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Murderbot – Season 1 Episode 3 Recap & Review

Murderbot – Season 1 Episode 3 Recap & Review

The Review Geek23-05-2025

Risk Assessment
Episode 3 of Murderbot begins with Preservation Society preparing to head across to the adjacent lab. Before they leave, Mensah gently encourages Murderbot to lower his helmet down so he's shown as part of the team.
On the ship, our titular character is too busy watching his sci-fi soap operas and he's not particularly happy about being constantly interrupted by the group trying to converse with him. This is particularly noticeable when Ratthi speaks to him, with Murderbot irritated by this whole ordeal.
Back over at the Preservation Aux habitat, Bharadwaj is healing well but she's still traumatized by the experience. Gurathin offers some behaviour modules but she turns him down. Murderbot continues to keep an eye on the guy though as he sneaks into Mensah's room and smells her pillow, very evidently missing her.
When the group find out that Murderbot has been reading their logs, Mensah approaches and tries to work out if he means them harm or not. Murderbot's long pause doesn't do his case any favours, especially his hilarious monologue about his disdain for humanity.
His quips are the comedic glue that keep this episode ticking over, and eventually they do make it to the habitat. Landing on the perimeter, right by a lake, the group approach slowly. Our Murderbot takes the lead though, heading inside the base as the others don't really have military-grade weapons training here.
Murderbot immediately finds the destroyed SecUnit we saw briefly at the end of the last episode. His curiosity gets the better of him, as he finds the entire team destroyed and killed. Mensah wants Murderbot to leave but radio interference causes their communication to cut out. Turns out this was Murderbot's doing, as he's not ready to leave just yet.
It would appear one of the SecUnit's has gone rogue and killed the others, eventually leading to Murderbot taking the prone bot out before it can do any more damage. Checking over the body, Murderbot realizes that somebody has taken control of the SecUnit. But who?
Well, the answer comes in the form of another Bot entering the room and firing at our titular character.
The Episode Review
So Murderbot returns with a great episode, sporting solid production values and a hilarious comedic tone. The episodes definitely feel a bit too short though and it's disappointing to find this one only clocking in at 22 minutes. The show is just starting to find its groove and ending these quick-bite episodes like this is in danger of losing the momentum as the weeks tick by.
Even so though, the show has a lot to whet the appetite here. The characters are generally quite interesting and what's particularly ironic is how Murderbot is probably more human than he gives himself credit for, given his current motives and curiosity. Either way, we'll have to wait and see where this one goes next week.
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People left shocked after realising what the voice of Sainsbury's self-checkout tills sounds like in real life - as she reveals how she landed the gig
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People left shocked after realising what the voice of Sainsbury's self-checkout tills sounds like in real life - as she reveals how she landed the gig

The woman who is the voice behind Sainsbury's self-service tills has revealed how she landed the job - and has left people shocked at how she sounds in real life. Alison, a voice actress from Essex, tells customers when to scan, pay, and package their shopping every single day. She has been the voiceover at the supermarket giant's self-service tills for the last two years after successfully being selected for the job. Revealing how she scored the gig on social media, Alison told viewers that she beat countless other candidates to bag the role, winning over shoppers during a trial period for having the 'least annoying voice'. Viewers were fascinated to see the face of the most recognisable voice in retail but even more surprised by what Alison's day-to-day voice sounds like. Speaking on TikTok, the actress and model explained that she is set to be the voiceover the self-service tills until 2028, having signed a five-year contract with Sainsbury's in 2023. 'I actually got this job through a modelling agent and not a voiceover agent,' she said in a video, which has since gathered thousands of views from intrigued shoppers. 'She basically looks after Argos, Habitat, Sainsbury's and they all come under the same umbrella,' she said. 'I've actually done a few voiceover jobs for Argos in the past and she asked me if I wanted to but put forward for the Sainsbury's self checkout tills, I thought, this might be good because I know they like my voice, they've used it before.' She sent her voice tape off to Sainsbury's at the beginning of January 2023 and was told a month later that she'd been shortlisted for the position. It wasn't until April that she was called in to record her voice over. Her voice was tested against rival candidates as part of a trial period to discover which tone shoppers favoured. 'There was lots of other artists in the mix that were shortlisted and that do a lot of kind of trials with the voices in the store itself to see which voices people preferred and which voices sounded the least annoying.' After a two month trial period, Alison then discovered that it was her voice that had come out top against rivals. 'Eventually after two months they decided they wanted to go forward with me,' she said with a smile on her face. When the day of filming came round, Alison was sent a script consisting of 'about 20 lines', which she was made to do 'lots of different versions of'. 'I actually did three extra record days where they weren't happy with things or they wanted to change a line or they just wanted more options. 'I actually recorded it here at home where I've got my own set up and a professional microphone but I didn't go into a recording studio. It was all done at my home.' 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Just a few weeks ago, the supermarket giant made a major change to its self-service checkouts, installing cameras on machines as part of an effort to tackle shoplifting. Cameras record customers when using the tills to ensure that each item is scanned. Shoppers who bag an item which they have not scanned will be shown the footage with the message 'Looks like that last item didn't scan. Please check you scanned it correctly before continuing'. The preventative measure follows a rise in shoplifting which saw police log 516,971 incidents last year - up from 429,873 in 2023. It has been met with mixed reactions from customers, with one claiming they were presented with the warning message because a packet of basil they were trying to purchase was 'too light'.

