
Opera star Lesley Garrett: Surgery after my terrifying cancer diagnosis could have destroyed my voice - that would have been a kind of death in itself
When thousands of people gathered to hear British opera legend Lesley Garrett perform in Bristol for an open-air gala in July last year, few could have guessed just how significant an event it was for the star.
Indeed, the Doncaster-born soprano, who has enjoyed a hugely successful 45-year singing career which has included serenading the Royal Family, performing in West End musicals and hosting her own show on Classic FM – as well as coming third on the first season of Strictly Come Dancing – likens the experience of performing that day to being 'reborn'.
Having delighted the crowd with rousing anthems such as Rule, Britannia! and You'll Never Walk Alone, she recalls telling the audience at the Action Aid event that she was pleased to be back after spending three months recovering from surgery.
But, as she acknowledges now, that may have been understating it just a little.
For the truth is that Lesley, who turned 70 last month, had been diagnosed with a form of cancer so rare it affects just 380 people in the UK every year – and it could have robbed her of her celebrated voice altogether.
Called a thymoma, it is a tumour on the thymus gland – a tiny organ that sits below the breastbone, just above the heart and between the lungs.
Its position is perilously close to two important nerves that control movement in the diaphragm and the voice box, so removing the tumour meant there was a small risk of permanent damage that could have left her unable to sing.
Not removing it, however, could have allowed the cancer to spread.
After delighting the crowd with rousing anthems such as Rule, Britannia! and You'll Never Walk Alone, Garrett told the audience at the Action Aid event that she was pleased to be back following three months of recovery from surgery
But thanks to the skill of her NHS surgeons, and the use of high-tech robotic surgery techniques, she was breaking into song – albeit only around her house – just days after the op.
And she was back on stage, with the audience none the wiser, in just a few months.
Speaking about her ordeal for the first time, Lesley says: 'Knowing there was a risk to my voice, that I could lose it and my career, was so terrifying – so unthinkable – that I had no choice but to lock my fears away.
'If I'd lost the ability to sing, it would have been the end of my life, really – I'd have lost an essential part of myself. Singing isn't just what I do, it's who I am. I'd have lost myself, and I can't imagine what I would have done. It would have been a kind of death.
'But thanks to my wonderful NHS team and the cleverness of the technology I have made a full recovery and there has been no lasting effect on my voice.
'I'm so relieved and grateful, and hope that by shining a light on a rare cancer we can raise awareness and understanding of it.'
Lesley – who lives in north London and has two children with her husband Peter Christian, a retired GP – knows only too well the devastation cancer can cause.
She lost both parents to different forms of the disease – her father died of leukaemia in December 2012, and her mother followed nine months later after being diagnosed with kidney cancer that had spread to her lungs.
But it was when her sister was diagnosed with breast cancer during the early part of the pandemic that she became more 'vigilant' about checking herself for signs of disease.
To her surprise, she found a breast lump in autumn 2021 and was referred to the breast clinic at London's Whittington Hospital.
But although it was found to be nothing to worry about, a scan picked up the growth on her thymus gland, which is responsible for making infection-fighting immune-system cells.
'These are very rare tumours and most small cancer centres might only see one or two a year,' explains oncologist James
Wilson. 'They can behave oddly and jump around the body if they spread or recur, so it's important to see a specialist so they know where to scan.
Symptoms generally include a persistent cough, hoarseness or a heaviness in the chest.
'In general, most cases are, like Lesley's, picked up incidentally when people are being investigated for something else – and if removed early, there's an 80 to 90 per cent chance they'll never bother you again.'
When Lesley was told the lump that had been discovered was a thymoma, it was originally thought to be benign and need no treatment.
But she developed some 'unusual vocal symptoms' in early 2023 and she was referred to specialists at University College Hospital in central London.
'My voice just didn't seem to be behaving properly,' she recalls. 'I'd want to go for a high note and it wouldn't do it in the same way. Something wasn't quite right.'
Like most singers, Lesley is supremely well attuned to any vocal issues, and particularly because she had already faced a potentially career-ending crisis 20 years ago when she burst a blood vessel in her larynx during a performance with the English National Opera.
Her rehabilitation took months, and doctors only told her once it had healed that the episode could have stopped her singing for good, which she describes as 'genuinely terrifying'.
But she had to face those fears again. While a scan appeared to suggest the thymoma had not grown, a multi-disciplinary team led by thoracic surgeon Davide Patrini recommended that she have surgery to remove the tumour and the gland itself.
For many thymoma patients this can be a major operation which involves cutting open the sternum – the breastbone – to reach the thymus underneath.
It can also be performed in some cases as a keyhole operation, which is less invasive and uses smaller incisions.
