
Putting on the style at Musselburgh's Ladies Day fashion extravaganza
Musselburgh Ladies Day, in partnership with Champagne Pommery, rolled out the red carpet for another sell-out event combining horseracing and high fashion, which was rounded off with an After Party hosted by DJ and former JLS band member Marvin Humes.
Best Hat winner Jayne Kirk Ladies Day glamour Style Awards finalists
The Style Awards fashion show, sponsored by Tiger Lily Boutique and hosted by River City star and BBC Scotland present Grant Stott, drew huge crowds around centre stage as the best-dressed ladies and gents competed for more than £6,500 in prizes.
Winner Erika Paterson was judged to be the best attired and returned home to Peterhead with a £5,000 trip to France to visit the Champagne Pommery Domaine, £1,500 in spending money and a voucher for Tiger Lily Boutique.
The judging panel for the Best Hat Award, sponsored by Sally-Ann Provan Millinery, included the first winner of TV's hit show The Traitors, Meryl Williams. The judges put their faith in winner Jayne Kirk from Dundee who collected a £300 voucher for Sally-Ann Provan Millinery, a bottle of Champagne Pommery and a cut, colour and styling session at Edinburgh's Charlie Miller Salon.
Musselburgh Racecourse Head of Marketing, Aisling Johnston, said: 'Everyone makes a huge effort for Ladies Day and that was borne out again this year with many stunning racegoers taking the opportunity to dress to the nines.
'So many of our Ladies Day guests return year in year out and that is great testament to the popularity of the event which has sold out for more than 20 years, but we are not complacent and always try to freshen things up and improve the offering.
'Erika was a worthy winner of the Style Awards but the lovely thing is the effort that all racegoers have gone to dress up for the day. It was a hugely successful day and we can't wait to do it all over again in 2026.'
Style Award winner Erika Paterson wowed the judges at Musselburgh's Ladies Day – pic by Alan Rennie
Fashion to the fore at Musselburgh's Ladies Day – pics by Alan Rennie and Jess Shurte.
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Scotsman
33 minutes ago
- Scotsman
Edinburgh Fringe theatre reviews: AI: The Waiting Room – An Audiovisual Journey Couac... Physical Comedy Stampin' in the Graveyard A.I. Campfire
Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... THEATRE AI: The Waiting Room – An Audiovisual Journey ★★ C ARTS | C venues | C alto (Venue 40) until 16 August DANCE, PHYSICAL THEATRE AND CIRCUS Couac... Physical Comedy ★★★ Gilded Balloon Patter House (Venue 24) until 17 August THEATRE Dead Air ★★★★ Pleasance Courtyard (Venue 60) until 24 August THEATRE Stampin' in the Graveyard ★★★ Summerhall (Venue 26) until 25 August THEATRE A.I. 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Daily Mirror
3 hours ago
- Daily Mirror
Coronation Street fans 'only just realising' Sally Carman is married to soap co-star
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-Corinne-Cumming.jpeg%3Fwidth%3D1200%26auto%3Dwebp%26quality%3D75%26crop%3D3%3A2%2Csmart%26trim%3D&w=3840&q=100)

Scotsman
a day ago
- Scotsman
Edinburgh Fringe theatre reviews: DYKE Systems Ltd Beth wants The D
Sign up to our Arts and Culture newsletter, get the latest news and reviews from our specialist arts writers Sign up Thank you for signing up! Did you know with a Digital Subscription to The Scotsman, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... DYKE Systems Ltd ★★★★ Pleasance Courtyard (Venue 33) until 25 August Comedy theatre double-act Fag Packet have been making work since 2023, but this is the duo's first time at the Edinburgh Fringe – and it is an anarchic delight. The premise takes some explaining. Performers Kheski Kobler and Holly Wilson-Guy are Susan and Sally, two beaming representatives of an American company called DYKE Systems Ltd – the acronym stands for Dynamic, Young, Knowledgeable Entrepreneurs – which, it immediately becomes obvious, is one giant pyramid scheme. Advertisement Hide Ad Advertisement Hide Ad Susan is a Lavender Lounge Level saleswoman. Sally is lower down the chain – and deeply in love with Susan. They are in Edinburgh on their final stop of a European seminar tour to sign up new recruits - that's us - to the company. Things go wrong, though. Head office in Florida has gone silent. The FBI are asking awkward questions. And the unexpressed desire between these two DYKEs cannot be contained much longer. All this unfolds over a chaotic hour of audience interaction (bordering on abuse), metatheatrical gags (there is definitely not a Fringe show, it just happens to be on in the same city at the same time), black humour (one joke about Charles Manson is particularly funny), and physical comedy (there is a brilliant, Thelma & Louise-style finale). It works on