logo
L.A. Affairs: I boldly gave a fun, mysterious guy my number. Could I refrain from Googling him later?

L.A. Affairs: I boldly gave a fun, mysterious guy my number. Could I refrain from Googling him later?

This story begins at MiniBar, as so many of my Hollywood stories do. Well, technically it's called Lily's Bar now, but to me it will always be MiniBar — the inconspicuous hole-in-the-wall bar found inside the Best Western — no wait, the Adler a Hollywood Hills Hotel on Franklin Avenue.
It's the kind of place where you can talk to everyone or no one, and that's why I love it.
Now it goes without saying that it's been a rough start to the new year for us Angelenos. As if the constant threat to democracy and climate change-induced fires weren't enough, I also found myself deep in the loneliness and existential hopelessness that comes with a breakup, one that was initiated by me but still stung. My ex is an egomaniacal actor who once said, 'I think I'd like you more if you were repped by a reputable agency like CAA.'
So you'll understand my choice to drown my sorrows in a dirty martini and Eve Babitz's 'Sex and Rage.'
Despite my 'talk to no one' intention on this idle Wednesday, I found myself distracted by a man sitting at the edge of the bar across from me, writing feverishly on a napkin. I recognize that flow of inspiration, the need to get every thought onto any surface possible before it slips away. This manner drew me in more than his sharp jaw and shiny hair (he must have an oiling routine), though in hindsight his features were magnetic, almost of a different era. A Marlon Brando-esque gaze which holds a world of thoughts.
I sensed us looking at each other at different times, he when I was (pretending to be) deeply engrossed in a chapter, and I when he was scribbling down a thought. I wanted so badly to ask him what he was writing but would have had to yell across the bar or plop down next to him. Neither option seemed warranted.
After an hour and a second dirty martini, I decided it was time to leave and let this man remain a mystery. Just as I asked for my check, he got up to go to the bathroom, and a stroke of inspiration hit me: Why not leave my number on a napkin? At the very least he'd respect the vessel through which I chose to write it. So that's exactly what I did.
I set it next to his drink, and the bartender gave me a wink, which felt like a good omen. I left with a stroke of energy. I should leave my number more often, I thought as I walked across the parking lot to my car.
Then I heard someone say, 'Kelly!' My name cut through the spirited air, and I turned around to find him standing there. He shrugged his shoulders and asked, 'Do you want to go to the Frolic Room?'
He could have said Mars, and I would have said yes. Suddenly, what lay before me was a night filled with endless possibilities. I hadn't felt the electricity of spontaneity for a long time.
It turns out the Frolic Room was a quick walk down to Hollywood Boulevard, probably one of the only times I've walked from one bar to another in L.A. He said he liked the boldness of leaving my number and had wanted to do the same. He told me his first name: Vincent. There was a lot of silence, but it was comfortable. And we walked fast.
There were only a handful of people inside, although the place couldn't fit much more than that anyway, and Vincent guided me straight to the jukebox, hand-in-hand. 'Pick a song,' he said.
I don't know why, but Billy Joel's 'Vienna' came to mind, perhaps because it's always embodied a desire to find adventure in this city and soak the marrow out of life. That prompted Vincent to choose 'Piano Man,' and before I knew it we were doing shots of whiskey and pretending the bar was a piano itself, miming the notes with our hands. Everyone joined in.
The whole time I was thinking, Who is this guy? Although I was curious about what he did for work, I also appreciated that we hadn't broached this topic, especially because it's often the first thing people want to know about another person in L.A. I was forming my own theories — a writer, of course, or perhaps a musician.
He seemed to be a font of musical knowledge and he was hitting those fake piano notes with a rhythm I did not have! Or perhaps he was an artist of many trades, like me, who pieces together different passions to make a living.
As the place was closing, the bartender said, 'You know we just hung your picture up on the wall!'
I was shocked to see him gesture to a framed photo of Vincent and another guy beaming at the camera, arms flung over each other's shoulders in a brotherly manner. It was in the middle of a gallery wall filled with old-timey signed photos of celebrities including Sly Stallone and Lindsay Wagner, Johnny Depp and even Charles Bukowski. Now my wheels were really turning.
We stepped onto Hollywood Boulevard and strolled up to the Pantages Theatre, arm-in-arm, under the marquee. 'So what do you do?' I finally asked, and our very stimulating conversation went like this:
Him: 'I'm a DJ.'
Me: 'Do you love it?'
Him: 'I do!'
Me: 'That's … great!
Him: 'Yup. Do you want to come back to my place?'
Me: 'Yup!'
So that was that. Mystery not quite solved. The escapades that followed are a story for another day, but let's just say the ambience was top notch. Think musky candles, dim lighting, lo-fi jazz and smooth whiskey with a big cube. Let's also say he was seemingly more interested in my pleasure than his own gain, and that was refreshing.
I woke up the next morning with a pounding headache, a meeting to rush to in Santa Monica, and a giddiness I hadn't felt since well before the new year. Of course, the question remained of who he was exactly, but as I drove on the 101 Freeway, with the sun beating down, the smoke clearing literally and figuratively and the sky a shade of brilliant blue, I realized how little it mattered.
Now, of course, I'd be lying if I said I didn't do everything in my power to Google him when I got home (though not knowing his last name was a real barrier). I'm a bit of a sleuth, and finally found his Instagram via the Lily's Bar page. I can confirm he is in fact a world-touring DJ, though I had never heard his music. So a famous DJ — or better yet, an enigmatic, dynamic person named Vincent — made me feel hopeful again and reclaim a little bit of the love I had lost both with my partner and the feeling of enchantment in L.A. Life had been tough, but there was still love to find. When will you realize, Vienna waits for you?
This author is an actor and writer based between L.A. and Paris. She pens the weekly Substack column A Woman of Leisure (awomanofleisure.substack.com), where she explores femininity, solitude and the art of paying attention. She's also on Instagram: @kellyrookdaly.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

