
Professionals Are Sharing Why Their Job Isn't As Glamorous As It's Made Out To Be
1. "Being a musician on the road, unless you're super famous. It's fun for sure. But it's not for everyone."
– therealkaiser
"Toured in a van with a band for three months in 2013 and it was simultaneously the best and worst experience of all time. Got to go to many places I wouldn't normally have gone. Met a huge variety of people. Played to some awesome crowds, stayed at some wild places – one of my bandmate's uncles lived in a literal mansion with a pool and we drank top shelf liquor all night – but literally the polar opposite would regularly happen the next day.
Drive 10 hours with a hangover, play to no one, have no place to crash but the van in a Wal-Mart parking lot with seven other smelly dudes who haven't showered in three days while drinking PBR and finding out your next day was cancelled (i.e. no pay). You sort of can make it what you want if you plan it right and are willing to take a few blows along the way. If you're in a mid-tier band (like 'have your own bus and crew' kind of deal) then you have it a little easier."
– RunningFromSatan
3. "Event planning – I was an event professional for over a decade and everyone always says 'oh what a fun job!' picturing that its just a never ending Pinterest board. Really, it's mostly Excel spreadsheets and people being pissed about how cold a room is."
– Objective_Analysis_3
4. "Architect. It's like 75 percent coordinating trades and 20 percent trying to meet code Egress requirements and stuff."
– kchatman
5. "Media of any type (TV/Radio/Newspaper). Low paying, terrible hours, and a media workplace that ISN'T toxic in one way or another is a unicorn."
– HelloSweetie2
6. "Attorneys. If you're going off Suits, it ain't that interesting."
– RelativeMastodon82
7. "Ever seen a ballerina's feet?"
– AardvarkAapocolypse
Fox Searchlight Pictures
8. "Advertising. Don't get me wrong. It's been a lot of fun. I've shot commercials in places such as LA, New York, and New Zealand. I've met a lot of interesting, artsy people and done lots of interesting things."
"But at the same time, it can be a serious grind, with long hours, capricious clients, and constant subjectivity. After 35 years in the business, I consider it a minor miracle that I've gotten this far without a substance abuse problem, a divorce, an affair, or a weekly chit chat with a therapist."
– AnybodySeeMyKeys
9. "Librarians. TV tends to show sexy librarians, or portray librarians as just sitting all day and reading. I've had people try to get their teenagers jobs as librarians, because they don't realise it's actually a Master's degree."
"We don't get to read on the job, but we do get to deal with the public, which includes drunk/high people, homeless, mentally ill, and entitled people who 'pay our salary'.
We get people who steal our materials and then will throw a tantrum because they can't check anything else out. We have belligerent people or drug deals that require us to call the cops. Many libraries have started training their staff to use NARCAN.
Many libraries also expect their librarians to double as social workers. That's not even mentioning the programming that we do, as well. All for $18 bucks an hour or so, because even though it's a Masters degree, it's a 'feminine' field, and don't we all have rich husbands supporting us? We're expected to work ourself to death because of vocational awe."
– AntiqueGreen
10. "Firefighting. Most career departments do 90% medical runs. My town picks up the same homeless people over and over and haven't had a real fire in over a year. Still the greatest job in the world, but it's not what it's like on TV. And when you do go to fires it's heartbreaking because someone just lost everything."
– dontbthatguy
11. "Chef. We age like dogs. Seven years to every one normal human year."
– BobKattersCroc
Open Road Films
12. "Intelligence analyst. Much less James Bond and more accountant."
– ACam574
13. "Professor/academic. Even in an Oxbridge college, nominally quite glamorous, it's an endless maze of disconnected online portals and passwords and grant applications and bureaucracy. You spend an outrageous amount of time doing admin and then do even more if you're successful. The ratio between what you are earning vs what you could be earning in the private sector as you climb the ladder is wild."
– undoom
14. "Photographer. There's a lot of setting up gear, pulling down gear, making sure you REMEMBERED all of it, and hauling it all around. I do mostly events like fashion shows, private parties and location shoots – which means I'm carrying maybe 10lbs of gear around on a harness/hip bag etc, for hours. Keeping a few pounds of gear in front of your face doesn't sound like much until you have to do it for five hours straight. And that gear gets hot too – so you WILL be sweaty. I love it, but it's physically taxing and nowhere near glamourous."
