logo
Delhiwale: Chandni Chowk's new ways

Delhiwale: Chandni Chowk's new ways

Hindustan Times17-07-2025
Although it was mashoor for sohan halwa, the sweetshop's boondi laddu would reach closest to perfection. Each round piece topped with a single melon seed, the little laddu would dissolve the instant it was tossed into the mouth. The sustained presence of a culinary landmark, its eventual closure, followed by its re-emergence, is a tribute to old Chandni Chowk. (HT)
Old Delhi's Ghantewala Confectioners had been a Chandni Chowk landmark since 1790. It closed its shutters in 2015. The space wasn't orphaned. It changed into a cloth shop. A few years later, the cloth shop closed too. The space shuffled back into a sweetshop—reverting into… the same Ghantewala!
The sustained presence of a culinary landmark, its eventual closure, followed by its re-emergence, is a tribute to old Chandni Chowk. But like it or not, this old area is more new than old. The Mughal-era promenade continues to be crammed with vintage mansions and monuments, but it is no museum to bhoole-bhisre mumbo jumbo. With all its chaos and crowds, Chandni Chowk is furiously raw, throbbing wildly to the moment.
A sense of that pulsating present is felt, albeit slightly, at the aforementioned sweetshop, whose eighth generation descendent is chatting with a customer in fluent angrezi. The energy is more intense in other Chandni Chowk businesses. All you have to do is to browse the market hoardings. It is revealing to trace the connections the English language legends on the shop banners strike with whatever awareness we might have of Chandni Chowk's fabled past.
Let's start with England's Jane Austen. All her drawing room romances end with a dulha-dulhan. If Austen novels were set in Delhi, her heroines and heroes would certainly have relied on Chandni Chowk for their wedding trousseau. The place is full of shops with names like 'Grooms Collection.' One shop specialises in 'Bridal Lehenga' and—hear, hear!—'Girlish Lehenga.' But Chandni Chowk refuses to be boxed into the cliché of a shadi walla market. Sample this unusual bazar banner—an 'arms and ammunition shop.'
Or, consider a market corridor next-door to the historic Sikh shrine of Gurudwara Sis Ganj Sahib. This seemingly ordinary corridor displays a stone slab. The inscription on it describes the site as 'Shahi Sunheri Masjid.' The centuries-old mosque is perched directly atop the corridor, and is the fateful place from where invader Nadir Shah supervised the massacre of thousands of Delhiwale in 1739. But this evening, the stone slab has strayed too far from that ghastly history—at least visually. It is partially hidden by a clothing brand's invasive neon hoarding.
And so it goes. Other banners, other combos, such as 'Polite Garments' hanging too close to 'Lovebird Lingerie.'
Similarly colourful is the rest of Chandni Chowk's signage jungle. While these entrepreneurial banners speak in varied voices, they sing together a chorus, illustrating how forcefully the new ways have taken over the old courtliness of the place. Indeed, one shop banner goes literal about the point—see photo.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Ghar aisa lag raha hai hum log Punjab mein aa gaye hain': Inside ‘Gangotri,' Sonu Sood's new bungalow
‘Ghar aisa lag raha hai hum log Punjab mein aa gaye hain': Inside ‘Gangotri,' Sonu Sood's new bungalow

Indian Express

time2 hours ago

  • Indian Express

‘Ghar aisa lag raha hai hum log Punjab mein aa gaye hain': Inside ‘Gangotri,' Sonu Sood's new bungalow