But at some NHS hospitals, including University College Hospital, the op is increasingly being carried out with advanced surgical technology using a Da Vinci robot.
The machines, of which there are around 200 across the NHS, use tiny surgical instruments and state-of-the-art cameras on robotic arms that are inserted into the body through incisions just under 1in wide.
The surgeon sits behind a console that gives a clear view inside the patient on screens and allows control of the robotic arms.
Mr Patrini said: 'The robotic approach has several proven benefits compared to traditional surgery, including reduced pain, faster recovery and improved surgical precision and dexterity.
'The blood loss is minimal and patients are discharged around 30 to 40 per cent faster, often within 24 to 48 hours.'
For Lesley, this precision was particularly important. The thymus gland is close to the recurrent laryngeal nerve, which sends signals to the larynx or voice box, and the phrenic nerves, which help to control the diaphragm.
Studies suggest that up to 5 per cent of people having thymectomies – operations to remove the thymus – end up with permanent damage to these nerves, which can cause paralysis or weakness of the vocal cords.
But robotic surgery makes this less likely, Mr Patrini says.
Mr Wilson, who is overseeing Lesley's ongoing care, explains: 'Lots of patients in my clinic end up with a paralysed diaphragm on one side, but for Lesley to sing she needs both sides to be working properly, otherwise she would have lost a significant proportion of her singing capacity.'
Lesley says the team were 'extremely careful' to explain any possible side-effects. 'I couldn't bring myself to face the possibility that I'd never sing again – the idea was so terrifying I couldn't let myself even go there. I had no choice but to put my faith in the doctors.
'I knew they were fantastically capable, but I did say to them, 'You will just steer clear of those nerves, won't you dears, because I do want to have a voice.'
'I made light of it, although the anaesthetist looked pretty shocked when he realised it was me they'd be operating on.
'But I trusted the team, and the robot was just the most incredible kit I've seen in my life. I felt really privileged to have that expertise at my disposal.'
The surgery took place on March 1 last year – the day after Lesley finished a stint playing Berta in English National Opera's production of Rossini's The Barber Of Seville.
The two-hour operation was carried out by Kunal Bhakhri, a specialist in robotic thoracic surgery at University College Hospital, and involved deflating her right lung to allow better access into the chest cavity.
Three small incisions were made, and the instruments were inserted through the rib cage without damaging the ribs.
One robotic arm cut around the tumour and the gland, while another placed it into a surgical bag before removing it from the body to avoid 'seeding' any cancer cells along the way.
'I was kept in overnight, but I was out the following morning,' says Lesley. 'I was back up and singing around the house in a couple of days. It was amazing.'
Tests revealed the tumour had grown and breached the thin membrane around the thymus, making it a stage-two cancer.
But the surgery had successfully removed all of it, which meant Lesley did not need to have any further radiotherapy or chemotherapy.
Instead, she must have follow-up scans every six months, which will be reduced to once a year, for the next ten to 15 years to make sure it does not come back.
These will also keep an eye on Lesley's enlarged aorta, which was also picked up when her thymoma was diagnosed.
In the meantime, she'll be performing alongside Russell Watson at the Proms In The Park in Bedford on July 6.
'I can't wait to get up there and give it my all,' she says.
'I received, and continue to receive, such fantastic care from the team at University College Hospital, and if talking about it helps to make this apparently rather unusual cancer better understood, then it's my duty and privilege to do that.'