– nionvox
Sony Pictures Releasing
15. "The film industry can be absolutely soul sucking, especially for below-the-line crew. Sure, it's kind of cool seeing celebrities in person and stuff in movies that haven't come out yet, but the hours are insane. If you're lucky, you'll work 10 hour days, though normally it's more like 12-14."
"Some days you're up at the crack of dawn, some nights you're working until the sun comes up. When you're on a show full time you have no time to do anything out of work. When you're day playing, they shuffle the schedule around so much you can't plan anything. When you're not working, you start to panic about money.
You're constantly searching for your next job. And dealing with the egos of directors and producers can be a nightmare. You're often working out in the elements. If where you live has seasons, you're be freezing your ass off in winter and burning alive in the summer. I got out when COVID hit, and I've never looked back."
16. "Environmental biologist. Going out on a boat is fun, until you're spending 14 hours out in six foot waves getting seasick and trying to sample, soaking wet and covered in fish guts. Or out on the prairie on a 100-degree day getting eaten alive by mosquitoes. Or on a mountain during a thunderstorm trying to sample some obscure plant or animal. Or stuck waist deep in a wetland, covered in sweat and mud.""
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Yahoo
a day ago
- Yahoo
It was one of 2009's catchiest hits. Now, it's been dubbed the 'worst song ever made.'
How Edward Sharpe and the Magnetic Zeros' biggest hit found itself in the crosshairs of social media. A hodgepodge of hipsters in day-old clothes gathered closely together, playing obscure string and percussion instruments for a performance on NPR's Tiny Desk concert series. It was November 2009, and the band, Edward Sharpe and the Magnetic Zeros, was slowly tightening its chokehold on pop culture with its song 'Home.' You know the tune. It opens with the syrupy-sweet line, 'Alabama, Arkansas, I do love my Ma and Pa / Not the way that I do love you.' Fast forward to August 2025, a clip of that same performance by the 10-member band has been making the rounds on X, where a viral post called it the 'worst song ever made.' In fact, the whole genre of 'stomp clap hey' music, an indie-folk hybrid that was popular in the late 2000s and early 2010s, has also been called the worst of all time. Characterized by cutesy lyrics, vintage instruments and dramatic choruses, stomp clap hey includes acts like Mumford & Sons, the Lumineers and Of Monsters and Men. Their sound is strategically quirky and invokes the feeling of a sing-along, inviting listeners to stomp and clap with them. So why, all of a sudden, has it become stylish to disdain this micro-era of music? 'No cool factor' Oversaturation may also have played a role in the growing ire for 'Home' in particular. It once felt like the song was everywhere, though it was never quite a hit beyond alternative radio. That might, in part, be because it appeared in so many commercials — even in recent years. We could never truly escape the band's clapping, shouting and whistling, their earnest warbling about how home isn't a place but a person. All that exposure might have made us resistant toward it, even though it's not old enough to buy itself a PBR. Beckoned by the brewing controversy over his old song, Edward Sharpe bandleader Alex Ebert recently took to Instagram to refute that 'Home' is the worst song ever, crediting his group for inspiring the stomp-clap-hey genre. This week, he told Stereogum that he was used to criticism because 'the job of rock 'n' roll is to transform counterculture into culture,' but the 'vitriol that we got from the gatekeepers of cool' was unexpected. 'I was expecting a blowback, but I wasn't expecting, like, real anger,' he said of the initial critique his music received. 'And their anger was almost overridden by popular demand. I love this stomp clap genre, which is a great name for it. We're going to have to ironically reclaim the pejorative, as you do. But I realize it's a good little cathartic moment, and I love the discussion around it.' Even in their prime, songs like the Lumineers' 'Ho Hey' and Of Monsters and Men's 'Little Talks' were mainstream but quirky. Jason Lipshutz, the executive director of music at Billboard, tells Yahoo that stomp-clap-hey bands had a ton of fans and plenty of big hits, but 'there was no cool factor.' 'They were perceived as very dorky at the time … there was a feeling of inauthenticity,' he says. 