Murderbot – Season 1 Episode 5 Recap & Review
Murderbot – Season 1 Episode 5 Recap & Review

The Review Geek

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Murderbot – Season 1 Episode 5 Recap & Review

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The Quatermass Xperiment review – Hammer first sci-fi hit is brash, watchable B-movie
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In the early 1950s, there could hardly have been a bigger and more delirious pop culture phenomenon in Britain than The Quatermass Experiment, Nigel Kneale's wildly popular science-fiction drama serial for BBC television, which spawned its own spoof version on The Goon Show ('The Scarlet Capsule') and paved the way for Doctor Who. It was also turned into this brash standalone feature from 1955 from Hammer; it was the company's first real hit, and an unusual example of the high-minded BBC feeding content to this garish movie outfit. Hammer of course was in time to discover that its vocation was not really for futurist twilight-zone sci-fi but for the atavistic world of vampires and mythic beasts. This forthright and watchable picture, with its terrific cast of veteran players such as Jack Warner, Thora Hird and the totemic Sam Kydd, is entirely happy in its own B-movie skin, with the 'X' in 'Xperiment' gleefully signalling its identity as a pulp shocker; though it is also recognisably part of the English science-fiction tradition of John Wyndham, a world of strange doings in the innocent English shires with the frowning authorities – uniformed coppers, men from the ministry and white-coated medics – withholding the facts from the excitable public for their own good. It's also an ancestor of Spielberg's Close Encounters of the Third Kind. A spacecraft crashes back to Earth in an English field, creating a gloriously surreal image of the rocket upturned in the earth, as big as Stonehenge, to the horror of the scientific project leader Professor Bernard Quatermass, played with brusque assertiveness by veteran American actor Brian Donlevy; two of its three crew (no one uses the term 'astronaut') have vanished, and the third, Victor Carroon (Richard Wordsworth) is carried out of the wrecked craft, catatonic with horror, and apparently in the very early stages of some hideous metamorphosis. Could it be that the three voyagers have encountered a shapeless intergalactic entity out there in space which has consumed two of them and insidiously entered the third, preparing parasitically to take over Planet Earth? It could. With stolid Inspector Lomax (Warner) in pursuit, the Carroon alien-humanoid makes its escape from hospital, leaving a giveaway slimy trail everywhere, and has a Frankensteinian encounter with an innocent little girl (a young Jane Asher) somewhere in Deptford before morphing into a thoroughly bizarre octopus-like creature like something out of a film by shlock specialist Ed Wood Jr. In fact, the creature's preposterous appearance surely taught subsequent directors like Spielberg and Ridley Scott the vital importance of not showing too much too soon or in too much explicit detail. But it gives director Val Guest the opportunity for a barnstormingly ambitious and Hitchcockian finale in Westminster Abbey, with the monster making its appearance in the middle of a live TV transmission about its architectural history. (I bet they wished they'd gone for a pre-record.) Startlingly, the programme's resident expert Sir Lionel Dean (Basil Dignam) looks at the monster's victim lying dead on the floor and with considerable sang-froid suggests they simply continue the programme in another part of the abbey. It all looks a bit rough and ready sometimes, but it is performed with resounding theatrical panache, and the extended sequence where an aghast Quatermass and his associates watch the silent onboard film, recovered from the spacecraft wreckage, is genuinely eerie. The Quatermass Xperiment is in cinemas on 5 June for one night, and is on UHD and Blu-ray from 9 June.

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