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Telegraph
18 minutes ago
- Telegraph
A gentleman's guide to three-piece suit etiquette
The three-piece suit needs a bit of rescuing, the format having been hijacked by the Instagram manosphere and estate agents. We are an awfully long way from Indiana Jones in his Raiders of the Lost Ark professorial garb and, like a lot of the sartorial canon, various codes have been forgotten. The first thing to know is that a three-piece suit is the least formal of suit styles, perfectly demonstrated by Tom Hardy with his excellent and discerning use of RRL, a range from Ralph Lauren that's designed to be somewhat informal and more 'rustic'. This is the rule for both lounge suit and black tie, followed by double-breasted suits and two-piece single-breasted varieties. However, this wasn't always the case. The wearing of a waistcoat was essential in the nascent years of suiting because of a decree in October 1666 by King Charles II, mandating the wearing of a waistcoat for gentlemen. We know this because it was noted in Samuel Pepys' diary, reminding us of a time where people remembered to memorialise the more important matters. In the Regency era to much of the Victorian, order of the day for established houses was morning dress (a riding outfit - the morning was when gentlemen rode out) or frock coat in the daytime, and white tie in the evening, all requiring a waistcoat. As morning dress was replaced by the lounge suit and the frock coat was more or less isolated to the Court, the waistcoat was no longer a certainty in a man's daily wardrobe. In 1856, Edward VII commissioned Henry Poole to make him an 'evening lounge suit' in midnight blue, as he disliked dressing in white tie and preferred the growing trend of tailless jackets. Black tie was born, and waistcoats also began to fall out of favour for evening wear. More on 'Dirty Bertie' later. This heritage might explain the consensus that the wearing of a three-piece suit is occasion wear, which is why it's so prevalent at weddings. The hard-man credentials of Peaky Blinders have also made a lot of men feel confident that it's an agreeable way to dress up without losing any machismo. Whether you align with Tom Hardy and wear it casually, or want to wear the three-piece for something formal, there are rules that need to be kept in mind. Button know-how This is where we return to our wonderfully short-lived but sartorially consequential monarch, Edward VII. The question surrounding waistcoats often has to do with the bottom button. There are various disputes around the origin of this, but allow me to dispel things once and for all. Edward VII was perfectly able to wear the bottom button done up, no matter how large he was, his tailor would have taken it into account and an extra button would have made no difference at all. In fact, it was popped open for riding. This could easily have been for comfort but that is not necessarily a weight issue, rather the traditions of higher buttoning on riding garments - see morning coats, paddock-cut jackets and hunting pinks - which all need raised buttons for comfort in a sedentary position. The unbuttoning of the waistcoat therefore indicated you were a man of good standing who rode, and so everyone wanted to follow suit. Just to confuse things a bit, this does not apply to double-breasted waistcoats; they must all be done up. The smartest button stance is a three-button (six altogether) angled stance in a V shape, rather than the straight buttoning you see often from fashion designers. Fit check One of the biggest fashion faux pas is the sight of a man's shirt peeking out beneath the lapel and above the trousers. It is as much of a sartorial shortfall as the triangle of death – the triangle of white above the waistline and single-breasted jacket button, betraying the jacket as too small. This is very much how a certain tight-suited, Love Island hopeful might dress. One issue is that many brands make trousers that have what is called 'a low rise', i.e. the distance between the crotch and the top of the zip is short. What a man needs are trousers that are cut higher, ideally with pleats and held up by braces, to avoid this sloppy look. The lapel debate Old school aesthetes like my father, the kind that see everything through the prism of what is allowed in the officer's mess, would die on the hill against lapels on waistcoats. The lapel debate has more to do with opinion rather than actual etiquette, and truthfully, far be it from me to speak ill of my father's opinions on style, I think this is a misstep. It is true that a single-breasted lapel should have a very small lapel, if one at all, but a double-breasted waistcoat must have one, and the prouder the better. Accessorising The Roaring Lion by Yousuf Karsh is considered one of the greatest portrait photographs of all time; Winston Churchill's moody look is because just before it was taken, Karsh removed Churchill's cigar from his mouth. What stands out the most in this image is the chain which travels across the pockets, dipping to create a W shape. Whether a pocket watch, a lighter, a Champagne swizzle stick or cigar cutter, the chain is legitimate accessorising for waistcoats. The chain should travel from the left pocket to the first button hole that sits above the line of the pocket, and then if there is a fob, it should dangle down. If long enough, it can then be passed to the opposite pocket. One form of accessorising is a more outre design of waistcoat. This is, and should remain, the domain of the prefects of Eton College, known as 'Pop', who are allowed to wear whatever design of waistcoat they like in order to distinguish their authority (and boy do they take advantage of that freedom). You also had Sixth Form Select who were the 'other' prefects, selected due to academic achievement, and they could wear silver buttons. Keep it simple on civvy street; yours should match the jacket and trouser of the suit, and with morning dress should be a pastel colour such as sky blue. Where to find inspiration Watch every episode of Jeeves & Wooster for a categoric reminder of proper classic style, and there is plenty of three-piece action in there for you to see. Further watching should be the aforementioned Indiana Jones, Jude Law as Dumbledore in the Harry Potter offshoot Fantastical Beasts (seriously, a great men's style reference), and the original Great Gatsby. For non-fiction references, look to Churchill of course, and then his Tory successor Anthony Eden. Tom Hardy is definitely a solid inspiration for men who want to avoid the dandyish look. Just remember that tweed and heavier wools are much more preferable for a three-piece suit, so in the summer look for what are known as 'high twist wools', which allow for breathability. Full linen will crease too easily, so travel fabrics like Fresco wool are ideal. The three-piece suit may feel like dress up, but perhaps with a little bit of historic enlightenment and better knowledge of the rules, you can channel your Bertie or Tom Hardy and never let anyone take your cigar without asking permission.