'They were kind of popular but easy to clown on — especially because they didn't ring true to actual, authentic folk artists.' Though Mumford & Sons won Album of the Year at the Grammys in 2013, music critics were generally more fond of folk artists like Bon Iver and Fleet Foxes during that era. History is more kind to them because their songs were more lyrically complex and wistful compared to the 'forced anthemic songs of Mumford and the Lumineers,' Lipshutz says. What sets stomp-clap-hey music apart from typical folk music is the fast-paced choruses and upbeat lyrics that follow the literal stomping and clapping. Nikki Camilleri, a music industry executive, tells Yahoo that 'indie-folk optimism' was at its most popular in the early 2010s, dominating commercials and music festival lineups. 'Now, with the internet in its cynical, irony-heavy era, that kind of earnest, campfire joy feels out of touch,' she says. 'People hear it and think of ad jingles, quirky rom-com montages, and a very specific millennial nostalgia that's easy to mock.' Millennial cringe Because of how quickly the trend cycle functions on TikTok, we're revisiting bygone eras before we're truly ready to appreciate them. It hasn't quite been long enough for us to associate these musical stylings with the warm and fuzzy feelings of nostalgia that we have for other millennial-dominated genres like recession pop or boy band music. It doesn't help that, in our current algorithm-driven era on social media, negative posts are rewarded. Something about the best song of all time probably wouldn't have driven as much engagement on X. The fear of being perceived as 'cringe' has created an aversion to the earnestness that is all over songs like 'Home.' But it's not just the algorithms. We're living in increasingly pessimistic times that are at odds with the crunchy positive vibes heard in tracks like 'Home,' 'Ophelia' and 'I Will Wait.' Music writer Grace Robins-Somerville tells Yahoo that stomp-clap-hey music is associated with 'Obama-era optimism that now feels cringe.' Even when totems of that era are romanticized, like Katy Perry's 'Firework' or Glee, they're still looked back at with mild disgust. Though folk had a bit of a resurgence on the charts recently with singers like Noah Kahan and Hozier, who also embrace woodland hippie aesthetics, they stand apart from their stomp-clap-hey predecessors. For starters, they're sad. They're of the current yearning era: of men pining away for women and small towns, not hooting and hollering about love. 'They're a little bit more modern. The songwriting's a bit sharper,' Lipshutz says. 'I think if Noah Kahan was the Noah Kahan Band, and it was four guys with beards instead of one guy with long hair, he'd be treated differently — even if it was the exact same song.' Burly singer-songwriter music is back on the charts and commanding crowds, but if the performers were standing in groups with banjos instead of alone with guitars, we'd probably find it less sincere. Maybe it's our resistance to optimism, or maybe it's just true. Solve the daily Crossword
Yahoo
a day ago
- Yahoo
It was one of 2009's catchiest hits. Now, it's been dubbed the 'worst song ever made.'
How Edward Sharpe and the Magnetic Zeros' biggest hit found itself in the crosshairs of social media. A hodgepodge of hipsters in day-old clothes gathered closely together, playing obscure string and percussion instruments for a performance on NPR's Tiny Desk concert series. It was November 2009, and the band, Edward Sharpe and the Magnetic Zeros, was slowly tightening its chokehold on pop culture with its song 'Home.' You know the tune. It opens with the syrupy-sweet line, 'Alabama, Arkansas, I do love my Ma and Pa / Not the way that I do love you.' Fast forward to August 2025, a clip of that same performance by the 10-member band has been making the rounds on X, where a viral post called it the 'worst song ever made.' In fact, the whole genre of 'stomp clap hey' music, an indie-folk hybrid that was popular in the late 2000s and early 2010s, has also been called the worst of all time. Characterized by cutesy lyrics, vintage instruments and dramatic choruses, stomp clap hey includes acts like Mumford & Sons, the Lumineers and Of Monsters and Men. Their sound is strategically quirky and invokes the feeling of a sing-along, inviting listeners to stomp and clap with them. So why, all of a sudden, has it become stylish to disdain this micro-era of music? 