6 Dress And Boot Combinations To Extend That Summer Feeling Into Autumn
6 Dress And Boot Combinations To Extend That Summer Feeling Into Autumn

Elle

time11 minutes ago

  • Elle

6 Dress And Boot Combinations To Extend That Summer Feeling Into Autumn

Now that temperatures have dropped a little, I keep gazing wistfully at my autumn boots. Then again, I'm not quite ready to part from my beloved summer dresses. The good news is, you can have everything – well not everything, but, you know – since the simple formula of boots and a summer dress solves most between-season styling dilemmas, making the transition into autumn more effortless. If you thought your halterneck mini was nothing without a pair of ballet flats, think again. Its Y2K-leaning sensibility makes it the perfect match for the slouchy boots that made an appearance on the AW25 runways, at Isabel Marant, Khaite and Louis Vuitton. Hold on to your satin slip dress, too – it makes an excellent layering piece when teamed with biker boots and a slouchy knit (and jeans, on extra chilly days). It's certainly not the cowboy boot's first rodeo, as it stomps defiantly onwards into another season thanks to Altuzarra and Isabel Marant, who has long loved Western-inspired styling. Later, wear yours beneath sharply tailored trousers (as at Calvin Klein); now, slip 'em on with a white cotton sundress for late summer festivals and hoedowns. Whether you prefer an equestrian or Victoriana vibe, there is a new-season boot for you. Invest in your perfect pair and wear it right away, combining riding boots with a denim dress or lace-up styles with wafty, boho midis and maxis. Without further ado, here are six tried-and-tested dress and boot pairings for a chicer almost-autumn. You've spent all of summer wafting around town in a Chloé-esque maxi and there's no need to let autumn stop you – simply swap out your ballet flats or jelly shoes for a pair of lace-up boots, either Victorian-inspired (as seen at Bora Aksu's AW25 show) or biker-style, seen at Dior. For chillier, late-summer days, hedge your bets in a long-sleeved, A-line mini dress (in denim, depending on the temperature) and riding boots. ELLE UK's Site Fashion Editor Daisy Murray wears the combo especially well. Crisp cotton sundresses served you well all summer – continue the party into autumn by eschewing sandals for cowboy boots. Judging by Altuzarra and Calvin Klein's AW25 shows, they're not going anywhere. Last seen sometime in the early aughts, the slouchy boot was well overdue a second wind. Well, it's back with a vengeance, thanks to Khaite, Zimmermann and Isabel Marant, whose Edrik boots are perfectly in-keeping with the Y2K look of a halterneck mini dress. Reward the satin slip dress's unerring loyalty in a heatwave by styling it throughout September and into October, with knitwear and buckled boots – the chunkier, the better. Brown boots ruled the runways at Khaite, Alberta Ferretti and Fendi (amongst others) and will be a key part of your winter wardrobe. For now, we love how they look with a flippy, drop-waist dress, like this ruffled Gimaguas number.

Sophie Cunningham celebrates 29th birthday in style
Sophie Cunningham celebrates 29th birthday in style