The Sun
19 minutes ago
- The Sun
Huge pop star signs up for Celebrity Bake Off alongside Molly Mae and JoJo Siwa after being inspired by his son
RAG 'N' Bone Man has signed up to Celebrity Bake Off, The Sun can reveal. The singer, 40 - real name Rory Graham - joins influencer Molly-Mae Hague, comedian Babatunde Aleshe and Dance Moms star JoJo Siwa in the famous tent later this year. 4 4 He previously said it was the only reality show that he would consider taking part in. During an interview with Sky News, the Giant hitmaker revealed he discovered his love of baking in lockdown with his young son. He said back in 2021: "My son enjoys cakes, like a lot of three-year-olds do. "So we got into making all sorts of different kinds of cakes, I've kind of become quite good at baking, which is not necessarily a bad thing." Asked if Celebrity Bake Off could be on the cards, he said: "If they want me, I'll be there. "I don't really like the idea of reality shows, but I reckon I'd give Bake Off a go. If Big Narstie can do, I can do it." A source told The Sun: "He's really excited about getting in the tent - he can't wait for his son to see him baking on TV! "He's watched the show - now he's ready to impress the judges". His signing for Bake Off follows our exclusive story that Molly-Mae will swap the high stakes world of fashion for the heat in the kitchen. The Maebe founder has been placed firmly in the spotlight since her break-up last year with Tommy Fury. First look at new Bake Off judge as Prue Leith is replaced in tent for brand new celebrity series Another reality TV star, Jojo Siwa, has also signed up for the Celebrity Bake Off, just weeks after starring on Celebrity Big Brother and revealing her new relationship with Love Island's Chris Hughes. The celebrity version of Bake Off, whose participants have yet to be confirmed by C4, is being made just before filming of the "civilian" version. The show begins filming this summer with Noel Fielding and Alison Hammond returning to host as well as Paul Hollywood coming back to give the celebs some serious scrutiny in the Channel 4 star Prue Leith has stepped back from all GBBO specials, with cooking expert, and pal, Caroline Waldegrave filling her shoes. Last year, The Sun revealed how Prue had made the decision to step back from the Great British Bake Off specials and focus on the regular series. Channel 4 declined to comment and have yet to confirm any of the celebrities for the show. 4


The Independent
23 minutes ago
- The Independent
William and Sophie sample gin during rare joint outing
The Prince of Wales sipped gin with the Duchess of Edinburgh when the pair made a rare official outing together. William and Sophie touched paper cups and said 'cheers' as they sampled the drink at the Royal Cornwall Show – the prince's first visit as the Duke of Cornwall. The pair were mobbed by crowds at the event at Whitecross, Wadebridge near Bodmin, who wanted selfies with William and to shake their hands. The prince and duchess tried Saint Sithney Cornish gin and afterwards William described it as 'very light'. They also sampled the prince's favourite tipple, cider, and as the alcohol consumption mounted William joked about stronger spirits: 'I've been caught out with whisky a few times – I think I can do it, then it catches you out.' The pair spent the first few moments touring food stalls and stopped at jellies, jams and other produce made by the husband and wife team Wendy and Andy Knight from Home Farm Cornwall. William spread some spicy pumpkin chutney onto a piece of popadom, after asking for something 'not too hot' and quipped: 'When anyone says a little bit of spice – it's quite hot.' But he approved of the taste: 'Yummy, really good, there's definitely a bit of spice.' The prince knew what he wanted when they visited the Rattler Cornish Cider stall and turned down an offer of an alcohol free drink, saying he '(needed) the real stuff, cannot drink zero' and asked for the 'original'. He told Laura Clerehug who was manning the stand that 'everyone remembers their first Rattler' and after taking a drink, said: 'Needs a bit of ice in it, like a bit of ice.' During his tour of the show, William was intrigued by a robot dog-like device being developed by the University of Plymouth that can test the biodiversity of agricultural land, with farmers from William's Duchy of Cornwall participating in the research. He quipped 'what will the sheep make of that – dogs hate it I'm sure' – and watched as it rolled on to its back like a real canine. In the Duchy of Cornwall hub marquee, a large number of mental health charities and organisations working in Cornwall had been gathered and he chatted intently to the representatives. Husband and wife Serena and Elliott Jolly founded Sunrise Cornwall, after Mrs Jolly's younger brother committed suicide, to provide safe spaces for bereaved family and friends to talk and share their experiences. Gesturing around to the other organisations, William suggested to the couple they all 'find a way to help each other out, the synergy will make a greater impact, I hope that's something you can talk about'. Mrs Jolly said afterwards: 'Suicide isn't a dirty word, we have to be able to talk about it.'