multiple levels, too: as a parody of 1990s multi-level marketing, as a satire of the girl-boss business world, and as a celebration of uncontainable queer love. Under Lucy Allan's direction, both Kobler and Wilson-Guy are superb as Susan and Sally. Dressed in complimentary pink-and-blue business suits so garish they almost hurt to look at, they rush around the small stage with unflagging energy throughout, their fixed smiles frequently slipping to reveal their true feelings underneath. This might be their first time at the festival, but it won't be their last. A terrific debut. Fergus Morgan Homo(sapien) ★★★★ Assembly Roxy (Venue 139) until 24 August If you thought coming-of-age, coming-out dramas had had their heyday, think again. In many ways, Homo(sapien) from Irish-born, Edinburgh-based writer/performer Conor O'Dwyer feels like it comes from an earlier, simpler age. But however many times we might have heard similar stories, O'Dwyer still manages to find a distinctive spin and a thoroughly individual voice - to the extent that it comes as a shock when he explains it's his debut play. Advertisement Hide Ad Advertisement Hide Ad Joey is a frustrated gay Galway teenager, apparently oblivious to the attentions of a classmate, but desperate to experience 'proper' gay sex for the first time - even if it means fixating on his own cravings at the expense of offering support to others in need. But will Joey's terror of embracing what's right in front of him mean he'll never get what he so desperately desires? O'Dwyer plays a nervy, restless Joey, hopping around the small stage as if reluctant to commit to any of the situations he finds himself in. But it's his distinctively west-coast, small-town Irish turn of phrase that brings a warmth and intimacy to his story, as well as a huge dose of humour - from laugh-out-loud gags on the misjudged fumbles of illicit encounters to wry smiles at the ironies of Joey's neediness. It's a nicely judged, finely paced script that maintains several timelines and story arcs, weaving them all increasingly closely (and tying them all together convincingly) as the show reaches its heartstring-tugging conclusion. O'Dwyer never stints on the specifics of gay encounters, but Homo(sapien)'s rawness is generally on the smoother side of gritty, and offset with plenty of self-aware comedy too. It's a lovingly crafted, deeply felt hymn to self-acceptance, from an emerging writer/performer who clearly has plenty to say, and plenty of wit and insight with which to say it. David Kettle THEATREEgo Tourism: Taoism in the Wild ★★★ Ego Tourism: How the Tao Made Me (a bit less) Weird [Listed previously as 'Ego Tourism: Taoism in the Wild'], PBH's Free Fringe @ Carbon (Venue 180) until 24 August Advertisement Hide Ad Advertisement Hide Ad Mark Saltveit, a 'modern Western Daoist' and stand-up comedian has messaged me: he would like me to come to the show once he's got over his jetlag. It's this kind of attention to what needs to happen when – one of the messages that may or may not be at the centre of the Chinese philosophy of the Dao (it's hard to be sure, as it can't be spoken) that underpins his one man show, which takes place above a lovely street food restaurant, in a karaoke bar. Mark is someone who may not have spent the required 10,000 hours mastering a craft but has carried out what feels like 10,000 weird and wonderful jobs instead. They provide the material for a classic stand-up structure paired with short esoteric stories from the Dao, each of which contains a thought-provoking message. Indeed, 'The joy of fishes', based on Zhuangzi, describes a duality that could easily be applied to this show. Some of the stories are a smoother combination of biography, comedy and philosophy than others. The Fringe as an opportunity to 'puff yourself up or beat yourself up' feels particularly apt. 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There's no grand catharsis, but a quiet light at the end of a long, winding tunnel. Though moments meander, it's strongest where the focus is tightly fixed on the absurdity of the labyrinthine world of medication, the rituals of balancing dosage, the strange bureaucracy of mental health care. Her conclusion is clear-eyed: the point is not to 'fix' bipolar, but to learn to live with it, though even that achievement comes tinged with doubt about its permanence. But there's a bittersweet beauty in accepting that conclusion. Alexander Cohen Living on the Moon ★★★ Gilded Balloon @ Patter Hoose (Venue 24) until 25 August In Living on the Moon, Molly McFadden uses puppetry and song to recount the death of her mother from Alzheimer's, an event which has since increased in significance, on account of her own diagnosis of Mild Cognitive Impairment and confirmation of the Alzheimer's gene. 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