and that they had received "no formal objection". "While we acknowledge and respect differing views on the use of AI in film, our aim has been to explore how technology can complement storytelling and offer fresh dimensions for audiences - never to undermine the original essence of a film," Mr Dwivedi said. "The original Raanjhanaa and Ambikapathy remains much loved and widely available, and the IP is fully preserved." He added: "Just as storytelling evolves, so too does music - and with responsible use of AI, even the most iconic soundtracks are being respectfully reimagined as remixes to resonate with new generations while preserving their original soul. "We deeply respect the creative community and remain committed to collaborating in ways that ensure mutual respect, innovation, and progress for the cinematic arts. As one of India's most storied film studios, Eros remains committed to celebrating Indian cinema, nurturing talent, and embracing technology responsibly." Dhanush's comments come after statements posted by Rai, who has described the re-release as "a betrayal" to the original that has been "dressed up as innovation". Writing on Instagram, he said: "This was never just a film to us. It was shaped by human hands, human flaws, and human feeling. What's now being circulated is not a tribute. It is a reckless takeover that strips the work of its intent, its context, and its soul." Responding to the director's criticism, Mr Dwivedi reiterated that the re-release is "a respectful creative reinterpretation - clearly labelled and separate from the original version" and said such practices are "common in global cinema, and reflect our long-standing commitment to innovation, audience engagement, and cultural preservation". He also highlighted an ongoing legal dispute between Eros and Colour Yellow Productions, the studio co-founded by Rai. The re-release comes as artificial intelligence continues to cause concern among some in the creative industries. In June, video game actors in the US ended a strike after nearly a year of industrial action over the use of AI by game studios - an issue that was also part of the concerns raised by the Hollywood writers' and actors' strikes in 2023. Earlier this year, Oscar-nominated film The Brutalist made headlines for using the technology to "refine" Hungarian accents. It has also been used for de-aging stars such as Harrison Ford for the latest Indiana Jones film and Tom Hanks in the 2024 picture Here - and for helping to create "the last Beatles record" featuring John Lennon's vocals, released in 2023. There is a "good side" to the technology but also a "scary side", Sir Paul McCartney has said, adding: "We will just have to see where that leads."


Graziadaily
an hour ago
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Netflix's Perfect Match Is Back - But Who Is Daniel Perfetto?
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Graziadaily
an hour ago
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Absolutely Everything You Need Too Know About Sandy Gallagher, The Star Of Netflix's Perfect Match
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