When Farah Khan visited Sonu Sood's brand-new Mumbai bungalow for her vlog, it felt more like catching up with an old friend. 'Aaj main mere bohot khaas friend ke ghar aayi hoon. Aap log ne filmon mein heroes to dekhe honge lekin yeh asli life mein hero hai,' Farah said as she entered the actor's home, setting the tone for a playful walkthrough of Sood's life off-camera. Named 'Gangotri,' Sonu's sprawling residence in Mumbai, reportedly worth ₹20 crore according to Jugyah, mirrors his grounded personality despite his star status. With a touch of Punjab in the décor and vibe, Farah couldn't help but exclaim, 'Sonu ji ka ghar aisa lag raha hai hum log Punjab mein aa gaye hain.' The house opens with a grand entrance featuring a Buddha statue and a cosy outdoor seating space, surrounded by lush greenery. The name 'Gangotri' stands tall at the gate, both in English and Hindi, marking its identity. The interiors boast a pristine white-and-beige palette, from the sofa set in the living area to the stylish dining space that leads up a gorgeous white staircase. Farah quipped about Sonu's calm composure and his Punjab-inspired hospitality as they toured the outdoor seating. The tour also offered a glimpse into Sonu's personal spaces. His elder son Ishant's room, showcasing a self-made car canvas, stands out with its grey-themed décor and private exit. His younger son Ahaan's room brings in vibrant anime art and a splash of yellow furniture, highlighting the playful side of the household. The first floor features a sleek media room with white sofas and a massive TV, a space Sonu uses for meetings. But the showstopper? A unique thread art portrait gifted by a fan, something Sonu proudly showcased to Farah. And of course, there's the shared sneaker room. Sonu and his sons, all sharing the same shoe size, built this sneaker haven together. Outside, a serene balcony surrounded by trees, including a mango tree, completes the homely yet luxurious vibe. Farah summed it up best when she said, 'Wow, just a nice house, looks like Om Shanti Om set,' to which Sonu replied, 'Yes, it's inspired by that only.'

Feel humbled: Makers of God Vulture and Human on winning National Award
Feel humbled: Makers of God Vulture and Human on winning National Award

Time of India

time2 hours ago

  • Time of India

Feel humbled: Makers of God Vulture and Human on winning National Award

A still from the dicumentary In a proud moment for Ahmedabad, God Vulture and Human (English, Hindi, and Telugu) won the Best Documentary award at the 71 st National Film Awards. The documentary, co-produced by IIM Ahmedabad (IIMA) faculty Dr Rajesh Chandwani and directed by National Institute of Design (NID) alumnus Rishiraj Agarwal, explores organ donation from the perspective of Organ Transplant Coordinators (OTCs). What is the documentary about? God Vulture and Human highlights the role of OTCs in the process of organ donation, retrieval, and transplantation, and explores the challenges faced by them. While the donor's family often has a negative perception about them (they are seen like vultures), the recipient's family perceives them as God. Rishiraj Agarwal, director of the documentary, says, 'The idea of devotion to work is the overarching theme of the documentary. I found the stories of these coordinators really inspiring. ' Dr Rajesh Chandwani OTCs are like symphony artists; they have to manage so many things: Rajesh Chandwani The documentary was inspired by Dr Chandwani's research paper on the same subject. He says, 'I have been working in this field (organ donation) since 2017 and had met Nilesh Mandlewala (founder of an NGO working towards awareness and promotion of organ donation) that year. We had the first NATCO (Network and Alliance of Transplant Coordinators) conference at IIMA in 2018, where I met several OTCs. I was fascinated by their work. The intention behind this documentary was to promote awareness about the crucial role coordinators play and the National Award feels humbling. Not everyone will read my research paper, a documentary allows me to reach out to more people.' He adds, 'OTCs are like symphony artists; they have to manage so many things-convincing the donor's family, coordinating with multiple teams, including cops. They face unforeseen challenges. For example, they may need to arrange for 10kg of ice at a short notice. Also, it can be tricky for them because time is crucial once a person is declared brain dead. However, the donor's family can get angry with them and they have to be careful. We plan to make two more documentaries-one on the donors' families (already shot), and another one on the hospitals and the system.' Rishiraj Agarwal This award has made me more confident: Rishiraj Agarwal Rishiraj, who directed the documentary as a single-person crew, says, 'This was my first attempt at the medium-long documentary format. I had never imagined that I would win a National Award so soon. At NID, our teachers would always talk about the importance of National Awards and I always dreamed of winning one. We had applied to many international fests and while people appreciated my film, overall, the response was mixed, and I had my share of rejections too. This award has made me more confident about my craft and I guess people will also feel more confident now about working with me.' He adds, 'I would always wonder about how people working at the forefront of the healthcare industry must be having their own struggles and grievances towards life. In 2016, after a brain operation and 18 months of regular hospital visits, I lost my father. Post that, while dealing with my own grief, I was able to empathize with others' grief more. When this opportunity came, it instantly hit the right chord and I started working on it. I am grateful to my guide Shilpa Das. Also, my friend Bhuwan constantly motivated me and helped me out with the technical aspects whenever I got stuck.' Talking about OTCs, Rishiraj says, 'Their tireless efforts- coordination with multiple stakeholders and counselling the grieving family, make them unsung heroes who work in silence. The film is an effort to humanize them.'

