
Bobby Brown says Britney Spears 'butchered' his hit 'My Prerogative'
Bobby Brown is sharing his real thoughts on Britney Spears remaking his biggest hit.
The Grammy Award-winning R&B star revealed on April 16 that he didn't care for the pop sensation's cover of his 1988 song My Prerogative .
During an interview on the Club Shay Shay podcast, host Shannon Sharpe asked Brown about which artiste he thought did the best job sampling his music.
'I don't think they really did justice to any of the samples. Like, Britney Spears butchered My Prerogative ,' he said of her 2004 cover. 'Teddy Riley produced it. But that was a butchering. I couldn't take it.'
The 56-year-old admitted he was initially on board with the idea of the Toxic singer covering the song because he thought she would 'wow' him. But she didn't, he said, causing him to be wary of giving new artistes his blessing for redoing his songs.
Brown co-wrote My Prerogative , which became the biggest single from this sophomore album, Don't Be Cruel . The track reached No.1 on the Billboard Hot 100.
Spears released her version of the song as a bonus track on her first greatest hits album. Despite Brown's reaction to the cover, the update became an international hit. – New York Daily News/Tribune News Service
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


The Star
6 hours ago
- The Star
Aubrey Plaza describes grief as 'an ocean of awfulness' after husband's death
Actor Aubrey Plaza opened up about how she's coping with grief after the sudden death of her husband, Jeff Baena. Photo: TNS Actor Aubrey Plaza opened up about how she's coping with grief after the sudden death of her husband, Jeff Baena. Plaza talked about the "daily struggles" she goes through during an appearance on the podcast Good Hang – hosted by her Parks And Recreation co-star Amy Poehler. "I feel happy to be with you. I'm here and I'm functioning and I feel, you know, I feel really grateful to be moving through this world," Plaza said. Baena, an independent filmmaker, died by suicide in January. The couple tied the knot in 2021 and collaborated on several films together, such as Spin Me Around , The Little Hours , and Life After Beth . During the interview, Plaza compared her grieving process to the recent film The Gorge starring Miles Teller and Anya Taylor-Joy. "In the movie, there's a cliff on one side and then there's a cliff on the other side and then there's like a gorge in between and it's filled with all these monster people that are trying to get them," she said. Plaza added: "There's like a giant ocean of just awfulness that's right there and I can see it. And sometimes I just want to just dive into it and just be in it. And sometimes I just look at it. And sometimes I'm just trying to get away from it, but it's always there. It's just always there." – Los Angeles Times/Tribune News Service