Yahoo

time13 hours ago

  • Yahoo

Sophie Cunningham celebrates 29th birthday in style

The post Sophie Cunningham celebrates 29th birthday in style appeared first on ClutchPoints. Sophie Cunningham knows how to have a good time. The Indiana Fever star was celebrated by her teammates at practice while she ushers in her 29th birthday. The Fever guard was gifted a pink cowboy hat from her teammates, and they gave Cunningham a brief rodeo moment at practice. She put on her pink cowboy hat and danced through her teammates, who were all clapping for her. Cunningham was smiling and laughing her way through the Soul Train-esque runway with glee in celebration of her birthday. It didn't stop there. Cunningham received a lot of love from her friends and family online, which she reposted to her Instagram Story on Aug. 17. Her teammates showed her more love online as well, with Fellow Fever guard Lexie Hull shared a selfie of the two with a party background, and Fever guard Makayla Timpson posted a short video of Cunningham at a restaurant having a good time. Sophie Cunningham on joining the Indiana Fever Earlier this year, Cunningham joined the Fever in a four-team trade also involving the Connecticut Sun and the Dallas Wings. Prior to joining the Fever, she was on the Phoenix Mercury for six seasons. 'I think that since I've been out here in Phoenix it hasn't always been easy,' Cunningham told The New York Post. 'There's been a lot of trials. There's been a lot of lessons learned, a lot of experiences that I thought was just like any WNBA team, but I think it's built me. It's made me tougher. It's tested my persistence and my mental quite a bit. 'I think it's built me for something bigger and better, and the stage that we're about to be on with the players that I'm about to be with — I think I am built for this. While Cunningham is excited to now be on the Fever, she understands that it's going to take hard work and alignment amongst everyone to make it work. 'And that doesn't mean it's always going to be rainbows and butterflies … each season has their thing. But I just feel like when you're in a good mindset and you're around really good people who have a common goal [it works].' So far this season Cunningham is performing well as she averages 8.9 points, hitting 48.2% of her field goals and 44.1% of her three-pointers, 3.6 in rebounds, 1.1 assists and 1.0 steals per game, according to ESPN. The next Fever game is against the Connecticut Sun today (Aug. 17) at 1 pm ET. Related: Fever's Sophie Cunningham assisted off court after apparent knee injury Related: Fever's Stephanie White reveals 'hope' for Caitlin Clark injury return

Movie Review: Margaret Qualley shines in 'Honey Don't!' as Philip Marlowe in red lipstick

timea day ago

Movie Review: Margaret Qualley shines in 'Honey Don't!' as Philip Marlowe in red lipstick

The skies are blue, the sun unrelenting and the body count escalating in the Bakersfield, California, of 'Honey Don't!,' where Margaret Qualley's private investigator tries to get a handle on the nefarious goings-on in her city with a small-town feel. It's the second film in Ethan Coen and Tricia Cooke's so-called 'lesbian B-movie trilogy,' and while this shaggy caper might not add up to anything significant — perhaps part of the 'B-movie' point — it is fun and immensely watchable. That's thanks in large part to Qualley's turn as the smoothly confident Honey O'Donahue, kind of a Philip Marlowe, or maybe Veronica Mars, in cherry-red lipstick, high heels and silks (inspired choices for the sweltering setting by costume designer Peggy Schnitzer). Honey is meant to be strikingly 'other' in this very downtrodden Bakersfield of eccentrics, dropouts and lost souls, where missing teeth seem to be more prevalent than pedicures. It's a carnival of very memorable, very Coen-esque misfits, like a grumpy bartender played by Don Swayze and Charlie Day's clueless police officer Marty Metakawitch. Marty is not the only man in town who has trouble accepting that Honey will never be interested in him. You could play a drinking game with how many times she has to tell hapless men, 'I like girls.' Not only is queer literacy low in this Bakersfield, but many in town seem to have come under the influence of a church leader played by Chris Evans, the Rev. Drew Devlin, whose high-wattage smile and proclivity for flirting have made him a local celebrity. Evans, who seems to be having fun in a weirder role, plays the Rev. Drew as a charismatic creep, an ego-driven and possibly sex-addicted influencer who is also peddling drugs and arranging hits around town. He too has a boss, or bosses, known only as 'the French,' which is amusingly underexplained. And he's often completely, or nearly, naked and involved in some cringey, experimental acts with his naive followers. Not unlike the new 'The Naked Gun,' this saga begins with a suspicious vehicular death. The deceased was an almost-client of Honey's, which sets her off poking around and looking for answers. Most of her cases are of the cheating spouse type, and this is just more interesting. Meanwhile, others start dropping dead too. Some of these deaths feel spiritually, comedically similar to the Mark Pellegrino sequence in 'Mullholland Drive' (not the only Lynchian nod). And all signs are pointing back to the church, though Honey gets a bit distracted with a new fling in Aubrey Plaza's lustful cop MG Falcone and some family drama with her wayward niece Corinne (Talia Ryder). 'Honey Don't' might play more like a pilot episode of a television series than a contained film, but it is a step up from Coen and Cooke's previous effort, 'Drive Away Dolls,' which felt constructed of comedic parts whose shelf life expired 20 years ago. This script, written by Coen and Cooke, is probably just as vintage, technically speaking, but it feels more timeless. With a stable of memorable side characters, including Josh Pafchek as the reverend's assistant and Jacnier as a skittish new drug dealer named Hector, 'Honey Don't' is gory, unapologetically sexual, quippy and dark. It also clocks in at under 90 minutes — they knew just when to get out. As Ethan Coen finds his groove as a solo director, 'Honey Don't' might not be 'The Big Lebowski' or 'Raising Arizona,' but it is a swing in the right direction. At this rate, if we get the pleasure of seeing a third film, it might just be a classic. 'Honey Don't!' a Focus Features release in theaters Friday, is rated R by the Motion Picture Association for 'some strong violence, language, graphic nudity, strong sexual content.' Running time: 88 minutes. Three stars out of four.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store