Son of Sardaar 2 box office collection day 6: Sluggish run continues for Ajay Devgn-Mrunal Thakur film, earns ₹31 crore
Son of Sardaar 2 box office collection day 6: Sluggish run continues for Ajay Devgn-Mrunal Thakur film, earns ₹31 crore

Hindustan Times

time3 hours ago

  • Hindustan Times

Son of Sardaar 2 box office collection day 6: Sluggish run continues for Ajay Devgn-Mrunal Thakur film, earns ₹31 crore

Son of Sardaar 2 box office collection day 6: Ajay Devgn and Mrunal Thakur's Son of Sardaar 2 continues to struggle at the box office. Although it has managed to outperform Dhadak 2 at the box office, Son of Sardaar 2 is still not enough to keep up. As per the latest update on Sacnilk, the film has now crossed the ₹ 30 crore mark in India. Son of Sardaar 2 box office collection Day 6: Ajay Devgn and Mrunal Thakur's film struggles to bring audiences to the theatre. Son of Sardaar 2 box office On its sixth day, the film earned only ₹1.65 crore (India net), bringing its total domestic collection to ₹31.5 crore, according to early estimates. The film had a decent performance in its first five days, collecting ₹29.85 crore, and Day 6 showed no signs of momentum. Occupancy across theatres remained low on Wednesday. Morning shows saw just 5.43% occupancy, while the afternoon and evening shows fared slightly better at 9.32% and 9.59% respectively. Notably, there were no recorded night show occupancies, suggesting either limited screenings or very poor turnout. Region-wise, a few cities performed better than others. Jaipur topped the chart with an overall occupancy of 13.67%, peaking at 15% during the evening shows. Lucknow followed closely with 12.33% occupancy, reaching up to 18% during the night shows. Chennai also showed decent numbers with 12.5% overall occupancy, particularly in the evening. Meanwhile, major territories like Mumbai and NCR saw modest engagement. Mumbai recorded 9% overall occupancy, with afternoon shows at 11%. The National Capital Region posted a similar 9.67%, peaking during evening screenings at 12%. Pune, Bengaluru, and Chandigarh hovered around the 8–10% mark throughout the day. However, cities like Hyderabad, Kolkata, and Surat saw low turnout, each registering under 5% overall occupancy. Hyderabad, in particular, stood at just 4.67% throughout the day, while Ahmedabad, Bhopal, and Surat also struggled to draw audiences. About Son of Sardaar 2 Son of Sardaar 2 is directed by Vijay Kumar Arora, marking his debut in a major Hindi release. The film stars Ajay Devgn reprising his role as Jassi Singh Randhawa, alongside Mrunal Thakur as his female lead. The storyline follows Jassi's chaotic journey to Scotland to reconcile with his estranged wife, only to get entangled in mafia rivalries, a boisterous Sikh wedding and hostage drama. With a reported budget of ₹150 crore, Son of Sardaar 2 is far from a commercial success so far. Unless there's a dramatic turnaround over the weekend, the film may face an early exit from theatres.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store