New Straits Times
15 hours ago
- New Straits Times
#SHOWBIZ: Harrowing encounters of courageous baby-rescuers
DIRECTOR Chong Keat Aun's latest movie was the opening film at the 49th Hong Kong International Film Festival and recently had its North American premiere at the New York Asian Film Festival on July 12. The Golden Horse-winning director's third feature film is a deeply human drama inspired by the less-known existence of the 24-hour baby hatches around the country. It also zooms in on creeping societal conservatism that is withering away Malaysian women's voices with archaic interpretations of customs that govern their reproductive rights. Set around a baby hatch centre somewhere in the Klang Valley, it follows the journeys of two women who cross paths as a result of a baby hatch and face the longstanding social stigmas which challenge the right of single mothers to use them. The film begins with a nostalgic lullaby whose lyrics reflect traditional beliefs: "If you raise a son, he takes care of you when he grows up. If you raise a daughter, she belongs to others when she grows up." In the heart of Malaysia, the baby hatch is more than just the practice of a mother abandoning their newborn in a cradle at the designated centre — it is denounced by traditionalists who see it as a moral decline. Despite facing social media vitriol almost daily, Lai Sum (Fish Liew), Fatimah (Tan Mei Ling), Kam (Pearlly Chua), and Nurul (Jasmine Suraya Chin) — dedicated staff at their Klang Valley baby hatch — stand firm in doing what's right for mothers and babies. It is the end of Ramadan and as the only non-Muslim social worker at the hatch, Lai Sum works a few extra shifts to give her colleagues Kam, Fatimah and Nurul some time off. One day, Lai Sum encounters Lam Siew Man (Natalie Hsu), a mass communications university student, who is pregnant after being sexually assaulted by fake shamans. Torn between her unwanted pregnancy and her emotions, Siew Man wrestles with her trauma and is seeking an abortion but does not have the heart to do so. Lai Sum vows to help the teenager find a safe home for her coming baby and bring the perpetrator to justice. The film addresses several sensitive Malaysian social issues, among them gender issues, economic disparity and ideological discourse. Blending Cantonese, Malay, and English in an innovative style, this film explores the tapestry of Malaysian traditions and cultural beliefs. While most scenes occur at Lai Sum's workplace, the most emotional and climactic one does not. Instead, it takes place at a suburban cinema. As the friendship between Lai Sum and Siew Man deepens, the two go to watch a movie in a theatre, and somebody covers the projector with his hand. This casts a huge shadow of the hand across the screen, triggering assault memories within Siew Man, who begins hyperventilating and runs out of the cinema crying. On their way back, our heroines come across an ancient ceremony celebrating a baby's 30th day. In a brief but interesting talk with the baby's aunt (Mia Sabrina Mahadir), she explains that within the Minangkabau culture, women hold inheritance rights — a matrilineal tradition. She shares that her sister is fortunate to have given birth to a daughter, while she, by contrast, gave birth to a son. What follows is a mesmerising dance sequence where performers wave and later smash fragile plates. Eventually, Lai Sum's past is revealed, and the fake shaman practitioners are caught red-handed in a carefully orchestrated plan involving the social workers and the police. In this powerful two-woman play, Fish Liew and Natalie Hsu embody Lai Sum and Siew Man with subtle yet intense passion. Through their interactions filled with emotion, the friendship between the older woman and the student, both of whom are victims of sexual crimes, is executed beautifully. And it is a pleasant trip down memory lane to hear several Chinese lullabys which many of us might have heard from our elders when we were babies back then. Hong Kong-based Malaysian star Liew was spot on when she recently admitted that it was harrowing playing Lai Sum. This is because the protagonist had to deal with hundreds of sad and tragic stories of mothers who were forced to give their babies away, through no fault of their own. Siew Man has had a tough time, too. However, she is actually quite strong and rising star Hsu did not want to portray her as a victim but a complete person with joys, fears and hopes. 'Pavane For An Infant' is an emotional, yet hard-hitting movie that focuses on a topic that is fast being addressed all over the world, of mothers abandoning their newborns willingly or unwillingly. And just as important, it shows how patriarchal attitudes (male chauvinism) and the "blame the woman" mentality still prevails, even in developed countries. Director Chong hopes that his movie will encourage Malaysians to take a stand against sexual violence. At the recent launch of the movie, he rightfully hoped that his film will serve as a voice against it and empower both survivors of abuse and the women who save abandoned infants. PAVANE FOR AN INFANT STARRING Fish Liew, Natalie Hsu, Pearlly Chua, Tan Mei Ling, Ben Yuen, Yuan Teng, Jasmine Suraya Chin, Dishaaleny Jack, Mia Sabrina Mahadir.


New Straits Times
a day ago
- New Straits Times
#SHOWBIZ: Jimmy Kimmel reveals Matt Damon nearly choked to death at his home
LOS ANGELES: Matt Damon narrowly avoided a life-threatening incident during dinner at Jimmy Kimmel's house, after choking on a spare rib that became lodged in his throat for nearly 90 minutes. The late-night host recalled the frightening moment in an interview with Variety, saying the 54-year-old actor had arrived hungry and began eating quickly before the rib got stuck. "He came late, was very hungry, and started eating fast. He started choking on a pork rib. It was stuck in his throat for about an hour and a half," Jimmy, 57, explained. The comedian admitted he panicked at the thought of Damon possibly dying under his roof. "His brother was there. I said, 'We've got to get him to the hospital, because if he dies in my house, I'm going to prison for the rest of my life. I'll never be able to explain this as anything other than a murder.'" Despite repeated attempts, the Heimlich manoeuvre proved unsuccessful. Desperate for a solution, they turned to YouTube tutorials and eventually discovered that eating small pieces of bread might help. The unconventional method worked, with Damon finally able to swallow the rib. "Bread saved him," Kimmel said. "We tried the Heimlich many times. It was too far down." The incident adds another twist to the pair's long-running comedic 'feud,' which began in 2005 when Kimmel joked at the end of his show, "Apologies to Matt Damon, but we ran out of time." Since then, their playful rivalry has included red-carpet banter and Sarah Silverman's viral parody song "I'm [expletive] Matt Damon."