
Austitic teenager from Sanquhar dreams of big screen career
Edward was born in Inverness and grew up in Forres but has lived in Sanquhar for almost a decade.The organisers of the awards described them as "celebration of talent" but also a "clear statement of intent".They said they wanted to show that the UK film industry "values, nurtures and believes in the voices of the next generation".Among those voices is Edward's.
"I'd always loved making and building with Lego when I was younger and I wanted to make these Lego people and characters and things come to life," he said."So I then started to make stop-motion animations with these Lego characters and buildings and things like that, make little movies with them."Then I would then progress my skills with that and then get different equipment and better equipment."The Sanquhar Academy pupil was given a laptop by the local council for his school work which he started to use for making films and it has "progressed and progressed" from there.His award-winning film - More Than One Way To Go Home - tells the story of a young autistic girl who has to find her own way home when her brother leaves her to fend for herself.
He said winning the prize for his work was a special moment."It felt great, it was just overwhelming with all the support that I got from loads of people voting me for this award."It was just great. I am still in shock that I won."All the support from my community of Sanquhar, it's just been absolutely brilliant and I'm so grateful for all of it."It has fuelled his passion to pursue a life in cinema after he finishes his education.
"I really want to go into the industry and hopefully become a director of photography," he said."That's my dream goal. So I'm hopefully just going to stick in and then go to college and university and just work my way up until I'm a director of photography and do what I want to do."His mother Jess said the whole family was "incredibly proud" of what Edward has achieved."He was a nominee in the best story category as well and even though he didn't win that prize it was still just an incredible achievement to be chosen," she said."That was a new category this year that the judges chose out of all the films that were entered."So it was an honour to know that he was chosen to be part of the best story category up against other filmmakers that were 18 or 19 years old.""We're just really, really proud of him and very thankful for the support the community gave him."
She said the fact that he was autistic made it all the more remarkable."He's obviously had to overcome a lot of different challenges in his day to day life," she said."Filmmaking has been a way for him to express himself in ways that he has otherwise found difficult."It's been a really good outlet for him."
She said she believed he could go further in the field where he has already started to thrive."We just feel proud and we just hope that he can continue on and achieve his goals and his dreams of one day being a director of photography," she said."I don't see why he can't, to be honest, he's got his sights set on the big screen."He's got a lot of hard work ahead of him, but he seems really enthusiastic for it."
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6 hours ago
- Daily Mail
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It turns out Goodwin has misinterpreted virtually every page of the economic bible and, bewilderingly for the author, embarked on a programme of aggressive capitalism. 'You've got me all wrong,' he says, scandalised at Goodwin's insistence that he is the father of modern capitalism. 'I'm not a capitalist. I'm a moral philosopher.' It's a devastating take-down, not just of the banker, but of the fanaticism which can grow from the selective reading of seminal texts. The moral? Pay closer attention. And Cox is superb – a cross between a bumbling great uncle transported to confusing, unfamiliar times and a raging Logan Roy (his character in TV drama succession) driven to distraction by the incompetence of his protégés. 'You f***** idiot,' he snarls at Goodwin as the banking bubble bursts, sounding exactly like his TV media mogul carpeting one of his disaster-prone offspring. Sensibly, Adam Smith sees the writing on the wall and demands to withdraw his savings. Gordon Brown delivers his verdict on the banker too. He calls him an 'utter b******.' Even the mild-mannered Alistair Darling is only marginally less withering. And, bringing the hubristic tale to grass-roots level, we hear from shareholders. One inquires of Goodwin why his salary is 50 times that of typical staff members when the industry standard is six. She reappears later to remind him that figure has risen to 120. It all climaxes, as we knew it surely would, with Goodwin as the demented captain of a vast sinking ship casting around for the billions required to forestall the certain doom which lay only hours away. We know the rest. The knighthood being wrested from him and – after a struggle – a portion of his pension too. The pariah status that followed and the mea culpa which never truly did. And the Festival Theatre audiences surely know the rest better than most. This is a play about their home town's recent history. Edinburgh is a compact city. 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I didn't see anyone who wasn't.