'No cool factor' Oversaturation may also have played a role in the growing ire for 'Home' in particular. It once felt like the song was everywhere, though it was never quite a hit beyond alternative radio. That might, in part, be because it appeared in so many commercials — even in recent years. We could never truly escape the band's clapping, shouting and whistling, their earnest warbling about how home isn't a place but a person. All that exposure might have made us resistant toward it, even though it's not old enough to buy itself a PBR. Beckoned by the brewing controversy over his old song, Edward Sharpe bandleader Alex Ebert recently took to Instagram to refute that 'Home' is the worst song ever, crediting his group for inspiring the stomp-clap-hey genre. This week, he told Stereogum that he was used to criticism because 'the job of rock 'n' roll is to transform counterculture into culture,' but the 'vitriol that we got from the gatekeepers of cool' was unexpected. 'I was expecting a blowback, but I wasn't expecting, like, real anger,' he said of the initial critique his music received. 'And their anger was almost overridden by popular demand. I love this stomp clap genre, which is a great name for it. We're going to have to ironically reclaim the pejorative, as you do. But I realize it's a good little cathartic moment, and I love the discussion around it.' Even in their prime, songs like the Lumineers' 'Ho Hey' and Of Monsters and Men's 'Little Talks' were mainstream but quirky. Jason Lipshutz, the executive director of music at Billboard, tells Yahoo that stomp-clap-hey bands had a ton of fans and plenty of big hits, but 'there was no cool factor.' 'They were perceived as very dorky at the time … there was a feeling of inauthenticity,' he says. 'They were kind of popular but easy to clown on — especially because they didn't ring true to actual, authentic folk artists.' Though Mumford & Sons won Album of the Year at the Grammys in 2013, music critics were generally more fond of folk artists like Bon Iver and Fleet Foxes during that era. History is more kind to them because their songs were more lyrically complex and wistful compared to the 'forced anthemic songs of Mumford and the Lumineers,' Lipshutz says. What sets stomp-clap-hey music apart from typical folk music is the fast-paced choruses and upbeat lyrics that follow the literal stomping and clapping. Nikki Camilleri, a music industry executive, tells Yahoo that 'indie-folk optimism' was at its most popular in the early 2010s, dominating commercials and music festival lineups. 'Now, with the internet in its cynical, irony-heavy era, that kind of earnest, campfire joy feels out of touch,' she says. 'People hear it and think of ad jingles, quirky rom-com montages, and a very specific millennial nostalgia that's easy to mock.' Millennial cringe Because of how quickly the trend cycle functions on TikTok, we're revisiting bygone eras before we're truly ready to appreciate them. It hasn't quite been long enough for us to associate these musical stylings with the warm and fuzzy feelings of nostalgia that we have for other millennial-dominated genres like recession pop or boy band music. It doesn't help that, in our current algorithm-driven era on social media, negative posts are rewarded. Something about the best song of all time probably wouldn't have driven as much engagement on X. The fear of being perceived as 'cringe' has created an aversion to the earnestness that is all over songs like 'Home.' But it's not just the algorithms. We're living in increasingly pessimistic times that are at odds with the crunchy positive vibes heard in tracks like 'Home,' 'Ophelia' and 'I Will Wait.' Music writer Grace Robins-Somerville tells Yahoo that stomp-clap-hey music is associated with 'Obama-era optimism that now feels cringe.' Even when totems of that era are romanticized, like Katy Perry's 'Firework' or Glee, they're still looked back at with mild disgust. Though folk had a bit of a resurgence on the charts recently with singers like Noah Kahan and Hozier, who also embrace woodland hippie aesthetics, they stand apart from their stomp-clap-hey predecessors. For starters, they're sad. They're of the current yearning era: of men pining away for women and small towns, not hooting and hollering about love. 'They're a little bit more modern. The songwriting's a bit sharper,' Lipshutz says. 'I think if Noah Kahan was the Noah Kahan Band, and it was four guys with beards instead of one guy with long hair, he'd be treated differently — even if it was the exact same song.' Burly singer-songwriter music is back on the charts and commanding crowds, but if the performers were standing in groups with banjos instead of alone with guitars, we'd probably find it less sincere. Maybe it's our resistance to optimism, or maybe it's just true. Solve the daily Crossword